GRAMMY Rewind: Watch Nancy Wilson Stoically Win Best Jazz Vocal Album For 'R.S.V.P.' In 2005
In the latest episode of GRAMMY Rewind, watch the legendary jazz singer win Best Jazz Vocal Album at the 47th GRAMMY Awards in 2005 for her album 'R.S.V.P. (Rare Songs, Very Personal).'
When the late, great jazz singer Nancy Wilson won Best Jazz Vocal Album at the 47th GRAMMY Awards in 2005 for her album R.S.V.P. (Rare Songs, Very Personal), she didn't explode with emotion.
Rather, she kept it cool and collected—and calmly shouted out those who deserved a mention.
"There's so many people that I really would love to thank," Wilson says in the latest episode of GRAMMY Rewind. "So many in the Academy who have been so kind and so gracious. And God knows, I'd like to thank my family."
Watch Wilson's stoic speech above and click here to view more episodes of GRAMMY Rewind.
8th Annual MusiCares MAP Fund Benefit
Welcome to The Set List. Here you'll find the latest concert recaps for many of your favorite, or maybe not so favorite, artists. Our bloggers will do their best to provide you with every detail of the show, from which songs were on the set list to what the artist was wearing to which out-of-control fan made a scene. Hey, it'll be like you were there. And if you like what you read, we'll even let you know where you can catch the artist on tour. Feel free to drop us a comment and let us know your concert experience. Oh, and rock on.
By Jamie Harvey
I love a genre in which some of its most celebrated music was created in drug-addled states. How do we persevere in such a toxic environment? The answer for many is MusiCares [www.musicares.org]. On May 31 the 8th Annual MusiCares MAP Fund benefit concert was held at Club Nokia in Los Angeles in an effort to raise money for a great cause: musicians helping musicians grasp a hold on sobriety, and save them from the dark depths of addiction.
The night's honorees — Alice In Chains vocalist/guitarist Jerry Cantrell and certified interventionist and Sony/ATV Music Publishing Senior Consultant Neil Lasher — were in the company of many saved musicians. On the red carpet prior to the event, I spoke with some of the attendees about their best piece of advice and music that comforts them.
Inside Club Nokia, the night began with Moby spinning beats as everyone settled in. Fittingly, the night also marked the launch of the DJ AM Memorial Fund in honor of the late Adam "DJ AM" Goldstein.
TV personality Steve-O of "Jackass" was the evening's host and, though now sober, he proved over and over again that he is still just as funny and crazy. "You know you have a problem when your interventionist is Johnny Knoxville," he said.
The music began with Duff McKagan, who served as musical director for the evening, and his band Loaded. They kicked off their set by playing the music to Alice In Chains' "Heaven Beside You" while McKagan read a poem. So heartfelt that it gave us chills, it set a somber tone, but soon was followed by the celebration of the Johnny Thunders cover "You Can't Put Your Arms Around A Memory," which bled into a portion of Guns N' Roses' "Patience."
When Heart's Ann and Nancy Wilson joined Loaded onstage, I watched as Cantrell sat at the edge of his chair, bobbing his head in rapt attention as they performed. "Dead Flowers" by the Rolling Stones and "Curtains" by Elton John.
During Lasher's acceptance speech after being presented with MusiCares' From the Heart Award, he finished with this offer: "If you're ever in the New York area … I'll even bring a [12-step] meeting to a soundcheck if you need me to."
Billy Idol performed next — a set I was really looking forward to since it had been a long time since I'd last seen the British pop/punk icon and his band. They brought some upbeat rockers to the night with "Dancing With Myself," "White Wedding" and the anthemic "Rebel Yell." I could hardly stay in my seat.
Singer/songwriter Mark Lanegan (Queens Of The Stone Age, Screaming Trees) performed a short but powerful two-song set and pierced the crowd with his gravely baritone voice as "Carry Home" and "Creeping Coastline Of Lights" reached deep into our souls.
After a video tribute to Cantrell from Metallica's James Hetfield, Alice In Chains drummer Sean Kinney presented Cantrell with the Stevie Ray Vaughan Award (or, as Alice In Chains bassist Mike Inez jokingly referred to it, the "Junkie of the Year Award"). Kinney could have a second career in stand-up comedy — every time I hear him speak he's absolutely hilarious. Accepting his award, Cantrell spoke of being sober for nine years. "I try to do what I can to not get high today," he said. "We really miss [deceased Alice In Chains members] Layne [Staley] and Mike [Starr]."
As I listened to Cantrell's speech and the Alice In Chains set that followed, I found it surreal to be present at such an important and intimate event with so many of my generation's musicians. Alice In Chains are a huge part of my life's soundtrack. Their songs have been there through extreme highs and lows for me, and I've watched the band nearly die, only to be resurrected.
The Alice In Chains acoustic living room set featured career-spanning favorites, including "Nutshell," "Your Decision," a surprise drum and bass interlude featuring the Commodores' "Brick House," and "Got Me Wrong" followed by "Would?" I've lost many of my favorite rock stars to drugs, but here were some of the survivors. And that's more rock and roll than anything.
Duff McKagan's Loaded
"Heaven Beside You" (Alice In Chains cover)
"You Can't Put Your Arms Around A Memory" (Johnny Thunders cover)
"Patience" (Guns N' Roses cover)
Duff McKagan's Loaded with Heart
"Dead Flowers" (the Rolling Stones cover)
"Curtains" (Elton John cover)
"Dancing With Myself"
Mark Lanegan with Loaded
"Creeping Coastline Of Light"
Alice In Chains
"Got Me Wrong"
(Jamie Harvey splits her time between California and Texas, and is the rock community blogger for GRAMMY.com. She has been to more than 500 shows since 2007. You can follow her musical adventures and concert recaps at www.hardrockchick.com.)
ReImagined At Home: Watch Ant Clemons Croon The Cosmic Blues In Performance Of Bill Withers' "Ain't No Sunshine"
Singer/songwriter Ant Clemons puts his own spin on Bill Withers' immortal "Ain't No Sunshine" in an exclusive performance for ReImagined At Home
Why has Bill Withers' immortal hit, "Ain't No Sunshine," endured for decades? And, furthermore, why does it seem set to reverberate throughout the ages?
Could it be because it's blues-based? Because it's relatable to anyone with a pulse? Because virtually anyone with an ounce of zeal can believably yowl the song at karaoke?
Maybe it's for all of those reasons and one more: "Ain't No Sunshine" is flexible.
In the latest episode of ReImagined At Home, check out how singer/songwriter Ant Clemons pulls at the song's edges like taffy. With a dose of vocoder and slapback, Clemons recasts the lonesome-lover blues as the lament of a shipwrecked android.
Giving this oft-covered soul classic a whirl, Clemons reminds music lovers exactly why Withers' signature song has staying power far beyond his passing in 2020. It will probably be a standard in 4040, too.
Check out Ant Clemons' cosmic, soulful performance of "Ain't No Sunshine" above and click here to enjoy more episodes of ReImagined At Home.
Will Smith at the 1999 GRAMMYs
GRAMMY Rewind: Watch Will Smith Dedicate His 1999 Best Rap Solo Performance GRAMMY To His Son
In his acceptance speech, he offers thanks to his family and "the jiggiest wife in the world, Jada Pinkett Smith"
Today, Sept. 25, we celebrate the birthday of the coolest dad—who else? Will Smith! For the latest episode of GRAMMY Rewind, we revisit the Fresh Prince's 1999 GRAMMY win for Best Rap Solo Performance for "Gettin' Jiggy Wit It."
In the below video, watch rappers Missy Elliott—donning white leather—and Foxy Brown present the GRAMMY to a stoked Smith, who also opted for an all-leather look. In his acceptance speech, he offers thanks to his family and "the jiggiest wife in the world, Jada Pinkett Smith." He dedicates the award to his eldest son, Trey Smith, joking that Trey's teacher said he (then just six years old) could improve his rhyming skills.
The classic '90s track is from his 1997 debut studio album, Big Willie Style, which also features "Miami" and 1998 GRAMMY winner "Men In Black," from the film of the same name. The "Está Rico" rapper has won four GRAMMYs to date, earning his first back in 1989 GRAMMYs for "Parents Just Don't Understand," when he was 20 years old.
Photo: Christopher Polk/Getty Images
Recordings By Janet Jackson, Louis Armstrong, Odetta & More Inducted Into The National Recording Registry
Selections by Albert King, Labelle, Connie Smith, Nas, Jackson Browne, Pat Metheny, Kermit the Frog and others have also been marked for federal preservation
The Librarian of Congress Carla Haden has named 25 new inductees into the National Recording Registry of the Library of Congress. They include Janet Jackson’s “Rhythm Nation 1814,” Louis Armstrong’s “When the Saints Go Marching In,” Labelle’s “Lady Marmalade,” Nas’ “Illmatic,” Kool & the Gang’s “Celebration,” Kermit the Frog’s “The Rainbow Connection” and more.
“The National Recording Registry will preserve our history through these vibrant recordings of music and voices that have reflected our humanity and shaped our culture from the past 143 years,” Hayden said in a statement. “We received about 900 public nominations this year for recordings to add to the registry, and we welcome the public’s input as the Library of Congress and its partners preserve the diverse sounds of history and culture.”
The National Recording Preservation Board is an advisory board consisting of professional organizations and experts who aim to preserve important recorded sounds. The Recording Academy is involved on a voting level. The 25 new entries bring the number of musical titles on the registry to 575; the entire sound collection includes nearly 3 million titles. Check out the full list of new inductees below:
National Recording Registry Selections for 2020
Edison’s “St. Louis tinfoil” recording (1878)
“Nikolina” — Hjalmar Peterson (1917) (single)
“Smyrneikos Balos” — Marika Papagika (1928) (single)
“When the Saints Go Marching In” — Louis Armstrong & his Orchestra (1938) (single)
Christmas Eve Broadcast--Franklin D. Roosevelt and Winston Churchill (December 24, 1941)
“The Guiding Light” — Nov. 22, 1945
“Odetta Sings Ballads and Blues” — Odetta (1957) (album)
“Lord, Keep Me Day by Day” — Albertina Walker and the Caravans (1959) (single)
Roger Maris hits his 61st homerun (October 1, 1961)
“Aida” — Leontyne Price, et.al. (1962) (album)
“Once a Day” — Connie Smith (1964) (single)
“Born Under a Bad Sign” — Albert King (1967) (album)
“Free to Be…You & Me” — Marlo Thomas and Friends (1972) (album)
“The Harder They Come” — Jimmy Cliff (1972) (album)
“Lady Marmalade” — Labelle (1974) (single)
“Late for the Sky” — Jackson Browne (1974) (album)
“Bright Size Life” — Pat Metheny (1976) (album)
“The Rainbow Connection” — Kermit the Frog (1979) (single)
“Celebration” — Kool & the Gang (1980) (single)
“Richard Strauss: Four Last Songs” — Jessye Norman (1983) (album)
“Janet Jackson’s Rhythm Nation 1814” — Janet Jackson (1989) (album)
“Partners” — Flaco Jiménez (1992) (album)
“Somewhere Over the Rainbow”/”What A Wonderful World” — Israel Kamakawiwo’ole (1993) (single)
“Illmatic” — Nas (1994) (album)
“This American Life: The Giant Pool of Money” (May 9, 2008)