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GRAMMY Rewind: Watch Boyz II Men Win A GRAMMY In 1995 For "I'll Make Love To You"

Boyz II Men

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GRAMMY Rewind: Watch Boyz II Men Win A GRAMMY In 1995 For "I'll Make Love To You"

The R&B juggernauts won a GRAMMY for Best R&B Performance By A Duo Or Group With Vocal for "I'll Make Love To You"

GRAMMYs/Feb 26, 2021 - 10:10 pm

Back in the mid-1990s, Boyz II Men's lusty come-on track "I'll Make Love To You" did more than well.

It shot to No. 1 on the Billboard Hot 100, remaining on the chart for 33 weeks. And at the 37th GRAMMYs Awards show, it was nominated for Record of the Year and won Best R&B Performance By A Duo Or Group. (The album it belongs to, 1994's II, won Best R&B Album.)

In the latest episode of GRAMMY Rewind, watch the white-tuxed quartet graciously accept the award for Best R&B Performance with shouts to Jesus Christ and the song's writer and producer, Babyface

Check out the video above and watch more GRAMMY Rewinds here.

GRAMMY Rewind: Watch The Roots And Erykah Badu Gleefully Win Their First GRAMMY in 2000

Watch: Babyface Performs A Soaring "America The Beautiful" Ahead Of Super Bowl LVII
Babyface performing at Super Bowl LVII

Photo: Rob Carr/Getty Images

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Watch: Babyface Performs A Soaring "America The Beautiful" Ahead Of Super Bowl LVII

Kenneth "Babyface" Edmonds kicked off Super Bowl LVII with the annual pre-kickoff performance of "America the Beautiful." Watch it below.

GRAMMYs/Feb 13, 2023 - 12:07 am

Kenneth "Babyface" Edmonds kicked off Super Bowl Sunday with the annual pre-kickoff performance of "America the Beautiful."

Brandishing an acoustic guitar emblazoned with the American flag, the 12-time GRAMMY winner strummed along as he sand, "O beautiful for spacious skies/ For amber waves of grain/ For purple mountain majesties/ Above the fruited plain!" even adding an impressive key change for the second half of the song.

The 1895 patriotic standard written by Katharine Lee Bates and church organist Samuel A. Ward was first performed at Super Bowl VIII in 1967 by Charley Pride, who also sang "The Star-Spangled Banner" that year. Three years later, "America the Beautiful" was actually performed in place of the national anthem by Vikki Carr — which marks the only time in NFL history that the game didn't include the latter.

However, "America the Beautiful" didn't officially become an annual staple of the pre-game festivities until 2009. Artists who've performed the song in recent years have included Leslie Odom Jr., Chloe x Halle, Yolanda Adams, H.E.R. and Jhené Aiko.

This year, Babyface's number was preceded by Sheryl Lee Ralph belting out "Lift Every Voice and Sing." Colloquially known as the "Black national anthem," the spiritual prayer of thanksgiving has been added to the lineup of Super Bowl musical moments since 2021, when Alicia Keys became the first artist to ever perform it ahead of kickoff.

Babyface Reflects On Collaborating With Whitney, Toni, Ella Mai & More: How The Legendary Hitmaker Learned To "Speak In Their Voices"

The 2023 GRAMMY Awards Premiere Ceremony To Feature Performances From Carlos Vives, Samara Joy, Madison Cunningham, Arooj Aftab & More; Presenters Include Babyface, Jimmy Jam, Malcolm-Jamal Warner & Others

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The 2023 GRAMMY Awards Premiere Ceremony To Feature Performances From Carlos Vives, Samara Joy, Madison Cunningham, Arooj Aftab & More; Presenters Include Babyface, Jimmy Jam, Malcolm-Jamal Warner & Others

Streaming live on Sunday, Feb. 5, at 3:30 p.m. ET/12:30 p.m. PT on live.GRAMMY.com and the Recording Academy's YouTube channel, the 2023 GRAMMY Awards Premiere Ceremony is where the majority of this year's 91 GRAMMY Awards categories will be awarded.

GRAMMYs/Jan 27, 2023 - 02:00 pm

Editor’s note: This story has been updated to reflect additional performers and presenters.

Officially kicking off the 2023 GRAMMYs, the 65th GRAMMY Awards Premiere Ceremony will return to the Microsoft Theater in Los Angeles with a star-studded celebration of performers, presenters and awards. Taking place Sunday, Feb. 5, at 3:30 p.m. ET/12:30 p.m. PT, just hours before Music's Biggest Night, the 2023 GRAMMY Awards Premiere Ceremony will stream live on live.GRAMMY.com and on the Recording Academy's YouTube channel.

The beloved annual event, in which the majority of this year's 91 GRAMMY Awards categories will be awarded, will be hosted by current GRAMMY nominee Randy Rainbow and will feature an opening number performance by Blind Boys of Alabama, La Marisoul from La Santa Cecilia, and additional surprise performers. Other artists scheduled to perform include current nominees Arooj Aftab, Madison Cunningham, Samara Joy, Anoushka ShankarCarlos VivesShoshana Bean, Maranda Curtis, Buddy Guy and Bob Mintzer.

Presenting the first GRAMMY Awards of the day include current nominees Judy Collins,  Babyface, DOMi & JD BECK, Myles Frost, Arturo O'Farrill, Malcolm-Jamal WarnerAmanda Gorman, and five-time GRAMMY winner and former Recording Academy Board of Trustees Chair Jimmy Jam. Recording Academy Chair of the Board of Trustees Tammy Hurt will provide opening remarks. Additional talent and co-host to be announced in the coming days.

This year, City National Bank has signed on as the first-ever presenting sponsor of the GRAMMY Awards Premiere Ceremony.

Read More: 2023 GRAMMYs Performers Announced: Bad Bunny, Lizzo, Sam Smith, Steve Lacy, Mary J. Blige & More Confirmed

All Premiere Ceremony performers and hosts are current nominees at the 2023 GRAMMYs, as are most presenters. Aftab is nominated for Best Global Music Performance ("Udhero Na" with Anoushka Shankar); Babyface is nominated for Best Traditional R&B Performance ("Keeps On Fallin'" with Ella Mai); Blind Boys of Alabama are nominated for Best Americana Performance ("The Message" with Black Violin); Cunningham is nominated for Best American Roots Performance ("Life According To Raechel") and Best Folk Album (Revealer); DOMi & JD BECK are up for Best New Artist and Best Contemporary Instrumental Album (NOT TiGHT); Frost is nominated for Best Musical Theater Album (MJ The Musical); Joy is nominated for Best New Artist and Best Jazz Vocal Album (Linger Awhile); La Marisoul is up for Best Tropical Latin Album (Quiero Verte Feliz with La Santa Cecilia); O'Farrill is nominated for Best Latin Jazz Album (Fandango At The Wall In New York with The Afro Latin Jazz Orchestra Featuring The Conga Patria Son Jarocho Collective); Rainbow is up for Best Comedy Album (A Little Brains, A Little Talent); Shankar is up for Best Global Music Performance ("Udhero Na" with Arooj Aftab) and Best Global Music Album (Between Us… (Live) with Metropole Orkest & Jules  Buckley Featuring Manu Delago); Vives is nominated for Best Tropical Latin Album (Cumbiana II); Warner is nominated for Best Spoken Word Poetry Album (Hiding In Plain View); Bean is up for Best Musical Theater Album ("Mr. Saturday Night"); Curtis is nominated for Best Gospel Album (Die To Live); Guy is nominated for Best Traditional Blues Album (The Blues Don’t Lie); and Mintzer is up for Best Instrumental Jazz Album (Parallel Motion).

Read More: Where, What Channel & How To Watch The Full 2023 GRAMMYs

"We are so excited to kick off GRAMMY Sunday with the Premiere Ceremony ahead of Music's Biggest Night," Recording Academy CEO Harvey Mason jr. said. "Not only do we have an incredible lineup of presenters and performers, but this ceremony will also reveal the winners in the vast majority of our categories, celebrating this amazing year in music across many of our genre communities."

Following the Premiere Ceremony, the 2023 GRAMMYs will be broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET / 5-8:30 p.m. PT.

On GRAMMY Sunday, fans can access exclusive, behind-the-scenes GRAMMYs content, including performances, acceptance speeches, interviews from the GRAMMY Live red-carpet special, and more via the Recording Academy's digital experience on live.GRAMMY.com.

The Official 2023 GRAMMYs Playlist Is Here: Listen To 115 Songs By Beyoncé, Harry Styles, Bad Bunny, Kendrick Lamar & More

Babyface Reflects On Collaborating With Whitney, Toni, Ella Mai & More: How The Legendary Hitmaker Learned To "Speak In Their Voices"
Babyface

Photo: Travis Bailey

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Babyface Reflects On Collaborating With Whitney, Toni, Ella Mai & More: How The Legendary Hitmaker Learned To "Speak In Their Voices"

Babyface has enough Top 10 singles to keep a playlist bumping for hours. The songwriter and producer discusses his most memorable productions, many of which tell compelling stories from a woman's perspective.

GRAMMYs/Jan 24, 2023 - 05:59 pm

You didn't have to live through the '90s to know that 11-time GRAMMY winner Babyface is the mastermind behind so many of the decade's biggest R&B hits. Whitney Houston's "Exhale (Shoop Shoop)," Boyz II Men's "End of the Road," and Toni Braxton's "You're Makin' Me High" are just a few No. 1 singles penned by the Songwriters Hall of Fame inductee.

Babyface's legendary status is driven home by 125 Top 10 writer/producer credits, top-tier collaborations with Aretha Franklin, Stevie Wonder, Barbra Streisand, Beyoncé, and Eric Clapton, plus his own iconic hits, such as "Whip Appeal," "When Can I See You," and "Every Time I Close My Eyes." But telling compelling stories — especially from the female perspective — is arguably one of his greatest strengths, as evidenced most recently on Girls' Night Out

The 13-track collaboration project champions some of today's brightest female R&B stars, including Ari Lennox, Kehlani, and Queen Naija. Lead single "Keeps on Fallin'" with Ella Mai is nominated for Best Traditional R&B Performance at the 2023 GRAMMYs, which means he's now surpassed 50 GRAMMY nominations. "It was a nice surprise," Babyface tells GRAMMY.com. "It inspires you to keep doing the work."

A master of his craft, Babyface did his homework before getting in the studio with each artist on Girls' Night Out. "I needed to learn how people spoke and how melodies are different. Otherwise, I don't know if I would've been able to speak in their voices," he shares. "I have a much clearer understanding of today's R&B because there is a difference, and it's not necessarily a difference that's any better or any worse. It's just a difference in terms of time, and that's what made the process enjoyable to me."

Though Babyface took more of a mentoring approach with Girls' Night Out, he's no stranger to fostering talented female singers, particularly on the soundtrack for the 1995 movie Waiting to Exhale — which exclusively features Black women. The OST boasts a string of No. 1 and Top 10 hits penned entirely by Babyface himself, including beloved classics like Braxton's "Let It Flow" and Brandy's "Sittin' Up in My Room." 

Yet "Not Gon' Cry" by Mary J. Blige — who is nominated in six categories at the 65th GRAMMY Awards — remains among Babyface's most memorable productions for Waiting To Exhale. The timeless ballad, written from character Bernadine’s point of view after her husband of 11 years leaves her for another woman, emerged as the Black woman's anthem for showing resilience in the face of romantic heartbreak and betrayal, but the song almost didn't happen.

"The opening lyrics, 'While all the time that I was loving you, you were busy loving yourself,' just sounded like a real-life conversation, and it sounded like something Mary could say," Babyface explains. "I played it for Andre Harrell, and he said, 'It's okay, but I don't think it's the record for her… Mary's too young for this. She's not 47 years old and she ain't been married and all that.'"

He continues, "My answer to him was, 'Mary's singing for everyone else… and she ultimately became a voice for other women.' It wasn't her personal story, but her voice could deliver that."

Babyface's musical legacy developed further with the formation of LaFace Records in 1989 with music executive L.A. Reid. In the label’s glory days, LaFace launched the careers of Braxton, TLC, OutKast, Pink, Usher, Ciara, Goodie Mob, and Donell Jones. But one of his most impressive feats isn't talked about enough: that Whitney Houston selected Babyface to help usher in the more R&B-oriented sound of her third studio album, 1990's I'm Your Baby Tonight.

"They came to LaFace because they wanted a Blacker record, but when I was writing 'I'm Your Baby Tonight,' I wasn't thinking R&B… I was just writing a Whitney record," he says. "There's an urban flavor to it, but the truth is it wasn't that R&B, but everything is R&B if a Black artist touches it… the idea was to run away from songs like 'How Will I Know' and 'I Wanna Dance with Somebody' that were big records for her that they said weren't Black enough."

Babyface and Houston proved to be a winning musical duo, and "I'm Your Baby Tonight" was nominated for Best Pop Vocal Performance, Female at the 33rd GRAMMY Awards. The collaboration also gave Houston her eighth No. 1 hit, tying with Madonna for the female artist with most No. 1s on the Billboard Hot 100 at the time.

The success with divas like Houston and Braxton allowed Babyface to explore his versatility as a hitmaker for superstars outside of the R&B realm. For the lush sounds heard on Madonna's sixth studio album, Bedtime Stories, the pop icon teamed up with Dallas Austin, Dave Hall, and of course Babyface, who co-wrote "Forbidden Love" and "Take a Bow." The latter song became her longest running No. 1 hit.

"The track was already laid down and when we brought in the live strings, which was Madonna's suggestion, it became a whole other thing. I think it was the combination of my background vocals behind Madonna's that just made for a very unique song in that sense for her," Babyface recalls. "She was nervous because she just wasn't used to singing that controlled and being that vulnerable. I remember how we sat there and wrote the song together [at the Hit Factory Studios in New York City], so that's a really cool memory."

As the 64-year-old musician enters the next stage of his four-decade career, he has plenty to look forward to: Touring with eight-time GRAMMY winner Anita Baker, a possible deluxe version of Girls' Night Out, and the upcoming 30th anniversary of his third studio album, For the Cool in You, which spawned the top 5 hit "When Can I See You." (The acoustic tune earned Babyface his first GRAMMY for Best Male R&B Vocal Performance.)

For all his success, Babyface has remained humble and his greatest joy comes from being able to hear a talented vocalist bring a song he wrote to life. "The best part is when you get into the studio with this idea, this little demo and then, when someone like Whitney, Aretha, or Boyz II Men sings your song, it becomes a hit before your eyes," he says. "They take it to a place I never imagined it could go."

The Official 2023 GRAMMYs Playlist Is Here: Listen To 115 Songs By Beyoncé, Harry Styles, Bad Bunny, Kendrick Lamar & More

2022 Year In Review: 7 Trends That Defined R&B
(L-R) Mariah Carey, FKA Twigs, Mary J. Blige, Wizkid, SZA, Kehlani

Photo: (L-R) Aaron J. Thornton/Getty Images for BET, Emma McIntyre/Getty Images for The Recording Academy, Scott Dudelson/Getty Images, Timothy Norris/Getty Images, Erika Goldring/WireImage, Bryan Bedder/Getty Images for Grey Goose Essences

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2022 Year In Review: 7 Trends That Defined R&B

From the return of beloved mainstays to unexpected collaborations, revisit some of the year's biggest moments in R&B.

GRAMMYs/Dec 26, 2022 - 05:24 pm

2022 was a glowing year for R&B, with newcomers and legends alike shattering claims that the genre is on the brink of losing its popularity. It was quite the opposite, actually — newer R&B stars like Flo helped revive '00s nostalgia, and veterans like Babyface showed that there's strength in collaboration.

As the world re-emerges from the pandemic, artists channeled a brighter energy in their music, using more upbeat melodies and lyrics that emphasized fun and romance. Chlöe provided the twerk-friendly anthems, while FKA Twigs' Caprisongs mixtape featured a song for every kind of party imaginable.

There were plenty more R&B stars new and old who contributed to the genre's shine this year. Below, revisit some of 2022's biggest moments in R&B.

The Ladies Seduced Us

R&B has always maintained a sensual core, and the women of the genre confidently reminded listeners of that fact throughout 2022. On her second album Age/Sex/Location, ​​Ari Lennox explored the ebbs and flows of lust with songs like the NSFW "Leak It" (featuring Chlöe) and the flirtatious "Hoodie." Chlöe also continued to unleash her seductive goddess on her solo single, "Surprise."

Two years before SZA dropped her long-anticipated second album, SOS, in December, she showed off her pole-dancing skills in a 2020 Instagram post teasing single "Shirt." (And when lead single "Good Days" arrived in March, she continued her seduction in the outro of the music video.) The LP details the journey of post-lust heartbreak and how to regain one's confidence, from the sneaky affair of "Low" to feeling empty on the punk rock-inspired "F2F."

Peacock's Bel-Air star Coco Jones proved her singing ability was equally as strong as her acting skills, as she captured hearts with her debut EP, What I Didn't Tell You, including the yearning single "ICU." Amber Mark, also a fellow newcomer, released her debut album Three Dimensions Deep. The LP features an array of genres, but songs like "Softly" are what really entranced listeners.

Singers From Across the Pond Ruled

The appreciation for R&B spans shores, and British artists delivered fresh spins on the genre. Cheltenham's FKA Twigs set the energetic tone with the January release of her first mixtape, Caprisongs, which is filled with a kaleidoscope of sounds from drum and bass to trap. Leicester's Mahalia navigated heartbreak with her Letter To Ur Ex EP. Southampton native Craig David tapped back into his '00s style with his nostalgic eighth album, 22, which opens with an interpolation of fellow R&B star Jon B.'s 1998 classic, "They Don't Know."

After winning over stateside fans in 2018 with her GRAMMY-winning single "Boo'd Up," London-born Ella Mai returned with her sophomore album Heart on My Sleeve — a self-described "therapy session" that highlighted the artist's diaristic songwriting. London also spawned a new girl group this year with Flo, a trio who channeled the heydays of '00s pop&B with their debut EP, The Lead.

Afrobeats Trickled Into The Genre

Afrobeats' international popularity has surged over the past few years, so much so that other genres are now borrowing its infectious groove. This year, R&B singers infused the genre into their own sounds, further showcasing Afrobeats' versatility.

FKA Twigs' Caprisongs features "Jealousy," a mellow collab with burgeoning Nigerian artist Rema. Two months later, Rema dropped R&B-infused music of his own on his debut album, Rave & Roses, which featured guests like 6lack and Chris Brown.

The month of June gave way to sweltering summer collaborations. Diddy paired up with Bryson Tiller on the brooding "Gotta Move On," which scored the music mogul his 11th No. 1 on Billboard's Adult R&B Airplay chart. And in true Diddy fashion, he dropped a "Queens" version featuring Yung Miami and Ashanti.

Not long after, Chris Brown and Wizkid joined forces for "Call Me Every Day." Marking their third collaboration, the sultry smash illustrated just why they're crowned the princes of R&B and Afrobeats, respectively.

Artists Took It Back To The Club

R&B is not always about love songs and heartbreak. Rather than dwell in their feelings, a handful of singers opted for a more lighthearted approach in their music. After jumpstarting her solo era with last year's booty anthem "Have Mercy," Chlöe kept the ode to curves going with "Treat Me." Built atop a sample of Bubba Sparxxx and the Ying Yang Twins' 2005 hit "Ms. New Booty," "Treat Me" is a self-confidence anthem.

Baby Tate also borrowed an Atlanta crunk staple from the same year for "Ain't No Love." Featuring fellow Georgia native 2 Chainz, the bouncy tune samples Ciara's "Oh" collaboration with Ludacris, spinning the '00s classic into a modern-day jam.

On the opposite coast, Los Angeles' own Blxst solidified his signature laid-back style with his debut album, Before You Go. Lead single "About You" is best served with a cold one and a two-step.

Kehlani then took listeners to their native Bay Area with April's Blue Water Road album (where Blxst also makes an appearance). The Slick Rick-sampling "Wish I Never" is the ultimate '90s house party jam while the upbeat "Up At Night" with Justin Bieber will do just what its title implies.

Other club genres also came into play, with Ravyn Lenae experiencing house euphoria on Hypnos' "Xtasy" and FKA Twigs going full dancehall alongside shygirl with Caprisongs' "Papi Bones."

There Were Many '90s Celebrations

The '90s still has a tight grip on R&B's current sound, and the artists who ruled that decade proudly reminded us of that fact in 2022. For the 25th anniversary of Mariah Carey's transitional Butterfly album, the icon released a special re-edition that features an updated version of "The Roof" (with added vocals from Brandy) and "Whenever You Call" (with Brian McKnight), a live version of "My All" from VH1 Divas Live, the "Amorphous Anniversary Club Remix" of the title track and more.

Usher also got in the commemorative spirit, releasing My Way (25th Anniversary Edition) — which happens to share the same Sept. 16 anniversary as Carey's Butterfly. The new edition included reimagined versions of three tracks: "My Way (Ryan James Carr Remake)," "Nice & Slow (Ryan James Carr Remake)" and "You Make Me Wanna… (Ryan James Carr Remake)."

To commemorate another 25th anniversary, Erykah Badu celebrated her GRAMMY-winning Baduizm debut with a pair of shows at London's Royal Festival Hall.

Other '90s celebrations came from R&B quartet Xscape, who received the Lady of Soul honor at the 2022 Soul Train Awards, and new artist LAYA, who honored Missy Elliott with a cover of the rapper's 1997 single "Sock It 2 Me" for Women's History Month.

Alt-R&B Girls Made A Return

The beauty of R&B is in its sonic diversity. Alternative R&B has blossomed in popularity over the years, and 2022 saw the return of some of the subgenre's leaders.

Santigold made a thrilling return with Spirituals, the singer's first album in six years. An emotional journey through lockdown, the LP fuses gospel, electronica, punk and pop, all tied together with Santigold's signature yelps.

Another long-awaited comeback came from Kelela, who re-emerged in September after a five-year hiatus. Her single "Washed Away" is the launchpad to her second album Raven, which will be released next February. "Raven is my first breath taken in the dark, an affirmation of Black femme perspective in the midst of systemic erasure and the sound of our vulnerability turned to power," Kelela shared in a press release.

Although Solange didn't give fans new music in 2022, the singer was honored with the 2022 NYU Global Trailblazer Award for Creative and Artistic Excellence in March. And ever the ever-unpredictable star, she composed a score for the New York City Ballet that came to life with a performance at the Lincoln Center in September.

Old School Met New School

This year, there was no separation of generations. Rather, the "legend vs. newcomer" hierarchy was completely dismissed, as artists from the '60s to today joined forces in the recording studio.

Ronald Isley and Beyoncé wooed soul fans with their rework of "Make Me Say It Again, Girl," which originally appeared on the Isley Brothers' 1975 album, The Heat Is On. Isley's wife/manager Kandy told Billboard that Beyoncé's mother Tina Knowles-Lawson was integral in the collaboration, marking a full-circle moment for the star, who grew up listening to the group. "The fact that they are giving us permission to put it out at this time is just overly special," Kandy said.

Ciara and Summer Walker's lilting vocals complemented each other on "Better Thangs," while  SZA (whose stage name pays homage to Wu-Tang Clan member RZA) featured the late Ol' Dirty Bastard on SOS. Elsewhere, PJ Morton's latest album is a celebration of collaboration, with guests Stevie Wonder and Nas on "Water," and Jill Scott and Alex Isley on "Still Believe."

In October, Babyface passed down his GRAMMY-winning torch to the women of R&B with his collaboration album, Girls Night Out. Solely featuring the new generation of female singers, from Muni Long to Ari Lennox, the album showed that romance has no age.

Mary J. Blige donned her Queen of Hip-Hop Soul crown on her latest album, which features rappers like Dave East and Fivio Foreign. On the opposite end, Toronto R&B duo dvsn teamed with male R&B group Jagged Edge on "What's Up" from the former's Working on My Karma album.

Whether it was R&B's legends or promising newcomers making waves, this year had plenty of proof that the genre is still thriving — and never going anywhere.

R&B Isn't Dead: Listen To 51 Songs By Summer Walker, Josh Levi & More Artists Who Are Pushing The Genre Forward