meta-scriptCRSSD Fest Fall 2019: Hot Chip, Yaeji, Kaskade, FISHER, Portugal. The Man & More | GRAMMY.com
CRSSD Festival Spring 2019

CRSSD Festival Spring 2019

Photo: Felicia Garcia

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CRSSD Fest Fall 2019: Hot Chip, Yaeji, Kaskade, FISHER, Portugal. The Man & More

KAYTRANADA, Richie Hawtin, Amelie Lens, Eli & Fur, MK, Shiba San and Walker & Royce are among some of the other artists bringing fire to the bi-annual San Diego festival

GRAMMYs/May 30, 2019 - 06:35 am

Today, CRSSD Festival announced its phase one fall lineup, which includes GRAMMY winners Portugal. The Man, GRAMMY nominees Hot Chip, FISHER, and Kaskade. Beloved beats maestros Yaeji and KAYTRANADA, techno heavy-hitters Richie Hawtin and Amelie Lens and house music favorites MK and Eli & Fur will also perform at the event, which returns to its scenic oceanside home at Waterfront Park in San Diego, Calif. on Sept. 28–29.

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">The starting roster for Fall ‘19! <br><br>We are ready for the floor with <a href="https://twitter.com/portugaltheman?ref_src=twsrc%5Etfw">@portugaltheman</a>, <a href="https://twitter.com/Hot_Chip?ref_src=twsrc%5Etfw">@Hot_Chip</a>, <a href="https://twitter.com/kaskade?ref_src=twsrc%5Etfw">@kaskade</a> (Redux), <a href="https://twitter.com/richiehawtin?ref_src=twsrc%5Etfw">@richiehawtin</a>, <a href="https://twitter.com/AmelieLens?ref_src=twsrc%5Etfw">@amelielens</a>, <a href="https://twitter.com/followthefishtv?ref_src=twsrc%5Etfw">@followthefishtv</a>, <a href="https://twitter.com/kraeji?ref_src=twsrc%5Etfw">@kraeji</a>, <a href="https://twitter.com/MarcKinchen?ref_src=twsrc%5Etfw">@MarcKinchen</a> + so many more! <br>.<br>Tickets open Tuesday, June 11th at 11AM PT <a href="https://t.co/UIUpTGOTov">https://t.co/UIUpTGOTov</a> <a href="https://t.co/9O5RqsXeVb">pic.twitter.com/9O5RqsXeVb</a></p>&mdash; CRSSD festival (@crssdfest) <a href="https://twitter.com/crssdfest/status/1133795403311149056?ref_src=twsrc%5Etfw">May 29, 2019</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

Since its launch in spring 2015, the bi-annual fest has earned a reputation as being one of the California's top electronic music events, bringing a solid mix of rising and established talent in the house, techno, electro-pop worlds.

This year, dance music legend and festival favorite Kaskade will be tapering down his EDC-level production for a special edition of his Redux show, where he offers deep cuts and a more intimate club-inspired vibe. Dirtybird Records labelmates and tech house performers Shiba San and Walker & Royce will be playing a collab B2B set, while Chicago underground house trailblazers Derrick Carter and Mark Farina will also be doing a B2B show.

In addition to the beautiful California coast music festival experience CRSSD offers, they also take over San Diego with "CRSSD By Day" and "After Dark" parties that will keep the world-class dance music bumping all day and night.

Tickets go on sale Tues., June 11. More info, including the complete phase one lineup, can be found on CRSSD's site.

Your 2019 Guide To The Best Summer/Spring Music Festivals

Billie Eilish performs at Lollapalooza Chile 2023.
Billie Eilish performs at Lollapalooza Chile 2023

Photo: Marcelo Hernandez/Getty Images

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The Environmental Impact Of Touring: How Scientists, Musicians & Nonprofits Are Trying To Shrink Concerts' Carbon Footprint

"It’s not just [about] a single tour, it’s every tour," singer Brittany Howard says of efforts to make concerts more sustainable. From the nonprofit that partnered with Billie Eilish, to an MIT initiative, the music industry aims to curb climate change.

GRAMMYs/Jun 10, 2024 - 01:30 pm

Beloved by fans around the globe, yet increasingly unaffordable for many artists, concert tours are central to the world of entertainment and local economies. After the pandemic-era global shuttering of concert venues large and small, tours are back, and bigger than ever.  

Taylor Swift’s Eras Tour is smashing records, selling more than four million tickets and earning more than $1 billion. But that tour made headlines for another reason: as reported in Business Insider and other outlets, for a six-month period in 2023, Swift’s two jets spent a combined 166 hours in the air between concerts, shuttling at most a total of 28 passengers. 

Against that backdrop, heightened concerns about the global environmental cost of concert touring have led a number of prominent artists to launch initiatives. Those efforts seek both to mitigate the negative effects of touring and communicate messages about sustainability to concertgoers. 

A 2023 study sponsored by Texas-based electricity provider Payless Power found that the carbon footprint of many touring bands was massive. In 2022, concert tours in five genres — country, classic rock, hip-hop/rap, metal and pop — were responsible for CO2 emissions totaling nearly 45,000 metric tons. A so-called greenhouse gas, carbon dioxide contributes to climate change by radiative forcing; increased levels of CO2 also contribute to health problems.  

No serious discussion of climate issues suggests a worldwide halt to live music touring, but there exists much room for improvement. Both on their own and with the help of dedicated nonprofit organizations, many artists are taking positive steps toward mitigating the deleterious effects that touring exerts upon the environment.  

Smart tour planning is one way to lessen an artist’s carbon footprint. Ed Sheeran’s 2022 European run minimized flights between concert venues, making that leg of his tour the year's most environmentally efficient. Total carbon dioxide emissions (from flights and driving) on Sheeran’s tour came to less than 150 metric tons. In contrast, Dua Lipa’s tour during the same period generated 12 times as much — more than 1800 metric tons — of CO2 

In July, singer/songwriter and four-time GRAMMY nominee Jewel will embark on her first major tour in several years, alongside GRAMMY winner Melissa Etheridge. During the planning stage for the 28-city tour, Jewel suggested an idea that could reduce the tour’s carbon footprint.

"I always thought it was so silly and so wasteful — and so carbon footprint-negative — to have separate trucks, separate lighting, separate crews, separate hotel rooms, separate costs," Jewel says. She pitched the idea of sharing a backing band with Etheridge. "I’ve been trying to do this for 25 years," Jewel says with a laugh. "Melissa is the first person who took me up on it!" 

The changes will not only reduce the tour’s carbon footprint, but they’ll also lessen the cost of taking the shows on the road. Acknowledging that there are many opportunities to meet the challenges of touring’s negative impact upon the environment, Jewel emphasizes that “you have to find [solutions] that work for you.”

Sheeran and Jewel aren’t the only popular artists trying to make a difference. A number of high profile artists have become actively involved in creating the momentum for positive change. Those artists believe that their work on sustainability issues goes hand in hand with their role as public figures. Their efforts take two primary forms: making changes themselves, andadvocating for action among their fans.  

The Climate Machine 

Norhan Bayomi is an Egypt-born environmental scientist at Massachusetts Institute of Technology and a key member of the Environmental Solutions Initiative, a program launched to address sustainable climate action. She’s also a recording artist in the trance genre, working under the name Nourey 

The ESI collaborates with industry heavyweights Live Nation, Warner Music Group and others as well with touring/recording acts like Coldplay to examine the carbon footprint of the music industry. A key component of the ESI is the Climate Machine, a collaborative research group that seeks to help the live music industry reduce carbon emissions. "As a research institution, we bring technologies and analytics to understand, in the best way possible, the actual impact of the music industry upon climate change," says John Fernández, Director of the ESI.  

"I’m very interested in exploring ways that we can bridge between environmental science, climate change and music fans," Bayomi says. She explains that the tools at the ESI’s disposal include "virtual reality, augmented reality and generative AI," media forms that can communicate messages to music fans and concertgoers. Fernández says that those endeavors are aimed at "enlisting, enabling and inspiring people to get engaged in climate change." 

The Environmental Solutions Initiative cites Coldplay as a high-profile success. The band and its management issued an "Emissions Update" document in June 2024, outlining its success at achieving their goal of reducing direct carbon emissions from show production, freight, band and crew travel. The established target was a 50 percent cut in emissions compared to Coldplay’s previous tour; the final result was a 59 percent reduction between their 2022-23 tour and 2016-17 tour.  

A significant part of that reduction came as a result of a renewable-energy based battery system that powers audio and lights. The emissions data in the update was reviewed and independently validated by MIT’s Fernández.  

Change Is Reverberating 

Guitarist Adam Gardner is a founding member of Massachusetts-based indie rockers Guster, but he's more than just a singer in a rock band. Gardner is also the co-founder of REVERB, one of the organizations at the forefront of developing and implementing climate-focused sustainability initiatives.  

Founded in 2004 by Gardner and his wife, environmental activist Lauren Sullivan, REVERB  began with a goal of making touring more sustainable; over the years its focus has expanded to promote industry-wide changes. Today, the organization promotes sustainability throughout the industry  in partnership with music artists, concert venues and festivals.  

REVERB initiatives have included efforts to eliminate single-use plastics at the California Roots Music & Arts Festival, clean energy projects in cooperation with Willie Nelson and Billie Eilish, and efforts with other major artists. Gardner has seen sustainability efforts grow over two decades 

"It’s really amazing to see the [change] with artists, with venues, with fans," Gardner says. "Today, people are not just giving lip service to sustainable efforts; they really want to do things that are real and measurable."  

The Music Decarbonization Project is one tangible example of REVERB’s successes. "Diesel power is one of the dirtiest sources of power," Gardner explains. "And it’s an industry standard to power festival stages with diesel generators." Working with Willie Nelson, the organization helped switch the power sources at his annual Luck Reunion to clean energy. At last year’s festival, Nelson’s headlining stage drew 100 percent of its power from solar-powered batteries. "We set up a temporary solar farm," Gardner says, "and the main stage didn’t have to use any diesel power."  

Billie Eilish was another early supporter of the initiative. "She helped us launch the program," Gardner says. Eilish’s set at Lollapallooza 2023 drew power from solar batteries, too.  

With such high-profile successes as a backdrop, Gardner believes that REVERB is poised to do even more to foster sustainable concerts and touring. "Our role now," he says, "isn’t just, ‘Hey, think about this stuff.’ It’s more how do we push farther, faster?"  

Adam Gardner believes that musicians are uniquely positioned to help make a difference where issues of sustainability are concerned. "When you’re a musician, you’re connecting with fans heart-to-heart. That’s what moves people. And that’s where the good stuff happens."  

Small-scale, individual changes can make a difference — especially when they’re coordinated and amplified among other concertgoers. Gardner provides real-world examples. "Instead of buying a plastic bottle, I brought my reusable and filled it up. Maybe I carpooled to the show." Conceding that such steps might seem like drops of water in a giant pool, he emphasizes the power of scale. "When you actually multiply [those things for] just one summer tour, it adds up," he says. "And it reminds people, ‘You’re not alone in this; you’re part of a community that’s taking action."  

Gardner understands that REVERB’s arguments have to be framed the right way to reach concertgoers. "Look," he admits, "It’s a concert. We’re not here to be a buzzkill. Our [aim] now is making sure people don’t lose hope." He says that REVERB and its partners seek to demonstrate that, with collective action and cultural change, there is reason for optimism.  

"There’s a wonderful feedback loop between hope and action," Gardner says with a smile. "You can’t really have one without the other."  

Sustainable Partnerships 

Tanner Watt is Director of Partnerships at REVERB; he works directly with touring artists to develop, coordinate and implement initiatives that bring together his organization’s objectives and the specific personal concerns of the artists. "I get to come up with all the fun, big ideas," he says with a wide smile.  

Watt acknowledges that like every concertgoer, each touring artist has a certain level of responsibility where sustainability is concerned. "And everyone can be doing something," he says, noting a number of straightforward actions that artists can put in place while on tour. "They can eliminate single-use waste. They can donate hotel toiletries that [would otherwise] hit the landfill."  

Watt stresses that artists can lead by example. "Nobody wants to listen to an artist telling them what to do if they’re not doing it themselves," he says. "But we believe that everybody cares about something." He suggests that if an artist has cultivated a following, "Why not use [that platform] to be that change you want to see in the world?"  

Each artist has his or her own specific areas of concern, but Watt says that there’s a base level of "greening" that takes place on every REVERB-affiliated tour. Where things go from there is up to the artist, in coordination with REVERB. Watt mentions Billie Eilish and her tour’s sustainability commitment. "The Venn diagram of food security, community health, access to healthy food, and the impact on the planet is a big cause for her," he says. "So there’s plant-based catering for her entire crew, across the entire tour." 

Speaking to Billboard, Eilish's mother Maggie Baird said championing sustainability starts with artists. "If artists are interested, it does really start with them telling their teams that they care and that it’s foremost in their thoughts." In the same conversation, Eilish called the battle for sustainability "a never-ending f–king fight."  

Watt acknowledges that with so many challenges, it’s important for a concerned artist to focus on the issues that move them the most, and where they can make the biggest difference. "Jack Johnson is a great example," he says. While Johnson is a vocal advocate for many environmental issues, on tour he focuses on two (in Watt’s words) "cause umbrellas": single-use plastics solutions and sustainable community food systems. Each show on the tour hosts tables representing local nonprofit organizations, presenting concertgoers with real-world, human-scale solutions to those specific challenges.  

Four-time GRAMMY winner Brittany Howard is another passionate REVERB partner. "Knowing that I wanted to make my tours more sustainable was a start," she tells GRAMMY.com, "but working with REVERB really helped me bring it to life on the road. REVERB has helped us with guidelines and a green rider to keep our stage, greenrooms and buses more sustainable." 

After listing several other specific ways that her tour supports sustainability, Howard notes, "By supporting these efforts, I am helping ensure future generations have access to clean water, fish, and all that I love about the outdoors." A dollar from every ticket sold to a Brittany Howard concert goes toward support of REVERB’s Music Decarbonization project. "I’m also excited to see industry-wide efforts that are reducing the carbon pollution of live music," Howard continues. "Because it’s not just [about] a single tour, it’s every tour." 

There’s a popular aphorism: "You can’t manage what you can’t measure." From its start, REVERB has sought not only to promote change, but to measure its success. "As long as I’ve been at REVERB, we’ve issued impact reports," says Tanner Watt. "We include data points, and give the report to the artists so they understand what we’ve done together." He admits that some successes are more tangible than others, but that it’s helpful to focus on the ones that can be quantified. "We’re very excited that our artists share those with their fans."  

Watt is clear-eyed at the challenges that remain. "Even the word ‘sustainable’ can be misleading," he concedes, suggesting that the only truly sustainable tour is the one that doesn’t happen. "But if folks don’t step it up and change the way we do business in every industry — not just ours — we’re going to get to a place where we’re forced to make sacrifices that aren’t painless." Getting that message across is REVERB’s aim. "We can’t stop the world," Watt says. "So we find ways to approach these things positively."  

Watt says that the fans at concerts featuring Jack Johnson and the Dave Matthews Band — both longtime REVERB partners — are already on board with many of the sustainability-focused initiatives which those artists promote. "But there are lots of artists — and lots of fan bases — out there that aren’t messaged to, or have been mis-messaged to," he says. "I’m really excited to find more ways to expand our reach to them, beyond mainstream pop music. Because these are conversations that are meaningful for everyone, regardless of political affiliation or other beliefs."  

Reimagining The Planet’s Future 

Singer, songwriter and multi-instrumentalist Adam Met does more than front AJR, the indie pop trio he founded in 2005 with brothers Jack and Ryan. Met has a PhD in sustainable development and is a climate activist; he's also the founder/Executive Director of Planet Reimagined, a nonprofit that promotes sustainability and activism through its work with businesses, other organizations and musicians.  

"I’ve spent years traveling around the world, seeing the direct impact of climate change," Met says. He cites two recent and stark examples. "When we pulled up to a venue in San Francisco, the band had to wear gas masks going from the bus into the venue, because of forest fires," he says. AJR’s road crew had to contend with a flash flood in Athens, Greece that washed out their hotel. "And in Rome, some of our crew members fainted because of the heat."  

Encouraged by representatives from the United Nations, Met launched Planet Reimagined. Met’s approach focuses on tailored, city-specific actions to empower fans and amplify diverse voices in the climate movement. Through social media and live shows, Met strives to galvanize climate activism among AJR fans. And the methods he has developed can be implemented by other touring artists.  

Met points out that one of the most climate-unfriendly parts of the entire concert tour enterprise is fans traveling to and from the concerts. And that’s something over which the artist has little or no control. What they can do, he says, is try to educate and influence. Working closely with Ticketmaster and other stakeholders, Met’s nonprofit initiated a study — conducted from July to December 2023, with results published in April 2024 — to explore the energy that happens at concerts. "In sociology," he explains, "that energy is called collective effervescence." The study’s goal is to find ways to channel that energy toward advocacy and action.  

Polling a quarter million concertgoers across musical genres, the study collected data on attitudes about climate change. "Seventy-three percent of fans who attend concerts believe that climate change is real, and that we need to be doing more about it," Met says. "Seventy-eight percent have already taken some sort of action in their lives." He believes that if his organization can activate even a fraction of the estimated 250 million people annually who attend concerts around the globe, "that’s the ballgame."  

Met’s goal is to do more than, say, get concertgoers to switch from plastic to paper drinking straws. "At scale those things make a difference. But people want to see actions where there’s a track record," he says; a return on investment.  

AJR will be putting a plan into action on the second half of their upcoming arena tour. Part of the initiative is encouraging concertgoers to register to vote, and then actually vote. Beyond that, Met has specific actions in mind. "At every single stop, we’re putting together materials around specific policies that are being debated at the local level," he explains. "We give people a script right there, so they can call their elected representative and say, ‘I want you to vote [a certain way on this issue].’"  

He believes the initiative will lead to thousands of people contacting – and hopefully influencing – their representatives. With regard to sustainability issues, Met is convinced that "the most impact that you can have as an artist is when you give fans ways to pick up the mantle themselves." 

Artists Who Are Going On Tour In 2024: The Rolling Stones, Drake, Olivia Rodrigo & More 

 

Teezo Touchdown performing
Teezo Touchdown

Photo: Astrida Valigorsky/WireImage 

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10 Acts You Can't Miss At Bonnaroo 2024: Four Tet, Teezo Touchdown, Chappell Roan & More

From acts that embody the classic jam band spirit like Joe Russo’s Almost Dead to fan favorites like Idles, read on for 10 must-see sets at Bonnaroo 2024.

GRAMMYs/Jun 10, 2024 - 01:25 pm

Anyone who’s been to the Bonnaroo Music and Arts Festival, which returns June 13-16 for its 21st edition, will know that the Manchester, Tennessee festival can be a marathon.  

High summer temperatures and humidity, often some rain and mud, and more than 100 artists to navigate over four full days — three of which extend with late-night sets that run until nearly 4 a.m. But, veteran Roo attendees also know that it’s well worth enduring. 

Of the myriad fests held each year, few have the sense of community felt at Bonnaroo. Perhaps it’s due to the fact that the majority of the roughly 90,000 attendees are camping, meaning that no matter what happens, they’re all in it together. Or maybe it has to do with the fest’s self-generated “Bonnaroovian code,” which implores festgoers to “radiate positivity” throughout.

During the early aughts, a huge part of the bonding experience arrived during cross-generational legacy artist sets — often classic rock legends or big time jam bands closing out the fest’s final day — including Elton John, Paul McCartney, Tom Petty, Billy Joel, Phish, Widespread Panic and the String Cheese Incident. As primary ticket buyer age demographics shifted, so did the lineups, particularly with regard to headliners, who began leaning more prominently toward pop, hip-hop and EDM. This year’s finale sets feature Pretty Lights (playing two full back-to-back sets on June 13 plus a sunrise set two nights later), Post Malone, Fred again.. and Red Hot Chili Peppers (the one top-line exception as they’re arguably a legacy act at this point). 

Of course, there are plenty of performers amongst the lineup’s incredibly diverse undercard that still embody the classic jam band spirit, and even more newcomers or rising stars that encompass a mind boggling range of musical styles. Read on to get the inside line on 10 must-see artists who fall into the latter category. 

Say She She

If you’re angling to find a dance party to get your blood pumping on the first day of the fest, look no further than Brooklyn-based Say She She. Fronted by three women — Piya Malik (formerly of Chicano Batman), Sabrina Mileo Cunningham and Nya Gazelle Brown — Say She She produce flawless harmonies over what they describe as “discodelic soul.”

At their core, they sound like Nile Rogers and Chic, who they’ve candidly owned as chief influences (to the point where Rogers reached out to personally give them a nod). There’s sometimes bits of ABBA vibes sprinkled in, but all that said, their sound is hardly a rip-off. The music certainly pays tribute to classic disco, but with elements of 90s R&B and neo-soul, it comes across as fresh, unfiltered and — on the strength of three voices harnessing incredible range — capable of moving in countless other sonic directions. They’re two albums in (sophomore full-length Silver was released last year) and already garnering shining reviews; now’s the time to catch an act in a small tent before they assuredly graduate to bigger stages.

Read more: Say She She's Big Year: How The NYC Disco Funk Group Made Sure The World Wouldn't Forget Them 

Abby Holliday

Indie rock is a fine general description for the music of singer/songwriter Abby Holliday, but it’s difficult to put her style in one box. Sure, a lot of the music on her 2023 sophomore album I’M OK NO I’M NOT sounds quite a bit like boygenius, but it dares to go further. Holliday incorporates unexpected elements like autotune vocals, which often resonate like Bon Iver and at other times more closely resemble the hooks from popular hip-hop songs.

Amid the gentle melodies and distinctly emotional lyrics are bursts of heaviness and exuberant energy, which in all likelihood will translate to a magnetic set to help kick off the Roo roster on June 14. One can only imagine how triumphant it might feel to play an essentially hometown fest of this magnitude (Holliday is based in Nashville, about an hour’s drive west). It’s almost a sure bet it will be a milestone moment worth witnessing.  

Joe Russo’s Almost Dead

The first Bonnaroo in 2002 was headlined by Trey Anastasio, moe. and Widespread Panic (among others), and slowly but surely, Bonnaroo has veered away from those jam band-heavy roots. But there’s always something in the mix harkening back to those origins, and this year it’s unmistakably Joe Russo’s Almost Dead.

The five-piece group was conceived in 2013 by its namesake drummer / singer along with another jam rock veteran, Ween bassist Dave Dreiwitz, and has since established itself as one of the foremost Grateful Dead tribute bands (they play other tunes, but the Dead are the main focus). The last Grateful Dead-oriented performance at Roo was Dead and Company’s back-to-back double sets in 2016, so if you’re looking to experience some long-awaited old school Roo vibes among the fest’s veteran fans, make sure to pop by JRAD’s show on June 14. 

Gary Clark Jr.

With the March release of latest album JPEG raw, Austin, Texas-bred guitar hero and four-time GRAMMY winner Gary Clark Jr. seems intent on breaking out of the blues mold — a common blanket description for his catalog spanning nearly two decades. On his fourth full-length, he delves deep into hip-hop, classic R&B (notably with a feature from living legend Stevie Wonder on “What About the Children”) and even traditional African music. If you’ve listened closely to Clark’s music all along, you’d know that he’s always incorporated a slew of styles, but his recent recordings represent the most overt effort to exude his sonic diversity.

One thing that hasn’t changed over the years — which will doubtless be on full display during his Bonnaroo appearance — is Clark’s penchant for superb shredding. You already know this if you’ve seen him live, and for all the newcomers, get ready for your jaw to drop for the duration of his hour-long set on June 14.

Read more: Gary Clark, Jr. On 'JPEG RAW': How A Lockdown Jam Session, Bagpipes & Musical Manipulation Led To His Most Eclectic Album Yet

Cage the Elephant

Kentucky-bred outfit Cage the Elephant delivers one of the most riveting rock shows around. With his Iggy Pop-esque antics — never not running and writhing from end to end and often standing atop the audience — frontman Matt Shultz’s stage presence alone is enough to rile up thousands of fest fans at any time of day.

That’s been the standard since they put out their 2008 self-titled debut, and based on the decidedly anthemic indie-rock sonics of just-released sixth full-length Neon Pill (plus the fact that they’ll be only a little more than a month into touring and imbued with a fresh burst of boisterousness), there’s every chance the band’s June 15 main stage set will manifest as an explosive Roo moment not-to-be-missed. 

Teezo Touchdown

Hailing from the small, unsuspecting East Texas city of Beaumont, rapper, singer/songwriter and producer Teezo Touchdown (born Aaron Lashane Thomas) only launched his professional career eight years ago. But within the past four years, he’s become a household name among contemporary rappers. His 2023 debut album How Do You Sleep at Night? notably featured 10-time GRAMMY nominee Janelle Monáe; in the years preceding, he’d already collaborated with Travis Scott, Tyler, the Creator, and Lil Yachty. He performed to his largest audience as a guest at this year’s Coachella during Doja Cat’s headlining sets to perform their single “MASC.”

Yet, his impressive set of credentials isn’t the main reason you should include him on your Bonnaroo schedule. He’s an enigmatic performer: sporting his signature wig of nails and flower bouquet-enshrouded microphone, he switches seamlessly from sharp raps to ear worm singing. There’s never a lapse in his on-stage energy, assurance that his early evening set on June 15 will provide a surefire pick-me-up to help push through the remainder of the marathon fest.

Read more: Teezo Touchdown, Tiana Major9 & More Were In Bloom At The 2024 GRAMMYs Emerging Artist Showcase 

Jake Wesley Rogers

Jake Wesley Rogers has come a tremendously long way from his first spotlight at age 15 on "America’s Got Talent" in 2012 (where he was eliminated). He supported Kesha on her Only Love Tour in 2023, and now he’s opening the main stage on the final day of Bonnaroo. 

The Missouri native’s rise to budding star, built upon four EPs and a handful of standalone singles, is well deserved. On stage, Rogers absolutely belts a soulful, goosebumps-inducing tenor, and he performs with all the glamorous energy of a young Elton John (even sporting similarly flamboyant sunglasses and climbing atop his piano while banging on the keys). Muster the energy to get on the field early after three days, or you might regret missing a pivotal moment for an artist who’s likely on his way to fest headliner status.

Read more: Tour Diary: See Jake Wesley Rogers' Favorite Photos & Memories From Touring With Panic! At The Disco 

Idles

For the past decade or so, post-punk has seen a significant resurgence, and on the surface it may appear that England’s Idles are one of the bands leading the charge, but they’ve staunchly rejected the descriptor. Vocalist Joe Talbot said it directly in a recent interview with British daily newspaper the Times: “We’re not a punk band.”

There’s ample evidence of that on their fifth album, 2023’s Tangk, which delves into new sonic territory with songs like “Dancer,” where the band mixed in elements of art-pop via collaboration with LCD Soundsystem's James Murphy and Nancy Whang. Backtrack to third album Ultra Mono (released in 2020 at the height of the pandemic) and you’ll hear that they were already veering away from the punk rock mold with distinct elements of hip-hop and other styles on songs like “Grounds.”

All that said, their shows resonate with the in-your-face energy of punk rock, yet they stand out significantly among other bands of the genre by exuding an overwhelmingly positive, unifying spirit. Many fans have described their show as something akin to church, and with the group at the top of their game and at a festival that already historically proliferates such a mindset, their Bonnaroo appearance on June 15 is certain to be one for the books. 

Read more: IDLES Chatter With Joe Talbot: How The British Rockers Get Personal, Political & Festival Filthy 

Chappell Roan

Chappell Roan is having a major moment. The 26-year-old electro-pop singer/songwriter (real name: Kayleigh Rose Amstutz) immediately became a viral sensation when she dropped her song “Die Young” on YouTube at age 17. Now — after releasing debut album The Rise and Fall of a Midwest Princess (a nod to her Missouri origins) in 2023 and opening for Olivia Rodrigo on her Guts World Tour earlier this year — she’s become one of the most anticipated artists at 2024 festivals nationwide.

Roan, which Amstutz equates to a sex-positive drag persona, performs with supreme professionalism, and her ability to deliver pristine vocals while exhibiting unerring athleticism (high kicks aplenty) proliferates non-stop audience engagement. Her fans are diehards who belt out every word, and with a relatively small platform at Bonnaroo in a tent on June 16, she’s sure to draw one of the most overflowing audiences of the weekend. If you wanna get anywhere close to the stage (and you should), make sure to arrive early.

Read more: Chappell Roan's Big Year: The 'Midwest Princess' Examines How She Became A Pop "Feminomenon" 

Four Tet

It’s almost a disservice that electronic musician/producer Four Tet is slated for a late afternoon/early evening set at Bonnaroo, a couple of hours before sunset. His hypnotic and experimental yet highly danceable compositions lend themselves to a late-night performance packed with spellbinding lights cutting through the darkness to illuminate the pulsating crowd. 

On the other hand, he boasts a legendary reputation for live sets, plus a prolific catalog that spans more than 20 years and 12 studio albums, including this year’s Three. As a whole, it's a discography that can cater to not only electronica fanatics, hip-hop heads (note his many collaborations with Madlib) and experimental enthusiasts. To boot, there’s potential for some special moments during his appearance on June 16. Four Tet has previously played alongside the final night’s headliner Fred again.., so the potential for that guest spot alone might make it even more worth it to prioritize his performance. 

Music Festivals 2024 Guide: Lineups & Dates For Lollapalooza, Coachella, Bonnaroo & Much More 

 

Jungkook
Jungkook performing in New York City in 2023

Photo: Jamie McCarthy/Getty Images for TSX Entertainment

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New Music Friday: Listen To Songs & Albums From Jungkook, Meghan Trainor, Peggy Gou, & More

Bask in the pre-summer magic with fresh musical offerings from acts as diverse as Ski Mask the Slump God, Kaytranada, Thomas Rhett, and more.

GRAMMYs/Jun 7, 2024 - 03:42 pm

We're still a couple of weeks away from the summer solstice, but the smell of cookouts and chlorine is already in the air. As parts of the country experience summer weather, there's plenty of musical delights ready to soundtrack the start of summer.

From pop to alt-country to rap, this New Music Friday sprouted sounds for listeners of all persuasions. Here's a cross-section of today's songs and albums to check out, from
Peggy Gou's debut album to the latest single from Jungkook.

Meghan Trainor — 'Timeless'

Just a few weeks before Meghan Trainor's breakthrough smash, "All About That Bass," turns 10, the GRAMMY winner rings in the anniversary in major fashion: a brand new album.

Trainor's sixth LP, Timeless, an irresistible split difference between bubblegum pop and woo-wop. Back in March, she released the lead single "Been Like This" with T-Pain; the "Buy U a Drank" star also appears on "Love on Hold."

"I cannot believe it has been 10 years since this all started. I have never been more grateful for this life that my incredible Megatronz have gifted me with," Trainor said in a statement — "Megatronz" referring to her rabid fanbase. "This new album and tour are all for them and my beautiful family."

Peggy Gou — 'I Hear You'

I Hear You might be South Korean DJ and singer Peggy Gou's debut album, but she declares it to be much more than that.

"It embodies countless hours of dedication in my journey to create something timeless, and is a testament to the power of listening, to ourselves and to each other," Gou said in a statement

And of the video to "1+1=11," in all of its shadowplay: "By bringing together dance — embodied exploration of space — with colorful shadows, lights, and mirrors, I was able to bring some of the key interests that have long shaped my art into an entirely new context."

If all this resonates with you, I Hear You is — well, a must-hear.

Listen: Leap Into AAPI Month 2024 With A Playlist Featuring Laufey, Diljit Dosanjh, & Peggy Gou

Orville Peck, Diplo & Kylie Minogue — "Midnight Ride"

As Pride Month kicked off, Kylie Minogue brought out two very special guests at Outloud Fest at West Hollywood Pride: her newest collaborators, Orville Peck and Diplo. The trio debuted the slinky, sparkling "Midnight Ride," a winning trifecta of their diverse talent pools.

Just a few days later, the studio version has arrived. In its full-fledged wonder, the track is just as much of a ride on record as it was on stage.

The single is the latest offering from Peck's forthcoming duets album, Stampede; though the full album's release date has yet to be announced, the alt-country star teased the exciting collabs to come with the seven-song Stampede, Vol. 1 on May 10, which featured Elton John and Bernie Taupin, Nathaniel Rateliff and more.

Glass Animals — "A Tear in Space (Airlock)"

On July 19, English indie favorites Glass Animals will declare I Love You So F***ing Much with their fourth album. They previously released the advance single "Creatures in Heaven." "A Tear in Space (Airlock)" arrives from smack in the middle of the forthcoming album.

A celestial, pulsing track replete with delicious production details, "A Tear in Space (Airlock)" marks another evolutionary step for the Oxford-rooted group. Their smash "Heat Waves" might be in the rearview, but they still know how to craft a song for just that.

Read More: Meet The First-Time GRAMMY Nominee: Glass Animals' Dave Bayley On The Group's Slow Burn To Massive Success With "Heat Waves" — And How It Almost Never Happened

Jungkook — "Never Let Go"

Where would BTS be without its ARMY? It's an unthinkable prospect — and the boy band giants' beloved Jungkook has penned a worthy tribute to the fanbase that made them.

Released for BTS' annual debut anniversary celebration, Festa, "Never Let Go" opens its heart completely. "Without your love, I'm nothing/ You mean more than you know/ And words escape me whenever you're close," he croons. "I tried to put it into words but it don't measure up/ My pen and paper could never do quite enough."

Believe us: the radiant "Never Let Go" is more than enough. "It's the truth, it's the truth," Jungkook concludes. "We got something rеal nothing could break."

Learn more: Breaking Down Every Solo Act From BTS: Singles, Debut Albums & What's Next For The Septet

KAYTRANADA — 'TIMELESS'

The Haitian-Canadian producer, rapper, singer, and DJ born Louis Celestin has produced everyone from Anderson .Paak to Alicia Keys to Victoria Monét, but he's just as compelling when it's his name on the record sleeve.

The two-time GRAMMY winner proves just that with his third album,
TIMELESS. Of course, the producer recruited several collaborators for the project, and the list is a panoply of associates from across his career — not only .Paak, but Childish Gambino, Don Toliver, and more.

Maluma & Blessd — '1 of 1'

"A full production between two Colombian artists had never been done before," rapper and singer Maluma brassily proclaimed in a recent press statement. "If it's the first, it can't be done twice."

He's referring to the (aptly titled) 1 of 1, his new EP with fellow Colombian great Blessd. Co-produced by MadMuscik and the RudeBoyz, this six-pack is a reflection of the clear admiration and respect between the two reggaetón practitioners.

This pre-summer weekend, grab a bestie, hit the road, crank up tunes like "Call Me" and "Goyard/GTA," and let that feeling flow through you, too.

Ski Mask the Slump God — '11th Dimension'

Five years after his last LP, Floridan rap phenom Ski Mask the Slump God returns by taking listeners to the 11th Dimension.

If 11th Dimension's advance singles — the jovial "Ooga Booga!", the propulsive "Headrush" — whetted your thirst, get ready for the other 19 tracks, like head-spinning highlights "By Myself," "KillStreak" and "Him Jung Un."

And while Ski Mask the Slump God takes most of those tracks himself, the album's five features are equally as thrilling: Future and ATL Jacob, Skillibeng, Corbin, and two posthumous duets with late rap stars XXXTentacion and Juice Wrld.

Generally, when an artist has a blast making music, it seeps through the grooves — and Thomas Rhett had an absolute ball making his new album, About A Woman, out Aug. 23.

"I did this with a new batch of producers, a lot of different songwriters. This is the funnest album that I've made, I think," he told Backstage Country. "This is a very, very 'me' album. If you liked Tangled Up and Life Changes, Center Point Road, this album is sort of that on steroids."

He's already revealed the first single, "Beautiful as You"; its follow-up, "Gone Country," is a rough-hewn statement of down-home purpose. Every line and lick is true to his dictum that he "got back to the root of why I love to make music and put smiles on faces." 

Let that smile cross your face as you prepare for your summer adventures — and we'll see you on next week's New Music Friday!

On This Day In Music: 2 Live Crew's 'As Nasty As They Wanna Be' Becomes First Album Declared Legally Obscene, Anticipates First Amendment Cases

Troye Sivan performs in concert during Primavera Sound Festival on May 31, 2024 in Barcelona, Spain. (Photo by Xavi Torrent/Redferns)
Troye Sivan performs during Primavera Sound Festival on May 31, 2024

Photo: Xavi Torrent/Redferns

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9 Outstanding Sets From Barcelona’s Primavera Sound Festival 2024: SZA, Amaarae, Charli XCX & More

Barcelona’s illustrious city festival celebrated 20 years of big music moments at Parc del Fòrum. From Vampire Weekend to Troye Sivan, read on for nine unforgettable sets from Primavera Sound 2024.

GRAMMYs/Jun 5, 2024 - 06:04 pm

Primavera Sound is known for its heavy-hitting lineup and even bigger surprise guests. The Spanish festival celebrated 20 years in 2024, and transformed Barcelona's Parc del Fòrum into a masterclass of genre diversity and LGBTQIA+ inclusivity. There, under mostly sun-soaked skies, a wide range of international and native acts lit up multiple stages from May 29 - June 2.

Primavera Barcelona always promises an eclectic mix of performances that showcase native Spanish talent as well as major international headliners to get the party going. However, it’s not just the massive talent that pulls in the crowd. While the mainstages were graced by American superstars  Lana Del Rey,  SZA and Troye Sivan, the festival’s line-up was elevated by the vibrant non-stop DJ stylings of rising Brazilian star Clementaum and the divinity of Arca — who was rightfully labeled "madre!" by a buzzed up Boiler Room x Cupra activation. 

Primavera Sound’s diverse lineup guaranteed a highlight for every kind of festival goer: from the dad rocker to the 20-something throwing themselves head-first into new music. The festival amped up the energy and was keen to ensure a safe space for all music lovers (including regularly signposting a pro-LGBTQIA+ "Nobody Is Normal" campaign). If you weren't in Barcelona to experience the magic happening at Parc del Fòrum, read on for nine highlights from Primavera Sound BCN.

Arca Delivers A Divine Boiler Room Performance

Drawing on heavy doses of electronica, pop and techno, Venezuelan producer and DJ Arca’s unpinnable sound is exactly what made her sets unmissable. Arca set Primavera alight with two incredible sets: an early morning rave on the Amazon Music Stage on May 31, and a second, more intimate event inside Boiler Room x Cupra’s industrial set up on June 1.

The musician's Boiler Room set brought the club to Barcelona, weathering attendees through a humid thunderstorm with sweaty, fusion beats and remixes (Beyoncé, Lady Gaga and Zedd) that made her experimental anthems even more exceptional. 

Read more: 8 Essential Latin Electronic Releases: Songs And Albums From Bizarrap, Arca & More

Vampire Weekend Ignite Indie Nostalgia On Their Primavera Return

We all love a bit of Spanish sunshine, but nobody seemed quite as home on-stage as Vampire Weekend. Having last played at the festival in 2008, the 16-year wait was well worth it with a set list doused with indie rock nostalgia and new bangers that kept the late-night crowd grooving.

It’s not easy to keep a mainstage crowd going on opening night (especially as the band faced some line-up changes for the festival) but Vampire Weekend's catalog-spanning performance rocked. They ran though hits "A-Punk, "Campus" "Oxford Comma," and new tracks ("Classical", "Gen-X Cops", "Connect")  from their new fifth album, Only God Was Above Us – a record which frontman Ezra Koeing described as "feeling perfect" on stage. 

No Vampire Weekend set is complete with some curveball covers. This year, to match the beat of their long-overdue festival return, the band kept things fresh with an incredible cover of Sbtrkt’s "New Drop, New York" performed against a smokey, dark red stage backdrop. Whether performing their own catalog, making surprise appearance alongside French rock band Phoenix  or dropping electric covers, Vampire Weekend prove they’re music more than hitmakers — they’re also a summer festival bucket list act too. 

Troye Sivan Kept His Headliner Set Hot

Troye Sivan kicked off his mainstage set on Friday night dripping with innuendo. Replete with sexy outfit changes (including a pair of crotchless pants), effortlessly cool choreography and a very well-positioned mic in his pelvic region, the two-time GRAMMY nominee showed Barcelona that he not only has stadium-worthy tunes but is a stadium-worthy performer. Performing a medley of hits from his third studio album Something To Give You, Sivan's infectious pop tracks were perfectly timed to sexy and immaculately polished dance choreography (featuring his reliable backup dancer troupe of Simone Nolasco, Mauro van de Kerkhof, Benjamin Williams, Ainsley Hall Ricketts and Theo Maddix) against a campily creative set. 

The singer yearned alongside Spanish musician guitarricadelafuente on a silver silk bed as they duetted "In My Room," and belted out Ariana Grande’s "supernatural" in front of a mesmerizing anime video backdrop. Whether it was intimately crooning to synth-pop summer banger "Honey" or throwback hit "1999," Sivan was undoubtedly a mainstage highlight. As he wrapped up his set, the singer shouted out Barcelona's art and culture as an inspiration for Something To Give You. The Primavera performance was one of the biggest shows of his life, and closed this set with his anthem queer hit "RUSH."


Read more:
Meet The First-Time GRAMMY Nominee: Troye Sivan On "Rush," The Importance Of Dance-Pop & The Spirituality Of Partying

Yeule Opens Primavera With An Electric Set

Kitted out with tattoos, American flag-styled cargo trousers, a heather gray bikini top and chunky boots,  yeule is exactly as you see them: an uncategorizable phenomenon. While their set clashed with major alt-metal and indie acts Deftones and Pulp, yeule’s distorted, glitchy universe was more than immersive; it was an electronic, energetic undertaking that swept the audience away. Away from the main stages, yeule’s set felt like a charged techo-pop portal to their world of emotional, alt-rock tunes.

Shaped by everything from nu-metal, Avril Lavigne and My Chemical Romance, yeule sounds neither human nor computerized. Often conceptualized as being something of a "cyborg identity," yeule's music translates with a darkly alluring style onstage. They opened with the melodic "Electric" from their second studio album Glitch Princess, while the rest of the setlist beautifully emulated their recent album Softscares; an emotional futuristic electro-pop record. The musician’s punk rock inflected "cybermeat," "sulky baby" and "dazies" were highlights, pulling the crowd closer to the stage as well as new listeners in from nearby smaller stages. 

Performing against a flickering urban city backdrop illuminated the midnight sky, yeule's set created the perfect isolated, small-stage universe to hear their deafening screamo notes during "Bite My Neck" and the hauntingly mellow electro-rock closeout track "software update."

Clementaum Brings The Brazilian Party Spirit To The Boiler Room

The Boiler Room x Cupra stage was the place to be this year. While the Parc del Fòrum never fails to pull together an eclectic mix of talent, Primavera Sound truly thrived in showing its ability to channel the club, ballroom and EDM into a live festival setting. There was never a set that didn’t bring the festival goers in glam outfits and the ultimate dance party vibes. However, the raging techno beats of Clementaum that most caught our attention.

Playing to a packed room with festival-goers tightly crammed in even behind her decks, Clementaum led a chant ("Vai Brazil!") as her country’s flag was proudly waved in the crowd.  Feeling more like a late-night rave, the Brazilian DJ had us thriving on deep beat drops and pummeling beats that you couldn’t help but dance to. Artfully skilled, Clementaum fuses Afro-Latin rhythms, ballroom culture and amped-up electronica for an incredible, heart-racing high.

The trance beat-packed El NICK DGO x Clementaum banger "Dale Pal Party" had everybody dancing, while a full-throttle remix of "Puttuna" pushed things into another level. However, her live rendition of "Pirigótika" (a track with Brazilian singer Bibi Babydoll) was her hallmark performance, and proved that if you haven’t heard of Clementaum, be sure this won’t be the last time you come across her name. 

Amaarae’s Captivating Set Can't Be Boxed In By Genre 

There’s nothing Amaarae can’t do. Taking over the Amazon Music stage on May 30, the Ghanaian American Afrobeats musician can take on anything from punk to R&B. In Barcelona, Amaarae’s chameleonic talent showcases that no style (or genre) is too much for her to turn into a captivating set.

Amaarae proved that whatever mood she brings to stage, she devours, from effortlessly performing slow burner "Wasted Eyes" to silkily switching to "Disguise," a song of desire and domination, and segueing to alternative anthem "Sex, Violence, Suicide." 

Learn more: Meet The Latest Wave Of Rising Afrobeats Stars: AMAARAE, BNXN, Oladapo & More

Charli XCX Proves Her Pop Legacy For Primavera’s Final Night

Nobody throws a party like the ultimate "it" girl Charli XCX. From ranging pop bangers ("I Love It" to "Party 4 U"), the British pop star kept crowds dancing until 4 a.m. — and for good reason. While fans weren’t frightened away by heavy rain and thunderstorms during the festival’s final night, Charli XCX and her fans made Primavera’s final night one to remember. 

And, if you were lucky, you might’ve caught the star pull off an incredible surprise DJ set alongside co-collaborator A.G Cook, and finance The 1975 band member George Daniel. While the early announced pop-up set for her upcoming sixth studio album Brat fell just outside of the festival on Sunday, the sweaty beach-side crowd was packed with fans flocking from Primavera Sound to make sure they got their early hit of Charli XCX ahead of her mainstage set later that night. 

Ethel Cain Gets Political (And Personal)

Following the breakthrough of her sophomore album Preacher’s Daughter, Ethel Cain has been on an unstoppable rise. A goth-pop mix of Lana Del Ray and heartland-style emo rock, the Tallahassee-born musician is crafting her own Americana aesthetic shaped by desire, death and South Baptist Christian influences.

While playing a late afternoon set, the singer stepped out under the blazing sun delivering incredible vocals to fan favorites "Crush’’ and "House of Nebraska." The singer’s set highlights were elevated by two things: a new song and a political call-out that broke the divide between the festival crowd and on-stage artist. Dressed in a ‘Free Palestine’ t-shirt and with a keffiyeh hanging from her mic, the musician denounced genocide and advocated for the people of Gaze before launching into her viral anti-pop song, "American Teenager." 

Amidst her anti-war advocacy, the singer also slotted into a somber new song "Amber Waves," showcasing her penchant for eerie melodies and what fans can expect on her currently untitled upcoming project. 

Learn more: 15 LGBTQIA+ Artists Performing At 2024 Summer Festivals

SZA Brings Stardom, Swords & The Splits To 'SOS' Set

Whether it’s the instantly recognizable intro to "Good Days" or the viral rotations of "Kill Bill," SZA has long been dominating and driving contemporary pop and R&B. The GRAMMY winner highlighted her artistic versatility with deep cuts and chart hits (including those from her massively popular sophomore album SOS) to a packed mainstage crowd.

With a stage set designed to look like a ship, SZA was amplifying the message of SOS loud and clear – with hits, charismatic stage movements and impressive vocals to match. And, she didn’t stop there. From knife play routine to "Kill Bil" to full-throttle Miley Cryus-style and riding an anchor to dropping the splits mid-set, SZA gave a performance that continuously raised the bar. 

Read more: How 'SOS' Transformed SZA Into A Superstar & Solidified Her As The Vulnerability Queen

Music Festivals 2024 Guide: Lineups & Dates For Lollapalooza, Coachella, Bonnaroo & Much More