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The Academy Continues Evolution Of GRAMMY Awards Process

Restructuring of GRAMMY Categories across all genres brings total number of Categories to be recognized at the 54th Annual GRAMMY Awards in 2012 to 78

GRAMMYs/Dec 3, 2014 - 05:06 am

In an effort to continuously evolve its GRAMMY Awards process, The Recording Academy announced today that it has restructured the GRAMMY Categories across all genres and Fields, bringing the total number of Categories to be recognized at the 54th GRAMMY Awards in 2012 to 78 (from 109). All Fields remain the same. The announcement was made this morning at The Academy's headquarters by President/CEO Neil Portnow, Academy Board Chair Emeritus and five-time GRAMMY winner Jimmy Jam and Vice President of Awards Bill Freimuth. Additionally, a minimum of 40 distinct artist entries will be required in each Category (up from 25). Detailed information on these and other recent changes may be found at www.grammy.com/announcement.

"Every year, we diligently examine our Awards structure to develop an overall guiding vision and ensure that it remains a balanced and viable process," said Portnow. "After careful and extensive review and analysis of all Categories and Fields, it was objectively determined that our GRAMMY Categories be restructured to the continued competition and prestige of the highest and only peer-recognized award in music. Our Board of Trustees continues to demonstrate its dedication to keeping The Recording Academy a pertinent and responsive organization in our dynamic music community."

For 53 years, The Recording Academy has recognized musical excellence with the GRAMMY Awards — the most prestigious and only peer-recognized award in music — and the awards have grown from 28 Categories in 1959 to awards in 109 Categories for the most recent 53rd GRAMMYs. This growth springs from a tradition of honoring specific genres and/or subgenres within a Field, and it has basically been approached one Category at a time without a current overall guiding vision and without consistency across the various genre Fields. In 2009 The Academy initiated a first-ever comprehensive evaluation of its Awards process, which led to a desire for change. A transformation of the entire Awards structure would ensure that all Fields would be treated with parity. Diligent research, careful analysis and thoughtful discussion of all Fields resulted in an overarching framework and a restructuring of Categories to 78, and ensures that every submission continues to have a home.

In addition to the restructuring of Categories, two rule changes have been established and four Fields have been renamed. It is now expected that each Category shall have at least 40 distinct artist entries, up from 25. If a Category receives between 25–39 entries, only three recordings would receive nominations that year. Should there be fewer than 25 entries in a Category, that Category would immediately go on hiatus for the current year — no award given — and entries would be screened into the next most logical Category. If a Category receives fewer than 25 entries for three consecutive years, the Category would be discontinued, and submissions would be entered in the next most appropriate Category.

The second rule change is regarding voting. Previously, voting members were allowed to vote in up to nine genre Fields plus the General Field on the first ballot and eight genre Fields plus the General Field on the second ballot, including every Category within each chosen Field. Now, on each ballot, voters may vote in up to 20 Categories in the genre Fields plus the four Categories of the General Field — which includes Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist.

Additionally, there are name changes to four Fields: Musical Show is now Musical Theater; the Film/Television/Other Visual Media Field is now called Music For Visual Media; the Gospel Field has been renamed the Gospel/Contemporary Christian Music Field; and the Dance Field has been renamed the Dance/Electronica Field.

The Awards restructuring proposal was presented by The Recording Academy's Awards & Nominations Committee — comprised of elected Academy leaders from across the country representing various genres of the music community — and was voted on and passed by The Academy's Board of Trustees — made up of musicians, producers, engineers, songwriters, and other music professionals. The A&N Committee spent more than a year reviewing, analyzing and evaluating the GRAMMY Awards process and Categories with great objectivity and fair-mindedness, before presenting its recommendations to the Board of Trustees for ratification. While at times incredibly challenging for each member of the committee to restructure Categories in their own respective genres, the greater purpose of promoting unity within the music community and ensuring that all Fields be treated with parity outweighed natural inclinations to resist change.
 
Visit www.grammy.com/announcement for the following resources and detailed information:

  • A Category Comparison Chart (comparing Categories from the 53rd GRAMMYs to the upcoming 54th GRAMMYs)
  • An explanation of Category Restructuring across all genres
  • A Category Mapper (an interactive feature that will show where to enter submissions under the new structure)
  • Frequently Asked Questions
  • Upcoming dates and deadlines for the 54th GRAMMY Awards online entry period

For updates and breaking news, please visit The Academy's social networks on Facebook and Twitter.

How To Watch The 2024 GRAMMY Nominations: St. Vincent, Jeff Tweedy, Muni Long, Kim Petras, Jon Bon Jovi, "Weird Al" Yankovic & More To Announce The Nominees; Streaming Live Friday, Nov. 10

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How To Watch The 2024 GRAMMY Nominations: St. Vincent, Jeff Tweedy, Muni Long, Kim Petras, Jon Bon Jovi, "Weird Al" Yankovic & More To Announce The Nominees; Streaming Live Friday, Nov. 10

The nominations for the 2024 GRAMMYs will be announced on Friday, Nov 10, starting at 7:45 a.m. PT / 10:45 a.m. ET. Watch it live on live.GRAMMY.com and YouTube.

GRAMMYs/Oct 30, 2023 - 02:00 pm

It's that time again: The 2024 GRAMMYs is just a few months out — airing live Sunday, Feb. 4, from Crypto.com Arena in Los Angeles. Which means nominations for the 2024 GRAMMYs are just around the corner. On Friday, Nov 10, starting at 7:45 a.m. PT / 10:45 a.m. ET, nominations for the 2024 GRAMMYs will be announced via a livestream event airing live on live.GRAMMY.com. The nominations will also stream live on the Recording Academy's YouTube channel

The 2024 GRAMMYs nominations livestream event will feature a diverse cast of some of the leading voices in music today, including St. Vincent, Jeff Tweedy, Muni Long, Kim Petras, 2024 MusiCares Person Of The Year Jon Bon Jovi, and many others, who will be announcing the 2024 GRAMMY nominees across all 94 categories. Plus, the livestream event will also feature an exclusive GRAMMY Nominations Pre-Show and Wrap-Up Show, which will both feature exclusive videos and conversations about the biggest stories and trends to come out of the 2024 GRAMMYs nominations.

City National Bank is the Official Bank of the GRAMMYs and proud sponsor of the 66th Annual GRAMMY Awards Nominations.

See below for a full guide to the 2024 GRAMMYs nominations livestream event happening next week:

Read More: How To Watch The 2024 GRAMMYs Live: GRAMMY Nominations Announcement, Air Date, Red Carpet, Streaming Channel & More

How Can I Watch The 2024 GRAMMY Nominations? 

The nominations livestream event will stream live on live.GRAMMY.com and the Recording Academy's YouTube channel.

When Are The 2024 GRAMMY Nominations Announced?

The 2024 GRAMMYs nominations will be announced Friday, Nov 10. The day kicks off with an exclusive GRAMMY Nominations Pre-Show, starting at 7:45 a.m. PT / 10:45 a.m. ET. Hosted by Emmy-winning TV host and “GMA3” contributor Rocsi Diaz, the GRAMMY Nominations Pre-Show will give music fans an inside look at the various initiatives and campaigns that the Recording Academy, the organization behind the annual GRAMMY Awards, supports on a year-long basis on its mission to recognize excellence in the recording arts and sciences and cultivate the well-being of the music community.

Afterward, starting at 8 a.m. PT / 11 a.m. ET, the GRAMMY nominations livestream event begins. The livestream event will begin with a special presentation announcing the nominees in the General Field categories, aka the Big Six, as well as select categories. On live.GRAMMY.com, exclusive videos announcing the nominees across multiple categories will stream as a multi-screen livestream event that users can control, providing a dynamic, expansive online experience for music fans of all genres. The nomination videos will also stream live on YouTube. The full list of 2024 GRAMMYs nominees will then be published on live.GRAMMY.com and GRAMMY.com immediately following the livestream event.

After the nominations are announced, stay tuned for an exclusive GRAMMY Nominations Wrap-Up Show. Co-hosted by "Entertainment Tonight" correspondents Cassie DiLaura and Denny Directo, the Wrap-Up Show will break down all the notable news and top stories from the 2024 GRAMMYs nominations. The GRAMMY Nominations Wrap-Up Show will stream live on live.GRAMMY.com as well as the Recording Academy's YouTube channel, X profile, Twitch channel, TikTok page, Instagram profile, and Facebook page.

Watch the 2024 GRAMMYs nominations livestream event and make sure to use #GRAMMYs to join the conversation on social media as it unfolds live on Friday, Nov. 10.

The schedule for the 2024 GRAMMYs nominations livestream event is as follows:

GRAMMY Nominations Pre-Show
7:45 a.m. PT / 10:45 a.m. ET

Nominations Livestream Event
8 a.m. PT / 11 a.m. ET 

Nominations Livestream Event Ends & Full Nominations Revealed
8:25 a.m. PT / 11:25 a.m. ET 

GRAMMY Nominations Wrap-Up Show
8:25 a.m. PT / 11:25 a.m. ET

^All times are approximate and subject to change.

Read More: Three New Categories Added For The 2024 GRAMMYs: Best African Music Performance, Best Alternative Jazz Album & Best Pop Dance Recording

Who's Announcing The 2024 GRAMMY Nominations?

Recording Academy CEO Harvey Mason jr. will be joined by GRAMMY winners Arooj Aftab, Vince Gill, Amy Grant, Jimmy Jam, Jon Bon Jovi, Samara Joy, Muni Long, Cheryl Pawelski, Kim Petras, Judith Sherman, St. Vincent, Jeff Tweedy, and "Weird Al" Yankovic, along with "CBS Mornings" co-hosts Gayle King, Nate Burleson, and Tony Dokoupil, to announce all the nominees for the 2024 GRAMMYs. 

When Are The 2024 GRAMMYs?

The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, will air live on Sunday, Feb. 4, at 8-11:30 p.m. ET/5-8:30 p.m. PT from Crypto.com Arena in Los Angeles. Music's Biggest Night will air live on the CBS Television Network and stream on Paramount+. 

Mark your calendars now for the 2024 GRAMMY nominations happening Friday, Nov 10.

With additional reporting by Morgan Enos.

2024 GRAMMYs: 4 Things To Know About The New Categories & Changes

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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5 Things We Learned From GRAMMY Museum's New The Power Of Song Exhibit, A Celebration Of Songwriters From Tom Petty To Taylor Swift
A selection of items on display at Power of Song Exhibit at the GRAMMY Museum.

Photo: Rebecca Sapp

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5 Things We Learned From GRAMMY Museum's New The Power Of Song Exhibit, A Celebration Of Songwriters From Tom Petty To Taylor Swift

Nile Rodgers, Jimmy Jam, Smokey Robinson and more provide deep insights into their hit collaborations and creative process at GRAMMY Museum's The Power of Song: A Songwriters Hall of Fame Exhibit, open from April 26 through Sept. 4.

GRAMMYs/Apr 26, 2023 - 08:23 pm

Since its founding in 1969, the Songwriters Hall of Fame has been celebrating the great songwriters and composers of our time. In 2010, it found a physical home at Downtown Los Angeles' GRAMMY Museum.

Now, the GRAMMY Museum is adding to that legacy with a special expanded exhibit, which dives deep into the history of songwriting and recorded music in the United States — as well as the Songwriters Hall of Fame and its inductees' role in it. Whether you're a songwriter or musician who loves the creative process, a history nerd, or simply a music lover, this exhibit is for you.

When you enter The Power Of Song, you'll hear the voices of legendary Songwriter Hall of Fame inductees and GRAMMY winners — including Nile Rodgers, Carole King, Diane Warren, Smokey Robinson and Jimmy Jam — discussing their creative process and some of the biggest songs they've written. Take a seat on the couch to absorb all their wisdom in the deeply informative and inspiring original short film.

Turn to the right, and you'll find a timeline across the entire wall, explaining the origins and key points around songwriting and recorded music in the U.S. On the other wall, pop on the headphones provided to enjoy a video of memorable Hall of Fame ceremony performances. One interactive video interface near the entrance allows you to hear "song highlights," and another allows you to explore the entire Songwriters Hall of Fame database.

The exhibit is filled with a treasure trove of handwritten song lyrics from Taylor Swift, Cyndi Lauper, Tom Petty and many more, as well as iconic artifacts, including Daft Punk's helmets, a classy Nile Rodgers GRAMMY look, and guitars from Bill Withers, Tom Petty, John Mellencamp and Toby Keith.

Below, take a look at five things we learned from The Power Of Song: A Songwriters Hall Of Fame Exhibit, which will be at the GRAMMY Museum from April 26 through Sept. 4.

Daft Punk Rerecorded "Get Lucky" To Fit Nile Rodgers' Funky Guitar

Legendary funk pioneer and superproducer Nile Rodgers is the current Chairman of the SHOF and has an active presence at the exhibit. One case features the disco-esque lime green Dior tuxedo Rodgers wore to the 2023 GRAMMY Awards, along with the shiny metallic helmets of French dance duo Daft Punk, who collaborated with Rodgers on their GRAMMY-winning 2013 album, Random Access Memories.

Thomas Bangalter and Guy-Manuel de Homem-Christo of Daft Punk and Rodgers had forged a friendship and been wanting to collab for years prior to 2013's Record Of The Year-winning smash "Get Lucky." When they finally connected and Bangalter and de Homem-Christo played the CHIC founder the demo for "Get Lucky," he asked to hear it again with everything muted except the drum track, so he could create the perfect guitar lick for it.

Bangalter and de Homem-Christo decided to essentially re-record the whole song to fit Rodgers' guitar, which joyously drives the track — and carried it to No. 2 on the Billboard Hot 100, Daft Punk's first Top 5 hit.

Nile Rodgers Display at GRAMMY Museum

Photo: Rebecca Sapp

Jimmy Jam & Terry Lewis Set Up Their Studio The "Wrong" Way Because Of Prince

In the exhibit film, Jimmy Jam tells several stories about working with — and learning from — Prince. He recalls how he and Terry Lewis watched Prince work and record everything "in the red," so they set up their Minneapolis studio to follow his lead. A sound engineer told them it was too loud, but that ended up being the sound that artists like Janet Jackson and Usher came to them for. It was a "happy mistake," as Jam put it, that helped their legendary careers as a powerhouse production duo take off.

Prince's dogmatic, tireless work ethic also rubbed off on the powerhouse pair. One rehearsal, the Purple One kept pressing Jam to do more, which resulted in him playing two instruments, singing and hitting the choreography from behind his keyboard. "He saw that I could do more than I thought I could; he saw me better than I saw myself," he reflected.

"God Bless America" Composer Irving Berlin Didn't Read Music

In his 50 year-career, Irving Berlin wrote over 1000 songs, many of which defined American popular music for the better part of the 20th century. Along with penning "God Bless America," "White Christmas," "Puttin' on the Ritz," and "There's No Business Like Show Business" (among many other classics), he wrote 17 full Broadway musical scores and contributed songs to six more plays.

Berlin also wrote scores for early Hollywood musicals starring the likes of Ginger Rodgers, Fred Astaire, Marilyn Monroe, and Bing Crosby. He made a lasting, indelible mark on music, theater, film and American culture writ large.

Rather astonishingly, the widely celebrated American Tin Pan Alley-era composer was self-taught and didn't read sheet music. His family immigrated to New York from Imperial Russia when he was 5 years old, and when he was just 13, his father died, so he busked on the streets and worked as a singing waiter to help his family out.

In 1907, at 19, he had his first song published, and just four years later penned his first international hit, "Alexander's Ragtime Band." Berlin had a natural musicality and played music by ear in the key of F-sharp, with the help of his trusted upright transposing piano, a rare instrument that had a mechanism allowing him to shift into different keys. His "trick piano," as he called it, where many of his unforgettable songs first came to life, is on display at the exhibit.

Read More: GRAMMY Rewind: Smokey Robinson Accepts A GRAMMY On Behalf Of The Temptations In 1973

Smokey Robinson Didn't Expect "My Girl" To Become A Timeless Hit

Smokey Robinson was an important part of Motown's hit-making factory as a singer, songwriter and producer. In the exhibit film, he discusses "My Girl," one of his classic tunes, which he wrote and produced for the Temptations in 1965.

"I had no idea it would become what it would become," he said.

He says that people often ask him why he didn't record the unforgettable song with his group the Miracles instead of "giving it away" to the Temptations, but he never regretted his decision. Instead, he's honored to have created music that stands the test of time and means so much to so many people.

Robinson joked that the Temptations' then-lead singer David Ruffin's gruff voice scared girls into going out with him. Really, he loved Ruffin's voice, and thought he'd sound great singing a sweet love song like "My Girl." Safe to say he was right.

After World War II, Pop Music Changed Forever

Prior to World War II, American music operated as a singular mainstream market, and New York's Tin Pan Alley songwriters competed to make the next pop or Broadway hit. In a post-World War II America, especially when the early Baby Boomer generation became teenagers and young adults in the '60s and '70s, tastes changed and new styles of pop and pop songwriting emerged. As rock shook up popular culture, Tin Pan Alley gave way to a new era of young songwriters, many who worked out of just two buildings in midtown Manhattan, 1619 Broadway (the Brill Building) and 1650 Broadway.

In this richly creative and collaborative environment, powerhouse songwriting duos began to emerge and reshape pop music, challenging and balancing each other — and creating a ton of hits in the process. The hit-making duos of this diversified pop era included Burt Bacharach and Hal David (Dionne Warrick's "That's What Friends Are For"), Carole King and Gerry Goffin (Little Eva's "The Loco-Motion"), Barry Mann and Cynthia Weil (the Righteous Brothers' "You've Lost That Lovin' Feelin'") and Jeff Barry and Ellie Greenwich (the Ronettes' "Be My Baby" and the Crystals' "Then He Kissed Me," both in collaboration with Phil Spector). In fact, there are far too many classics penned by these four prolific songwriter duos to list here.

While there are still songwriters that pen big hit after hit for pop stars (Max Martin is still at it, as is his protege Oscar Görres), the dynamics in the industry have continued to shift with singers taking on more creative power themselves. Today's pop stars — including Ariana Grande, Dua Lipa and Taylor Swift — have found success co-writing with their own trusted teams of songwriters and producers. But as this new exhibit shows, it doesn't matter who is behind the pen — the power of song is mighty.

Meet Tobias Jesso Jr., The First-Ever GRAMMY Winner For Songwriter Of The Year

GRAMMY Rewind: Adele Urges That Beyoncé's "Monumental" 'Lemonade' Should've Won Album Of The Year In 2017
Adele at the 2017 GRAMMYs.

Photo: Phil McCarten/CBS via Getty Images

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GRAMMY Rewind: Adele Urges That Beyoncé's "Monumental" 'Lemonade' Should've Won Album Of The Year In 2017

Before Adele and Beyoncé find out who will win Album Of The Year at the 2023 GRAMMYs, revisit the emotional moment when Adele pleaded for Beyoncé's album 'Lemonade' to take home the golden gramophone instead of her own '25' in 2017.

GRAMMYs/Feb 3, 2023 - 06:00 pm

The 2017 GRAMMYs were a massive night for Adele, who swept all five categories for which she was nominated. But when she was crowned the Album Of The Year winner, the "Hello" singer couldn't help but argue that Beyoncé deserved it.

In this episode of GRAMMY Rewind, revisit the emotional moment between Adele and Beyoncé as the British star claimed her Album Of The Year GRAMMY for 25. After thanking her collaborators for their encouragement to release 25 and calling the win "full-circle," Adele choked up as she acknowledged Beyoncé's Lemonade that was also nominated in the category.

"I can't possibly accept this award. And I'm very humbled, and I'm very grateful and gracious, but my artist of my life is Beyoncé," Adele said as she held back tears. "This album was so monumental, and so well-thought-out and so beautiful and soul-bearing…and all us artists here, we f—ing adore you."

The heartfelt acknowledgement had the crowd roaring, but most poignantly brought Beyoncé to tears as she mouthed "I love you" to Adele. (Lemonade did get some GRAMMY love that night, winning Best Urban Contemporary Album and lead single "Formation" won Best Music Video.)

There could be another powerful Adele/Beyoncé moment at the 2023 GRAMMYs, as the two are once again nominated for Album Of The Year, as well as Song Of The Year and Record Of The Year.

Press play on the video above to watch Adele's tearful acceptance speech. Keep checking back to GRAMMY.com for more episodes of GRAMMY Rewind, and make sure to tune into CBS on Feb. 5 to watch the 2023 GRAMMYs.

A Look At The Nominees For Album Of The Year At The 2023 GRAMMY Awards