meta-scriptGlobal Spin: Watch Ateez Represent South Korea With Kinetic Performance Of "The Real" | GRAMMY.com
Global Spin: Watch Ateez Represent South Korea With Kinetic Performance Of "The Real"
ATEEZ

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Global Spin: Watch Ateez Represent South Korea With Kinetic Performance Of "The Real"

In a special live episode of Global Spin, watch K-pop sensations ATEEZ tear up the stage with a high-octane performance of "The Real (Heung Version)"

GRAMMYs/Mar 22, 2022 - 11:00 pm

Have you ever heard it said that a band should work as a team? Well, many K-pop groups consider themselves to be literal teams, with each member playing a part that serves the whole.

K-pop sensation ATEEZ is one such team — and if the below video is any indication, they're playing to win.

The group consists of Seong Hwa, Yun Ho, Yeo Sang, San, Min Gi, Woo Young, Jong Ho, and team leader Hong Joong. By effortlessly fusing their varied personalities into a kinetic whole, they prove they're not going away anytime soon.

In this special live episode of Global Spin, a video series highlighting musicians from around the world, get to know ATEEZ by witnessing their uncanny teamwork in full force as they perform "The Real (Heung Version)" at the GRAMMY Museum in Los Angeles.

Global Spin Live, held in conjunction with the GRAMMY Museum, is a live event extension of the popular GRAMMY.com online series Global Spin, which celebrates global music, international artists, and the sounds of the world.

Grab your dancing shoes, crank up the performance above and keep checking back for more episodes of Global Spin.

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Global Spin: Watch Karin Ann Deliver A Sultry Performance Of "She"
Karin Ann

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Global Spin: Watch Karin Ann Deliver A Sultry Performance Of "She"

On the heels of announcing her debut album, 'through the telescope,' Slovakian singer Karin Ann offers a live, full-band rendition of the project's lead single, "she."

GRAMMYs/Mar 28, 2024 - 05:00 pm

On her burning single "she," Slovakian singer Karin Ann beams about a confident, effortlessly beautiful mystery woman — from her unique distaste for modern television to her quaint apartment in the city.

"If someone ever would take her to the dance floor/ The world would disappear, the music would still be playing," Ann croons in the chorus. "Her heart beats so loud, even after everyone is gone/ She'd still be dancing, dancing in her own mind."

In this episode of Global Spin, watch Ann deliver a full-band performance of the track, complete with two guitars, a keyboard and a drum set — and a wall of records as a backdrop.

Ann came up with the concept for the track while searching through her phone during a sleepless night: "I stumbled upon a sentence that sparked inspiration. Most of my songs lean towards the sad or melancholic, but this particular lyric was different. I find it challenging to write happy songs, so it felt like creating this character allowed me the freedom to explore new territories with 'she.'"

"She" is the lead single from Ann's debut album, through the telescope, which arrives May 10 via 3amRecords. As "she" and second single "false gold" hint, the album will explore themes of love, identity and mental health while also showing off Ann's musical versatility.

Press play on the video above to watch Karin Ann's edgy performance of "she," and check back to GRAMMY.com for more new episodes of Global Spin.

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Global Spin: AleXa Is "Sick" In Love In This Monochrome Performance Of Her Latest Single
AleXa

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Global Spin: AleXa Is "Sick" In Love In This Monochrome Performance Of Her Latest Single

K-pop star AleXa performs "sick," her first single that highlights her pop-punk influences — and, in turn, "the most authentic version of myself."

GRAMMYs/Mar 21, 2024 - 05:00 pm

On "sick," K-pop star AleXa is so in love that she's almost physically ill.

"Boy, you make me sick/ You're too f—ing perfect/ I don't deserve it," she gushes in the chorus. "Losing my s—, and you make me sick/ Sick to my stomach/ I wanna vomit/ Kissing your lips."

In this episode of Global Spin, AleXa delivers a grungy performance of the track, tied together by her edgy fashion and a grayscale filter.

"Sick" is AleXa's first single of 2024, dropping on Feb. 23 via Interview Music and ZB Label. The vulnerable song also marks a new sonic era, leaving behind her pop hits like "Back in Vogue" and "Wonderland."

"This era of my career feels like the most authentic version of myself. 'Sick' is a departure from my previous releases, and I'm excited to share a side of me that is deeply connected to my pop-punk influences," she revealed in a press statement.

On March 29, AleXa will commence the Sick of You Tour in New York City. She'll hit six cities — including her hometown, Tulsa, Oklahoma — before ending April 7 in Los Angeles. 

Press play on the video above to watch AleXa's rocking performance of "sick," and check back to GRAMMY.com for more new episodes of Global Spin.

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Global Spin: SISTAR19 Honor Their Roots With A Confident Performance Of "NO MORE (MA BOY)"
SISTAR19

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Global Spin: SISTAR19 Honor Their Roots With A Confident Performance Of "NO MORE (MA BOY)"

Hyolyn and Bora — better known as K-pop duo SISTAR19 — celebrate their return to music with a charming performance of "NO MORE (MA BOY)."

GRAMMYs/Mar 14, 2024 - 05:00 pm

For the two women of SISTAR19, there is no passive way to love. They're fully committed to their emotions — slowly causing them to break down when the other person doesn't reciprocate.

"You're so casual, unlike me/ I'm burning intensely inside," Hyolyn croons in Korean in the opening verse of "NO MORE (MA BOY)." "For you, it's a simple curiosity/ Do you know it's everything for me?" Bora adds on the pre-chorus.

In this episode of Global Spin, SISTAR19 deliver a charismatic performance, elevated by their perfectly synced choreography and cheeky expressions.

SISTAR19 is a sub-group of the former Starship Entertainment K-pop quartet SISTAR, which disbanded in 2017. "NO MORE (MA BOY)," their first single in over a decade, dropped on Jan. 16 via KLAP Entertainment. It's an homage to their 2011 debut hit single, "Ma Boy," officially closing the chapter to the previous era of their career.

"We're more mature now, so the song's protagonists are, too," Hyolyn said in an interview with Rolling Stone. "We are all more sophisticated about handling the end of relationships than back then."

Press play on the video above to watch SISTAR19's empowering performance of "NO MORE (MA BOY)," and check back to GRAMMY.com for more new episodes of Global Spin.

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Chung Ha Returns: On 'EENIE MEENIE,' The K-Pop Soloist Is Ready To Step Back Into The Spotlight
Chung Ha

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Chung Ha Returns: On 'EENIE MEENIE,' The K-Pop Soloist Is Ready To Step Back Into The Spotlight

Chung Ha was one of K-pop’s most promising soloists, but decided to step back from the industry. Upon her return, Chung Ha wants to tell her fans "that they have the freedom to choose."

GRAMMYs/Mar 12, 2024 - 01:26 pm

It takes courage to become a soloist in K-pop — a scene largely dominated by girl groups and boy groups of the most varied sizes — but more than that, it takes verve. Singer, dancer, and songwriter Chung Ha, 28 years old, knows it better than anyone.

Born in Seoul, South Korea but raised in Dallas, Texas, she first rose to stardom in 2016, after  returning to her home country and participating in Mnet’s trainee competition show "Produce 101." There, Chung Ha caught the eyes of judges and viewers alike for her sharp movements and innate charisma. She placed fourth on the finale, and became a member of I.O.I — the show’s resulting temporary girl group.

While I.O.I and its 11 members found great success, when the group disbanded in early 2017, Chung Ha decided to challenge herself further. In June of that year, she released her solo debut EP, Hands On Me

Soon, Chung Ha became one of K-pop’s most promising (and somewhat unexpected) soloists — not only did she prove to be an exceptional dancer, but a smooth vocalist as well, full of style and star power. On stage, she commands performances with surgical precision, yet flows with breathtaking grace. She proved her versatility with a string of captivating singles, like the ice-cold "Snapping" and the bewitching "Gotta Go," which reached No.1 on Billboard’s K-pop Hot 100 chart in 2019. Her first studio album, 2021’s Querencia, blended R&B, EDM, reggaeton and even bossa nova with finesse.

But amidst all the success, Chung Ha took a break. She decided not to renew the contract with her previous label, spent more than a year on a hiatus, and even considered abandoning the music industry, as revealed on the YouTube talk show "Gabee’s Rising Star"

Luckily, Chung Ha changed her mind. She signed with MORE VISION, a label founded by singer and rapper Jay Park, and will drop the single album EENIE MEENIE on March 11. 

GRAMMY.com caught up with Chung Ha via Zoom to learn more about her comeback — and to dive into her creative process, how she sees herself, and who she wants to be.

You spent more than a year on a hiatus, and even left your previous company. What made you sign with MORE VISION for this new phase of your career?

Jay [Park] reached out to me often. When I talked to the other co-workers at the company, their vision really aligned with mine. I think that was a crucial reason.

For example, I've never toured. I want to start out in small venues, and if I do have a chance I want to make it bigger. I want to work on more collaborations and try different genres of music like [on] "EENIE MEENIE," and they're aligned with me on that.

On "Gabee’s Rising Star," you said that you wanted to study abroad during your hiatus, and that being a celebrity is "just a job." What made you want to come back to music?

I was always interested in psychology. Working in this industry, it's a little chaotic, so I tried to maintain my mental health by [attending] counseling, and then I felt like I wanted to maintain my mental health on my own.

And growing up in Texas, I always had my Mexican friends with me, but I was the only one unable to understand Spanish. I was always interested, but [the break] felt like it was the right time to embrace Spanish more. I wanted to dive into the culture and the language, but at the end of the day, it was all about me maintaining my mental health because I wanted to be in this industry. Me wanting to explore Spanish because I wanted to engage more with my fans. I just realized, Oh, it was all about music. Okay. [Laughs.]

Since your last comeback, in what areas do you think you have improved or evolved?

Um… I don't know. I'm gonna need to have a real [live] stage for that. I think that's the kind of question I want to ask my fans to see what gradual changes that they notice, because for me, I feel like I'm still the same. But I want to tap myself [on the back] for trying new genres and being brave about getting out of my comfort zone.

What did you have in mind when you started producing this new album? What's the story behind it?

I was really confused. I was asking people, like, "I don't know what to do. I don't know what's next for me."I feel like I've tried different genres of music and different colors of myself, like "Bicycle," "Play," "Love U," and "Roller Coaster."

I didn't know what to do, so I decided to show both sides of myself. A new [side] with MORE VISION, and the one people are always eager to see, like [on] "Stay Tonight" and "Dream Of You." Those were some of the biggest [songs] that I saw people commenting on. So, the familiar side of me and a new side of me are both in the album, and I'm pretty confident [about it].

You collaborated with Hongjoong from ATEEZ in the lead track "EENIE MEENIE," which represents that new side of yourself. How was that experience?

I have followed ATEEZ since the beginning of their career. Their performance is so mind-blowing, they have that special energy that only they can give, so I was always inspired by them.

And then, on "EENIE MEENIE" there is a rap part, so when I heard the track I was like, Oh, I am not rapping. [Laughs.] That's just too new for me. I sing-rap in "EENIE MEENIE," but that’s about it. So, I needed a real rapper and a real captain on my side and I thought Hongjoong was a perfect fit. After I heard his verse, it was so great, more than I ever expected. He definitely gave that final touch.

The other song on your album, "I’m Ready," represents your familiar side with driving house beats and a mesmerizing atmosphere, almost like a sequel to "Stay Tonight" and "Dream of You." As for the title, what are you ready for?

I guess I'm navigating through new things, and I don't know how it's gonna come out. [People] might say it's a failure, they might say it's a success, they might say I'm brave to challenge myself, but I'm just ready to face all that. 

Even though someone might say, "Oh, I don't think it's the right fit for Chung Ha" or "I liked the old Chung Ha better," I don't think I'm afraid of getting judged, or getting rates on anything. I'm just ready to be more adventurous. Being too nervous might drag you into this anxiety space, but just being nervous in general with music and releasing new things is what makes me keep going.

I think people need that nervous feeling, being out of their comfort zone. You never know how you're going to feel, how the outcome is going to be. 

Do you remember any specific experiences where you were trying something new and it turned out better than expected?

Oh, "Stay Tonight"was one of them. When I first heard the track, I was like, Um… this is too high. I don't know if K-pop lovers will like this song, because it was more [Western] pop than K-pop. It was right after I dropped "Snapping"and "Gotta Go," so I was like, Are my fans ready for this? 

But [I thought] hey, you know what, let's just have fun. Let's just try new things. Let's vogue. [Laughs] I've always wanted to vogue, so I did that, and it became one of my epic pieces of performance. It didn’t go big in the charts or anything, but it became a real standout from a more artistic point of view.

EENIE MEENIE represents a new start for you, and both songs in the album talk about trusting yourself and your choices. Since you participated in the songwriting, is that what you have been experiencing lately? How do you recognize what feels right for you?

I feel like you never know what's right, but for me, I decide [something] when it keeps on popping in my head. Like, I would just be calm and see where my mind goes and what my [fandom] HAART keeps on telling me. 

If your heart moves that way, I’d rather just do it and regret, than not do it and regret. That’s how I trust my instincts, listening to what I really want.

You mentioned that you see K-pop and Western pop as one. What do you think about the global growth of K-pop, and Western artists trying K-pop, or artists collaborating?

I think it's wonderful. I mean, the only difference is the culture and the language, and how we make our music with different rules and stuff. And it's really awesome [to see] other artists trying out Korean, trying out the marketing strategy of what we have always done. But it's the same with Korean artists, they try to go abroad and then try Western music.

Trying different cultures is getting more natural than splitting what's K-pop and what’s pop. I think it's all gathering into one because music is one, and we love music.

Is it easier for you to see everything as one because you are Korean, but you lived in America for so many years?

Yes, I think it was more natural for me to try different things. It was fun to get to know things like, Oh, this is Western style music, Western marketing strategy, or Western businesses, it goes on like this, and then Korean businesses go on like this. So it's all about learning.

You mentioned in an interview with Teen Vogue that you like to portray characters in your songs, but recently you have been telling your own story in them as well. How do you find the balance between those two possibilities?

I don't initially choose what to do before I hear the music. I hear it first, and then decide, like Oh, I want to share a story of mine, because I have this experience and my current state of mind is this, but sometimes it's just Oh, this is a new character I've never tried before. I want to be her, or I want to be him, or whatever. Let me try that out, let me see what it tastes like. [Laughs.] When new music comes to me, whatever character, whatever story comes up first, I would go with that.

And for this album, are you a character or are you portraying your life story?

I’m portraying my life story in both songs. I had a lot of choices to make throughout the beginning of my new career [after leaving my former company], like choosing a label, choosing a new logo, choosing songs, and other things, but in the end I just like what I like to do. 

I came back to the music industry, and I really want people to embrace whatever they want to do. To tell them that they have the freedom to choose more than predetermined answers. I wanted to encourage that.

In another moment of your interview on "Gabee’s Rising Star," you said "When people think of Chung Ha, all that comes to mind is ‘Gotta Go’."Do you still believe in that?

Yes, and no. But I’m very grateful, because that song is what elevated me to the next step, and it gave me the courage to try different genres of music. But "Stay Tonight" and other pieces of music also identify me in different ways.

Who is Chung Ha, then? How would you like to be recognized?

Definitely not "Gotta Go." [Laughs.] I'm not that person now. I'm just a girl who loves music, and I'm just grateful and thankful, always. As much as I was diligent before, I want to keep on doing that, and I want to meet my fans more.

As Chung Ha, I want to ask my fans who they think I am, because I try to be as authentic as possible with music and my personality. Also I'm an adventurous person. Love to challenge myself. And I’m ready to go.

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