For South African rapper and producer Nasty C, the Apollo Twin audio interface is a game-changer. Known for his versatility across hip-hop, Afrobeats and R&B, he uses the device both in the studio and on stage, bringing consistency to his sound wherever he goes.
"If you're a person like me who performs with, like, a lot of the studio effects in the vocal chain like, compression, EQ, auto tune, reverb, delay, you can have that same sound everywhere you go consistently, which is really, really dope," he says. Plus, with room and mic simulation plugins, he can easily recreate professional studio sound even while recording from home. For more episodes of It Goes To 11, visit GRAMMY.com/videos.
