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Jack Antonoff Wins Producer Of The Year, Non-Classical | 2022 GRAMMYs
Jack Antonoff wins Producer Of The Year, Non-Classical at the 2022 GRAMMYs for his work with Lana Del Rey. Taylor Swift, St. Vincent and others
Jack Antonoff won the GRAMMY for Producer Of The Year, Non-Classical at this year’s award ceremony. This is the Antonoff’s — whose work this year includes songs by Lana Del Ray, St. Vincent, Taylor Swift, Lorde, Bleachers and Clair — first win of the night and sixth total GRAMMY of his career.
"This is for all the people who sit at home and make s<em></em>* that they think is really cool and keep making it and keep making it," Antonoff said onstage at the Premiere Ceremony. "I’m really at a loss, man. It’s the coolest, it means the world to me.”
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20 Artists Who Made History At The 2023 GRAMMYs Other Than Beyoncé: Taylor Swift, Kim Petras, Viola Davis & More
As Queen Bey takes her throne as the artist with the most GRAMMYs of all time, take a look at some of the other 2023 GRAMMY winners who joined her in celebrating momentous achievements.
In the win heard around the world, Beyoncé became the person with the most GRAMMYs of all time at the 2023 GRAMMYs. Her win for Best Dance/Electronic Music Album for RENAISSANCE put her at 32 golden gramophones — and in host Trevor Noah's eyes, that solidified her title as the GRAMMY GOAT.
But while Beyoncé's latest GRAMMY feat is unquestionably impressive, the "BREAK MY SOUL" singer wasn't the only artist who experienced a piece of GRAMMY history at the 65th GRAMMY Awards.
There were several special moments at the Premiere Ceremony, including the first-ever GRAMMY Awards for Songwriter Of The Year, Non-Classical (Tobias Jesso Jr.) and Best Score Soundtrack for Video Games and Other Interactive Media ("Assassin's Creed Valhalla: Dawn Of Ragnarok"). At the Telecast, Kim Petras scored a major win for the transgender community with her Best Pop Duo/Group Performance victory, and Dr. Dre was the inaugural recipient of his namesake Dr. Dre Global Impact Award.
Below, take a look at some of the history-making feats from the 2023 GRAMMYs.
As Kim Petras and Sam Smith accepted the GRAMMY for Best Pop Duo/Group Performance for their risqué collaboration, "Unholy," Smith let Petras do the talking because of a very special feat: She was the first trans woman to win in the category.
Earlier at the Premiere Ceremony, Germaine Franco became the first woman of color to win Best Score Soundtrack For Visual Media, which she won for composing the Disney animated film Encanto. (Notably, Encanto swept all three of the categories for which it was nominated, also winning Best Song Written For Visual Media for "We Don't Talk About Bruno" and Best Compilation Soundtrack For Visual Media.)
Carly Pearce and Ashley McBryde rang in a country first, as their win for Best Country Duo/Group Performance (for "Never Wanted to Be That Girl") marked the first female pairing to win the category — and the first GRAMMY win for both artists!
There were seven new awards given at the 2023 GRAMMYs, making those seven recipients the first to receive their respective honors. These were the first-time winners at the Premiere Ceremony: Tobias Jesso Jr. (Songwriter Of The Year, Non-Classical), "Assassin's Creed Valhalla: Dawn Of Ragnarok" (Best Score Soundtrack For Video Games And Other Interactive Media), Wet Leg (Best Alternative Music Performance for "Chaise Longue"), Bonnie Raitt (Best Americana Performance for "Made Up Mind") and J. Ivy (Best Spoken Word Poetry Album for The Poet Who Sat By The Door).
At the Telecast, Dr. Dre became the first recipient of the Dr. Dre Global Impact Award; shortly after, Iranian singer/songwriter Shervin Hajipour and his song "Baraye" received the first Special Merit Award for Best Song For Social Change.
There were a few other notable firsts at the Premiere Ceremony. Taylor Swift's Best Music Video win for "All Too Well: The Short Film" was the first time an artist won the category for a video directed by the artist themselves.
When jazz favorite Robert Glasper's Black Radio III won Best R&B Album, it marked his second win in the category — and an interesting one at that. His first win came in 2013 thanks to the original album in the trilogy, Black Radio, meaning his 2023 win was the first time an album and its sequel album have won in the category.
Elsewhere, two student groups celebrated some historic GRAMMY firsts: The Tennessee State University Marching Band became the first collegiate band to win a GRAMMY after receiving the golden gramophone for Best Roots Gospel Album, and the New York Youth Symphony became the first youth orchestra to win Best Orchestral Performance.
Viola Davis added a GRAMMY to her ever-impressive empire, which meant she is now officially an EGOT (Emmy, GRAMMY, Oscar, Tony) winner. Her GRAMMY win for Best Audio Book, Narration, and Storytelling Recording helped her become the third Black woman to earn an EGOT, and the first to secure the status at the GRAMMY Awards, following Whoopi Goldberg and Jennifer Hudson.
Last but certainly not least, "Into The Woods" joined elite ranks by winning the GRAMMY for Best Musical Theater Album. Stephen Sondheim's 1987 original won the category in 1989, making it only the fourth Broadway show to earn two Best Musical Theater Album GRAMMYs alongside "Gypsy," "Les Miserables" and "West Side Story." It's also the second year in a row a piece of GRAMMY history was born from the category, as "The Unofficial Bridgerton Musical" creators Abigail Barlow and Emily Bear became the youngest winners in 2022.
Photo: Frazer Harrison/Getty Images
Jack Antonoff Wins Producer Of The Year, Non-Classical For The Second Year In A Row | 2023 GRAMMYs
The reigning Producer Of The Year, Non-Classical winner, Jack Antonoff, holds his title at the 2023 GRAMMYs,
Even so, Antonoff remained humble as he accepted his trophy. He put the spotlight on his right-hand woman, sound engineer Laura Sisk, who joined Antonoff on stage.
"I sit in the studio all day with one person — this is Laura, who engineers and mixes the records with us," he said. "We just sit there all f—ing day. We were there yesterday, we'll be there tomorrow, and this is all completely for Laura."
Listen to music from all of the nominees on our official Amazon Music playlist.
Press Play On GRAMMY U Mixtape: New Year, It’s Poppin'! Monthly Member Playlist
The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from student members. GRAMMY U celebrates new beginnings with fresh pop tunes that will kickstart 2023.
Did you know that among all of the students in GRAMMY U, songwriting and performance is one of the most sought after fields of study? We want to create a space to hear what these students are creating today!
The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that students are bringing to this industry directly on the Recording Academy's Spotify and Apple Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.
Each month, we accept submissions and feature 20 to 25 songs that match that month’s theme. This month we're ringing in 2023 with our New Year, It's Poppin'! playlist, which features fresh pop songs that bring new year, new you vibes. Showcasing talented members from our various chapters, we felt these songs represented the positivity and hopefulness that GRAMMY U members embody as they tackle this upcoming year of exciting possibilities.
So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify below and Apple Music.
Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our February playlist. Whether you write pop, rock, hip hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the student member (an original song) and you must be able to submit a Spotify and/or Apple Music link to the song. Students must be a GRAMMY U member to submit.
About GRAMMY U:
GRAMMY U is a program that connects college students with the industry's brightest and most talented minds and provides those aspiring professionals with the tools and opportunities necessary to start a career in music.
Throughout each semester, events and special programs touch on all facets of the industry, including the business, technology, and the creative process.
As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.
Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.
Photo: Rachel Kupfer
A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.
It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.
Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.
Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.
In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.
Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.
There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.
Say She She
Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.
While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."
Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.
Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.
Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.
Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.
L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.
During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.
Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.
Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.