meta-scriptLittle Big Town, Ledisi & More Partner With GRAMMY Museum & Michelle Obama's Reach Higher To Mentor College Students | GRAMMY.com

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Little Big Town, Ledisi & More Partner With GRAMMY Museum & Michelle Obama's Reach Higher To Mentor College Students

Francisca Valenzuela, Sasha Sloan, Tikyra "TK" Jackson, and others will mentor GRAMMY U students through a new partnership that seeks to get college students closer to their professional goals

GRAMMYs/Jul 10, 2020 - 12:12 am

The GRAMMY Museum is partnering with former First Lady Michelle Obama's Reach Higher Initiative and the Recording Academy's university chapter, GRAMMY U, for Mentorship Mondays, a program that will provide tools, resources and insight from professionals already in the field to help college students and recent grads looking to get their foot in the music industry. The program will be a series of digital conferences launching July 20 and ending on August 31.

Students will have the opportunity to hear from artists including Sam Fischer, Tikyra "TK" Jackson, Ledisi, Little Big Town, Melanie Pfirrman, Sasha Sloan, and Francisca Valenzuela. Recording Academy members will also be mentors in the program.

"The GRAMMY Museum's new Mentorship Monday program exemplifies the Museum's mission to uphold music's value in our lives through education and collaboration between professionals and aspiring creatives," said GRAMMY Museum President Michael Sticka in a statement. "I'd like to thank Reach Higher and GRAMMY U for helping make this program a reality."

Reach Higher Executive Director Eric Waldo said they are excited to partner with the museum and GRAMMY U for the music partnership. 

"Music helps us hear each other more fully and to share ourselves with one another authentically," Waldo said. "Now more than ever is a wonderful time for professionals and artists to harness the unifying and uplifting power of music to support students as they explore and pursue educational and career opportunities in all facets of the recording industry."

Currently the mentorship sessions are invite-only. Reach Higher will release some selected sessions in the future during their Beating the Odds Summit. In addition, selected public sessions will happen through Instagram Live. 

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Henry Mancini in a recording studio
Henry Mancini

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10 Essential Henry Mancini Recordings: From "Moon River" To The 'Pink Panther' Theme

Composer, arranger, conductor and pianist Henry Mancini won 20 GRAMMY Awards over his legendary career. On what would be his 100th birthday, revisit 10 timeless Henry Mancini compositions.

GRAMMYs/Apr 16, 2024 - 01:34 pm

Henry Mancini had a gift for melodies of an ethereal, almost supernatural beauty.  

His prolific discography — albums of jazzy orchestral pop, dozens of film and television soundtracks — established him as a cultural icon and transformed the role that melody and song played in the art of movie narrative. Once you encounter a Henry Mancini tune, it’s almost impossible not to start humming it.

A composer, arranger, conductor and pianist of tireless discipline, Mancini won a staggering 20 GRAMMY Awards and was nominated 72 times. All of his wins — including the first-ever golden gramophone for Album Of The Year at the inaugural 1951 GRAMMYs — will be on display at the GRAMMY Museum to honor his centennial birthday, April 16. 

To mark what would be his centennial birthday, Mancini's children will travel to Abruzzo, Italy — where Mancini’s parents migrated from. And on June 23, the Hollywood Bowl Orchestra will present a program of his music with a gallery of guest stars including singer Monica Mancini, the maestro’s daughter.

Although Mancini died in 1994 at age 70, his compositions remain timeless and ever-relevant. Read on for 10 essential Henry Mancini compositions to cherish and rediscover.  

"Peter Gunn" (1958)

In 1958, Mancini was looking for work and used his old Universal studio pass to enter the lot and visit the barber shop. It was outside the store that he met writer/director Blake Edwards and got the chance to write the music for a new television show about private detective Peter Gunn. 

Seeped in West Coast Jazz, Mancini’s main theme sounds brash and exciting to this day – its propulsive beat and wailing brass section evoking an aura of cool suspense. The "Peter Gunn" assignment cemented his reputation as a cutting-edge composer, and the accompanying album (The Music From Peter Gunn) won GRAMMYs in the Album Of The Year and Best Arrangement categories.

"Mr. Lucky" (1959)

Half of the "Peter Gunn" fan mail was addressed to Mancini. As a result, CBS offered Blake Edwards a second television show, as long as the composer was part of the package. Edwards created "Mr. Lucky," a stylish series about the owner of a floating casino off the California coast. 

1959 was an exhausting year for Mancini, as he was scoring two shows at the same time on a weekly basis. Still, his music flowed with elegance and ease. The "Mr. Lucky" ambiance allowed him to explore Latin rhythms, and the strings on his wonderful main theme shimmer with a hint of yearning. It won GRAMMY Awards in 1960 for Best Arrangement and Best Performance by an Orchestra.

"Lujon" (1961)

As part of his contract with RCA Victor, Mancini was committed to recording a number of albums featuring original compositions in the same velvety jazz-pop idiom from his television work. "Lujon" is the standout track from Mr. Lucky Goes Latin, a collection of Latin-themed miniatures that luxuriate in a mood of plush languor.

 Inspired by the complex harmonics of French composer Maurice Ravel, "Lujon" steers safely away from lounge exotica thanks to the refined qualities of the melody and arrangement.

"Moon River" (1961)

Performed on a harmonica, the main melody of "Moon River" is nostalgic to the bone, but also life affirming. A majestic string section makes the music swoon, like gliding on air. And the harmonies in the vocal chorus add gravitas — a touch of humanity. 

It took Mancini half an hour to write "Moon River," but the Breakfast at Tiffany’s anthem made him a global superstar. Among the many artists who covered the song, pop crooner Andy Williams turned it into his personal anthem. Mancini won an Academy Award for Best Original Song, and GRAMMY Awards for Record Of The Year, Song Record Of The Year and Best Arrangement. The album soundtrack earned two additional gramophones.

Theme from Hatari! (1962)

After two failed attempts with different composers, legendary director Howard Hawks invited Mancini to write the score for Hatari! — the wildly episodic but oddly endearing safari film he had shot in Tanganyika with John Wayne. Mancini jumped at the opportunity, and Hawks gave him a few boxes from the trip that contained African percussive instruments, a thumb piano and a tape of Masai tribal chants. Two chords from that chant, together with a slightly detuned upright piano formed the basis for the movie’s main theme. 

Mancini’s sparse arrangement and melancholy melody conspired to create one of the most gorgeous themes in the history of film.

"Days of Wine and Roses" (1962)

Throughout the decades, Mancini provided musical accompaniment to Blake Edwards’ filmography, which switched from slapstick comedy to stark melodrama. There is a perverse beauty to the theme of Days of Wine and Roses — a movie about a couple of lifelong alcoholics — as the lush choral arrangement seems to glorify the innocence of better times. 

It won an Academy Award for Best Original Song — Mancini’s second Oscar in a row — and three GRAMMYs: Record Of The Year, Song Of The Year and Best Background Arrangement.

"The Pink Panther Theme" (1963)

Directed by Edwards and starring Peter Sellers as part of an ensemble cast, the original Pink Panther was a frothy caper comedy that had none of the manic touches of comedic genius that Sellers would exhibit in subsequent entries of the franchise. It was Mancini’s ineffable main theme that carried the movie through.

Jazzy and mischievous, Mancini wrote the melody with the light-as-a-feather playing of tenor saxophonist Plas Johnson in mind. It won GRAMMYs in three categories: Best Instrumental Arrangement, Best Instrumental Compositions (Other Than Jazz), and Best Instrumental Performance – Non-Jazz.

Charade (1963)

Mancini’s gift for cosmopolitan tunes and jazzy arrangements found the perfect vehicle in the score for Stanley Donen’s Charade — a droll Hitchcockian thriller shot in Paris and starring Cary Grant and Audrey Hepburn. 

The main theme is a waltz in A minor, and opens with pulsating percussion. When the central melody appears, it evokes a melancholy reflection and a certain thirst for the kind of globetrotting adventure that the film delivers in spades. It was Johnny Mercer’s favorite Mancini melody, and he wrote exquisite lyrics for it. 

The best version probably belongs to jazz singer Johnny Hartman, who released it as the opening track of his 1964 album I Just Dropped By To Say Hello.

Two For The Road (1967)

Friends and family remember Mancini as a humble craftsman who ignored the trappings of fame and focused on the discipline of work. In 1967, after Audrey Hepburn cabled to ask him about writing the music for the Stanley Donen film Two For The Road, Mancini agreed, but was taken aback when the director rejected his initial theme. Leaving his ego aside, he returned to the drawing board and delivered a lovely new melody – and a spiraling piano pattern seeped in old fashioned tenderness.

"Theme from The Molly Maguires" (1970)

Even though Mancini enjoyed most accolades during the ‘60s, his protean level of inspiration never wavered. In 1970, he was brought in to rescue the soundtrack of Martin Ritt’s gritty secret societies drama The Molly Maguires, about Irish-American miners rebelling against their mistreatment in 19th century Pennsylvania. 

The main theme makes time stand still: a sparse arrangement that begins with a solitary harp, until a recorder ushers in a haunting, Irish-inspired melody. The score reflected a more restrained Mancini, but was still intensely emotional.

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What To Expect At The 2024 GRAMMY U Conference In NYC

On April 20, music’s next generation will be in New York City for the 2024 GRAMMY U Conference, presented by Amazon Music. Read on for everything you need to know about the day of career-driven discussions with Broadway icons and pop stars.

GRAMMYs/Apr 12, 2024 - 03:56 pm

Shaneel Young contributed to this article

It’s been an unparalleled year of programming for GRAMMY U. 

Lainey Wilson and Greta Van Fleet connected with crowds at the 2023 Fall Summit in Nashville; Halle Bailey and Muni Long shared wisdom with the world during GRAMMY Week in Los Angeles at the GRAMMY U Masterclass. Now, music’s next generation of creative professionals will head to New York City for the 2024 GRAMMY U Conference presented by Amazon Music.  

This year it's all about show biz, and music has a hand in every part of the entertainment industry. Featuring a star-studded lineup of guests, the GRAMMY U Conference will dive deep into how your favorite musical performances on television are created, and offer insight into music careers on Broadway. 

GRAMMY U members will be able to learn all about the live performance industry through educational panels, a speed networking session, and even a performance workshop. You won’t want to miss what the big names have to say: GRAMMY, Tony, and Emmy Award winners Ben Platt will be the conference's keynote speaker, and Billy Porter (also a GRAMMY, Emmy, and Tony Award winner)O will work up close and personal with young talent, and Remi Wolf is going to talk about the music of late night shows. 

The action begins Friday, April 19 at the Chelsea Music Hall. Members from all over the country will gather for the GRAMMY U Showcase, where five GRAMMY U contest winners will perform original music. Catch a set by Jawan and stay for Infinity Song’s closing set.

Below, GRAMMY.com has gathered all of the information you need to get excited for the massive event.

GRAMMY U Welcomes Amazon Music

GRAMMY U has officially welcomed Amazon Music as a cornerstone partner. To kick off what will be an instrumental relationship, Amazon Music is proudly bringing their knowledge to the table as a presenter of the 2024 GRAMMY U Conference. Mastercard will also be returning as a participating sponsor for the event. GRAMMY U will kick off the conference with remarks from Ruby Marchand, Chief Awards and Industry Officer, Recording Academy;, Amazon Music's Global Head of Artist & Label Relations Andre Stapleton, and GRAMMY U Sr. Director Jessie Allen.

Hang With Ben Platt, The Star Of The Show

Starting the Saturday strong, Ben Platt will sit down with Beanie Feldstein to talk all about his storied career as an actor and singer ahead of his 18-date run at the Palace Theater in NYC, kicking off May 28th before his album release.

Growing up on the stage, Platt quickly became a leading force on Broadway, and has since shared his talents with the screen, starring in multiple films and TV series. Platt is also releasing music — his third album, Honeymind, drops May 31, beginning with an 18 date residency at the Palace Theatre in NYC followed by his national tour with special guest Brandy Clark this summer — and will discuss the significance of music within his various projects.

As the GRAMMY U Conference keynote speaker, Platt will share insights from the recording studio.

Share The Stage With Billy Porter

During a workshop, Billy Porter will share his best performance practices and advice for GRAMMY U members trying to make it big. Porter is no stranger to putting on a show, with over 30 years in the industry and numerous awards under his belt — and GRAMMY U is eager to learn and take guidance as they begin their music careers. Roy Gantz, GRAMMY U's National Membership Representative, will then take the stage and receive live performance coaching directly from Porter.

Making Music On Late Night TV With Remi Wolf & More

In a discussion moderated by talent booking pro Siobhan Schanda, members of "Late Night with Seth Meyers" will discuss bringing music to late-night television. The discussion will feature "Late Night" Associate Producer Yeji Cha-Beach and Marnie Stern, former guitarist for "Late Night" house band, the 8G Band and recording artist.

Singer/songwriter Remi Wolf, who performed recently on "The Late Show With Stephen Colbert," will also join the discussion. In anticipation of supporting Olivia Rodrigo’s GUTS World Tour and her upcoming sophomore album Big Ideas, Remi will discuss how a special performance like hers comes to life onscreen.

Learn What Happens Behind The Curtains

Have you ever wondered what happens behind the Broadway stage? This dynamic panel will highlight the brilliant minds that work to make the big show happen. Moderated by Michael Kushner, Founder and Creator of Michael Kushner Photography, hear from Broadway producers, directors, record label executives and more on how they put together a Broadway production behind the scenes. 

Panelists include renowned Broadway producer Christen James, Adam Hess of DR Theatrical Management, Pete Ganbarg, the President of A&R at Atlantic Records, and Erich Bergen, producer, actor and director at 6W Entertainment. From set design to marketing, this panel will reveal that whether on stage or behind the scenes, there's a place for every passion in the world of theater. 

Hear How Professionals Produce The Sounds Of Drama

In this panel, Broadway professionals will dive into the inner workings of theatrical sound in live theater, and how their expertise in Broadway audio production translates into other facets of the music industry. 

Experts Tom Winkler, Kurt Deustch, David Lai, and Kathy Sommer will detail the dynamic challenges that producers and composers must navigate to make productions possible. 

Learn How To Build Your Brand In The Career Center

At the start of the conference, attendees can learn from the experts and level up their profiles at the GRAMMY U Career Center. Learn how to present your best professional self, take a professional headshot, get a review of your resume from real recruiters in the industry, and network with professionals from Amazon Music, the Recording Academy and more. Networking mentors include AC Gottlieb, Asmita Khullar, Billy Seidman, Haley Bennett, Jameka Pankey, Jessica Fusco, John Ochoa, Leah Dowdy, Madeline Nelson, Nick Cucci, Nikisha Bailey, and Sarah Crane. So get there early and make the most out of your professional development at the GRAMMY U Conference!

Don’t forget to stop by the GRAMMY U Mixtape Listening station, too, and see the process behind how we select music for the GRAMMY U Mixtape every month.

Reserve Your Seat

Mark your calendars now, the 2024 GRAMMY U Conference will take place in New York City on Friday, April 19, and Saturday, April 20, and with more announcements to come, this is an event you surely won’t want to miss. Reserve your spot now with a RSVP.

For members who aren’t able to attend, the GRAMMY U Conference will be livestreamed on the Recording Academy’s YouTube and Twitch channels at 1 p.m. to 5 p.m. ET.

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La Santa Cecilia poses for a photo together in front of a step and repeat at the GRAMMY Museum
La Santa Cecilia

Photo: Rebecca Sapp/Getty Images for The Recording Academy

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La Santa Cecilia Celebrates Their 'Alma Bohemia' With Documentary Screening & Performance At The GRAMMY Museum

In a documentary screening detailing the making of their album 'Cuatro Copas' followed by a discussion and live performance at the GRAMMY Museum, La Santa Cecilia recounts years of making music and friendship.

GRAMMYs/Apr 9, 2024 - 06:32 pm

"Oh no, I’m going to start crying again," says La Santa Cecilia singer La Marisoul during a touching scene in Alma Bohemia, the documentary directed by Carlos Pérez honoring the Los Angeles band’s 15 year anniversary. 

As it turns out, there are many reasons to be emotional about this film — and the very existence of La Santa Cecilia in the contemporary Latin music landscape. Fittingly, Alma Bohemia was received enthusiastically by the capacity audience during an exclusive screening on April 3 at the GRAMMY Museum’s Clive Davis Theater in Los Angeles. 

Formed by La Marisoul (real name is Marisol Hernández), bassist Alex Bendaña, accordionist and requinto player José "Pepe" Carlos and percussionist Miguel "Oso" Ramírez, La Santa Cecilia was for years one of the best kept secrets in the Los Angeles music scene.  As close friends and musicians, they won over audiences with an organic, down-to-earth sound and a lovely songbook that draws from traditional formats such as bolero, ranchera and nueva canción.

Alma Bohemia follows the making of La Santa’s 2023 album, Cuatro Copas Bohemia en la Finca Altozano. A celebration of the band’s longevity, the session also functions as a subtle, yet powerful musical experiment. It was recorded at the Finca Altozano in Baja California, where the band members stayed as guests of celebrated chef Javier Plascencia — a longtime fan.

Argentine producer Sebastián Krys — the band’s longtime collaborator — calls this his Alan Lomax experiment. The album was recorded live on tape with a variety of strategically placed microphones capturing hints of ambient sonics — a sweet afternoon breeze, the clinking of glasses, the musicians’ banter, the soft sounds that accompany stillness. 

From the very beginning, the making of Cuatro Copas mirrors the band’s bohemian cosmovision: A communal approach where the quartet — together with carefully selected guest stars — get together to share the magic of creation, the unity of like-minded souls, homemade food, and more than a couple of drinks. In effect, the bottles of mezcal and never ending rounds of toasting quickly become a running joke throughout the documentary.

La Marisoul’s fragile lament is enveloped in spiraling lines of mournful electric guitars with soulful understatement on the track "Almohada." Guest artists liven things up, with Oaxacan sister duo Dueto Dos Rosas adding urgency to "Pescadores de Ensenada," while son jarocho master Patricio Hidalgo ventures into a lilting (yet hopeful) "Yo Vengo A Ofrecer Mi Corazón," the ‘90s Argentine rock anthem by Fito Páez.

Visibly delighted to be part of the bohemia, 60-year-old ranchera diva Aida Cuevas steals the show with her rousing rendition of "Cuatro Copas," the José Alfredo Jiménez classic. "Viva México!" she exclaims as the entire group sits around a bonfire at night, forging the past and future of Mexican American music into one.

Read more: La Santa Cecilia Perform "Someday, Someday New"

Following the screening, the band sat down for a Q&A session hosted by journalist Betto Arcos. Sitting on the first row, a visibly moved young woman from El Salvador thanked the band for helping her to cope with the complex web of feelings entailed in migrating from Latin America. La Santa’s songs, she said, reminded her of the loving abuelita who stayed behind.

"We love the old boleros and rancheras," said La Marisoul. "We became musicians by playing many of those songs in small clubs and quinceañeras. It’s a repertoire that we love, and I don’t think that will ever change."

Carlos touched on his experience being a member of Santa Cecilia for about seven years before he was able to secure legal status in the U.S. When the band started to get concert bookings in Texas, they would take long detours on their drives to avoid the possibility of being stopped by the authorities. Carlos thanked his wife Ana for the emotional support she provided during those difficult years.

Ramírez took the opportunity to acknowledge producer Krys for being an early champion of the band. "He had a vision, and he made us better," he said, flashing forward to a recent edition of the Vive Latino festival. "There were about 12,000 people to see us," he said. "And they were singing along to our tunes."

"The band is just an excuse to hang out with your friends," added La Marisoul just before La Santa performed two live songs. Her voice sounded luminous and defiant in the theater’s intimate space, always the protagonist in the group’s delicately layered arrangements.

"The first time I got to see the finished documentary, I felt proud of all the work we’ve done together," said producer Krys from his Los Angeles studio the day after the screening. "On the other hand, there’s a lot of work ahead of us. I believe La Santa Cecilia deserves wider exposure. They should be up there among the greatest artists in Latin music."

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Press Play On GRAMMY U Mixtape: Dear Diary Monthly Member Playlist

The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from our talented members. Much like a diary entry, this month's mix of rock, alternative, and indie tracks reflect a range of emotions.

GRAMMYs/Apr 3, 2024 - 06:47 pm

Did you know that among all GRAMMY U members, songwriting and performance are some of the most sought after fields of study? This playlist dedicates a space to hear what these members are creating today!

The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that members are bringing to this industry directly on the Recording Academy's Spotify, Apple Music, and Amazon Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.

Each month, we accept submissions and feature 15 to 25 songs that match each month’s theme. This month's curated mix of rock, alternative, and indie tracks that evoke a range of emotions from vengeance to hopefulness. So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify, Apple Music and Amazon Music.

Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our May playlist. Whether you write pop, rock, hip-hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the member (an original song) and you must be able to submit a Spotify, Apple Music and/or Amazon Music link to the song. Artists must be a GRAMMY U member to submit.

About GRAMMY U:

GRAMMY U is a program that connects aspiring professionals and creatives ages 18-29 with the music industry's brightest and most talented minds. We provide a community for emerging professionals and creatives in addition to various opportunities and tools necessary to start a career in music. Throughout the program year, events and initiatives touch on all facets of the industry, including business, technology, and the creative process.

As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.

Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.

Former GRAMMY U Reps Heather Howard and Sophie Griffiths contributed to this article.

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