In honor of Fleetwood Mac's ethereal '70s rock classic "Dreams," which recently returned to the Billboard Hot 100 thanks to a viral TikTok skateboard video from Nathan Apodaca, we want to know which of the legendary group's songs is your favorite!

Beyond their ubiquitous 1977 No. 1 hit "Dreams," there are so many other gems from the iconic GRAMMY-winning album Rumours, as well as across their entire catalog. There's the oft-covered sentimental ballad "Landslide" from their 1975 self-titled album, the jubilant, sparkling Tango in the Night cut "Everywhere" and Stevie Nicks' triumphant anthem for the people "Gypsy," from 1982's Mirage, among many others.

Vote below in our latest GRAMMY.com poll to let us know which you love most.

Related: Fleetwood Mac's "Dreams" Back On Charts Thanks To Viral Skateboard Video On TikTok

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A moving 2023 GRAMMYs segment featured friends, family and bandmates honoring their departed loved ones in song — including tributes from Kacey Musgraves, Quavo, and Sheryl Crow, Mick Fleetwood, and Bonnie Raitt.

The GRAMMY Awards' annual tribute to music industry icons who passed in the preceding year is always a bittersweet highlight of the ceremony — and this year's moving edition was certainly no exception.

In addition to honoring the many artists, producers, executives, and more who we lost, three legendary musicians received individual recognition from their close friends, collaborators, and loved ones.

A longtime admirer of Loretta Lynn, Kacey Musgraves became friends with the late country legend after opening for Lynn's 2012 tour — and thus was the perfect person to honor the four-time GRAMMY-winner.

Surrounded by a spray of red flowers and wearing a red dress that would've suited the Songwriter Hall of Fame honoree, Musgraves delivered a sterling rendition of Lynn's autobiographical "Coal Miner's Daughter."

With each strum of her guitar — with Lynn’s name inlaid on the neck in enamel — Musgraves brought more of her hero's trademark warmth and country legacy into fuller bloom, the names and images of other lost legends materializing behind her.

The rap world was stunned when it lost Migos member Takeoff in a tragic shooting in November, and his uncle and bandmate Quavo paid tribute with the elegiac "Without You." The rapper's soulful delivery was rounded out by the rich harmonies of gospel group Maverick City Music, the pain evident in his face as he sat next to an empty stool, his nephew’s chain hanging from a tragically unused mic stand.

As the song concluded, Quavo rose, holding that chain up to the heavens, his hope to see Takeoff again ringing out.

While clips of heroes like Jeff Beck and David Crosby surely brought tears to many an eye, the heartfelt tributes were rounded out by the trio of Sheryl Crow, Bonnie Raitt, and Fleetwood Mac's Mick Fleetwood. Together, they honored Christine McVie with a poignant rendition of Fleetwood Mac's "Songbird."

While Fleetwood stood with a resonant hand drum, Crow took to the piano with Raitt seated at her side. "And the songbirds are singing/ Like they know the score," they sang: "And I love you, I love you, I love you/ Like never before."

The crystalline performance immaculately suited the songwriter's immense spirit and unparalleled writing, with Fleetwood’s somber hand drum lending a beautiful final note.

Check out the complete list of winners and nominees at the 2023 GRAMMYs.

Head to live.GRAMMY.com all year long to watch all the GRAMMY performances, acceptance speeches, the GRAMMY Live From The Red Carpet livestream special, the full Premiere Ceremony livestream, and even more exclusive, never-before-seen content from the 2023 GRAMMYs.

The lineup for the 2023 GRAMMYs on Sunday, Feb 5, will include an In Memoriam segment paying tribute to some of those from the creative community that were lost this year with performances by GRAMMY-winning and -nominated artists.

The segment will feature Kacey Musgraves performing "Coal Miner's Daughter" in a tribute to three-time GRAMMY winner and 18-time nominee Loretta Lynn; Sheryl Crow, Mick Fleetwood and Bonnie Raitt honoring three-time GRAMMY winner Christine McVie with "Songbird"; and Maverick City Music joining Quavo for "Without You" as they remember the life and legacy of Takeoff.

The 2023 GRAMMYs, hosted by Trevor Noah, will broadcast live on Sunday, Feb. 5, at 8 p.m. ET/5 p.m. PT on the CBS Television Network live from the Crypto.com Arena in Los Angeles. Viewers will also be able to stream the 2023 GRAMMYs live and on demand on Paramount+.

Before, during and after the 2023 GRAMMYs, head to live.GRAMMY.com for exclusive, never-before-seen content, including red carpet interviews, behind-the-scenes content, the full livestream of the 2023 GRAMMY Awards Premiere Ceremony, and much more.

Where, What Channel & How To Watch The Full 2023 GRAMMYs

In an acclaimed career that spanned more than half a century, Christine McVie staked her claim as one of the most potent singer-songwriters of her generation. A beloved original member of the seminal rock group Fleetwood Mac, with whom she sang, wrote and played keyboard, she and her bandmates catapulted to fame in the early '70s, scoring GRAMMY gold and influencing generations of musicians.

"As a GRAMMY Award winner and 2018 Person of the Year honoree, the Recording Academy has been honored to celebrate Christine McVie and her work with Fleetwood Mac throughout her legendary career," Recording Academy CEO Harvey Mason jr. stated. In an announcement of her death, the remaining members of Fleetwood Mac mourned her passing by saying "She was truly one-of-a-kind, special, and talented beyond measure."

McVie, who passed away Nov. 30 at 79 after a brief illness, may have not been as flashy, or as dramatic, as fellow Fleetwood Mac members Lindsay Buckingham and Stevie Nicks. But McVie's contributions to the band led to some of their greatest contributions to popular song, with two GRAMMY wins among seven nominations.

The tour de force that is Rumours is one of the most acclaimed and best-selling albums of all time and an inductee into GRAMMY Hall Of Fame. The masterpiece earned McVie her first GRAMMY (for Album of the Year no less) at the 20th Annual Ceremony in 1978, also earning a nomination for Best Pop Vocal Performance By A Group.

Fleetwood Mac's 11th studio album, Rumours was actually McVie's 7th album with the band after making her name in the English blues scene, rising through the ranks as part of the band Chicken Shack, and even releasing a solo album.

In 1971, McVie joined Fleetwood Mac alongside her then-husband John McVie. The potent combination of the McVies, along with Mick Fleetwood, Buckingham and Nicks, catalyzed and detonated into the stratospheric Rumours.

"It's hard to say (what it was like) because we were looking at it from the inside," McVie said about the iconic album earlier this year.  "We were having a blast and it felt incredible to us that we were writing those songs. That's all I can say about it, really."

McVie's coyness may stem from the fact that prior to its production, Christine and John divorced after eight years of marriage. Meanwhile, Buckingham and Nicks were having a tumultuous relationship themselves. 

McVie is credited as sole songwriter on a handful of instant-classic Rumours tracks, all written during a perilous moment. "I thought I was drying up," explained McVie. "I was practically panicking because every time I sat down at a piano, nothing came out. Then, one day,  I just sat down and wrote in the studio, and the four-and-a-half songs of mine on the album are a result of that."

That includes "Don't Stop," an ironically peppy ode considering the turmoil McVie and her bandmates were grappling with at the time. With lyrics that staunchly proclaim "Yesterday's gone!," the song was reportedly written as a plea from Christine to John to move on from their relationship.

"I dare say, if I hadn't joined Fleetwood Mac, we might still be together. I just think it's impossible to work in the band with your spouse," McVie later said. John, meanwhile, was oblivious to the song's message during its production and early acclaim. He revealed in 2015: "I've been playing it for years and it wasn't until somebody told me, 'Chris wrote that about you.' Oh really?"

John was also equally ignorant to the source inspiration of "You Make Loving Fun"; McVie told him the joyful song ("Sweet wonderful you/ You make me happy with the things you do") was about her dog. In reality, it was about an affair with the band's lighting designer.

"It was a therapeutic move," McVie later mused of her lyrical penchant for hiding brutal honesty in plain sight. "The only way we could get this stuff out was to say it, and it came out in a way that was difficult. Imagine trying to sing those songs onstage with the people you're singing them about."

When McVie was asked earlier this year what song she written she was most proud of, it was an easy answer: the Rumours track "Songbird."

"For some peculiar reason, I wrote "Songbird" in half an hour; I've never been able to figure out how I did that," she told People. "I woke up in the middle of the night and the song was there in my brain, chords, lyrics, melody, everything. I played it in my bedroom and didn't have anything to tape it on. So I had to stay awake all night so I wouldn't forget it and I came in the next morning to the studio and had (producer) Ken Callait put it on a 2-track. That was how the song ended up being. I don't know where that came from."

McVie's most recent GRAMMY nominations were for her contributions to The Dance, Fleetwood Mac's 1997 live album that featured her stand-outs from Rumours along with the McVie penned-tracks "Say You Love Me" and "Everywhere."

The album earned McVie and the band GRAMMY nominations for Best Rock Performance By A Duo Or Group With Vocal (for the Lindsay Buckingham-written "The Chain") and  Best Pop Performance By A Duo Or Group With Vocal (for "Silver Springs," penned by Stevie Nicks). It also landed a nomination for Best Pop Album. It was her final album with the band before a 15-year self-imposed retirement.

In her final years, McVie was a vital member of Fleetwood Mac, including in 2018 when they became the first band honored as MusicCare's Person of the Year.

Speaking to the Recording Academy before the ceremony, Nicks expressed that her initial goal upon joining the group was a humble one: "Christine and I made a pact. We said we will never, ever be treated as a second-class citizen amongst our peers."

Lindsey Buckingham Holds Forth On His New Self-Titled Album, How He Really Feels About Fleetwood Mac Touring Without Him

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea

Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.

Franc Moody

Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.

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