Photo: William Gottlieb/Redferns
Billie Holiday performing at the Club Downbeat in 1947
GRAMMY Hall Of Fame Welcomes 2021 Inductions: A Tribe Called Quest, Billie Holiday, Journey, Patti Smith, Bruce Springsteen And More
The 29 recordings will be added to the iconic catalog residing at the GRAMMY Museum
Today, the Recording Academy welcomes the 2021 inductees for the distinguished GRAMMY Hall Of Fame, continuing its ongoing commitment to preserving and celebrating timeless recordings. This year's additions recognize a diverse range of both single and album recordings at least 25 years old that exhibit qualitative or historical significance. Recordings are reviewed each year by a special member committee comprised of eminent and knowledgeable professionals from all branches of the recording arts, with final approval by the Recording Academy's National Board of Trustees. With 29 new titles, the Hall, now in its 48th year, currently totals 1,142 recordings.
"We are proud to announce this year's diverse roster of GRAMMY Hall Of Fame inductees and to recognize recordings that have shaped our industry and inspires music makers of tomorrow," Harvey Mason jr., Chair and Interim President/CEO of the Recording Academy, said. "Each recording has had a significant impact on our culture, and it is an honor to add them to our distinguished catalog."
The 2021 GRAMMY Hall Of Fame inductees range from A Tribe Called Quest's The Low End Theory to Bruce Springsteen's Greetings From Asbury Park, N.J.. The list also features Billie Holiday's "Solitude," Journey's "Don't Stop Believin'," Linda Ronstadt's Canciones De Mi Padre, Patti Smith's Horses, USA For Africa's "We Are The World," and Village People's "Y.M.C.A." Other inductees include recordings by Beastie Boys, Leonard Bernstein With The Philharmonia Orchestra Of London, The Cars, Elizabeth Cotten, Joe Cocker, Vernon Dalhart, Dr. John, Peter Gabriel, Emmylou Harris, Isaac Hayes, Fletcher Henderson And His Orchestra, Kansas Joe And Memphis Minnie, Kolisch String Quartet, John Mayall With Eric Clapton, Dolly Parton, Pearl Jam, Kenny Rogers, Édouard-Léon Scott De Martinville, Stevie Ray Vaughan And Double Trouble, The Cannonball Adderley Quintet, Irma Thomas, and Betty Wright.
Eligible recipients will receive an official certificate from the Recording Academy. For a full list of 2021 recordings inducted into the GRAMMY Hall Of Fame, see below or visit here.
2021 GRAMMY Hall Of Fame Inductees
"AU CLAIR DE LA LUNE"
Édouard-Léon Scott De Martinville
John Mayall With Eric Clapton
CANCIONES DE MI PADRE
"CLEAN UP WOMAN"
Fletcher Henderson And His Orchestra
"DON'T STOP BELIEVIN'"
GREETINGS FROM ASBURY PARK, N.J.
HOT BUTTERED SOUL
IN THE RIGHT PLACE
LICENSED TO ILL
MAD DOGS & ENGLISHMEN
MERCY, MERCY, MERCY! LIVE AT "THE CLUB"
The Cannonball Adderley Quintet
RAVEL: PIANO CONCERTO IN G MAJOR
Leonard Bernstein With The Philharmonia Orchestra Of London
SCHOENBERG: THE FOUR STRING QUARTETS
Kolisch String Quartet
Stevie Ray Vaughan And Double Trouble
THE LOW END THEORY
A Tribe Called Quest
"TIME IS ON MY SIDE"
Dolly Parton, Linda Ronstadt, Emmylou Harris
"WE ARE THE WORLD"
USA For Africa
"WHEN THE LEVEE BREAKS"
Kansas Joe And Memphis Minnie
"WRECK OF THE OLD 97"
For inquiries about the GRAMMY Hall Of Fame, please contact us at firstname.lastname@example.org.
Photo: Kelly Samson, Gallery Photography
Photo: Sarah Morris/Getty Images for The Recording Academy
Watch: "A History Of L.A. Ska" Panel At The GRAMMY Museum With Reel Big Fish, NOFX & More
Featuring musicians, DJs, curators and more, the multi-part series "A History Of L.A. Ska" explores the genre's deep history in Southern California. The latest installment included members of Hepcat, Ocean 11 and others.
Ska — as any lover of the genre will tell you — is far from dead.
In fact, the genre that burst forth in Jamaica at the time of the nation's independence in the early 1960s (and, crucially, is the musical seed from which reggae grew) is alive and well around the globe. Call it a fourth wave, a revival or a scene of stalwarts, but the horn-heavy, grooving and uptempo music continues to march forward — and the GRAMMY Museum is all-in on the celebration.
For several years, the GRAMMY Museum has hosted "A History Of L.A. Ska" — a discussion and performance series featuring local musicians, DJs, journalists, and others. Panelists reminisce about their early years in ska, working with legends, and the important role Southern California has played in the development of the culture. The most recent panel was held on Nov. 7 (but more on that later).
Although born in Jamaica, ska migrated to the UK in the latter half of the '60s and, the following decade, mixed with burgeoning punk sounds to create the genre's second wave: Two Tone. Bands such as the Specials, Madness and the Selecter struck a chord with local audiences as well as those in Southern California — which saw its first ska band, the Boxboys, debut in 1979. Then by the late ‘80s, California-based bands such as the Untouchables, Fishbone, Hepcat and Let’s Go Bowling were building a distinct scene.
As the ‘90s began, Southern California was the focal point of ska's third wave. Helmed by bands like Reel Big Fish, the Aquabats and, early on, No Doubt, a new generation further enmeshed punk and ska to become faster, catchier and more memeable. While third wave groups of the era came from all corners (see New Jersey's Catch-22, Florida's Less Than Jake and Boston's Mighty Mighty Bosstones), Southern California remained a stronghold for ska music and was buoyed by a strong subculture of mods and non-racist skinheads.
Today, Los Angeles remains a hotbed for a new generation of ska acts — many of which harken back to the sounds of the '60s. Southern California has also played host to ska legends, including Derrick Morgan (whose song "Forward March" became an independence anthem), Pat Kelly, the Pioneers and more.
"When I was first introduced to ska in Southern California, I was blown away by the level of musicianship and the love that these young talents had for the music that I grew up listening to in Jamaica,” shares Junor Francis, a moderator and veteran radio DJ/emcee who co-curates the "A History Of L.A. Ska" series with Eric Kohler. The two also host a video interview series of the same name. [Editor's note: Author Jessica Lipsky has appeared on this series.]
"While many fans of American third wave ska were introduced to the sound in the 1990s, more casual listeners may not be aware that ska in Southern California dates back four decades," notes Kohler. "To that end, Junor and I have made it our mission to celebrate and highlight the scene’s rich history, vibrancy and uniqueness."
Part four of the series — and the most recent — featured seven panelists representing a broad swath of L.A. ska history: Hepcat drummer Greg Narvas (Hepcat), singer Karina Denike (Dance Hall Crashers, NOFX), keyboardists Matt Parker (the Donkey Show) and Paul Hampton (the Skeletones), DJ and drummer Nina Cole (the Cover Ups), drummer Oliver Charles (Ocean 11, Ben Harper & The Innocent Criminals, Gogol Bordello), and multi-instrumentalist Scott Klopfenstein (Reel Big Fish, the Littlest Man Band). The panel was moderated by Junor Francis.
The four-part series is available to view on the GRAMMY Museum's website, or you can immerse yourself in the "History Of L.A. Ska" panel by panel below:
Featuring: Greg Lee, Persephone “Queen P” Laird, Joey Altruda, Brian Dixon and Luis Correa
Featuring: Angelo Moore, Chris Murray, Darrin Pfeiffer, Kip Wirtzfeld, Tazy Phyllipz
Featuring: Jerry Miller, Chuck Askerneese, Ivan Wong, Greg Sowders, Norwood Fishe, Greg Lee, Bill Bentley, Howard Paar, Marc Wasserman, Karena Sundaram Marcum, Laurence Fishburn
If the excitement on display during the "History Of L.A. Ska" panel sessions isn't enough to convince you of the genre's staying power, consummate emcee Junor Francis shares words of affirmation:
“After being baptized into this scene and welcomed with open arms, I realized this was absolutely the right place for me!”
Photo: Jeff Kravitz/FilmMagic
GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.
Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.
A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.
This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system.
"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."
He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.
"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.
To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood."
Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes.
Photo Courtesy of the Recording Academy and GRAMMY Museum
25 Semifinalists Announced For The 2024 Music Educator Award
Twenty-five music teachers, from 25 cities across 17 states, have been announced as semifinalists for the 2024 Music Educator Award, presented by the Recording Academy and GRAMMY Museum. One ultimate recipient will be honored during GRAMMY Week 2024.
Twenty-five music teachers have today been announced as semifinalists for the Music Educator Award, an annual award, presented by the Recording Academy and GRAMMY Museum, that supports and celebrates music education and music educators across the U.S. The 25 semifinalists, who hail from 25 cities across 17 states, were selected from a pool of more than 2,000 initial nominations from across all 50 U.S. states. Finalists will be announced in December, and the ultimate recipient of the 2024 Music Educator Award will be recognized during GRAMMY Week 2024, days ahead of the 2024 GRAMMYs.
Nominations for the 2025 Music Educator Award are now open.
Presented by the Recording Academy and GRAMMY Museum, the Music Educator Award recognizes current educators who have made a significant and lasting contribution to the music education field and demonstrate a commitment to the broader cause of maintaining music education in the schools. The Award is open to current U.S. music teachers. Anyone can nominate a teacher — students, parents, friends, colleagues, community members, school deans, and administrators — while teachers are also able to nominate themselves; nominated teachers are notified and invited to fill out an application.
Each year, the recipient of the Music Educator Award, selected from 10 finalists, receives a $10,000 honorarium and matching grant for their school's music program. The nine additional finalists receive a $1,000 honorarium and matching grants. The remaining 15 semifinalists, among the group announced today, will receive a $500 honorarium with matching school grants.
The Music Educator Award program, including honorariums, is made possible by the generosity and support of the Chuck Lorre Family Foundation. In addition, the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association support this program through outreach to their constituencies.
The full list of the 2024 Music Educator Award semifinalists is as follows:
|Dawn Amthor||Wallkill Senior High School||Wallkill||New York|
|Jeremy Bartunek||Greenbriar School||Northbrook||Illinois|
|William Bennett||Cane Bay High School||Summerville||South Carolina|
|Meg Byrne||Pleasant Valley High School||Bettendorf||Iowa|
|Ernesta Chicklowski||Roosevelt Elementary||Tampa||Florida|
|Michael Coelho||Ipswich Middle and High School||Ipswich||Massachusetts|
|Drew Cowell||Belleville East High School||Belleville||Illinois|
|Marci DeAmbrose||Lincoln Southwest High School||Lincoln||Nebraska|
|Antoine Dolberry||P.S. 103x Hector Fontanez||Bronx||New York|
|Jasmine Fripp||KIPP Nashville Collegiate High School||Nashville||Tennessee|
|J.D. Frizzell||Briarcrest Christian School||Eads||Tennessee|
|Amanda Hanzlik||E.O. Smith High School||Storrs||Connecticut|
|Michael Lapomardo||Shrewsbury High School||Shrewsbury||Massachusetts|
|Ashleigh McDaniel Spatz||Rising Starr Middle School||Fayetteville||Georgia|
|Kevin McDonald||Wellesley High School||Wellesley||Massachusetts|
|Coty Raven Morris||Portland State University||Portland||Oregon|
|Trevor Nicholas||Senn Arts at Nicholas Senn High School||Chicago||Illinois|
|Vicki Nichols||Grandview Elementary||Grandview||Texas|
|Annie Ray||Annandale High School||Annandale||Virginia|
|Bethany Robinson||Noblesville High School||Noblesville||Indiana|
|Danni Schmitt||Roland Park Elementary/Middle School||Baltimore||Maryland|
|Kevin Schoenbach||Oswego High School||Oswego||Illinois|
|Matthew Shephard||Meridian Early College High School||Sanford||Michigan|
|Alice Tsui||New Bridges Elementary||Brooklyn||New York|
|Tammy Yi||Chapman University||Orange||California|
Learn more about the Music Educator Award and apply to the 2025 Music Educator Award program now.