Justin Jay

Justin Jay

Photo: Brittney Christie

News

Justin Jay On The Joy Of DJing, Expanding His Horizons, And How Fans Think He's Still A College Freshman

Facebook Twitter Email
"I think DJing is beautiful because you can just wing it and be in the moment; be present, go with the vibe," the Los Angeles native DJ/producer told the Recording Academy in an exclusive interview
Ana Monroy Yglesias
GRAMMYs
Apr 23, 2019 - 11:11 am

Los Angeles native DJ/producer/singer Justin Jay is all about expanding dancefloor horizons. Specializing in joyful, melodic house music, often with live instruments, he first appeared on Claude VonStroke's hugely popular Dirtybird label in 2011, when he was just a freshman at USC, and has since started his own label, Fantastic Voyage.

Nowadays he's been busy touring across the U.S. since January and will drop his latest album, Everything Will Come Together Pt. 1, on May 17. With his most recent show at Coachella's Do LaB stage during Weekend 2, we caught up with the West Coast DJ on the ground in Indio to talk about what the fest means to him as a Californian and an artist, coming of age in the L.A. dance scene and more. 

You'll be playing the Do LaB stage here [on April 20]. What are you most looking forward to about playing at Coachella, at Do LaB?

Being from L.A., Coachella is something that you grow up with. I also went to college in L.A., at USC so, independent of playing, Coachella is a festival that I love attending.

I've been for my fair share of years, and the curation of the lineup is just always amazing. You can see so many amazing acts that you would never see in one place, and that's the best part. That in combination with all the homies, because I still have a lot of friends who live in L.A. and a lot of friends who come back for Coachella. Friends and music, that's all you need, right?

What has been your favorite part of this weekend so far? Anyone you're super excited to scope out?

My two must-see acts are actually both playing right now, Mac DeMarco and DJ Seinfeld. I really love both of them. I got to see Mac on Wednesday at the Echo [in L.A.], it was one of the best shows I've ever seen. It sold out immediately. I set an alarm when the tickets went on sale, sniped 'em.

DJ Seinfeld is also awesome. He did a show a couple weeks ago that I was at, and we got late night dinner afterwards and became friends, I really like him and I like his music. Those two are up there for sure.

But a lot of my favorite moments are just…[the discovery]. A lot of my friends have very strong music tastes and a lot of conviction behind the artists they want to see. I'm kind of an easygoing homie who gets dragged along to stuff I've never heard of and am just, "Oh, my god! This is amazing."

Can you speak to what Do LaB means to you as an artist and how it plays into Coachella as a larger curated event?

I haven't been to the Do LaB yet this year, but throughout my times here at Coachella, even as the stage has evolved, the Do LaB has always been one of my favorite parts of Coachella. And my senior year of college, I played the Do LaB and, dude, I had friends on stage with water guns and, a chunk of high school friends here and chunk of college friends here, and it just felt like I was surrounded by homies. I'm just excited to be back in that environment, and the artists they curate; it's just a great experience.

It's just a great, great time, you know? Water guns, bubbles…

It's like you're playing a party for your best friends, but also a ton of other people are there and vibing out with you.

Yeah. And you're like, "Ah, we can be friends too." That's cool. [Laughs.]

Are all your friends going to come out for your show next weekend?

You know, we're a little bit older, so it's probably not going be as filled with friends. [Pauses.] It's funny. I have a lot more appreciation for the friends who still come out to festivals and stuff. Not even if it's for my music, just in general. I'm like, "Dude, you still can put up with the heat and the schlepping and all that stuff for the music?" And that makes me really happy.

What's also cool is, I feel like having been touring and putting out music for a while, I feel like I've become friends with a lot of people who I met through the music itself, you know? As opposed to school, or whatever. So I really love that too. In that way, maybe I'll have more friends because of all the people that I've met who, you know, say, "Dude, I saw you in this place and we're coming to Coachella." 

Speaking of friends, what does being a part of the Dirtybird label mean to you? What was the shift like for you, going from college-dorm producing to being part of that family?

So, it was crazy. Eight years ago, my first week of college, I'd just moved into my dorm—we're talking like day three—I got an email back from Claude VonStroke on a demo I'd sent over on SoundCloud. It was the most surreal moment of my life, I did a lap around my dorm.

How fast did he respond after you sent it?

Maybe a couple months? I had sent demos and demos and demos, it just takes time. He's touring, you know, but he does listen to everything. I never imagined that I'd hear back on anything and he hit me up. I ended up putting that song out maybe a month or two later, and slowly but surely began doing shows with the Dirtybird guys.

So it was released on Dirtybird?

Yeah, back in 2011. Good year. So that was my freshman year and no one liked house music around me. Everyone was just getting into EDM, which was awesome, because honestly, it was a pivotal year. I grew up DJing high school parties before then, and I would have to trick people to dance to anything that didn't have rapping or singing.

People want vocals, or they think they want vocals, right?

That's what was significant about EDM is that, when it got into the college culture, it felt like there was this new openness to stuff that wasn't pop or wasn't rap. A lot of EDM songs that people liked didn't have any singing, you know? Like [Avicii's 2011 hit] "Levels." You know, it has, [singing] "ohh, sometimes," but the part that everyone dances to doesn't have singing, doesn't have lyrics.

That was a defining shift, at least being in L.A., because prior to that, people we're like, "This is boring." Like, "This doesn't have words," you know? That was a big thing, at least for me, when I was in high school and I had to trick people into dancing to dance music. But regardless, by the time I was in college, I was really into house music and techno and Dirtybird, stuff that was emblematic of underground dance music at the time.

Related: Elderbook, Dance Spirit, KMLN & Justin Jay Discuss The Magic Of The Do LaB At Coachella

Were you tapped into those communities in L.A. then?

I was starting to go to warehouse parties. I was seeing Ian Pooley and Jimpster, and guys from Europe who are into deep house and techno guys, too. I saw Marcel Dettmann and Ben Klock when I was underage, and it was super fun. But what was so dope and what's so interesting is between then and now, even by the time I was a senior in college, people were starting to get into house music.

And now, Fisher, I feel like, has the same sort of cultural weight among college kids that Skrillex and Avicii had when I was in college. It's just a cool time to be into music, you know?

Are you close with Claude [VonStroke] now? What's your relationship like with Dirtybird?

You know, I was so awkward for so many years being like, "I am such a huge fan." I could not even say a word. I feel like he's been really supportive, especially of the stuff I've been doing that's not Dirtybird. For instance, I started a label a couple years ago called Fantastic Voyage. The main concept with it was I had a bunch of friends that we were making music together, and I wanted a sort of Dirtybird community, where it was a bunch of DJ artist guys, except for us, we could all play as a band together.

Last year at the Dirtybird Campout, Claude let me have about four hours for a takeover where I got to curate the lineup. And I began with my DJ set, and then other people's live shows, and then it all culminated with a big band show at the end. And I really appreciate that because dude, there's guitars, there's live drums, there's lots of singing. And that's not indicative of a lot of the music people expect when they come to the Dirtybird Campout. The crowd was super receptive, with people singing along and stuff. I'm just so grateful that I could take those kind of risks and do that with the support of someone like Claude, you know?

There was a very deep moment of affirmation where, at the Campout last year, there was a press Q&A thing and Claude was introducing a bunch of artists who are on the label. And he was giving out, off the cuff, these superlatives. He was like, "Ah, this is Justin Martin; he's the happiest dude. And these are Walker & Royce; they're making the craziest music." He was just saying nice things and then, when he got to me, he was like, "This is Justin; he's the most creative." I was like, "What?!" [Laughs.] I was like, "Dude, get out of here, man!"

Are you still the youngest on the label?

People always think that, but nope. Dude, people are still like, "Oh, are you still 18?" No, I'm definitely not the youngest, but yeah, I feel like there's this ongoing thing with musicians where it's like, I don't know. For me, when I was in college, I actually took a lot of my career stuff very seriously because being into house music 10 years ago, everyone in L.A. who liked house music was late 20s, early 30s, and I was 19.

I'm 26 now, and it's weird because I'd be on YouTube hearing interviews with my favorite DJs, and they would say, "You gotta pay your dues, you gotta know your records." All of my favorite DJs were late 30s, early 40s, double my age. And so, I was very uptight, no drinking, just very professional. And then ironically, after I graduated, I started loosening up a bit more, just feeling like, "Oh, I guess I don't have to be so serious."

I still don't really party, but I don't think that's what's important. I think it's just being able to have fun with it. The reason why I brought all of this up is because I feel like this is kind of a "Benjamin Button" situation, where it's like, the older you get, the more in touch you get with [your inner] little kid. I see that in Claude sometimes where I'm like, "That dude's like an eight-year-old in a dad bod," but in a great way. I mean that as a compliment.

What do you think makes a good DJ set? 

You know, it's funny. I think, in terms of a set, [pauses] the real magic is kind of this elusive lightning in a bottle sort of thing. Pun, because of Do LaB. But for real, I think DJing is beautiful because you can just wing it and be in the moment; be present, go with the vibe.

"I feel like that's one of my favorite principles of DJing, that sort of tricking people to like stuff."

It's like no one's expecting that you have to play that one thing, right?

Yeah, not for me, thankfully. Other people, I don't know. That doesn't sound too fun. You just get to be present and hopefully trick people to like some stuff they haven't heard before, whether it's old music or new music that hasn't been released, or stuff that's outside of people's tastes. I feel like that's one of my favorite principles of DJing, that sort of tricking people to like stuff. And I feel like that's kind of me with the band, right? It's people thinking, "Oh, house music," and then there's drums and guitars and singer-songwriter moments and stuff.

Kind of surprising people, right?

But not just surprising people. You know when you're having a good time on the dance floor and you stop thinking, you're just having fun? That's the moment where the DJ might put on some song that you, if you heard the same exact song eight hours earlier as you were waking up, you would be like, "This is weird; I don't like this." But when you get caught up in the fun of the party and you're with your friends, it's just a good time. Those are the moments where you can get tricked into being exposed to something new that you end up falling in love with.

So, for you as an artist, it's important to you open people's minds a little bit each time?

It's like pushing people a little outside of their comfort zones but still having a great time. That's the balance, right?

Jan Blomqvist Talks Playing Coachella, Berlin Techno & Covering The Rolling Stones

Jan Blomqvist

Jan Blomqvist

Photo: Christian Dammann

News

Jan Blomqvist Talks Playing Coachella, Berlin Techno & Covering The Rolling Stones

Facebook Twitter Email
The German electronic artist, who made his debut in the festival's Yuma tent this Sunday, gets deep into Berlin's club scene, his desire to bring joy to the dance floor, the story behind his latest album, 'Disconnected,' and more
Ana Monroy Yglesias
GRAMMYs
Apr 17, 2019 - 4:13 pm

German singer/producer Jan Blomqvist makes ethereal house music with the intention not only to get people dancing, but also feeling and perhaps thinking. His latest album, 2018's Disconnected, which is inspired by his time spent at Burning Man, is based around the idea that in order to stay focused and healthy sometimes we need to remove all distractions.

Since November, he has been touring across Europe and the U.S. in support of the album, along with his live band on most dates. After he wraps up his second weekend playing Coachella, the band will join him for three dates in Mexico, after which they'll offer support to RÜFÜS DU SOL on several of their U.S. tour dates.

We caught up with Blomqvist from on the ground at Coachella 2019, not long after he played his one-man-show Sunday afternoon in the Yuma tent, the fest's well-loved house and techno stage.

You performed here at Coachella in the Yuma earlier today. How was it? How are you feeling?

Honestly, it was pretty difficult today because my moog was totally out of tune. If you know what a moog does, that's what they do. They just get out of tune and f*** you at the worst moment, and I tried to figure out and then I was so focused on retuning the synthesizer that I made so many mistakes on the right hand with the other instrument. It was really exhausting for me, but I think my friends here liked it, and the people in the audience which came later, were happy, so I'm happy as well, but a bit disappointed because I could have played better.

Did you realize it was out of tune when you started playing?

It was not out of tune in the beginning. This is the mystery about the moog. Nobody knows why they do it. You can use all other synthesizers, doesn't have this feature. I think they make it to sound more vintage, like in the '70s. And so that was my problem today, and I think I made it okay, but I'm looking very forward to next Sunday, to make it a 100% performance.

That's true, you have round two. Was it your first time performing at Coachella?

I've played at Do LaB before, but some people told me it doesn't count.

It definitely counts. When did you play at Do LaB?

I think so too. At night, two years ago. It was packed, like 600 people or something. It was cool.

So this was your first year on the main Coachella lineup. Well you have next weekend too, and at least no one knew that it was out of tune.

I hope so. I heard it immediately, and so, yeah, that's what I got stressed, and it's never good to be stressed on stage. That was my disappointing point of the day, but in the end it was still a good show, though, and it was a good energy. And as long as it's not totally failing, it always brings you further.

Have you been able to check out any other music at the fest? Is there anyone you're looking forward to seeing tonight?

Yesterday I wanted to see Billie Eilish and Bob Moses, but I worked way too late.

You get smarter when you getting older, so next time I have one week free before Coachella, also before Burning Man and then I'll have time to check out stuff. This time I played three shows and was in four cities. Yeah, it was stupid. I was traveling five days a row. It doesn't make sense. If you do Coachella or any big festival then you should focus on that and the other gigs can wait, honestly.

And DJs are humans, too. They need to have fun, right?

Yeah, but officially not.

Who are your biggest musical influences? What kind of music did you grow up listening to and what are you listening to these days?

I grew up with vinyls, with Bob Dylan, Rolling Stones and Mick Jagger. I think that's normal in our generation. Our parents had vinyls and we just played them. I'm still a huge Bob Dylan fan. I don't like Rolling Stones as much anymore, but I like Mick Jagger's solo project. It's still pretty amazing. He's old and has so much energy. He's kind of an idol. If I'm 75, I want be like this. And later on, of course, I got into normal things like Blur, Radiohead, Nirvana, Björk. I went through all this rock, hip-hop things, and then I moved to Berlin, and suddenly I was totally a techno addict.

What year did you move to Berlin? Was it at the beginning of the techno scene there?

In 2002. Everything was there. It was just a bit more underground than now. All the clubs are really set up in Berlin right now are exactly the same age, 17 years.

Which club is your favorite? I know, it's a hotly debated topic.

It depends on the day, really. On Sundays in Berlin it's the best; Sunday evening in Berghain is amazing. Monday in Sisyphos, Sunday at Kater Blau, Wednesday at Watergate, and it also depends on who's playing.

Berghain can be really amazing but can also be a sh*t show, and I don't want to talk bad about any DJs, but sometimes, in my opinion, it's really good and sometimes it's really bad, but the club's unbelievable. I have never seen any comparable club in the world. It's like made of a Tarantino movie. You come there and you feel like you'll get bitten by a vampire. I've been there, I don't know, 100 times, and still when I'm coming there I'm still like, "What the f*** did you build here?"

Do you feel like it's the same as when you first moved there? What about the techno and house scene has shifted in Berlin as it's become more of a destination?

It's definitely shifted. In the beginning, it was minimal only. It was super hard for me to get gigs, and the clubs even told me like, "Yeah, your music is nice, but nobody wants to hear this piano sh*t."

It was more like trance kind of minimal?

No, it's just minimal. I mean, Richie Hawtin did it in a really good way, and there were many people that tried to copy him and failed totally, that makes it really boring.

Berlin is changing all the time. That's what I love in that city. Since 2010 the music is super open and you can play everything, and I like that. It was really hard for me, the years between 2002 and 2006 or 2007. It was like every club played exactly the same music for like five years, and I was like, "What the f*** did you do to your DJs?" DJs should be free, right?

Why do you think it was kind of like restricted like that, and what do you think made it change to more open again?

I have no idea. I ask myself this question still.

So were you just trying to do your own thing? Did it make you want make even more different music?

I tried to break this because I think musicians should be free and you should give them a chance and a stage and just to make them play and I try to convince other musicians to not do just only one kind of music. I mean, the city is big. I cannot imagine that for four million people, everybody wants to listen to the same music. It's bullsh*t.

So, I tried to work harder and to get the gigs, and then finally it worked. Nicolas Jaar came and he was, I think, 17, and then everybody was like, "Whoa, he's 17 and he plays such good music." And then suddenly everybody was like, "Oh, we want piano in the club. Oh, what about vocals?" And then suddenly everything worked, and now Berlin is pretty open-minded when it comes to music, it's generally an open-minded city, I think.

That is interesting how sometimes it's one group or one artist that does something kinda new, that other people have also been doing, but for whatever reason, they catch on.

I mean, [that] was the same with Kurt Cobain, right? Suddenly, he came and then it was suddenly called grunge and there was a completely new genre. It's always like this. Somebody has to open the door and then it works, but the music is there before, of course, it just needs some one character who opens it.

What is the message or vibe you generally try to share when you play your music live, in both your tapered down club setup or in the band-backed live setting?

I mean, in the end it's just all my tracks and the band's just performing my tracks, so it's kind of the same music. But with a band, we play with breaks in between and not so much focused on the transitions and playing slower tracks, like 100 BPM sometimes 110, way more vocals. When you have a real drum set on stage, with real cymbals, it creates a completely different vibe. And with the band we have six synthesizers on stage, I think, and when I play solo I just have one.

So if the one gets out of tune…

Yeah. [Laughs.] Actually, it never got out of tune doing the whole recent tour with the band. Maybe that's why my tuner wasn't working.

"Every human has the same desire of just dancing, laughing and having good music, and that's the point, you have to make them happy. That's your mission as a musician. It's a responsibility."

What's your main purpose when you perform?

I want to make people cry but then laugh at the same time, to give them an edgy feeling that makes them really melancholic but then give them a super positive bass and kick drum. Like a good movie with a happy ending.

And, of course, dancing is important and just being happy. I mean, that's what you need all over the world, doesn't matter where you are. Why are clubs existing? Why is electronic music so big? It's because every human has the same desire of just dancing, laughing and having good music, and that's the point, you have to make them happy. That's your mission as a musician. It's a responsibility. You cannot go onstage and tell them, "F*** you. I don't care." You really have the mission to make them happy, and that's the job.

Can you talk about the inspiration behind your last album, Disconnected? It feels like the songs all have a story behind those ethereal beats, and I'm especially curious about "Synth For The Devil," which takes from the Rolling Stones song.

I mean, this song just came to me. I was here, actually, around the corner, like 50 kilometers from here in the [RANCHO V in Pioneertown, Calif.] studio, recording two tracks for our Disconnected album. Then suddenly J [Bowman] was there and Felix [Lehmann, co-producer] and I and my studio company, all just working just for fun on the Rolling Stones thing, just as a break, to have some fun. And then Jay came in like, "Wow, this is the track. I'm the best solo player for this track in the world." I was like, "Okay. Can you play it?" And he played really the best [guitar] solo ever, not totally tight, but nice. And yeah ... And then the idea come up and, "Okay, let's record it." And then we send it to the label for Mick Jagger and Keith Richards and they said "Yes."

Did they say they liked it?

Yeah, they liked it. And they answered in one day. We were like, "Okay. What the f***." Okay, then we do it. It's tough. I'm still not 100% convinced if this was a good idea or not because to cover tracks from these big characters is sometimes not a good idea, but when I play it live, it's fun. I think that's the most important thing.

And the Disconnected album. For me, it's important to have a concept album because then you have things you can talk about and that whole thing is more focused, and it's like you have a red line to follow. It's even easier to write lyrics, to write the music.

I was at Burning Man and asked myself, like, "Why are the people coming to this desert to make this huge festival just in an environment which is not easy. There's no water, no electricity, there's nothing. It's gets super hot in the day, super cold in the night. Why there?" And the only answer must be that people need to disconnect from their real life somehow, and the question is "Why is it so important to flee from your life?"

This whole album is about "why do we need to disconnect so much?" I think our generation suffers a lot from this virtual life that we're living in 50% already, and many people cannot even distinguish which is real, which is not, especially in Coachella. You can see so many people who think Instagram is more important than your real friends, and we have to question what our generation has to ask themselves like, "Where do we want to live in the next years and can we make it? How can we make it," and reflect yourself, "What can I do? Am I still real? Am I fake?"

And I don't want to give answers, I just want to give questions or lyrics to make people think, to reflect themselves. The album should be a mirror for the audience.

Agoria On Making His First Album In Eight Years, Playing Coachella & The Architecture Of Dance Music

Claude VonStroke at Dirtybird Campout 2018

Claude VonStroke at Dirtybird Campout 2018

Photo: Max Benedict

News

Dirtybird Campout 2019: Justin Jay, Jhené Aiko, J.Phlip, Shiba San, Mija, Tiga & More

Facebook Twitter Email
The camping music festival includes "'OG' Saturday night" sets, featuring your favorite Dirtybird heavyweights, from label head and house music legend Claude VonStroke himself, as well as Ardalan, Justin Martin, J.Phlip, Kill Frenzy, Worthy and more
Ana Monroy Yglesias
GRAMMYs
Jun 4, 2019 - 4:24 pm

Today, Dirtybird Campout announced the lineup for their beloved 2019 West Coast music festival, which includes many of your Dirtybird favorites like Justin Jay, J.Phlip, Shiba San, Mija, Walker & Royce and Dirtybird Records founder Claude VonStroke. The event returns to its 2018 home along the water at Modesto Reservoir Campgrounds on Oct. 4–6.

GRAMMY-nominated soulful R&B queen Jhené Aiko, turntable legend Cut Chemist, Detroit funkstress DJ Holographic, and Wajatta, the project of spoken word artist/comedian Reggie Watts and experimental house producer John Tejada, will also be bringing the beats to Dirtybird Campout West 2019.

More: Justin Jay On The Joy Of DJing, Expanding His Horizons, And How Fans Think He's Still A College Freshman

For all the early Dirtybirds who can't wait until that Friday to get their groove on, this year's Campout offers early arrival passes that not only guarantee "premier camping spots," but an extra special Thursday night B2B set from Tiga and Matthew Dear, as well as a "warm up set" from VonStroke. "Head Counselor Claude," as the press release calls him, will also be performing under his trippy beats alias Barclay Crenshaw aka VonStroke's given name.

Other musical highlights include an "'OG' Saturday night" featuring sets from longtime Dirtybird Records/events regulars including Ardalan, Justin Martin, J.Phlip, Kill Frenzy, Worthy, Christian Martin and, of course, the OG master of good times, VonStroke.

Related: Metronomy's Joe Mount Breaks Down Surviving Music Festivals

The weekend will not only be filled with enough music to keep you dancing literally all day and night, the camp-themed fest also features tons of fun activities and games to help you live out the best version of summer camp you could possibly dream up. Attendees, including those behind the decks, are assigned to teams who will duel it out in dodgeball, tug of war matches and even the ".5K Floatie race."

Arts and crafts will also be aplenty, for campers to get their creativity flowing with screen-printing, totem-making and more. Grill$on's BBQ, a staple of the Dirtybird BBQ day parties the label hosts across the country every summer, will be on site to provide ample dancefloor and activity fuel up.

Tickets for Dirtybird Campout West are on sale now; for all options, including camping and BBQ add-ons, as well as the complete lineup, check out their website.

Your 2019 Guide To The Best Summer/Spring Music Festivals

Lightning in a Bottle 2018

Lightning in a Bottle 2018

Photo: Aaron Glassman

News

Your 2019 Guide To The Best Summer/Spring Music Festivals

Facebook Twitter Email
Having trouble keeping up with 2019's many music fests? We've got you covered with this comprehensive list of 20+ ones to check out across North America—plus a few abroad
Ana Monroy Yglesias
Jennifer Velez
GRAMMYs
May 8, 2019 - 10:40 am

Both weekends of Coachella 2019 have come and gone, which means that we are fully entrenched in music festival season in North America. Since late last year, the fest lineups keep coming, and, like many of you, we couldn't be more excited for the sunny, music-filled days around the corner.

To help you keep abreast on all the major fests you can explore this summer, we've compiled this handy list to highlight some of the ones across the country (plus a few abroad) you may want to check out.

Related: Jan Blomqvist Talks Playing Coachella, Berlin Techno & Covering The Rolling Stones

MAY
 

Lightning in a Bottle | May 8–13 | Bakersfield, Calif.

Need to get away and lose yourself in the music ASAP? Well, Lightning in a Bottle is probably calling your name. Bring your pool floaties to cool off in Buena Vista Lake, home to the new location of the Southern California camping music fest. Run by the good time experts/electronic music connoisseurs at the DoLaB, which just made an appearance at Coachella; the environmentally and socially conscious event was one of the first major "transformational music festivals" that so many others have been modeled after.

This year's stacked musical lineup features seven stages and a variety of house, techno and bass artists, featuring GRAMMY-nominated British dance duo Disclosure, a 3D experience from Flying Lotus, Santigold, Toro y Moi, Gramatik, Channel Tres, DJ Koze and Damian Lazarus. There will also be yoga, sound healing, and engaging talks, like one with activist hip-hop duo Climbing PoeTree titled "Creativity is the Antidote to Destruction: Artistic Tools for Urgent Times."

Tickets are still available with options that range from two to five days; more info here.

Corona Capital Fest | May 11 | Guadalajara, Mex.

Taking place on Mexico's West Coast in the city of Guadalajara, Corona Capital will bring the country some of the biggest names in rock, electronica and pop. Featuring Phoenix, the Yeah Yeah Yeahs, Tame Impala, The Chemical Brothers, Christine & the Queens and more, the fest will give people in Mexico the unique opportunity to see artists that tend only to stop by in Mexico City, which hosts its own Corona Capital fest.

Those visiting the country for the fest will find the one-day event a convenient factor, as they can explore the rich history and culinary vastness of the second-largest city in the country, which is known to be the area where tequila and mariachi originated. Sports fans will find excitement in listening to music at the festival site, which is also home to the city’s soccer team, Las Chivas. For more information, visit the festival's website.

GRAMMYs at Corona Capital: Holy Ghost! On What "Do This" Is Really About & Why They Feel So Good About 'Work'

Electric Daisy Carnival | May 17–19 | Las Vegas

Rave lords Insomniac have been bringing the beats with their now-global Electric Daisy Carnival (and its many other EDM events) at the 23rd annual EDC. The flagship fest's ninth year in Las Vegas will take over Sin City from May 17–19 this year. The 2019 lineup is positively stacked with dance music greats, featuring GRAMMY winners Diplo, David Guetta and Tiësto, plus GRAMMY nominees TOKiMONSTA, Paul Oakenfold, Deadmau5, Above & Beyond and Kaskade.

Deadmau5 will be making his first return to the fest since 2010, bringing his new "Cube 3.0" stage setup, and Guetta will be back for his first time since 2012. Australian singer/songwriter DJ/producer extraordinaire Alison Wonderland, plus GRAMMY-nominated rave icons Steve Aoki and Armin van Buuren will bring fire to the three-day event.

If you want to get your dance on and check out the carnival rides, interactive art and plenty of lights and lasers with EDC in Vegas, you're in luck; tickets are still available. Check out EDC's website for more info.

Hangout Music Fest | May 17–19 | Gulf Shores, Ala.

If you're looking for something where you can chill in one spot, perhaps by a body of water, Hangout Music Fest in Gulf Shores, Ala. may be more along the lines of what you're craving. The 10th anniversary, which the organizers have coined a "music vacation," will take place on May 17–19 on the beach.

The stacked lineup of over 50 acts is pretty diverse among artists and genres, with big names in dance music such as GRAMMY winner Diplo, GRAMMY nominees Mura Masa and Sofi Tukker, along with Detroit hero GRiZ and dance festival favorite Alison Wonderland.

Meanwhile, artists in the pop/indie-rock arena include GRAMMY nominees Hozier and Bebe Rexha, as well fan favorites The 1975, Walk The Moon and Jimmy Eat World. 

For more info and to see the complete list of artists, visit the Hangout Fest website.

BottleRock | May 24–26 | Napa, Calif.

If you want to experience the literal fruits of the world-renowned Napa Valley wine country while listening to some solid jams, BottleRock, which is located in wine-rich Napa, may be the fest for you. Its seventh-edition festival's top-tier headliners are GRAMMY winners Imagine Dragons, Mumford & Sons and Neil Young, who will be playing with Lukas Nelson's band Promise Of The Real. Other notable acts include Santana, Pharrell Williams, Gary Clark Jr., Sylvan Esso, Logic, Lord Huron, Nathaniel Rateliff & The Night Sweats and Tash Sultana.

Other festival highlights include the Culinary Stage, which features both music from the likes of Big Boi and Juanes, as well as more culinary-focused guests, including Antoni Potowski, the resident foodie of "Queer Eye." No matter your fuel of choice, attendees can expect an amazing selection of Northern California wine, beer and even craft cocktails, as well as food prepared by your neighborhood Michelin-starred Napa faves. The Silent Disco offers even more music, with GRAMMY-nominated dance greats The Crystal Method and Paul Oakenfold taking the decks.

Tickets, including one-day and three-day options, are still available on the fest's website.

More: Tomasa Del Real On Bringing Her Take On Reggaetón, NeoPerreo, To Coachella

Primavera Sound | May 30–June 1 | Barcelona

If you've been itching to take a trip abroad in a scenic European city and have eclectic music tastes, you'll have a blast at Barcelona's Primavera Sound. The 19th edition of the music festival offers what organizers coined "The New Normal," a 50/50 gender split among performers. Of the 226 billed artists, over half are women.

The beautifully dense lineup includes both big names and hidden gems across genres, yet the headliners alone show that they are walking their talk. Erykah Badu, Future, Interpol, Tame Impala, Janelle Monáe, Solange, J Balvin, Rosalía, Nas, James Blake and Robyn all take the top spots.

The rest of the lineup is also filled with gems, including Kali Uchis, Liz Phair, Carly Rae Jepsen, Clairo, Cuco, Mura Masa, Empress Of, FKA Twigs, Pusha T and Big Red Machine (the National's Aaron Dessner and Bon Iver's Justin Vernon collab project).

The festival has also highlighted Primavera's commitment to urban music, with a focus on reggaeton and hip-hop. From the Latin side, in addition to unofficial second-wave reggaeton leader J Balvin, old-school genre legends Ivy Queen (one of the first and few women in the emerging scene in the '90s) and DJ Playero will be throwing down. From the U.S. side, Primavera 2019 will feature an exciting selection of female rappers, including Tierra Whack, Princess Nokia, CupcakKe and Rico Nasty.

Tickets, including single-day options, are still avaible on Primavera Sound's website.

Governors Ball | May 31–June 2 | New York City

Governors Ball Music Festival is returning for their ninth year on Randall's Island Park in New York City on May 31–June 2. 2019 will bring performances by headliners The Strokes and GRAMMY nominees Tyler, the Creator and Florence & the Machine.

The three-day music, art and music event certainly brings an N.Y.C.-inspired melting pot approach to their lineup, and this year does not disappoint. Other highlights include GRAMMY winners Lil Wayne and Kacey Musgraves, GRAMMY nominees SZA, Nas, The Internet, Jorja Smith, Bob Moses, Charli XCX, ZHU, plus Vince Staples, BROCKHAMPTON, Blood Orange, Clairo, Bazzi, MØ, Major Lazer (DJs Jillionaire, Walshy Fire and GRAMMY winner Diplo), Noname, Kaytranada, Gesaffelstein and King Princess.

More info on tickets, as well as the complete lineup and event details, can be found on the Governors Ball site.

Related: Tinder Teams Up With EDC, Gov Ball & More Music Fests For "Festival Mode"

JUNE
 

Roots Picnic | June 1 | Philadelphia

The Roots Picnic is back for its 12th year on June 1 and will feature a special headline performance from GRAMMY-winning band The Roots in celebration of the 20th anniversary of their 1999 album Things Fall Apart. 

H.E.R., 21 Savage and Lil Baby are among other artists on the music festival's bill. Raphael Saadiq,Tank & The Bangas and City Girls will also perform at the one-day event, taking place at its new location at The Mann At Fairmount Park in Philly. 

"We finally have a Roots Picnic in the Park," The Roots' manager Shawn Gee and President of Live Nation Urban said. "The vision 12 years ago was always to provide an all-day musical and cultural experience in Fairmount Park. Black Thought, Questlove and I grew up spending our Sunday afternoons at the Belmont Plateau in Fairmount Park watching Philly DJs spin, and enjoying the vibe and the culture. It's a great feeling to be able to come full circle."

For more information on tickets, visit the Ticketmaster website.

Splash House | Jun 7–9 | Palm Springs, Calif.

Splash House has been bringing the beats to the pastel-colored desert of Palm Springs for several years now, and will return June 7–9 (as well as in August). GRAMMY-winning French electro heavyweights Justice, GRAMMY-nominated U.S. house music stalwart Armand van Helden, New York-based house producer Jai Wolf and U.K. bass/trap champ TroyBoi will headline. The three-day fest takes place poolside at three beautiful desert aesthetic hotels: The Renaissance, The Riviera and The Saguaro.

The rest of the lineup offers an equally impressive and diverse group of electronic artists, including GRAMMY nominees Jax Jones and Dirty South, along with Pete Tong, A-Track, CRAY and more. Shiba San, Dusky, Kidnap and a few others will keep the vibes going into the nighttime, with official after-hours shows at the Palm Springs Air Museum.

Daytime tickets for the June edition of Splash House went quickly, but they can be requested via a ticket exchange program. More info on all options can be found on Splash House's website.

Bonnaroo | June 13–16 | Manchester, Tenn.

Founded in 2002, this down-south outdoor fest once specialized in all things folk and jam. Nowadays, the lineup's diversified a bit, welcoming artists of nearly every popular genre. This year's Bonnaroo will take place June 13–16 at Great Stage Park, a 700-acre farm and event space in Manchester, Tenn., 60 miles southeast of Nashville.

The diverse group of artists on Friday alone include Phish, Childish Gambino, Solange, The Avett Brothers, Brockhampton, Courtney Barnett, Gojira, K.Flay and more. Post Malone, Odesza, Kacey Musgraves, The National, ZHU, John Prine, Maren Morris, The Lumineers, Cardi B and more will also get the farm grooving.

New for 2019, Bonnaroo will feature a "Sanctuary of Self-Love" campground experience curated by Paramore's Hayley Williams. There will also be circus acts, immersive cinema shows, theme parties, and the fest's first-ever Pride parade.

Tickets can be found on the festival's website.

GRAMMYs at Coachella: Sofi Tukker On Crafting Their "Ideal" Coachella Set, Giving Hugs To Maggie Rogers & More

Ruido Fest | Jun 21–23 | Chicago

For three days, Ruido Fest takes over Union Park, also home to Pitchfork Fest, and turns Chicago into a Latin alternative music mecca. This year, the music festival happening June 21– 23 celebrates its 5th edition and will gather iconic music groups like El Tri, Los Tigres Del Norte, Hombres G and Enanitos Verdes on the same stages as rising stars like Latin urban artist Tomasa Del Real, Helado Negro, Monsieur Perine and many more. From rock, to pop and electro, this festival boasts some of the best in established and up-and coming music artists in the Latin genre For more information on Ruido fest, visit their website.

Firefly | June 21–23 | Dover, Del.

Firefly Music Festival, which touts itself as "the East Coast's largest music and camping festival," returns for its eighth year in The Woodlands of Dover, Del. The June fest will feature GRAMMY-nominated headliners Panic! At The Disco, Post Malone and Travis Scott. 

GRAMMY winners TLC, Vampire Weekend and Zedd, as well as GRAMMY nominees Courtney Barnett, Death Cab For Cutie, DJ Snake and Tyler, The Creator will also perform at the woodsy fest. Alison Wonderland, Brockhampton, Dashboard Confessional, GRiZ, Kygo, Gucci Mane, Jessie Reyez, Snail Mail, Walk The Moon, and Young The Giant are also on this year's bill.

Tickets, along with "glamping" options, can be purchased on Firefly's website.

JULY
 

Essence Festival | July 4–7 | New Orleans

Essence Festival returns for its 25th year of celebrating black culture in New Orleans. The music portion of the event will take place from July 4–7 at the Mercedes Benz Superdome, with billed performers like Missy Elliott, Timbaland, Pharrell Williams, Brandy, Jermaine Dupri, H.E.R., Big Freedia, Ledisi, Mary J. Blige and many more. Former First Lady Michelle Obama will also bring extra inspiration to the main stage on Saturday.

Four other stages at the Superdome will showcase more talented artists such as AlunaGeorge, City Girls and Normani, as well as Mase, Ginuwine and Slick Rick.

Several different music fest ticket options are available, more info here.

Essence 2018: H.E.R. Opens Up On Mystery, Musicianship & Essence Fest

Mad Cool | July 11–13 | Madrid

Mad Cool Festival's diverse musical lineups have brought out a global fan base to its home in Madrid every year since 2016. Bon Iver, Vampire Weekend and Noel Gallagher's High Flying Birds top the lineup on Thursday, which also features Canada's Kaytranada, La Dispute and The Hives. Friday will bring out The National and the Smashing Pumpkins as headliners, plus Madrid's own Vetusta Morla, Wolfmother and Germany's Sophie Hunger, among other exciting acts. Saturday closes off the musical celebration with The Cure, The 1975 and Greta Van Fleet.

If this lineup hasn't inspired you to experience the fest, maybe visiting the beautifully historic city of Madrid will. Single-day and three-day tickets can be found on Mad Cool's website.

Pitchfork Music Festival | July 19–21 | Chicago

The 14th annual Pitchfork Music Festival, held at Union Park in Chicago, offers an eclectic lineup perfectly embodied by its headliners: GRAMMY-nominated dancefloor-pop innovator Robyn, GRAMMY-winning godfathers of funk The Isley Brothers and GRAMMY-nominated sister trio HAIM.

The Isley Brothers, consisting of remaining members Ronald and Ernie Isley, will be celebrating 60 years as a group at the fest, bringing the funk with "special guests," Pitchfork reports. GRAMMY-winning blues and gospel icon Mavis Staples will also bring her longtime musical excellence to the three-day event.

GRAMMY-nominated hip-hop powerhouses Earl Sweatshirt, Jeremih and Pusha T, along with fellow GRAMMY nominee and electro-pop stalwart Charli XCX, are also slated to play. Several innovative '90s acts will also be performing: London-based avant-garde dream-pop group Stereolab, Scottish folk-pop band Belle & Sebastian (who will be playing their 1996 album If You're Feeling Sinister in full) and Swedish GRAMMY-nominated MC Neneh Cherry, who earned a nod for Best New Artist at the 32nd GRAMMY Awards in 1999.

The festival prides itself on highlighting emerging talent; some of the up-and-comers on the lineup are 20-year-old dream-pop artist Clairo, L.A.-based social activist/rapper JPEGMAFIA, French-Cuban electro-soul sister duo Ibeyi and 21-year-old N.Y.C. rapper Rico Nasty.

Both weekend and single-day tickets are available; visit the fest's site for more info.

Float Fest | July 20–21 | Gonzales, Texas

Billed as the "only festival in the world to combine the Texas tradition of floating the river and live music," Float Fest 2019 will feature Gucci Mane, Major Lazer, Ice Cube, Kaskade, Portugal. The Man, The Flaming Lips, Big Gigantic, Zeds Dead, Grouplove, Big Boi, Jungle and more at its new home at a private ranch on the Guadalupe River in Gonzalez, Texas.

"We're thrilled to be moving to a new city and keep the tradition of our fest going. Gonzales is known as the birthplace of Texas independence and we can't think of a better place to celebrate a festival rich in Texas traditions such as live music, floating the river, and camping," Float Fest founder Marcus Federman said.

Additional performers include G. Love & Special Sauce, Missio, St. Lucia, Houndmouth, The Floozies and more. The fest will also be partnering once again this year with local business to organize a river cleanup project. 

Tickets, including weekend and day passes, can be found on Float Fest's website.

Related: Exclusive: Lizzo On Lollapalooza, New Music & RuPaul's 'Drag Race'

Lovebox | July 12–13 | London

Chance the Rapper, Solange, Cypress Hill and 2 Chainz are among the headliners that make the U.K.'s Lovebox an international music festival with one of the most exciting lineups. Taking place in London's Gunnersbury Park, the two-day fest will also have Lizzo, Brockhampton, Action Bronson, and Kaytranada hit the stage.

The fest will also feature plenty of U.K.-based artists, including J Hus and Slowthai. For more information, visit the festival's website.

Newport Folk Festival | July 26–28 | Newport, R.I.

Newport Folk Festival returns for its 60th year to Newport, R.I., for a three-day fest. Taking place at Fort Adams State Park, Newport offers rolling lineup announcements, meaning some artists are still yet to be announced.

The genre-diverse bill is absolutely stacked: Audiences can expect sets from Maggie Rogers, Noname, Sheryl Crow, Hozier, Kacey Musgraves, Portugal. The Man, Stephen Marley and The HighWomen. The latter is a new country supergroup consisting of Amanda Shires, Brandi Carlile, Maren Morris and Natalie Hemby, who have yet perform together publically.

Even without the complete lineup, tickets to Newport have sold out. That said, tickets can be still requested via Newport's fan-to-fan exchange; more info here.

GRAMMYs at Newport 2018: Exclusive: Brandi Carlile On 'By The Way, I Forgive You' & "The Joke"

AUGUST
 

Lollapalooza | Aug. 1–4 | Chicago

Lollapalooza, the iconic Chicago fest held annually in the Windy City's Grant Park, always gets a long lineup of some of the biggest names in music, along with plenty of artists steadily rising to household-name status. For example, prior to dropping their major-label debut LPs this year, both Billie Eilish and Lizzo performed at the 2018 fest.

This year's flagship (organizers have launched Lollas globally now, too) event offers a diverse lineup, including GRAMMY winners Childish Gambino, Ariana Grande, Kacey Musgraves, Flume, Lil Wayne and H.E.R.. Janelle Monáe, The Strokes, J Balvin, Rosalía, Tame Impala and RÜFÜS DU SOL will also bring heat to the four-day fest.

For ticket information, visit Lollapalooza's website. 

Lolla 2018: Exclusive: Billie Eilish On Success, Her Radio Show & New Music

Outside Lands | Aug. 9–11 | San Francisco, Calif.

San Francisco's biggest music festival returns for its 11th year in the city's gorgeous Golden Gate Park. Outside Lands' 2019 lineup features 2019 GRAMMY winners Childish Gambino, Kacey Musgraves, Leon Bridges, Lauren Daigle, Ella Mai, PJ Morton and Anderson .Paak.

This year's stellar lineup also includes earlier GRAMMY winners Twenty One Pilots, Edie Brickell, Flume, Lil Wayne, Paul Simon and Mavis Staples. GRAMMY nominees Bebe Rexha, Tierra Whack, Blink-182, Counting Crows, Hozier, the Lumineers and Bob Moses will also perform among the trees of Golden Gate Park.

Three-day tickets are currently available for the fest, while Outside Lands typically offers one-day options closer to the event.

Made In America | Aug. 31–Sept. 1 | Philadelphia

Made In America Festival, started by GRAMMY-winning rap legend JAY-Z in 2012, boasts GRAMMY nominee Travis Scott and GRAMMY winner Cardi B as this year's headliners. The two-day event will also include performances from GRAMMY winners Anderson .Paak, with The Free Nationals, James Blake and Kaskade.

61st GRAMMY Awards first-time nominees Jorja Smith and Tierra Whack are also on the bill, along with rising rappers Juice WRLD and Blueface, among others. The eighth annual festival will take place outdoors at Philly's Benjamin Franklin Parkway, and is a great way to close out a busy festival season.

Tickets and more info are available on the fest's site.

No matter your musical and venue taste, there are plenty of festivals to keep you dancing all summer long. Stay tuned to grammy.com for updates on new lineup releases, along with exclusive behind-the-scenes artist interviews from the biggest events as we approach festival season.

Tyler, The Creator's Camp Flog Gnaw Carnival 2019 Coming In November

The Do LaB stage at Coachella 2019

The Do LaB stage at Coachella 2019

Photo: Aaron Glassman/courtesy of Do LaB

News

Elderbook, Dance Spirit, KMLN & Justin Jay Discuss The Magic Of The Do LaB At Coachella

Facebook Twitter Email
"Their vibe there is all about family feelings, colorful, playful and most of all inclusive," KMLN said of the special festival space
Ana Monroy Yglesias
GRAMMYs
Apr 20, 2019 - 12:46 pm

It is undeniably difficult to keep track of every artist on the Coachella lineup or the seemingly endless surprises that take place over the two-weekend event, as the fest is absolutely packed with talent and special moments. The whole desert experience is extemely well-curated, and the production value is unparalleled, so Coachella's long-term partnership with the festival and event experts at Do LaB, who create a festival-within-a-festival experience with the Do Lab stage, makes perfect sense.

Every Coachella, the Do LaB brings their colorful, fun vibes—which can also be found at their annual springtime Lighting in a Bottle fest—with their own expertly curated desert oasis experience. Their stage offers an always-stacked electronic music focused lineup, along with surprise guests that are revealed last-minute via their Twitter account and text message alerts.

Do LaB loves bringing stellar, unexpected collabs (Pete Tong and Guy Gerber linked up for a surprise B2B set during Weekend 1 this year), as well as bringing back old friends playing the larger fest (Bob Moses and RÜFÜS DU SOL stopped by to close out Weekend 1 at the stage, and Sofi Tukker hopped on for a surprise DJ set last night.). If that's not enough to get you on the road to Indio, Calif,. right now, the bumping sound system under a colorful, geometric shade structure, and playful moments brought to you by squirt guns are also pretty compelling.

We asked British GRAMMY-nominated electronic singer/producer Elderbook, who played at the Do LaB Weekend 1, along with L.A.-based dreamy-house duo Dance Spirit, Berlin-based cosmic-house duo KMLN (pronounced chameleon) and L.A.-native house music and live band blending master Justin Jay, the three of whom will be bringing the vibes this weekend, for an insider/artist's perspective of what makes Do LaB so special.

If you're at the fest, you'll want to make sure and catch Justin Jay today, Saturday, at 5:15 p.m. at the Do LaB, as well as KMLN on Sunday at 3:30 p.m., followed by Dance Spirit at 4:45 p.m., all of whom will be bringing their joyful energy, great jams and sunny vibes.

The Do LaB at Coachella 2019

The Do LaB at Coachella 2019 | Photo: Gina Joy/courtesy of Do LaB

You'll be playing the Do LaB stage this weekend, what are you most looking forward to about it?

Dance Spirit: There is so much to look forward to—the vibe, the amazing sound system, the people who are up for a trippy dance, and by the looks of it, the weather. Not to mention being able to listen to dozens of other world class musicians with our friends. The thing we are looking forward to about this set is being able to showcase and share our latest and greatest productions. 

KMLN: Do LaB is comprised of some of our closest family for over 15 years, it was only a matter of time that we could collaborate on their shapeshifting stage that sits right in the middle of the Coachella grounds. We're most excited to see everyone, it's like a homecoming for us as we've spent most of the last few years touring elsewhere in the world. It's been amazing and we're so blessed to get to experience the world but sometimes you miss you closest friends, and at the Do LaB there's lots of them.

Justin Jay: Throughout my times here at Coachella, even as the stage has evolved, the Do LaB has always been one of my favorite parts of Coachella. And my senior year of college, I played the Do LaB and, dude, I had friends on stage with water guns and, a chunk of high school friends here and chunk of college friends here, and it just felt like I was surrounded by homies. I'm just excited to be back in that environment, and the artists they curate; it's just a great experience.

You played at the Do LaB stage last weekend, what was your favorite part about it?

Elderbrook: Coachella was amazing. It's something I think every artist wants to play and I feel lucky to have been able to myself. My favorite part about it was testing out some new material that I've wanted to do for ages. I think it went down okay! 

What would you like to share with the Weekend 2 crew about your set?

Dance Spirit: We always craft and play original music and material and we've been jamming out in the studio writing new grooves and moods that we think will be appropriate for the festival.

KMLN: Regarding the vibe to expect, well, it's a daytime set [on Sunday at 3:30 p.m.] so we'll be bringing our brightest, most playful and adventurous chameleon colors. 

How would you describe the vibe and energy at the Do LaB stage?

D.S.: We've not only played the Do Lab stage before, but also their Lightning in a Bottle and Woogie Weekend as well. They have always strived for a top quality production, and most importantly, their attention to the sound. It is booming and comfortable and a producer/engineer, it is a real joy to be able to play on [their sound system]. 

The mood is always fun and always on. It's is a shaded structure and when it gets hot enough they water down the crowd with giant squirt gun hoses. Overall, it's super vibey and fun. Their reputation brings in the right kind of heads, but also attracts new ones as well. I think they did a great job curating the stage this year, and we are honored to be asked back.

KMLN: Their vibe there is all about family feelings, colorful, playful and most of all inclusive. [We] really enjoy the variety they offer with their lineups each year. And the water guns. 

Elderbrook: The energy of the crowd was great. It was the first day of Coachella 2019 so everyone was full of energy. I love playing festivals but this was a new level!

J.J.: It's just a great, great time, you know? Water guns, bubbles, friends…And [you meet new people and] you're like, "Ah, we can be friends too." That's cool.

You've played Lightning in a Bottle before too; do you feel like the Do Lab stage is like a mini version of that within the larger Coachella vibe?

D.S.: That is a great question.  I would have to say that LiB is its own unique festival considering the fact that it is a varied curation of many genres over three or four stages. We have always played the Woogie stage at LiB and it is always a switched on dance party—so I would say that the Do LaB stage has more of the Woogie/Favela Bar vibe. The LiB festival goes further into musical territory in my opinion.

As far as context at Coachella, I would assume that the Do LaB experience is for people who are excited for the lineup or others who are looking for something new. An enticing dance floor is always more experiential and is more welcoming of participation than a pop music/band area. You [can] go to listen to a band, but at Do LaB you go to feel it and let it move you. In the end, we will let the Instagram influencers decide [laughs].

KMLN: It's true, we've played LiB five years as KMLN and we're pretty sure we've had the honor to play every one of their stages. This seemed like a good year to take a break from that and join the little LiB that is the Do LaB stage at Coachella. The main difference is at Coachella you're missing all the beautiful art, workshops, games and the adventures you can have finding strange little nooks of delightful surprises that makes LiB so special. 

Elderbrook: Yes, definitely! The whole experience of the stage and the art behind it definitely reminds me of LiB. 

What does it mean to you to be a part of Do Lab's curated Coachella experience?

D.S.: [It's] an opportunity that we are grateful for and it has motivated an intense amount of creativity in a short amount of time. Needless to say, we are excited, and dare we say one more time, excited to play on that sound system!

KMLN: It's so exciting and an honor to be playing on the same grounds as so many legends of music history. We love Do LaB so much and wanna grow old with them

Elderbrook: It means so much. Like I said, playing Coachella is so many musicians dream and to be part of it just felt amazing. Hopefully I’ll one day return!

J.J.: It means I’m gonna play my favorite stage at the festival while surrounded by friends. Even though it’s grown into a large stage, it still feels so intimate. I love how people dance on stage, as a DJ it really feels like you're a part of the party. Water guns, acrobats and veggie burgers all help as well [laughs]."

RÜFÜS DU SOL Are Ready To Go "Underwater" At Coachella