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Watch The 2022 Nominees For Best Song Written For Visual Media Nominees At The 2023 GRAMMY Awards

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Watch The 2022 Nominees For Best Song Written For Visual Media Nominees At The 2023 GRAMMY Awards

Beyoncé, Taylor Swift, Lady Gaga, Jessy Wilson and Angelique Kidjo, Billie Eilish and Finneas O’Connell, and Lin-Manuel Miranda and the cast of 'Encanto' compete for the 2022 Best Song Written for Visual Media.

GRAMMYs/Nov 18, 2022 - 04:29 pm

From dramatic biopic to heartwarming animation, the expansive arc of storytelling possible in modern cinema necessitates an equally impressive continuum of memorable music. The artists nominated for Best Song Written for Visual Media at the 2023 GRAMMY Awards demonstrate that far-reaching potential, and one song will soundtrack yet another memorable moment by taking home this year’s GRAMMY.

The songwriters and performers behind this year’s nominees demonstrate just how heart-rending this year in visual media has been: Beyoncé for "Be Alive" from King Richard, Taylor Swift for From Where the Crawdads Sing, Lady Gaga from Top Gun: Maverick, Jessy Wilson and Angélique Kidjo from The Woman King, Billie Eilish and Finneas O’Connell writing for fictional boy band 4<em>Town for Turning Red, and Lin-Manuel Miranda writing for the cast of Encanto*.

As the 65th GRAMMY Awards near — airing on CBS on Feb. 5, 2023 — learn more about who is competing to take home Best Song Written for Visual Media by revisiting this year's nominees below.

View the complete list of 65th GRAMMY Award nominees across all 91 categories.

Beyoncé — "Be Alive" [From King Richard

Beyoncé & Darius Scott Dixson, songwriters

Beyoncé tapped deeply into the emotional core of King Richard, a biopic centered on Richard Williams’ quest to coach his daughters Serena and Venus toward tennis greatness. Undoubtedly, the story of a father helping push young Black women to achieve the unparalleled greatness within them — and the hard work, struggle, pain, and deep love that comes with reaching that peak — resonated with the pop star, resulting in a steely rhythm and muscly vocality that refuse to bend to immense pressure.

Writing with Darius Scott Dixson (who also records as Dixson and has produced and written for artists like Justin Bieber, Chance the Rapper, and Kirk Franklin), Beyoncé thrives in the determination, joy, and pride in Vens and Serena’s story — barrelling past the hurdles set in their path and exalting Black excellence.

Taylor Swift — "Carolina" [From Where the Crawdads Sing]

Taylor Swift, songwriter

Taylor Swift’s contribution to the soundtrack for southern murder mystery Where the Crawdads Sing draws from the pop star’s folk-indebted era — though the roots of that folk sink into murky swampwater.

Swift embodies Daisy Edgar-Jones’ protagonist, the pop star reaching her smokiest depths as the track builds through light banjo plucking, low-slung mandolin, and synth string beds, the pop star reaches her smokiest depths. The lyrics offer hints of trouble that never quite come into clarity — the talk of scars, sin, and ghosts buried in the sand or washed away in the sea. The National’s Aaron Dessner helped Swift fulfill her vision for Folklore and Evermore, and here his deft production helps float the chilled melody down the icy water.

Lady Gaga — "Hold My Hand" [From Top Gun: Maverick]

Bloodpop® & Stefani Germanotta, songwriters

Top Gun: Maverick returned eager fans to the epic action films of the ‘80s, and with "Hold My Hand" Lady Gaga did the same for arena rock power ballads. Buttressed by skyscraping synth bursts and thunderous percussion, Gaga’s grand vocals soar as majestically as any Tom Cruise-piloted jet.

In fact, the film’s star himself agrees that "Hold My Hand" hits inspirational heights: "Gaga came in with this song… [and] it became the heartbeat of the film," Cruise said in an interview with CinemaBlend. Co-written and co-produced by Bloodpop® (aka Michael Tucker, who also contributed to Gaga’s Joanne and Chromatica), the track is a testament to Gaga’s unflinching ear for pop bombast, her vocals matched at the song’s conclusion by a rippling guitar solo before everything fades into the sunset.

Jessy Wilson feat. Angelique Kidjo — "Keep Rising (The Woman King)" [From The Woman King

Angelique Kidjo, Jeremy Lutito & Jessy Wilson, songwriters

When Jessy Wilson first recorded the bulk of "Keep Rising," she didn’t know the song would close a film about a force of female warriors protecting the West African kingdom of Dahomey in the early 19th century. "When I wrote the song, I was talking to Black people … [but] I'm also talking to myself," she told NPR. "When will we be seen as enough? When will I be seen as enough?"

That passion and burn resonate in the booming percussion and circular piano riff, Wilson powering the song’s core with a regal fire. Angelique Kidjo provides the perfect counterpart to Wilson: the legendary vocalist-activist hails from Benin, the modern location of what was once Dahomey. The track lowers to a simmer before her undeniable voice pierces through, leading Wilson back to a full roar befitting the cinematic warriors.

4Town, Jordan Fisher, Finneas O’Connell, Josh Levi, Topher Ngo, Grayson Villanueva — "Nobody Like U" [From Turning Red]

Billie Eilish & Finneas O’Connell, songwriters

Billie Eilish and her brother Finneas O’Connell were tasked with creating boy band material worthy of being idolized not only by the film’s characters, but by the audience of the Disney/Pixar film Turning Red. The resulting 4*Town lives up to that challenge, particularly the sugary, crushable "Nobody Like U" — the lyrical insistence of love and support equally suited to any teenager’s dream of love as to the friendships at the film’s core.

O’Connell himself voices one of the five animated pop stars, while actor/singer Jordan Fisher’s turn as the oh-so-sensitive Robaire provides this song’s chorus. While hopes for a full 4*Town record someday may need to sit on the shelf while Eilish and O’Connell continue their own respective star turns, "Nobody Like U" will prove eminently replayable in the meantime.

Carolina Gaitán - La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto Cast — "We Don’t Talk About Bruno" [From Encanto]

Lin-Manuel Miranda, songwriter

The latest in a long line of beloved Disney animated musicals, Encanto has irrevocably been lodged in the ears of countless children and their parents — but songs like the salsa pop "We Don’t Talk About Bruno" are cleverly crafted and compelling enough for any listener. The track details the Madrigal black sheep, each family member sharing memories or rumors of an uncle who’s been missing for years after a dark, mysterious event. As each vocalist takes their turn, the track melts from subtle electronic murmur to pizzicato sparkle, the long story told in a winding musical river.

"Everyone sings the same chord progression with a totally different rhythm and a totally different cadence," Miranda says in a press release announcing the song’s release, a brilliant way for each of the Madrigals (and their voice actors) to get a moment to shine and reveal their character.

2023 GRAMMY Nominations: See The Complete Nominees List

Taylor Swift's Eras Tour Has Officially Begun: Here's What Swifties Have To Say About It
Taylor Swift performs on the opening night of The Eras Tour.

Photo: John Shearer/Getty Images for TAS Rights Management

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Taylor Swift's Eras Tour Has Officially Begun: Here's What Swifties Have To Say About It

From a colossal three-hour setlist to more than a dozen costume changes, Taylor Swift's Eras Tour is nothing short of sensational. Here's how Swifties are reacting on social media to the GRAMMY winner's massive stadium trek.

GRAMMYs/Mar 20, 2023 - 10:12 pm

It's not every day that a city renames itself after you, but Taylor Swift added this unique honor to her ever-growing list of accolades on March 17, 2023.

The date marks the first leg of Swift's monumental Eras Tour, which kicked off in Glendale, Arizona — or, rather, "Swift City," temporarily renamed in tribute to the 12-time GRAMMY winner's highly-anticipated tour.

The versatile singer/songwriter kicked off her tour playing to more than 69,000 people at State Farm Stadium, breaking the 36-year-old record for the most-attended U.S. concert by a female performer. The record was previously held by Madonna's 1987 performance at Los Angeles' Anaheim Stadium on her MDNA tour.

The tour is the latest example of how Swift continues to one-up herself. After her tenth studio album Midnights smashed records, the Eras Tour emerged as one of the buzziest tours of 2023 (and even sparked a Senate hearing about Ticketmaster). Spanning 52 legs and 22 cities, the tour takes viewers on an odyssey through Swift's vast discography, divided into 10 sections for her 10 studio albums.

Now that the Eras Tour has launched, Swifties who have seen the epic show — and even those who haven't yet — are losing their minds over every detail. Sharing their creative outfits, takes on the setlist, and live reactions to the show's astonishing spectacles, the online Swiftie community is storming social media once again.

“You guys. This is a whole, entire experience,” one fan wrote on Twitter. “This isn't just a concert. This is a FULL experience. I'm not even there and I can tell already. She did this, for ALL her fans. This is incredible.

In honor of Swift's monumental tour launching last week, here are how some Swifties reacted to a few of the biggest moments from the Eras Tour's opening night.

Yes, The Setlist Is Longer Than 'Avengers: Endgame'

Think watching Lord of the Rings or taking the SAT… that's approximately the length of the Eras Tour. Considering Swift's discography, it's no surprise that the setlist is extensive, but fans were still impressed (and shocked) by the whopping three-hour show.

Her massive stadium tour for reputation was just over two hours, and four albums later (or six, if you include Taylor's Version re-releases), Swift needed an extra hour to pack in just a few more of her hits.

"Cruel Summer" Gets Justice As The (Almost) Tour Opener

All Swifties know that "Cruel Summer" should have been a single from Lover, and the popular deep cut is finally getting its deserved attention as the second song in Swift's setlist, after fellow Lover track "Miss Americana & the Heartbreak Prince." Here are some fans reacting to the fever dream high in the quiet of night.

Even Kelsea Ballerini, who was 2,000 miles away on a stage of her own, paused her own performance to ask her audience if "Cruel Summer" had made the setlist.

Swift Assures Fans She Does Indeed Love evermore

Since evermore's late 2020 release, fans have long advocated for Swift to show some extra love to her ninth album. While Swift celebrated the anniversary of its sister album folklore and released the live Folklore: Long Pond Studio Sessions, evermore was alternatively posted on the singer's socials the least, prompting fans to jokingly theorize that she doesn't know evermore exists.

Yet, at the Eras Tour, Swift reassured crowd goers that evermore does in fact hold a special place in her heart.  To fans' delight, Swift performed "'tis the damn season," "willow," "marjorie," "champagne problems" and "'tolerate it," amping up the album's soft whimsy into a stadium-level spectacle.

But… Where's The Love For Speak Now And Self-Titled Debut?

It's impossible to please every Swiftie, but some fans spoke up about the Speak Now and Taylor Swift erasure on Swift's 44-song setlist. "Enchanted" was the only song from either album that made it to the setlist, though it's likely Swift will perform more Speak Now songs as her interchangeable "surprise" songs of each show.

@clairenotdanes listen, im SO HAPPY about the setlist but also why speak now erasure 😭 #taylorswift #speaknow #erastour #setlist #swiftie #swifttok #longlive #haunted #taylorsversion #SeeHerGreatness ♬ You're On Your Own, Kid - Taylor Swift

From "Gorgeous" To Comical: Eras Tour Fashion Stuns

Whether it's a dazzling iridescent custom Versace for Lover or a golden flapper fringe dress for Fearless, Swift's tour fashion never fails to disappoint — and neither does fans'.

While Swift pulled off more than a dozen costume changes on stage, her fans dressed up in outfits inspired by her eras, iconic lyrics, fanbase inside jokes, and more. See some of the top dressing-for-revenge looks below.

@briannaxrenee SEE U AT NIGHT 2 🫶🏻💕✨ first time at a Taylor concert so excited! #taylorswift #erastour #erastouroutfits #swiftcity #taylornation #glendaletstheerastour #swifttok ♬ ERAS TOUR OUTFIT TRANSITION - paige!

Lucky Fans Caught The Jaw-Dropping, Fearless Dive On Camera

One of the most surprising moments of Eras Tour was most definitely Swift's shocking dive off stage. Stirring a collective gasp from the crowd, the moment served as a transition from her debut era to Midnights.

Between a three-hour show and a flawless swan dive, the Eras Tour begs one question: Is there anything Taylor Swift can't do?

10 College Courses Dedicated To Pop Stars And Music: Taylor Swift, Bad Bunny & Hip-Hop
Taylor Swift with her honorary Doctorate of Fine Arts degree from NYU. Multiple higher ed institutions have classes on Swift's career and discography.

Photo: Dia Dipasupil/Getty Images

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10 College Courses Dedicated To Pop Stars And Music: Taylor Swift, Bad Bunny & Hip-Hop

In honor of Music in Our Schools Month, check out nine college-level music courses that dissect punk and EDM, global hip-hop culture and the discographies and careers of superstar acts like the Beatles and Harry Styles.

GRAMMYs/Mar 17, 2023 - 02:28 pm

There’s never been a better time to be a music-loving college student. 

Beginning in the mid to late aughts, an increasing number of academic institutions have begun offering courses dedicated to major music acts. In the late aughts, rap maverick Jay-Z made headlines after becoming the subject of a Georgetown University course taught by Michael Eric Dyson, a sociologist and best-selling author of Jay-Z: Made in America. In the Sociology of Hip Hop: Jay-Z, students analyzed Hova's life, socio-cultural significance and body of work. 

It's easy to see why students would be attracted to these courses — which fill up quickly and are often one-time-only offerings.  The intertwining of celebrity and sociology present such fertile grounds to explore, and often make for buzzy social media posts that can be a boon to enrollment numbers. For instance, Beyhivers attending the University of Texas at San Antonio were offered the opportunity to study the Black feminism foundations of Beyoncé's Lemonade in 2016. Meanwhile, Rutgers offered a course dedicated to dissecting the spiritual themes and imagery in Bruce Springsteen's catalog. 

Luckily for students clamoring to get a seat in these highly sought-after courses, institutions across the country are constantly launching new seminars and classes about famous pop stars and beloved musical genres. From Bad Bunny to Harry Styles, the following list of popular music courses features a little something for every college-going music fan. 

Bad Bunny's Impact On Media

From his chart-topping hits to his advocacy work, Bad Bunny has made waves on and off stage since rising to fame in 2016. Now graduate students at San Diego State University can explore the global superstar's cultural impact in an upcoming 2023 course.    

"He speaks out about Puerto Rico; he speaks out about the Uvalde shooting victims and uses his platform to raise money and help them," said Dr. Nate Rodriguez, SDSU Associate Professor of Digital Media Studies. "How does he speak out against transphobia? Support the LGBTQ community? How does all of that happen? So yes, it’s very much relevant to journalism and media studies and cultural studies. It’s all of that mixed into one." 

A Deep Dive Into Taylor Swift's Lyrics 

Analyzing Taylor Swift's lyrics is a favorite pastime among Swifties, so it's fitting that her work and its feminist themes have been the focus of a string of university courses over the years. 

In spring 2022, the Clive Davis Institute of Recorded Music at New York University launched an offering focused on the "Anti-Hero" singer's evolution as an entrepreneur, race and female adolescence. The waitlisted course — the first-ever for the institution — drew loads of media attention and Swift received an honorary degree from NYU in 2022. 

In spring 2023, honors students at Sam Houston State University in Huntsville, Texas can analyze the 12-time GRAMMY winner's music and career in a seminar titled Culture and Society- Taylor Swift.

Kendrick Lamar's Storytelling & The Power Of Hip-Hop

Since dropping good kid, m.A.A.d. City in 2012, Kendrick Lamar has inspired a slew of academics to develop classes and seminars around his lyrical content and storytelling, including an English class that juxtaposed his work with that of James Baldwin and James Joyce. 

More recently, Concordia University announced that the 16-time GRAMMY winner will be the focus of The Power of Hip Hop, It’s Bigger Than Us, a course examining the lyrical themes of Lamar’s works, such as loyalty, fatherhood, class and racial injustice.

"No artist speaks to this ethos louder and more intricately than King Kunta, the prince of Compton, Kendrick Lamar, 10 years after good kid, m.A.A.d. City dropped," said Yassin "Narcy" Alsalman, the Montreal hip-hop artist and Concordia Professor who developed the class which launches in winter 2023. “He showed us it was okay to work on yourself in front of the world and find yourself internally, that family always comes first, that community and collective missions are central to growth and that sometimes, you have to break free."

EDM Production, Techniques, and Applications

If you dream of hearing your own EDM tracks played at a massive music festival à la Marshmello, Steve Aoki and Skrillex, this all-in-one course at Boston's Berklee College of Music has you covered. Learn about the cultural origins of the various EDM styles — like techno, trance, drum and bass and more — and the techniques that artists use to achieve these sounds. 

In between thought-provoking cultural seminars, students will receive lessons on how to operate the technologies necessary to create their own EDM masterpieces, including synths, digital audio workstations (DAW) and samplers.  

Harry Styles And The Cult Of Celebrity  

While many celebrity-focused courses center around sociology, the Harry’s House singer/songwriter has inspired his own digital history course at Texas State University in San Marcos: Harry Styles and the Cult of Celebrity: Identity, the Internet and European Pop Culture. 

Developed by Dr. Louie Dean Valencia during lockdown, the class will cover Styles’ music along with topics like gender, sexual identity and class — but the singer-songwriter’s personal life is off limits. Stylers who are lucky enough to grab a spot in this first-ever university course dedicated to their fave can expect to revisit One Direction’s catalog for homework. 

"I’ve always wanted to teach a history class that is both fun, but also covers a period that students have lived through and relate to," Dr. Valencia wrote in a Twitter post. "By studying the art, activism, consumerism and fandom around Harry Styles, I think we’ll be able to get to some very relevant contemporary issues. I think it’s so important for young people to see what is important to them reflected in their curriculum." 

Global Hip Hop Culture(s): Hip Hop, Race, and Social Justice from South Central to South Africa

Since its inception, hip-hop has left a lasting mark on the world, influencing language, fashion, storytelling and beyond. At the University of California Los Angeles, students can learn about how the art form has shaped young minds as they analyze the various hip-hop scenes worldwide. 

As part of a mission to establish the university as a leading center for hip-hop studies, UCLA’s Ralph J. Bunche Center for African American Studies launched a hip-hop initiative featuring an artist-in-residence program, digital archives, and a series of postdoctoral fellowships. Chuck D, the founder of the barrier-breaking hip-hop group Public Enemy, was selected as the first artist-in-residence. 

"As we celebrate 50 years of hip-hop music and cultural history, the rigorous study of the culture offers us a wealth of intellectual insight into the massive social and political impact of Black music, Black history and Black people on global culture — from language, dance, visual art and fashion to electoral politics, political activism and more," said associate director H. Samy Alim, who is leading the initiative.

The Music Of The Beatles

With their catchy two-minute pop hits, artsy record covers, headline-making fashions and groundbreaking use of studio tech, the Fab Five are among the most influential acts in music history. It’s no surprise, then, that they are the subjects of courses in a number of colleges and universities. 

Boston’s Berklee College of Music offers The Music of Beatles, which digs into the group’s body of work as well as the music they penned for other acts. Alternatively, if you’re more interested in their post-breakup works, The Solo Careers of the Beatles dives into those efforts. Meanwhile, the University of Southern California takes a look at their music, careers and impact in The Beatles: Their Music and Their Times.

Symbolic Sisters: Amy Winehouse and Erykah Badu

Whether you want to learn about craft, management, building a career, or marketing your work, the Clive Davis Institute at NYU offers an impressive curriculum for musicians and artists. With seminars focusing on the works of Prince, Joni Mitchell, Stevie Wonder, Paul McCartney, and J. Dilla, a unique duo stands out: Erykah Badu and Amy Winehouse

Framing the pair as "symbolic sisters," this two-credit seminar explores and compares how each songstress fused different genres and styles to forge a magnetic sound of their own. Winehouse rose to prominence for her retro spin on the sounds of Motown and Phil Spector and rebellious styling. A decade before "Back to Black" singer hit the mainstream, Badu — who is recognized as one of Winehouse's influences — rose to stardom thanks to her seamless blend of jazz, R&B, and hip-hop and captivating urban-bohemian style, creating a template for singers like SZA and Ari Lennox.

Selena: Music, Media and the Mexican American Experience

From ascending to the top of the male-dominated Tejano genre to helping introduce Latin music to the mainstream, Selena Quintanilla's impact continues to be felt decades after her untimely death. Artists including Selena Gomez, Demi Lovato, Victoria "La Mala" Ortiz, Becky G and Beyoncé cite the GRAMMY-winning "Queen of Tejano" as an influence. 

Throughout the years, her legacy and cultural impact have been the focus of dozens of college courses. In 2023, Duke University continues this tradition with Selena: Music, Media and the Mexican American Experience. The course will explore the life, career and cultural impact of the beloved Tejano singer.

The Art of Punk: Sound, Aesthetics and Performance

Since emerging in the 1970s, punk rock has been viewed as a divisive, politically charged music genre. Its unique visual style — which can include leather jackets, tattoos, chunky boots and colorful hair — was absorbed into the mainstream in the '90s, where it continues to thrive (to the chagrin of hardcore punks everywhere). Over the decades, dozens of subgenres have cropped up and taken the spotlight  — including riot grrrl and pop-punk — but very few have left the impact of the classic punk sound from the '70s and its anti-establishment themes.

If you're interested in learning more about the genre that inspired bands like Nirvana, check out Stanford University's The Art of Punk seminar, which explores the genre's visual and sonic origins, as well as its evolution and connections to race, class, and gender. 

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Lady Gaga Stuns 2023 Oscars Audience With Stark, Surprise Performance Of "Hold My Hand" From 'Top Gun: Maverick'
Lady Gaga performing at the 2023 Oscars

Photo: Kevin Winter/Getty Images

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Lady Gaga Stuns 2023 Oscars Audience With Stark, Surprise Performance Of "Hold My Hand" From 'Top Gun: Maverick'

Tom Cruise may have skipped the show due to filming constraints, but Lady Gaga appeared to perform an astonishing, unadorned "Hold My Hand" from 'Top Gun: Maverick' at the 2023 Oscars.

GRAMMYs/Mar 13, 2023 - 02:19 am

Tom Cruise is physically distant from the 2023 Oscars. In fact, he's in the United Kingdom filming Mission: Impossible – Dead Reckoning Part II. But Lady Gaga proved more than a worthy ambassador, performing "Hold My Hand" from the blockbuster action sequel.

The emotionally bare performance arrived in the wake of major speculation. Initially, it was just a rumor: she wasinitially reported to be skipping the awards show due to demands on filming "Joker: Folie à Deux." During a creative team press conference on March 8, Oscars executive producer and showrunner Glenn Weiss stated that Gaga would not be performing.

But the 13-time GRAMMY winner came through with an astonishing rendition of "Hold My Hand" — one of six nominations that Top Gun: Maverick received, including Best Picture.

Keep watching this space for more music-related wins at the 2023 Oscars!

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6 Things To Know About Bonnie Raitt: Her Famous Fans, Legendary Friends & Lack Of Retirement Plan
Bonnie Raitt at the GRAMMY Museum

Photo: Rebecca Sapp

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6 Things To Know About Bonnie Raitt: Her Famous Fans, Legendary Friends & Lack Of Retirement Plan

During "A Conversation With Bonnie Raitt" at the GRAMMY Museum, 13-time GRAMMY winner detailed her career trajectory, history of big-name collaborations, and how her win for Song Of The Year at this year’s GRAMMY Awards was "a total surprise."

GRAMMYs/Mar 6, 2023 - 10:11 pm

For the uninitiated, Bonnie Raitt is just an "unknown blues singer" — albeit one who managed to nab the Song Of The Year award at the 2023 GRAMMYsplus two other trophies. But to the millions in the know, and the choice few in attendance for a chat with Raitt at the Grammy Museum on March 5, she is a living legend.

Over the course of her decades-long career, Raitt has earned 30 GRAMMY nominations, taking home 13 golden gramophones for tracks like "Nick Of Time," "Something To Talk About," and “SRV Shuffle,” as well as albums such as Luck Of The Draw and Longing In The Hearts. Last year, Raitt was awarded the GRAMMY Lifetime Achievement Award, and at this year’s ceremony, she snagged GRAMMYs for Best American Roots Song, Best Americana Performance and the coveted Song Of The Year.

Before she heads out on a tour of the western United States and Australia, Raitt sat down to chat with moderator David Wild for about two hours, musing not only about her "total surprise" about snagging the Song trophy, but also about her experience at the ceremony. It was an illuminating and downright charming experience — as well as an educational one. Here are six things we learned at "A Conversation With Bonnie Raitt." 

Taylor Swift Is A Fan —  And A Humble One At That

Raitt recounted being chatted up by Taylor Swift during the GRAMMYs, with Swift telling Raitt backstage that she felt okay losing Song Of The Year to her. Swift's "All Too Well (10 Minute Version)" was in competition, alongside works by Lizzo, Adele and Harry Styles.

Swift also introduced herself to Raitt, whom she’d never met, saying,"Hi, I’m Taylor." Raitt said she responded, "Ya think?" — which made the audience in the Clive Davis Theater crack up.

She’s A Master Collaborator, With More On The Way

"No one commands more respect" amongst their musical peers than Bonnie Raitt, said Wild, who's worked on the GRAMMY Awards as a writer since 2001. Whenever the show’s team has struggled to think of who could best pay tribute to someone like John Prine, Ray Charles, or Christine McVie, "the answer is always Bonnie Raitt."

That’s probably why, as Raitt noted, she’s recorded duets with more than 100 different musical acts — from Bryan Adams to B.B. King. Raitt added that she’d still love to work with Keith Richards, Bob Dylan, and H.E.R., and that fans can anticipate new collaborative work coming from work she’s done with Brandi Carlile and Sheryl Crow

Raitt added that she’s gotten really into Unknown Mortal Orchestra lately, who she heard about through Bruce Hornsby.

She’s Learned From And Befriended Musical Masters

Raitt was effusive about her love for King, among others, saying that one of the great joys of her career has been sitting at the feet of blues greats like Sippie Wallace and Son House. The singer/songwriter expressed her gratitude for being able to help get so many of these once-forgotten masters both the attention and the pay they deserved. She cited her work with the Rhythm And Blues Foundation as being of great importance to her personally, saying that it’s vital that the roots of blues and jazz are taught in schools today.

Wild also got Raitt to open up about her friendship with legendary gospel-soul singer Mavis Staples, who toured with Raitt just last year. Calling Staples, "all the preacher I’ll ever need," Raitt said she thinks she and Staples bonded over being the daughters of famous fathers. "It’s a great honor of my life being friends with her," Raitt said of her "mutual sister."

Later, Raitt also waxed rhapsodic about another famous daughter, Natalie Cole, who she said she’d been thinking about all day.

Raitt’s Got An Independent Spirit And An Independent Label

A good portion of Wild and Raitt’s chat was devoted to the star’s career trajectory. The two detailed how, as a 21-year-old college student, Raitt signed to Warner Bros. only after they promised her complete creative control of her own indie label, Redwing.

Raitt said it was only with the help of a"team of mighty women" that she was able to go independent. She cited lessons from friends like Prine, Staples, and Jackson Browne, from whom she learned going it alone could be done successfully. 

Bonnie Raitt Almost Missed Out On "I Can’t Make You Love Me"

Raitt also talked a bit about her previous GRAMMY triumphs, including her run of nominations and wins around 1989’s Nick Of Time. Her popular single, "I Can’t Make You Love Me," was originally written for Ricky Skaggs, who intended to make it a lively bluegrass record. 

Raitt added that she thinks the song "Nick Of Time" struck a chord because she opened up about what it means to be getting older.

She’s Not Planning On Retiring (Or Dying) Any Time Soon

After joking that COVID lockdown felt like "house arrest" and "hibernation," Raitt said that her recent tours have been a blessing. "It feels like I was under the earth without any sunshine," Raitt says, reassuring attendees that she’s "never retiring." She said that while she’s lost eight friends in the past three or four weeks, including the great David Lindley, the 73-year-old is optimistic that she can "be here and celebrate for another couple of decades."

Raitt capped off the event doing what she loves best, teaming with long-time bassist Hutch Hutchinson for an intimate four-song set that included "Angel From Montgomery," "Shadow Of Doubt," "Nick Of Time," and the GRAMMY-winning "Just Like That." Raitt ended the evening by thanking the Recording Academy for inviting her out, joking, "I can’t believe I get to do this for a living."

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