meta-scriptLANY Is The Modern, Thoughtful Pop Group The World Needs Right Now | GRAMMY.com
LANY Is The Modern, Thoughtful Pop Group The World Needs Right Now

LANY

Photo: Alison Buck/WireImage/Getty Images

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LANY Is The Modern, Thoughtful Pop Group The World Needs Right Now

In an exclusive interview, frontman Paul Klein shares: "I think we're very 2018, but we're very also 2028"

GRAMMYs/Dec 25, 2018 - 08:31 pm

Paul Klein, Jake Goss and Les Priest, the three men of L.A.-based chill-pop outfit LANY, look like the kind of guys you would want to kick it with (and take you thrift shopping). Klein, who leads with vocals, piano and guitar, is wearing a vintage "Sopranos" T-shirt (which he later changed for the show) with several '90s throwback ball-chain necklaces and his bleached hair tying his cool-casual look together. Goss, who plays the drums, is also wearing a graphic T-shirt (it reads "support your friends"), and Priest, who plays keyboards and guitar, has opted for a black T-shirt with ripped jeans and vintage white loafers.

The guys are clearly all good friends and are excited about the music they're making together. They've seen a fast and steady rise from zero followers to earning over 4.5 million views on YouTube for "Malibu Nights," the title track of their sophomore album released on Oct. 5, 2018.

They proudly put heart and soul into their fresh brand of pop music, which I recently witnessed during their show at the GRAMMY Museum's Clive Davis Theater. As I watched, I noticed how LANY went out of their way to connect with the audience, making them a heartfelt, modern boy band with the sort of positive energy the world could really use today. As Klein shared, "I don't think that we're very trendy in the way that we approach our music. I think we're very 2018, but we're very also 2028."

Below, LANY expand further on their journey as a group, and open up about touring, love songs, their biggest inspirations (they love Coldplay) and more.

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You guys formed LANY in Nashville, then moved to L.A. How did you meet and why was Los Angeles your home?

Paul: I met Jake at a YMCA through a mutual friend in Nashville. I moved to L.A. without even talking to these guys at all, about being in the band or making music. Then they started this duo called "WRLDS," and I thought it was sick. I was like, "Well, can I fly back to Nashville and write a song with you guys and maybe we could start a band, too?" I flew there March of 2014. We wrote and recorded our first two songs, put them on the internet, and then things started taking off. We put out "I Love You So Bad." Then that's when they're like, "Okay we're moving to L.A. and we're going to actually do this thing through."

So you tested things out and then decided "Okay, we're doing this"?

Paul: It wasn't really a test. We just wanted to make some songs and be a band. I don't think we ever thought anything was actually going to come of it. Then it just started getting bigger and bigger. Our whole goal we started the band was like, "One day what if we can maybe play South By Southwest?" That was our loftiest dream and then we played SXSW within our first ten shows as a band.

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How did it feel once you started getting that positive reception?

Paul: In the beginning, we had emails from record labels within the first week of putting out our songs, but we had zero followers, seriously. We all followed our band account on Instagram, but nobody else did. We seriously put out those songs to pretty much nobody. We were getting those emails and I think at first, it was, "Wow, it's so cool." This was back in the day when music blogs were still pretty fiery. People would read them and they'd write about us. It was so cool to read what other people would say about your music. "Oh my god, they really think that about us?"

Again, the beginning was all really fun. It still is really fun, but now the more people you reach, the more, you know. We always know that we're doing really well and when people start talking really bad about us, that's a good sign. But we've reached a lot of people.

You just released your sophomore album, Malibu Nights, this past October. How do you feel you've changed since releasing your debut LP last year?

Paul: I hope that we're always growing and trying new things and stretching ourselves. I think we definitely did that with this album. If you were to look at our growth over the years, it's just been a steady incline. I think we're twice as big or three times as big as we were last year. We measure that stuff. If you were to look at LANY like a stock, it'd be the one you'd want to put your money in because it's always like that. It's just steady.

You have a few more than zero followers now.

Paul: Yeah, it's no ups or downs really. It's just been all steady. I figure that's probably how it's going to keep going as long as we keep doing what we do and staying true to who we are.

You're going to be touring the world in 2019 with your new music. What songs are you most excited to play? What are you most excited about with this tour?

Paul: We did a mini tour called The Moon Tour where we played, I think, seven cities in Europe and seven or six in America, so we know what these songs off the album feel like to play live.

"Thru These Tears" is always really special because of the song and also because of where it sits in the set. By the time we play "Thru These Tears," we pretty much have everyone in the palm of our hand. Then everyone else feels like they're in the palm of everyone else's hand in the room. Everyone feels like a big family by the time we get to that part. That's always so much fun to play and a really powerful moment in the set.

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Have you had fans reach out about your songs having a personal impact on them?

Paul: All the time. We get comments like, "This song saved my life," or "This song got me through this season," or "You make me feel not alone." I think a lot of people find themselves in the people that they look up to. I had that growing up and would associate myself with bands, and then my friends who listened to that band and then you dress like that band. I think it's really cool that we can be that for people on a daily basis.

Who are your biggest influences in music, in fashion, in general?

Paul: I think it's changing all the time. It sounds silly, but I can be inspired by anyone or anything. I think we're at such a lucky time in life, 2018, where you can be exposed to pretty much everything instantaneously. I'm inspired and influenced by everything around me that's happening right now, but then growing up, of course, I had my favorites, like John Mayer was my favorite artist and still really is. I think he's one of the greatest songwriters of our generation.

Then this new Coldplay documentary came out. They're so cool. They're such a global band. They're in stadiums literally in every city in the world. We've always looked up to them.

That's what we aspire to be, is a band that can be in arenas in every city in the world. We take our live show and our tours very seriously. We play a lot of shows. I think that's why we're here today is because we put on a pretty damn good show.

So what's your favorite Coldplay song of all time?

Jake: "Every Teardrop Is A Waterfall."

Paul: I bet I could name both of theirs. "Strawberry Swing"?

Les: Yeah, that's the one. Dang.

Paul: It's really hard to say. Then after the documentary, of course, I listened to their whole discography. I'd have to say "In My Place."

Jake: I actually went back and listened to Ghost Stories because it came out around the same time that we started.

Paul: "Magic" came out when we were writing "Walk Away."

Jake: I associate that record with our beginning so much.

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A lot of your music is about love and relationships. What do each of you think is the best love song ever?

Paul: Every song's a love song, right?

Jake: Any Beatles song. Gosh, I don't know.

Les: Who did "Isn't She Lovely"?

Jake: Stevie Wonder.

Les: "Isn't She Lovely" is such a good song.

Paul: I don't know. That's impossible. [Laughs.] I think that's impossible.

Do you see yourselves as a modern boy band? How would you describe LANY?

Paul: I would never push our band on anyone. I think maybe one of the best things about us is that we are just LANY. LANY's starting to become its own adjective, if that makes sense.

Our songs come from a very honest place. I feel like we communicate our message pretty clearly. I think we pick our sounds really well. Hopefully, they're songs that people don't ever really get tired of, they can always come back to.

I don't think that we're very trendy in the way that we approach our music. I think we're very 2018, but we're very also 2028. I don't think that what you're listening to now you will be, "Ah, I can't listen to that anymore. It feels gimmicky."

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">love ya mean it <a href="https://t.co/EDPjOImqNZ">pic.twitter.com/EDPjOImqNZ</a></p>&mdash; LANY (@thisisLANY) <a href="https://twitter.com/thisisLANY/status/1056919187967234048?ref_src=twsrc%5Etfw">October 29, 2018</a></blockquote>

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When you first started you toured in support of artists like Ellie Goulding and Troye Sivan, and pretty quickly you started headlining shows yourselves. What was the biggest change you felt, and what did learn touring with artists of those followings?

Paul: The first show we ever played was our own show, so that's cool. It was amazing and we learned a lot just from that show alone. Then the next few shows after that were maybe right off the bat with this girl named Tove Styrke. Then we did SXSW.

So it was a mix, but supporting an artist teaches you how to be in a room and nobody's really there for you. We've got to showcase who we are. We've got 25 minutes pretty much to make them never forget the night they saw us play.

Jake: Being in an arena and nobody knows who you are is pretty intense.

Paul: Yeah. Then also a lot of times it's half empty because they're going to be for the main act.

We had such a good time on all of those tours because there's something to learn in each one. There's one time we went on tour with a band when we were experiencing a lot of growth as a group. It was weird. As the support act, a lot of people were coming for us, so we learned how to deal with that, where a lot of people were in the room for us, but we only had 20 minutes. We learned so much.

Then there was times we went on tour with a band that they're the kind of band that everyone shows up late to even the main act. There was one person in Saskatchewan that we played just to them. I feel like we have played every kind of show there's ever been and we know how to get through it and make it awesome.

<blockquote class="twitter-tweet" data-lang="en"><p lang="fr" dir="ltr">tour <a href="https://t.co/2mip20jaj6">pic.twitter.com/2mip20jaj6</a></p>&mdash; LANY (@thisisLANY) <a href="https://twitter.com/thisisLANY/status/1069724115068608512?ref_src=twsrc%5Etfw">December 3, 2018</a></blockquote>

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Do you feel like you play the same show for one person versus a sold-out crowd?

Paul: Yeah, oh yeah.

Jake: I wish we had videotape of Paul.

Paul: Always shirts off. One guy in the crowd, shirt's off, standing on the kick drum.

Where you feel most creatively inspired by in L.A.?

Jake: By the ocean.

Paul: I was going to say that, yeah. We lived in Malibu for a long time. We all recently just moved out. I haven't seen the water for a week or so. When I went up there, I was like, "Oh my god, I've missed the water," because we used to see it 100 times a day. I would never write a song on the beach, I don't think. But I love to drive, it puts me in a nice space.

If you could say anything to your fans, what would you say?

Paul: Thank you so much. There's some fans tonight that I ran into at another friend's show maybe two weeks ago. But they've been to 10 LANY shows. That's so cool. You start to really see these people grow up with you. You see them bring their friends. That's what's cool about playing in L.A. and being here and being an L.A. band, you see a lot of these L.A. kids that have been coming to your shows since 2015.

To the ones that have been with us forever, thank you so much. To the ones that are just coming here off Malibu Nights, it feels so good to have you. We're going to do this for a while and give you everything we've got.

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">my goodness <a href="https://t.co/g5dMQvUlMp">pic.twitter.com/g5dMQvUlMp</a></p>&mdash; LANY (@thisisLANY) <a href="https://twitter.com/thisisLANY/status/1061715240797130752?ref_src=twsrc%5Etfw">November 11, 2018</a></blockquote>

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The GRAMMY Museum Celebrates Black History Month 2024 With A Series Of Special Programs And Events

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The GRAMMY Museum Celebrates Black History Month 2024 With A Series Of Special Programs And Events

Throughout February, the GRAMMY Museum will celebrate the profound legacy and impact of Black music with workshops, screenings, and intimate conversations.

GRAMMYs/Feb 9, 2024 - 08:31 pm

The celebration isn't over after the 2024 GRAMMYs. In recognition of Black History Month, the GRAMMY Museum proudly honors the indelible impact of Black music on America and the fabric of global pop culture. 

This programming is a testament to the rich heritage and profound influence of Black artists, whose creativity and resilience have shaped the foundation of American music. Through a series of thoughtfully curated events — including educational workshops, family programs, special screenings, and intimate conversations — the Museum aims to illuminate the vibrant legacy and ongoing evolution of Black music. 

From a workshop on the rhythmic storytelling of hip-hop following its 50th anniversary and the soulful echoes of Bill Withers' classics, to the groundbreaking contributions of James Brown and the visionary reimagination of "The Wiz," these GRAMMY Museum programs encapsulate the enduring legacy and dynamic future of Black music.

The GRAMMY Museum invites audiences to delve into the stories, sounds, and souls that have woven Black music into the tapestry of our shared human experience. Through this journey, the Museum and the Recording Academy honor the artists, visionaries, and pioneers whose talents have forever altered the landscape of music and culture. 

Read on for additional information on the GRAMMY Museum's month-long tribute that explores, appreciates and celebrates the invaluable contributions of Black music to our world.

Thurs., Feb. 8

History of Hip-Hop Education Workshop

WHAT: In celebration of the 50 years of hip-hop, this workshop examines the unique evolution of Hip Hop from its origin to where the genre is today. Highlighting the golden age of Hip Hop, this lesson will provide students with a greater understanding of the struggles and triumphs of the genre.

WHEN: 11 a.m. – 12:00 p.m. 

REGISTER: Click here.

Sat., Feb. 10

Family Time: Grandma’s Hands

WHAT: Join us for a very special family program celebrating the recently released children’s book Grandma’s Hands based on one of Bill Withers’ most beloved songs. Bill’s wife, Marcia, and daughter, Kori, will participate in a book reading, conversation, audience Q&A, and performance, followed by a book signing. The program is free (4 tickets per household.)

WHEN: 11 a.m. – 12:30 p.m. 

REGISTER: Click here.

Mon., Feb. 12

Celebrating James Brown: Say It Loud

WHAT: The GRAMMY Museum hosts a special evening on the life and music of the late "Godfather of Soul" James Brown. The program features exclusive clips from A&E's forthcoming documentary James Brown: Say It Loud, produced in association with Polygram Entertainment, Mick Jagger’s Jagged Films and Ahmir “Questlove” Thompson’s Two One Five Entertainment, followed by a conversation with Director Deborah Riley Draper, superstar Producer Jimmy Jam, and some surprises.

WHEN: 7:30 p.m. – 9:00 p.m.  

REGISTER: Click here.

Sat., Feb. 17

Backstage Pass: "The Wiz"

WHAT: Presented in partnership with the African American Film Critics Association, join us for an afternoon spotlighting the famed Broadway Musical, "The Wiz," with the producers and creative team responsible for the Broadway bound reboot. The program will feature a lively conversation, followed by an audience Q&A in the Museum’s Clive Davis Theater, and will be hosted by AAFCA President, Gil Robertson, and GRAMMY Museum Education & Community Engagement Manager, Schyler O’Neal. The program is free (four tickets per household).

WHEN: 1 p.m.

REGISTER: Click here.

Thurs., Feb. 22

History of Hip-Hop Education Workshop

WHAT: In celebration of the 50 years of hip-hop, this workshop examines the unique evolution of Hip Hop from its origin to where the genre is today. Highlighting the golden age of Hip Hop, this lesson will provide students with a greater understanding of the struggles and triumphs of the genre.

WHEN: 11 a.m. – 12:00 p.m. 

REGISTER: Click here.

Reel To Reel: A Hip Hop Story

WHAT: In conjunction with the GRAMMY Museum's exhibit, Hip-Hop America: The Mixtape Exhibit, the GRAMMY Museum is thrilled to host a special screening of A Hip Hop Story with a post-screening conversation featuring Affion Crockett to follow.

WHEN: 7:00 p.m. – 9:00 p.m.  

REGISTER: Click here.

Sun., Feb. 25

Lunar New Year Celebration

WHAT: Join us for a special program celebrating Lunar New Year as we usher in the Year of the Dragon with a performance by the South Coast Chinese Orchestra. The orchestra is from Orange County and uses both traditional Chinese instruments and western string instruments. It is led by Music Director, Jiangli Yu, Conductor, Bin He, and Executive Director, Yulan Chung. The program will take place in the Clive Davis Theater. This program is made possible by the generous support of Preferred Bank. The program is free (four tickets per household).

WHEN: 1:30 p.m.

REGISTER: Click here.

Tues., Feb. 27

A Conversation With Nicole Avant

WHAT: The GRAMMY Museum is thrilled to welcome best-selling author, award-winning film producer, entrepreneur and philanthropist, Ambassador Nicole Avant to the museum’s intimate 200-seat Clive Davis Theater for a conversation moderated by Jimmy Jam about her new memoir Think You’ll Be Happy – Moving Through Grief with Grit, Grace and Gratitude. All ticket buyers will receive a signed copy of the book.

WHEN: 7:30 p.m. – 9:00 p.m.  

REGISTER: Click here.

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Virginia's Annie Ray To Be Honored With 2024 Music Educator Award
Annie Ray

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Virginia's Annie Ray To Be Honored With 2024 Music Educator Award

Presented by the Recording Academy and the GRAMMY Museum, 2024 Music Educator Award recognizes educators who have made a significant contribution and demonstrate a commitment to music education.

GRAMMYs/Feb 1, 2024 - 02:32 pm

Ahead of the 2024 GRAMMYs, Virginia educator Annie Ray will receive the 2024 Music Educator Award during the Recording Academy's Special Merit Awards Ceremony on Sat, Feb. 3.  

Ray is both the Orchestra Director and Performing Arts Department Chair at Annandale High School in Virginia's Fairfax County Public School (FCPS) system. She advocates for universal access to quality music education, and has developed creative opportunities to make music accessible to students of all demographics. 

For example, her FCPS Parent Orchestra enables just under 200 caregivers to learn to play their child’s instrument each year. Ray also created the Crescendo Orchestra program to bring the joy of orchestra to high school students with severe developmental or intellectual disabilities. In January 2022,  the program was featured in The Washington Post. 

Based on this work, TEDx reached out and asked Ray to give a talk in April 2022. She has presented at numerous colleges and conferences on the topic and was named the 2023 FCPS Outstanding Secondary Teacher of the Year for her work on equity in education. Ray is also a member of the StringRise professional development team and was a 2023 Wolf Trap Educator Guarantee for the AHS partnership with GRAMMY-nominated artist Christylez Bacon

She currently resides in Arlington, Virginia, with her husband Irving and their girls Eloise and Millie. She is an adventurer at heart, and her biggest bucket list item is to one day win "The Amazing Race."

As the Music Educator Award recipient, Ray will receive a $10,000 honorarium and matching grant for her school's music program. Nine additional finalists will receive a $1,000 honorarium and matching grants. The remaining 15 semifinalists will receive a $500 honorarium with matching school grants.

The nine semifinalists are:

Meg Byrne: Pleasant Valley High School  Bettendorf, Iowa

Ernesta Chicklowski: Roosevelt Elementary   Tampa, Florida

Michael Coelho: Ipswich Middle and High School Ipswich, Massachusetts

Antoine Dolberry: P.S. 103 Hector Fontanez School  Bronx, New York

Jasmine Fripp: KIPP Nashville Collegiate High School   Nashville, Tennessee

J.D. Frizzell: Briarcrest Christian School  Eads, Tennessee

Coty Raven Morris: Portland State University  Portland, Oregon

Kevin Schoenbach: Oswego High School  Oswego, Illinois

Matthew Shephard: Meridian Early College High School  Sanford, Michigan

The award is open to current U.S. music teachers, and anyone can nominate a teacher — students, parents, friends, colleagues, community members, school deans, and administrators. Teachers are also able to nominate themselves, and nominated teachers are notified and invited to fill out an application. Initial nominations were submitted from all 50 states.

Nominations and applications for the 2025 Music Educator Award are now open via grammymusicteacher.com.

The Music Educator Award program, including honorariums, is made possible by the generosity and support of The Chuck Lorre Family Foundation. In addition, the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association support this program through outreach to their constituencies.

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GRAMMY Week 2024: At GRAMMY Museum's Student Showcase Finale, High School Students Shred, Sing & Inspire
Honeybee performs at the GRAMMY Museum Student Showcase at the GRAMMY Museum

Photo: Rebecca Sapp/Getty Images for The Recording Academy

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GRAMMY Week 2024: At GRAMMY Museum's Student Showcase Finale, High School Students Shred, Sing & Inspire

An eclectic group of performers took to the Clive Davis Theater stage on Jan. 27, wowing audiences with everything from intimate tales of perseverance to all-out rock and 2024 GRAMMYs-related raps.

GRAMMYs/Jan 29, 2024 - 09:53 pm

High school students from throughout Southern California descended upon the GRAMMY Museum on Jan. 27 for a two-hour musical extravaganza. At the inaugural Student Showcase Finale, an eclectic blend of jazz, rock, pop, dance, soul, hip-hop and R&B acts performed for a jam-packed audience inside the Museum's Clive Davis Theater.

It had already been a full day at the GRAMMY Museum by the time Emcee Schyler O’Neal — whose offstage role is GRAMMY Museum’s Manager of Education and Communication — welcomed attendees for the evening showcase. Beginning at 9 a.m., the students were immersed in activities aimed at offering tools for moving forward in the music industry. The students learned about live production and touring, then worked with the GRAMMY Museum’s production team to learn the soundboard and how to communicate with engineers. Each performer also received live feedback from music industry professionals immediately following their rehearsals. 

Each performer during the Student Showcase Finale performed two songs, and opening act Hedy began the night with high energy. The newly formed jazz-fusion band, named after legendary actress Hedy Lamarr, is fronted by the enchanting Lexie Shehab. The four-piece of HP Emerich (piano), Fenella Nishigawara (bass) and Savannah Tweedt (drums) celebrates women in jazz, and delivered a soulful cover of Esperanza Spaulding’s "Precious."

Next up was Dione, a Mexico-born singer/songwriter who told the audience that her song "Se Deja Sentir" allowed her to connect with her Latin roots. Donning a black cowboy hat and silver cowboy boots with tassels, the powerhouse vocalist brought a unique flair to her performance. One of the highlights of her set was a playful dance routine incorporated into her song during an instrumental break. 

Multi-instrumentalist and singer/songwriter Kieler (pronounced Kyler) Avery followed, sharing that she wrote her song, "Living Room," after a six-month bout of writer’s block. It would seem that the excellent song was definitely worth the wait for Avery, who donned an eye-catching bright green outfit as she strummed on an acoustic guitar. 

Reviving the era of barbershop quartets, Spark, entranced the audience with their color-coordinated black and white outfits and engaging cover of Queen’s "Bohemian Rhapsody." Comprised of best friends Ava Winkle, Prajna Krishnamurthy Adiga, Rheyah Gangadharan and Sanjeevani Kumar, Spark also performed synchronized dance moves.

Multi-instrumentalist Sam Sweeney took the stage next for his first-ever live performance. At once compelling and nonchalant, Sam rapped over a blend of jazz, psychedelia and soul instrumentals, which he also produced. His song "Wall Sketches" featured clever rhymes about the 2024 GRAMMYs and bold commentary about the music industry.

It’s not every day that a singer/songwriter co-writes a song with her mother, but that’s exactly what Kayla Pincus did with her mom, Dorothy, a musician and singer who has toured with Barry White and Barry Manilow. Together, they penned "Everything’s Closed," an emotional song performed beautifully by Kayla and her backing band of Eliya Ben-Ezra (guitar), Max Weiner (bass) and Victor Cyrus-Franklin (drums).

Shaking things up with some blistering, melodic hard rock, the high energy trio Honeybee, raised the roof with their thunderous new song "Crashing Down." Lead singer/guitarist Liam Williams, donned an on-brand t-shirt with graphics of a honeycomb and bees, alongside bassist Theo O’Gara and drummer Vinnie Naccarato.

Multi-instrumentalist/singer/songwriter Iris Le took the stage next for a softer but equally powerful performance. Before launching into a gorgeous, goosebumps-inducing performance of "Could I," Iris bravely shared that they wrote the song during a period in which they were struggling with mental health and self-esteem issues.

Zharia Armel, who has coined herself the "Pop Princess of Compton," promptly took ownership of the stage following Iris Le. Zharia offered a sassy, soulful delivery of her catchy hip-hop, pop and R&B-infused song "Friends" while also moving alongside her energetic backup dancers Asenath Alexander and Zoe Miller. 

Next, singer/songwriter Maya Ixta Delgado told the audience she was proud to be in touch with her cultural heritage and singing "Time," a bilingual English and Spanish song. Maya shared how the song was inspired her elementary school experience in Texas where she was told that she was only permitted to speak in English. She was accompanied for her stirring performance by musicians Daniel Jimenez Alfanador (guitar), and Noah Unterberger (drums). Justin Tinucci (bass) joined in for her second song.

The final performance of the night was Latina punk rock trio What Can I Say, comprised of Krista Warner, Sophia Zavala, and Natalia Luevanos. The group closed the evening with a potent display of Latina girl boss power with their sassy, dynamic song "Jane Bond," which left the audience shaken, not stirred, in the best way possible.

After the performances, GRAMMY in The Schools Director Julie Mutnansky thanked everyone for attending and to express the GRAMMY Museum’s enthusiasm for this new program which allows students to showcase their music. 

GRAMMY Museum Announces 2024 GRAMMY Week Programming Schedule

GRAMMY Museum Announces 2024 GRAMMY Week Programming Schedule

Image courtesy of the Recording Academy

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GRAMMY Museum Announces 2024 GRAMMY Week Programming Schedule

See below for all the programming the GRAMMY Museum has scheduled ahead of Music's Biggest Night, which will air on CBS and Paramount+ on Sun. Feb. 4 (8 -11:30 p.m. LIVE ET/5-8:30 p.m. LIVE PT)

GRAMMYs/Jan 24, 2024 - 04:58 pm

The 2024 GRAMMYs are just around the corner, and accordingly, all corners of the Recording Academy are on the move. This includes the one GRAMMY Museum, which is dedicated to preservation, exploration and celebration of the history of the golden gramophone and everything related to it.

Ahead of Music's Biggest Night, which will air on CBS and Paramount+ on Sun. Feb. 4 (8 -11:30 p.m. LIVE ET/5-8:30 p.m. LIVE PT), the GRAMMY Museum has announced its 2024 GRAMMY Week schedule of events and programming.

All GRAMMY In The Schools Fest education programs are free for students with registration. More information listed below. For those who cannot attend the education programs in-person, they can be livestreamed here.

Sat., Jan. 27:
EVENT: GRAMMY Museum Student Showcase
WHAT:
The Student Showcase program is designed to offer high school students an opportunity to showcase their musical talents on stage at the GRAMMY Museum. High school musical acts from the Los Angeles and Southern California area from a variety of genres — including solo performers, bands and groups — will perform in the Museum's award-winning Clive Davis Theater. Ahead of the actual showcase, students will participate in panel discussions focusing on careers in music, content creation and stage presence, as well as receive real time feedback from industry professionals during rehearsals. The Student Showcase Finale will be free, open to the public, and livestreamed to reach a wider audience and allow performers to promote their music.
WHEN: 6 – 7:30 p.m.
REGISTER: Click here.

Mon., Jan. 29:
EVENT: Backstage Pass: Coco Jones
WHAT:
Backstage Pass is a career exploration program that gives students a first-hand look at what it takes to get a job in the music industry. This Backstage Pass program will consist of a question-and-answer session with five-time GRAMMY-nominated R&B artist Coco Jones
WHEN: 11 a.m – 12 p.m.
REGISTER: Click here.

EVENT: 1500 Sound Academy Presents: Turning A Listener Into A Supporter Masterclass ft. James Fauntleroy
WHAT:
1500 Sound Academy is a trailblazing music education institution that strives to produce passionate sound creators through mentorship, positive mindset and professional development. In a Masterclass session, GRAMMY Award winner James Fauntleroy will discuss what drives someone to transition from merely enjoying your music in passing, into becoming an ardent fan who purchases your merchandise, attends your concerts, and even changes their profile picture to your image.
WHEN: 1 – 2 p.m.
REGISTER: Click here.

EVENT: The Ray Charles Terrace at the GRAMMY Museum Ribbon Cutting Ceremony
WHAT:
An exclusive reception and ribbon cutting ceremony to celebrate the opening of The Ray Charles Terrace at the GRAMMY Museum. This official GRAMMY Week Event is hosted by GRAMMY-winning producer Jimmy Jam, with music curated by DJ Khalil and special performances by GRAMMY-nominated singers Aloe Blacc and Jac Ross.
WHEN: 6:30 – 9 p.m.
REGISTER: Invite only.

Tue., Jan. 30:
EVENT: Live Out L!ve Presents: Creating Your Space In Live Music
WHAT:
This insightful conversation features successful industry professionals who have carved their niche in the live music scene. Our discussion will focus on leveraging opportunities across diverse markets and establishing thriving businesses. Key aspects such as market understanding, timing, and effective management strategies will be explored. The panel will feature Eboni Gentry of Gentry Touring, Loren Medina of Guerrera Marketing & PR, and Antonio Dowe of The RnB Block Party, moderated by Candace Newman, CEO & Founder of Live Out L!ve.
WHEN: 11 a.m. – 12 p.m.
REGISTER: Click here.

EVENT: Def Jam at 40: The Evolution of Hip-Hop's Greatest Label ft. Tunji Balogun, Chuck D and Benny The Butcher
WHAT:
Join us for this exclusive GRAMMY Week event to celebrate the 40th Anniversary of Def Jam Recordings. This panel will consist of an exclusive interview with Tunji Balogun, Chuck D and Benny The Butcher, followed by a Q&A session with the audience. Moderated by author, host, editor, and producer, Elliott Wilson. 
WHEN: 1 – 2 p.m.
REGISTER: Click here.

EVENT: Celebrating GRAMMY Nominee: Madison Cunningham
WHAT:
As part of the GRAMMY Museum's celebration of GRAMMY Week, we are thrilled to welcome GRAMMY Award-winning artist and current GRAMMY nominee Madison Cunningham for an intimate conversation and special performance, in celebration of her GRAMMY nomination this year for Best American Roots Performance.
WHEN: 7:30 p.m. – 9:30 p.m.
TICKETS: Click here.

Fri., Feb. 2:
EVENT: GRAMMY Museum Free-For-All, presented by Roland
WHAT:
The GRAMMY Museum will open its  doors for free on Friday, Feb. 2, thanks to the generous support of Roland. Admission to the Museum will be free for all ages from 11 a.m. to 6 p.m., and features two special beat-making workshops hosted by Roland with award-winning lo-fi artist Sarah the Illstrumentalist at 11 a.m. and 1 p.m. Learn the history of the legendary Roland TR-808 drum machine, its impact on countless GRAMMY-winning songs, and see how fun and easy it is to create your own 808 beats with Roland Zenbeats, SP Samplers, and software instruments in Roland Cloud. An exclusive preview of "Somewhere in Detroit," Roland's soon-to-be-released short film on Submerge, Underground Resistance, and the soul behind techno's most creative community, will also be showcased during the day.
WHEN: 11 a.m. – 6 p.m.
FREE TICKETS: Click here.

ABOUT GRAMMY IN THE SCHOOLS FEST

GRAMMY In The Schools Fest (GITS Fest), presented by the GRAMMY Museum, is a festival celebrating music and music education during GRAMMY Week, leading up to the 66th Annual GRAMMY Awards®. GRAMMY In The Schools Fest features engaging educational panels and workshops, artist interviews, masterclasses and music industry career conversations with guest professionals working in the business. GRAMMY In The Schools Fest will truly localize the GRAMMY Week experience in the world-renowned Clive Davis Theater at the GRAMMY Museum.

ABOUT ROLAND CORPORATION

For more than 50 years, Roland's innovative electronic musical instruments and multimedia products have fueled inspiration in artists and creators around the world. Embraced by hobbyists and professionals alike, the company's trendsetting gear spans multiple categories, from pianos, synthesizers, guitar products, and electronic percussion to DJ controllers, audio/video solutions, livestreaming products, and more. As technology evolves, Roland continues to lead the way for gigging musicians, producers and beatmakers, providing modern software-based solutions and seamless creative workflows between hardware products, computers and mobile devices. For more information, visit Roland.com or see your local Roland dealer. Follow us on Facebook, Twitter (@RolandGlobal) and Instagram (@RolandGlobal).  

ABOUT THE GRAMMY MUSEUM

The GRAMMY Museum, currently celebrating its 15th anniversary, is a nonprofit organization dedicated to celebrating and exploring music from yesterday and today to inspire the music of tomorrow through exhibits, education, grants, preservation initiatives, and public programming. Paying tribute to our collective musical heritage, the Museum values and celebrates the dynamic connection in people's diverse backgrounds and music's many genres, telling stories that inspire us, and creative expression that leads change in our industry.

For more information, visit www.grammymuseum.org, "like" the GRAMMY Museum on Facebook, and follow @GRAMMYMuseum on Twitter, Instagram and TikTok. And keep watching this space for all things GRAMMY Week, ahead of Music's Biggest Night!

2024 GRAMMY Nominations: See The Full Nominees List