meta-scriptGRAMMYs At Home: Watch Lecrae Show Off The Home Theater Where He'll Watch The 2021 GRAMMY Awards Show | GRAMMY.com
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GRAMMYs At Home: Watch Lecrae Show Off The Home Theater Where He'll Watch The 2021 GRAMMY Awards Show

In the latest episode of GRAMMYs At Home, watch Lecrae, who is nominated for Best Contemporary Christian Music Performance/Song and Best Gospel Performance/Song, show off the swanky home theater where he’ll find out if he wins both awards

GRAMMYs/Mar 8, 2021 - 10:59 pm

When it comes to the 63rd GRAMMYs Awards show, Lecrae has just about everything a breakout Christian artist could want. He’s up for two nominations at the 2021 ceremony: Best Gospel Performance/Song for "Come Together" and Best Contemporary Christian Music Performance/Song for "Sunday Morning."

However, the COVID-19 pandemic means the show will feature a mix of pre-recorded and live performances, and there will be no live audience. So, for the debut episode of GRAMMY.com’s new series, GRAMMYs At Home, Lecrae shows off the space where he’ll watch the ceremony.

"I’m excited about catching the GRAMMYs this year at home. It’s going to be an eventful situation," Lecrae muses in a red hoodie, with his previous GRAMMY Awards and BET Awards behind him. Because there’s no furniture in his new living room, Lecrae will watch the show in his slick home theater with a bowl of popcorn at the ready.

Watch Lecrae take us on a tour of where he’ll watch the GRAMMY Awards above, and tune into the ceremony on March 14 to find out if he’ll win one or both categories!

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Natalie Layne
Natalie Layne

Photo: Ashtin Paige

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Positive Vibes Only: Watch Natalie Layne Recount Everything She’s “Grateful For” In A Moving Live Performance

Christian singer Natalie Layne performs “Grateful For,” the lead single from her latest EP, ‘Amen.’

GRAMMYs/Apr 22, 2024 - 06:30 pm

With the hustle and bustle of everyday life, most people forget to take a second to appreciate the small things. But in Natalie Layne’s latest single, “Grateful For,” the Christian singer is stepping back to count her blessings. In this episode of Positive Vibes Only, hear the Nashville-based singer/songwriter deliver a heartfelt rendition of a piece from her newest EP, Amen

“I just gotta take time/ Slow down/ Take a moment to see it now/ The little things are what it’s all about,” she sings on the track. “Something to be grateful for/ It’s waiting to be found/ Underneath the surface.”

In an interview with the JubileeCast, she revealed, “God started downloading the vision to write a bunch of ‘joy songs’ — melodies I hope will inspire and encourage listeners to lift their eyes to see the good.”

This May, Layne will perform at a string of festival appearances throughout the United States, including the Unity Festival in Muskegon, Michigan, and Riverfest in Columbus, Ohio.

Press play on the video above to hear Natalie Layne’s motivational performance of “Grateful For,” and remember to check back to GRAMMY.com every Monday for more new episodes of Positive Vibes Only.

The musical group Selah stands posed together (L-R): Amy Perry, Todd Smith, and Allan Hall
Selah

Photo: Courtesy of Selah

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Positive Vibes Only: Watch Selah Praise The “Higher Name” In Encouraging Performance Of New Single

Contemporary Christian trio Selah share the power of glorifying God in this live performance of their latest release, “Higher Name.”

GRAMMYs/Apr 15, 2024 - 03:39 pm

Contemporary Christian trio Selah has found liberation from their anxieties thanks to the power of their newest song, "Higher Name" released on March 22.

Despite grappling with sorrow, pain, and doubt, they have found a path that consistently offers them freedom and security. In this installment of Positive Vibes Only, Selah delivers a stripped-down performance of "Higher Name," with Allan Hall playing the keyboard while Amy Perry and Todd Smith sing on the track. 

"No higher name/ That's worthy of praise/ That can free us from our chains," Selah declares in the chorus. "Author of faith/ Your kingdom reigns/ Jesus, The Name above all names/ You're the one that we proclaim/ The eternal God who saves."

Beginning April 19, Selah will perform a string of live shows, including the Singing in the Sun Festival in Myrtle Beach, South Carolina, and appearances at the 40 Days and Nights of Gospel Music at the Ark Encounter in Williamstown, Kentucky.

According to their artist biography, Hall says, "From the beginning, our words have been comfort and encouragement, and I don't think that has ever changed as a part of our mission... God has let us take the gift of music and share it and do something that could help someone.

Press play on the video above to hear Selah's motivational performance of "Higher Name," and check back to GRAMMY.com every Monday for more new episodes of Positive Vibes Only.

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Kendrick Lamar GRAMMY Rewind Hero
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Franc Moody
Franc Moody

Photo: Rachel Kupfer 

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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

GRAMMYs/Nov 25, 2022 - 04:23 pm

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea

Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.

Franc Moody

Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.

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