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Exploring The American Roots Field Nominees

A look at the nominees in the American Roots Field categories for the 56th GRAMMY Awards

GRAMMYs/Dec 3, 2014 - 05:06 am

You've seen the list of nominees, now take a closer look at the artists nominated in the American Roots Field categories for the 56th Annual GRAMMY Awards.

First-time nominee Edie Brickell, previous GRAMMY nominees Sarah Jarosz, Charlie Musselwhite and Allen Toussaint, and GRAMMY winner Steve Martin lead the American Roots Field with two nominations each. Additional first-time nominees include Joe Bonamassa, the Boxcars, Della Mae, James Harman, Beth Hart, Mark Hummel, James King, and the Milk Carton Kids. Returning GRAMMY winners looking to add to their GRAMMY gold are James Cotton, Rodney Crowell, the Del McCoury Band, Steve Earle, Ben Harper, Emmylou Harris, Jim Lauderdale, Buddy Miller, Tim O'Brien, Mavis Staples, and Terrance Simien & The Zydeco Experience.

Best American Roots Song

Sarah Jarosz, "Build Me Up From Bones" (Sarah Jarosz, songwriter)

Jarosz has two nominations this year and one prior GRAMMY nomination.

Steve Earle & The Dukes (& Duchesses), "Invisible" (Steve Earle, songwriter)

Steve Earle & The Dukes (& Duchesses) have one nomination this year, marking the first GRAMMY nomination of their career. As a solo artist, Earle has 15 prior GRAMMY nominations and three prior GRAMMY wins.

Tim O'Brien And Darrell Scott, "Keep Your Dirty Lights On" (Tim O'Brien & Darrell Scott, songwriters)

O'Brien has one nomination this year, four prior GRAMMY nominations, including one as part of Hot Rize, and one prior GRAMMY win. Scott has one nomination this year and three prior GRAMMY nominations.

Steve Martin & Edie Brickell, "Love Has Come For You" (Edie Brickell & Steve Martin, songwriters)

Brickell has two nominations this year, marking the first GRAMMY nominations of her career. Martin has two nominations this year, 11 prior GRAMMY nominations and four prior GRAMMY wins.

Allen Toussaint, "Shrimp Po-Boy, Dressed" (Allen Toussaint, songwriter)

Toussaint has two nominations this year and four prior GRAMMY nominations.

Best Americana Album

Emmylou Harris & Rodney Crowell, Old Yellow Moon

Harris has one nomination this year, 44 prior GRAMMY nominations and 12 prior GRAMMY wins.

Steve Martin & Edie Brickell, Love Has Come For You

Brickell has two nominations this year, marking the first GRAMMY nominations of her career. Martin has two nominations this year, 11 prior GRAMMY nominations and four prior GRAMMY wins.

Buddy Miller And Jim Lauderdale, Buddy And Jim

Miller has one nomination this year, two prior GRAMMY nominations and one prior GRAMMY win. Lauderdale has one nomination this year, six prior GRAMMY nominations and two prior GRAMMY wins.

Mavis Staples, One True Vine

Staples has one nomination this year, six prior GRAMMY nominations, including one as part of the Staple Singers, and one prior GRAMMY win.

Allen Toussaint, Songbook

Toussaint has two nominations this year and four prior GRAMMY nominations.

Best Bluegrass Album

The Boxcars, It's Just A Road

The Boxcars have one nomination this year, marking the first GRAMMY nomination of their career.

Dailey & Vincent, Brothers Of The Highway

Dailey & Vincent have one nomination this year and two prior GRAMMY nominations.

Della Mae, This World Oft Can Be

Della Mae have one nomination this year, marking the first GRAMMY nomination of their career.

James King, Three Chords And The Truth

King has one nomination this year, marking the first GRAMMY nomination of his career.

Del McCoury Band, The Streets Of Baltimore

The Del McCoury Band have one nomination this year, 10 prior GRAMMY nominations and one prior GRAMMY win.

Best Blues Album

Billy Boy Arnold, Charlie Musselwhite, Mark Hummel, Sugar Ray Norcia & James Harman, Remembering Little Walter

Arnold has one nomination this year and one prior GRAMMY nomination. Musselwhite has three nominations this year, including Best Music Film for I'm In I'm Out And I'm Gone: The Making Of Get Up!, and eight prior GRAMMY nominations. Hummel has one nomination this year, marking the first GRAMMY nomination of his career. Norcia has one nomination this year and two prior GRAMMY nominations.

James Cotton, Cotton Mouth Man

Cotton has one nomination this year, nine prior GRAMMY nominations and one prior GRAMMY win.

Beth Hart & Joe Bonamassa, Seesaw

Hart and Bonamassa have one nomination each this year, marking the first GRAMMY nomination of their respective careers.

Bobby Rush, Down In Louisiana

Rush has one nomination this year and one prior GRAMMY nomination.

56th GRAMMYs: American Roots Field Nominees Playlist

Best Folk Album

Guy Clark, My Favorite Picture Of You

Clark has one nomination this year and six prior GRAMMY nominations.

The Greencards, Sweetheart Of The Sun

The Greencards have one nomination this year and two prior GRAMMY nominations.

Sarah Jarosz, Build Me Up From Bones

Jarosz has two nominations this year and one prior GRAMMY nomination.

The Milk Carton Kids, The Ash & Clay

The Milk Carton Kids have one nomination this year, marking the first GRAMMY nomination of their career.

Various Artists, They All Played For Us: Arhoolie Records 50th Anniversary Celebration

Album producer Chris Strachwitz has one nomination this year and two prior GRAMMY nominations.

Best Regional Roots Music Album

Hot 8 Brass Band, The Life & Times Of...The Hot 8 Brass Band

The Hot 8 Brass Band have one nomination this year, marking the first GRAMMY nomination of their career.

Kahulanui, Hula Ku'i

Kahulanui have one nomination this year, marking the first GRAMMY nomination of their career.

Zachary Richard, Le Fou

Richard has one nomination this year, marking the first GRAMMY nomination of his career.

Terrance Simien & The Zydeco Experience, Dockside Sessions

Terrance Simien & The Zydeco Experience have one nomination this year, one prior GRAMMY nomination and one prior GRAMMY win. 

Joe Tohonnie Jr., Apache Blessing & Crown Dance Songs

Tohonnie has one nomination this year, marking the first GRAMMY nomination of his career.

Who will take home the awards in the American Roots Field categories? Tune in to the 56th Annual GRAMMY Awards on Jan. 26, 2014, taking place at Staples Center in Los Angeles and airing live on CBS from 8–11:30 p.m. (ET/PT). 

(Note: The videos embedded reflect official videos available through official artist and record label channels.)

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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12 Actors Who Have Bands: Ryan Gosling, Keanu Reeves, Zoë Kravitz & More
Dogstar feat. Keanu Reeves

Photo: Brian Bowen Smith

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12 Actors Who Have Bands: Ryan Gosling, Keanu Reeves, Zoë Kravitz & More

The stage, screen and soundfield have always been intertwined. Just look at the music made by acclaimed actors from Ryan Gosling to Zoë Kravitz and Keanu Reeves.

GRAMMYs/Oct 2, 2023 - 07:31 pm

Singers in movies? It’s the most natural thing in the world. Elvis Presley did it, time and time again. More than six decades after Love Me Tender, Harry Styles and Jason Isbell have made the move from stage to screen. In between, you have 8 Mile, Crossroads, Crazy Heart… the list rolls on and on.

How about the reverse, though — actors who have bands, as a separate outlet from their work on the silver screen? There’s a rich history there. Ryan Gosling, currently in the spotlight for his witty Barbie performance, has played in the duo Dead Man’s Bones for some 15 years.

Again, that’s just the tip of the iceberg. Jack Black’s film legacy runs in parallel to Tenacious D, the comedy-rock duo rocking our worlds since 1994. After taking the 2000s and 2010s off, Keanu Reeves’ Dogstar returns with Somewhere Between the Power Lines and the Palm Trees on Oct. 6.

Granted, this list doesn’t include actors who simply play music, like Jeff Bridges and Jeff Goldblum. Nor would it include Fred Armisen, the bandleader for “Late Night With Seth Meyers.” And if an actor was in a band but no longer is, like Jason Schwartzman in Phantom Planet, that would fall outside this metric.

In honor of this cross-media convergence, let’s take a non-chronological, by-no-means-exhaustive trip through the world of actors who have bands.

Keanu Reeves

Since 1991 — the year Bill and Ted’s Bogus Journey was released — Reeves has rocked out in Dogstar.

They released their debut album, Our Little Visionary, in 1996; four years later, they rang in the new millennium with Happy Ending. Twenty -three years later, Dogstar released the uplifting single “Everything Turns Around,” with the full album on its way.

Jared Leto

Like fellow rockers Dogstar, Thirty Seconds to Mars — featuring Jared Leto and his brother Shannon Leto — have a new album in 2023: It’s the End of the World but It’s a Beautiful Day.

Though they’ve taken long breaks since their 1998 formation, they never fell out of the industry; since their 2002 self-titled debut, they’ve managed a couple of albums per decade.

Michael Cera

Lighthearted indie rockers  the Long Goodbye have not one, but two Hollywood actors in it — Michael Cera of Juno, Superbad and more, as well as Clark Duke, who you may remember from Hot Tub Time Machine. (He was also in bands Mister Heavenly with Honus Honus of Man Man, Nicholas Thorburn of Islands and the Unicorns, and Joe Plummer of Modest Mouse and the Shins.)

Zooey Deschanel

The rootsy, twee indie poppers She & Him seemed to typify the mid-2000s upon arrival, and maintained that charm as that milieu gave way to others. These days, the duo of M. Ward and Zooey Deschanel is content to cover classic Christmas songs and Brian Wilson.

Zoë Kravitz

The actress, singer and model — who’s recently been in blockbusters like Spider-Man: Into the Spider-Verse and The Batman — sings in the band Lolawolf, along with drummer and producer Jimmy Gianopoulos. (They’ve worked with eight-time GRAMMY winner Jack Antonoff.)

Michael Imperioli

The "Sopranos" star plays in the three-piece New York indie rock band ZOPA; as per Imperioli’s interest in Eastern-inspired transcendence, the band name means “patience” in Tibetan.

Steve Martin

While he may not have a regular band, the Father of the Bride star and banjo picker has made acclaimed work with the Steep Canyon Rangers, including in contexts like the much-missed radio show “A Prairie Home Companion.”

Michael C. Hall

Princess Goes to the Butterfly Museum: that’s a mouthful! It’s also the name of “Dexter” and “Six Feet Under” star Michael C. Hall’s band with Blondie’s Matt Katz-Bohen and the Wallflowers’ Pedro Yanowitz.

Penn Badgley

The "Gossip Girl" and "You" star is the lead singer of Mothxr — which also includes the aforementioned Gianopoulos. While they haven’t released an album since their 2016 debut, “We'll all be making music for the rest of our lives,” Badgley has said.

Hugh Laurie

Dr. House himself hasmade blues music for years, and plays in the all-actor group Band From TV for charity. (Among its ranks: Greg Gunberg of “Alias” fame and James Denton from “Desperate Housewives.”)

Johnny Depp

Back in the 1970s, Alice Cooper formed the “Hollywood Vampires” drinking club, which included two Beatles and Harry Nilsson. He picked up the mantle once again with his band of the same name, which features Aerosmith’s Joe Perry and Johnny Depp.

Kevin Bacon

The Apollo 13 and Footloose star — as in “six degrees of…” — plays in the Bacon Brothers with his brother Michael; their latest album, The Way We Love, arrived in 2020.

Clearly, the conceit of a music-making screen star remains fresh — whether you’re a Bacon, Laurie or Depp enjoyer, or any other kind of pop culture disciple under the sun.

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5 Takeaways From Paul Simon's New Album 'Seven Psalms': A Plethora Of Spirituality, Humor & Devotion
Paul Simon performing at "A GRAMMY Salute To The Songs Of Paul Simon" in 2022

Photo: Kevin Mazur/Getty Images for The Recording Academy

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5 Takeaways From Paul Simon's New Album 'Seven Psalms': A Plethora Of Spirituality, Humor & Devotion

An all-acoustic song cycle meant to be listened to from front to back, 'Seven Psalms' contains many of Paul Simon's poetic and musical dimensions in microcosm.

GRAMMYs/May 19, 2023 - 01:46 pm

A psalm is a sacred song or hymn — especially one among King David's famous compendium in the Bible. Devotional music is obviously still around in different forms, but the ancient word is still on musician's tongues. Last year, Nick Cave and Warren Ellis released an album called Seven Psalms. And Paul Simon just revealed seven of his own.

Also called Seven Psalms, Simon's new album is out May 19, and it's a stunner. A 33-minute, all-acoustic, seven-song cycle meant to be listened to as one contiguous whole, it's one of the most intimate works the 16-time GRAMMY winner has ever crafted. That's saying something, given he put himself on the map with the pindrop "The Sound of Silence" nearly 60 years ago.

Seven Psalms is a work of heavy-duty spirituality; while it doesn't necessarily have a "confessional" nature, the listener will absorb reams of information about the state of Simon's artistry and psychology. 

As you absorb this potent work from front to back, read on for a few things Seven Psalms reveals about Simon.

A Higher Power Is On His Mind

"The Lord is my engineer/ The Lord is the earth I ride on/ The Lord is the face in the atmosphere/The path I slip and I slide on," Simon sings in opening movement "The Lord" — a verse that becomes a motif throughout Seven Psalms.

But Simon isn't evangelical on the album; far be it from him to take a myopic view of anything in song. "Slip" and "slide" are the operative words here; Simon goes on to cast God as "the Covid virus," "the ocean rising," "a terrible, swift sword," "a puff of smoke" and "my personal joke."

Thus, the duality of religious belief permeates Seven Psalms — just as it did in "Questions for the Angels," "Old" and any number of other awe-inspiring songs about faith in his past.

"Dip your hand in heaven's waters," Simon sings in "Your Forgiveness," fully aware of the multitude of shades that concept encompasses.

His Guitar Skills Remain Undimmed

Occasionally, Simon barely touches his acoustic guitar during concerts, especially when his band is choogling away behind him. But he remains one of the greatest of his generation, and Seven Psalms displays that practically every second.

Simon played most of the instruments on Seven Psalms, including various bells and gongs, as well as far-flung instruments like gamelan and gobichand. But, naturally, it's the greatest treat to hear him stretch out on the acoustic guitar.

Harmonically, melodically and rhythmically, Simon's grace and facility on his instrument is second to none on Seven Psalms — and that's before he even gets to the words.

He's Still Very Funny

As psychologically and spiritually freighted as Simon's music can be, it's hard to remember a single song where he sounds ponderous. His razor-sharp sense of humor is a big part of that.

Simon’s one-liner game has always been strong; to hear "You Can Call Me Al" is to chuckle at least a little bit at the "roly-poly little bat-faced girl" line. (Ditto the opening line of "Kodachrome," which almost singlehandedly forged this author's opinion of the K-12 system.)

Third movement "My Professional Opinion" carries the lion's share of Seven Psalms' humor, from the opening verse: "Good morning Mr. Indignation/ Looks like you haven't slept all night/ In my professional opinion/ Go back to bed and turn off your light."

From there, Simon — or his character — continues to dispense unsolicited advice on everything — including the barnyard body politik. "I heard two cows in a conversation/ One called the other one a name," he sings. "In my professional opinion/ All cows in the country must bear the blame."

At the conclusion of "My Professional Opinion," Simon gets down to brass tacks and evokes Christ. "All that really matters/ Is the one who became us." (Sure.) "Anointed and gamed us." (Wait, gamed us?) "With his opinions." (Ba-dum-tsh.)

Edie Brickell Remains Indispensable To His Art

Simon's wife, Edie Brickell, is a GRAMMY winner in her own right who rose to prominence in the 1980s with her band, Edie Brickell & New Bohemians. The couple met in 1988 on the set of "Saturday Night Live" and married in 1992.

Since then, Brickell appeared on Simon's fantastic 2011 album So Beautiful or So What; his song "In the Garden of Edie," from 2016's Stranger to Stranger, is a tribute to her. She's also appeared onstage with him; during lockdown, they posted a video of themselves performing a luminous duet of the Everly Brothers' "I Wonder if I Care As Much."

During closing tracks "The Sacred Harp" and "Wait," Brickell appears and intertwines her voice with her husband's, right up to the final line: "Amen."

Simon May Not Tour Anymore, But He Remains A Force

Back in 2018, Simon announced his retirement. Sort of. Citing mental exhaustion, he booked one final tour — but didn't rule out occasional performances.

"I don't intend for it to be my last performance," he told CNN of the hometown show — in Queens — that wrapped up his farewell tour. "I'd like to do it for my own pleasure, in concert halls that have prestige sound and with perhaps different musicians that I admire, and play a repertoire that is different from what I've been playing." (Getting finicky about the details of concerts that haven't even been booked — classic Simon.)

Simon's still getting out there and playing — including at the "Homeward Bound: A GRAMMY Salute To Paul Simon" tribute last year. But more than that, the 81-year-old is still actively evolving and challenging himself.

"All of life's abundance in a drop of condensation," Simon sings midway through Seven Psalms, in "Your Forgiveness." That sums up Simon's art in microcosm: a three-minute song can leave you commensurately awestruck, puzzled, heartsick and laughing out loud. 

As the craft of songwriting goes, that's just as high as you can climb — and on Seven Psalms, Simon waves to us from the summit.

15 Essential Tracks By Paul Simon: In A Burst Of Glory, Sound Becomes A Song

A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
Franc Moody

Photo: Rachel Kupfer 

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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

GRAMMYs/Nov 25, 2022 - 04:23 pm

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea

Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.

Franc Moody

Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.

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