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SOFI TUKKER On Crafting Their "Ideal" Coachella Set, Giving Hugs To Maggie Rogers & More
Back in Indio for the first time since their 2017 Coachella debut, the jungle-pop duo tell the Recording Academy about their unique relationship to fashion, what they enjoyed the most about their 2019 GRAMMYs performance, and more
Whether they're performing at the 61st GRAMMYs Premiere Ceremony or about to do their second-ever Coachella set, Los Angeles (by way of New York City) GRAMMY-nominated electro-pop duo SOFI TUKKER always seem to be having a great time. Along with their 2018 debut LP, Treehouse, their funky, colorful fashion sense and otherworldly music videos only add to their infectious, dance party-ready style.
Below, Sophie Hawley-Weld and Tucker Halpern catch up with the Recording Academy from on the ground at Coachella 2019, where they're preparing to play a Sunday set.
How are you feeling about tomorrow's set?
Sophie Hawley-Weld: We've been preparing for this for a long, long time. So we've been dreaming up our ideal live show, and we've finally created it and we're gonna be debuting it tomorrow. It's a really big moment for us.
Tucker Halpern: I'm so excited. We've been really dreaming of this show for three years since we started and this is gonna be the first time.
Your first Coachella set was two years ago, in 2017. Looking back, to what extent did you feel it was a pivotal day in your career?
Hawley-Weld: I mean, when we were the first time, we literally thought five people were gonna be [watching]. We were playing at 3pm on Sunday. It was hot that day, too. It was one of our first festivals ever. [But] it went incredibly and there were tons of people there early, dancing so hard, and I think for us that was a moment of "Wow." We really love doing festivals and kind of learnt how to do a festival set, which is different than a club show. So, that was a first. It's just really exciting to come back to a place so good to us.
Are there any other artists that you guys are excited to check out this weekend?
Halpern: Well in couple o' hours we're going to see our friend Maggie Rogers, which is gonna be really fun. Just give her some hugs. What else?
Hawley-Weld: [Her set] last night was incredible, personally it really blew my mind.
Halpern: We're gonna try to see Billie [Eilish] but I think so is the whole world so that might be hard. But yeah, it's gonna be good, I'm really not gonna go crazy tonight or anything cause I'm so excited for tomorrow. I wanna be extra fresh cause we're gonna do a lot of hectic running around.
Your fashion is always fun and on point; do you collaborate with designers?
Hawley-Weld: We like to have fun and play, but yeah, I mean we have some good relationships with a bunch of designers, a lot of really fun designers.
Halpern: We like to be colorful.
Did you guys dress this way when you lived in New York?
Halpern: We definitely didn't fit in, in the all-black scene.
Hawley-Weld: I had no idea how to dress for winter, I suck at winter so much.
Halpern: I used to wear all black, right when we moved to New York I was an all-black-wearing DJ. Things have changed.
Have you seen any good fashion inspo around the fest?
Halpern: I haven't seen any "no" moments. It's really like anything's a "yes" moment here. There's no way I'm gonna see someone and be like, "Do less." A lot of exposed butts, like thongs with sheer over them and stuff. I think that's the look right now, I might do it tomorrow.
Hawley-Weld: The livestream is just gonna be Tucker's butt.
Speaking of style and aesthetic, your "Fantasy" video is so fun and playful. Can you elaborate on the vision behind that video?
Hawley-Weld: Well, I save Tucker.
Halpern: Yeah, she saves me a lot. Bit of a feminist hero situation going on. I drowned a couple times, in real life. It was a real rapids, that I was frolicking in. It was on another planet, similar, like near Pandora, the "Avatar" planet. Not there, but close, in that atmosphere.
Hawley-Weld: You'd have to travel a long time to get there. We love it. I mean, we love that song and we're so excited that we were able to bring our vision to life, because it really like when we were talking about it, it was 'How can we make the most fantastical, adventure, "Avatar" world.
You guys performed at the 61st GRAMMYs premiere ceremony last Feb, and you were nominated for the second time. What was going through your minds that day?
Hawley-Weld: Honestly for me it was really special because our families came and they were our dates and our parents haven't really spent much time together and being able to be with both of our families and have an excuse to celebrate and be together. My family lives really far away, so it was just really, really special for them all to be together and spend time together.
What's next for SOFI TUKKER?
Hawley-Weld: What's up next? So much, I mean we've been filming music videos and making music for a while and we're eager to finally be able to share it. We have a whole story arc that we're waiting to tell, and it's gonna be just, coming out slowly but surely over the next couple months. A whole new world, if you will.
Photo: Jeff Kravitz/FilmMagic
GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.
Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.
A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.
This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system.
"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."
He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.
"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.
To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood."
Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes.
Photo: Frazer Harrison/Getty Images for Coachella
Touring In A Post-Pandemic World: How Costs, Personnel & Festival Culture Have Affected 2023 Performances
The live music business is still dealing with the repercussions of the pandemic. GRAMMY.com spoke with a cross section of professionals about the industry's most profound changes, how they’re being addressed, and what it all might mean for the future.
The pandemic wreaked global havoc on many levels. Beyond the human toll, the disruptions brought on by the spread of COVID-19 caused deep and lasting damage to nearly every business sector, including live entertainment. Virtually overnight, workers lost their livelihoods, businesses closed their doors or drastically curtailed operations, and supply chains were hobbled.
Within days of lockdown, multiple outlets published sobering articles detailing the tours, concerts and festivals that had been affected by the outbreak; Insider.com article identified at least 170 postponements or cancellations. In a flash, every artist across the globe witnessed the live performance side of their careers vaporize. Crews were sent home, and all of the businesses that served the sector — logistics, audio gear, food service and more — found a barren landscape.
During the pandemic, major promoter Live Nation saw a drastic drop in the number of concerts and festivals under its banner: from over 40,000 events in 2019 to just over 8,000 in 2020. But by the end of 2022, Pollstar.com reported that the year’s top 100 tours sold approximately 59 million tickets — more than 2019's sales.
Three years after the beginning of the pandemic, life is in many ways returning to normal. Yet the costs associated with putting on a concert have risen dramatically, due to both the pandemic's inflationary pressures and a surge in demand for the goods and services necessary to sustain tours. For those working in and around the live music business, the "new normal" means some things work as they did before COVID-19 while others have altered radically — either temporarily or for good.
GRAMMY.com spoke with a cross section of industry professionals about some of the most profound changes, how they’re being addressed, and what it all might mean for the future.
New Touring Paradigms
With the return of live music has come a corresponding, pent-up surge in demand, notes Christy Castillo Butcher, Senior VP, Programming & Booking at the 70,000 seat SoFi Stadium in Inglewood, California. "To satiate that demand, you have to have a bigger venue."
In 2023 alone, SoFi Stadium is hosting several megashows: Billy Joel & Stevie Nicks, Grupo Firme, Romeo Santos, a five-night Taylor Swift residency, Metallica, Beyoncé, Ed Sheeran and P!nk are all on the venue’s calendar, with additional shows awaiting announcement. Madison Square Garden saw multiple sold-out performances by Janet Jackson, and will host a seven-night Phish residency.
Since the pandemic, some artists have taken different approaches to touring. Tandem tours and residencies are just two of the phenomena that seem to be increasing in popularity with touring artists and their management teams.
Teaming up for a tandem tour isn’t a new idea; package tours have been part of the concert landscape from the days of Dick Clark’s Caravan of Stars in the mid 1960s. And in an era when post-pandemic-related shortages and logistical snags make touring even more challenging, the practice is finding renewed interest.
One of the highest-profile tandem tours of 2023 is the ZZ Top/Lynyrd Skynyrd Sharp Dressed Simple Man tour. Visiting more than 22 cities across the U.S, the tour brings together three-time GRAMMY nominees ZZ Top with the popular Southern rock band.
"You want to give the fans the value of seeing two bands together," says Ross Schilling, Lynyrd Skynyrd's Tour Manager. (Pollstar reported an average ticket price for the top 100 North American tours in the first half of 2022 at more than $108. Meanwhile, ticket prices for megastars such as Beyoncé and Swift have reached astronomical levels.)
Schilling acknowledges that there are pros and cons for the artists as well. "You're sharing the expenses and the revenues," he notes, adding that the production is often halved. "Video, pyro, smoke, whatever kind of elements you want to add" can be shared on a tandem tour.
Another option experiencing a renaissance is the concert residency. "Residencies are not new, of course," says Phil Carson, a touring and management veteran who spent many years on the road with high-profile rock bands including Led Zeppelin, Bad Company, AC/DC and Yes. "They started with the likes of Frank Sinatra and Sammy Davis Jr. when there was really only one place to go: Las Vegas."
Today there are many more options, but the motivations are often the same as before. "Sammy, Dean Martin… all those guys wanted to hang out together, and didn't want to go on the bloody road," Carson explains. As their audiences grew older, they too were interested in the idea of going to one place to see their favorite performers.
And Carson thinks that the multi-night approach may well be part of a trend for the future. "We’re starting to get two-and three-night runs in casinos across America," he says. Adele, Bruno Mars, Maroon 5, Luke Bryan, Katy Perry, Carrie Underwood and Carlos Santana are just a few of the artists eschewing the road in favor of a series of dates in one venue.
The trend is extending to smaller venues as well. Singer/songwriter James McMutry and his band launched a residency at Austin' Continental Club in November 2021; that booking continues to the present day. And just last August, Robert Glasper announced a 48-show residency at the Blue Note Club in New York City; it’s his fourth extended run of dates at the famed jazz venue.
Festivals Return En Force
Following increased demand for live entertainment post-lockdown, major music festivals returned with a force in 2022 and continue to do so in 2023. Coachella and Lollapalooza were among the multi-day, multi-weekend events returning after COVID-forced cancellations, while mid-level events such as San Francisco's Outside Lands also saw over 220,000 attendees in 2022 — a major boon for a live music industry that had been in crisis only a year before.
Celebrating and featuring a multigenerational lineup of Latinx artists and performers, the Bésame Mucho Festival premiered in December 2022 at the 56,000 capacity Dodger Stadium. Tickets sold out within 70 minutes. The lineup for the 2023 event was announced in February; once again, the event sold out almost immediately.
Ashley Capps has been wholly immersed in the festival scene; former head of AC Entertainment, for many years he oversaw the annual Bonnaroo Music and Arts Festival. These days he has scaled back his activities but still curates the adventurous Big Ears Festival which he founded in 2009 in Knoxville, Tennessee.
"The post-pandemic Big Ears has seen extraordinary growth," he says, noting a pre-COVID trajectory of growth, with an annual 20 percent increase in ticket sales. The 2022 Big Ears — the first after a two-year pause — experienced a 35 percent growth. "That led us to declare our first full-on sellout," he says, "five weeks before the festival happened."
In 2023, Big Ears noted another surge in ticket sales, surpassing 50 percent over the previous year. The multiple-venue festival added additional larger venues to accommodate the increased demand. Concertgoers "are certainly hungry to get back into the live music experience," Capps says. "And the artists we’re working with at Big Ears are eager to be back out and in front of appreciative audiences."
That pent-up demand on both sides of the equation can result in a crowded field, with many events — even beyond music — competing both for attention, staffing and gear.
The Cost Of Making Music
Global logistical bottlenecks that plagued every industry continue to take a toll on the live music industry. Worldwide economic inflation — which hit 8.8 percent in 2022, nearly doubling year-over-year, a partial result of the pandemic — has increased costs and cut profits, laying the groundwork for a "rocky road to recovery." Finding themselves without opportunities for work during the pandemic, untold numbers of skilled tour technicians left the business.
"People got out of the industry across the board, from musicians to agents to managers to bartenders to production staff," says Morgan Margolis, CEO/President of Knitting Factory Entertainment. "'I’ve got to do something else.' I saw a lot of that." Some never returned, causing a personnel shortage once live touring resumed.
All that affected live music venues, too. "We were shuffling around tour managers, production managers, box office personnel," says Margolis. He characterizes his company — active nationwide in venue operations, festivals, artist management, touring and more — as an "all hands on deck" operation. "I actually slung some drinks in Walla Walla at an Aaron Lewis concert," he says.
Increased costs mean it’s essential to run the leanest operation possible while maintaining quality. Margolis recalls the landscape when live music started coming back in 2022. "Vans and buses: everything was running out, even rental cars," he remembers. "And everything — generators, lighting rigs, staging rigs – was now 20-30 percent more expensive, because everybody was spread so thin."
But like many in the business, Margolis simply made the best of things. "Personally, I was excited to be on the ground again," he says. "I wanted to be around people."
After a nearly overwhelming surge of music artists getting back into live performance, he says that he is seeing a "more methodical" mindset taking hold. That compares to how he characterizes 2022: "Throw it all against the wall: we’re going everywhere!"
Another new wrinkle: proposed rule changes by the United States Citizenship and Immigration Services (USCIS) would increase the costs to international musicians of obtaining a U.S. visa by as much as 260 percent. "The more these policies are made, the harder it is for us to share our music,” says Sampa the Great. The Zambian singer/songwriter and rapper notes that the proposed changes will hit independent artists especially hard: "Touring is the only way our music gets heard globally."
Such across-the-board cost increases can mean that some international artists have to have tough conversations. If not through touring, Sampa the Great wonders, "How else do we connect with the people who support our music? And how else do we independent artists sustain our careers making music?"
Schilling admits that during the worst of the shutdown, he thought about retiring — and so did one of his biggest clients. Skynyrd began a farewell tour in 2018, which was ultimately cut short by the pandemic, prompting serious soul searching. "When everyone’s livelihood was ripped out from under them, they decided 'We want to go out on our own terms.'" This year’s tandem tour with ZZ Top puts things right, Schilling adds.
That kind of thinking is widespread among the professionals who remain in the game post-COVID. From many working as venue owners to tour managers to crew to artists, the chance to get back on the road outweighs the challenges that they will inevitably encounter. There are many career paths easier than working in the live music industry, but few can compare with its rewards.
Changes Backstage And Post-Show
Before the pandemic, many touring artists arranged meet-and-greet sessions before or after their shows. They provided an opportunity for interaction between fans and artists, and represented an additional revenue stream for the artists. During the pandemic era, those sessions disappeared, even for the new shows that could still take place. Today, even while enforced social distancing has largely disappeared, the state of meet-and-greets is not what it was.
"My last three artists aren’t doing meet-and-greets, because there's still that concern of COVID," says David Norman, a longtime promoter, tour director, manager and accountant currently on tour with Evanescence; his past clients have included Prince, John Fogerty, Earth Wind & Fire, Green Day, Alicia Keys, Tyler, the Creator and many others.
Norman points out that his artists take a financial hit by eliminating the meet-and-greets. "But it’s better to be safe than sorry," he says, noting that a musician who tests positive for COVID can "shut down [performances] for weeks. Then you have to reroute [the tour], and refund money to people who aren’t able to come to rescheduled shows."
Others take a different approach. "Lynyrd Skynyrd will do meet-and-greets," says Schilling, adding that his team "wants to get back to as normal as we possibly can, as fast as we possibly can." André Cholmondeley is a musician, longtime tour manager and tech support professional who worked as guitar tech for Yes guitarist Steve Howe.
Before 2020, "if you bought the meet-and-greet package, you could shake their hands," he says. "There were lots of hugs and pictures." Now the experience involves more waving and fist-bumping. Foreigner, meanwhile, has recently swapped meet-and-greets for Q&A sessions. “Everybody has a great time, and the band is not bored with it because it's different every night," says Phil Carson, the band's Tour Manager.
Life away from the audience has changed, too.
"One major change across the board is the huge difference in catering," says Cholmondeley, who has recently toured with Pat Metheny and Ani DiFranco. Before COVID, touring artists and their crews would typically find a buffet backstage. "We order a lot more food now," Cholmondeley explains. "You get a couple of menus texted to you each day."
Carson notes that the band has found an alternative solution that works for them. "Our singer Kelly Hansen is a chef who won an episode of Food Network’s 'Chopped,'" he says with pride. "He's got a whole kitchen range on our tour bus. He makes breakfast, he makes tacos after the show."
Carson readily admits that such an approach stands in sharp contrast to rock‘n’roll road dining in the ‘70s. "Back then," he says with a hearty laugh, "it was a few lines of coke and a bottle of Jack Daniel’s!"
Bridging The Gap
Beginning in March 2020, the cancellations and disruptions brought upon by the pandemic reverberated throughout the live music industry. But as the business sector enters the third quarter of 2023, the focus is once again on the future, and guarded optimism is the prevailing perspective.
Festival season is officially underway, with Coachella wrapping up two weekends of massive-scale excitement, and a host of other events slated throughout the summer promising an active several months for touring musicians and crews. Taylor Swift's Eras tour is selling out fast, while Beyoncé's Renaissance tour has only just begun (to much fanfare, as expected). It seems as if touring as we once knew it is falling back into place.
Even with her focus on recording — she counts two albums, an EP, two mixtapes and nearly 30 singles — Sampa the Great emphasizes the appeal of live music for both audience and entertainer.
"Performing is the best way to connect with an audience," she says. "You're translating your music from audio to something visual, something physical. It bridges that gap from just hearing an artist or seeing them on social [media] to actually experiencing the artist."
Photo: Shervin Lainez
Herbal Tea & White Sofas: Sofi Tukker Reveal How Their Keys To Staying Healthy On Tour
The two members of EDM duo Sofi Tukker strive to stay in shape on tour — it's how they fuel their high-energy performances.
After traveling the world together over the past decade, there's one thing EDM duo Sofi Tukker quickly agrees on: staying healthy is the top priority. That's why their tour rider primarily consists of fruits, vegetables and vegan snacks.
"Our rider is filled with things like kale, avocado and olive," Sophie Hawley-Weld explains in this episode of Herbal Tea & White Sofas. "We both have pretty restrictive diets. We're trying to be as healthy as we possibly can be because we want to give out the best energy every night, and traveling for a living is not easy."
Her bandmate Tucker Halpern emphasizes that they always request a trash bag full of ice — a surprisingly disputed item. "The most controversial thing, especially in Europe, is ice," Halpern says. "People will fight you about it!"
Hawley-Weld often opts for a cryo tank, a sensory deprivation tank filled with salt. "I find that to be one of the most recharging things I can do. I think it's polar opposite to what we do on stage."
The duo is also slated to appear at more than 10 music festivals this summer, including the Governors Ball, Bonnaroo, Electric Forest, Lollapalooza, and Osheaga. Sofi Tukker most recently returned to Coachella, where they live-debuted their latest single "Jacaré," a cheeky Portuguese-language single inspired by Hawley-Weld's longtime appreciation for Brazilian culture.
Press play on the video above to learn how Sofi Tukker stays in shape while on tour, and check back to GRAMMY.com for more new episodes of Herbal Tea & White Sofas.
Credit: Frazer Harrison/Getty Images for Coachella
11 Electric Coachella Surprise Guest Moments From Weekend 1: Post Malone, Billie Eilish, Rauw Alejandro & More
Weekend 1 of Coachella 2023 has come and gone, but not without countless surprises and viral moments. Take a look at some of the most exhilarating surprise guests — from Billie Eilish and Rauw Alejandro — from one of the year's biggest music festivals.
As delightfully dizzying as its famous ferris wheel, the Coachella Valley Music and Arts Festival fills Indio's Colorado Desert with never-ending fun.
This year, Coachella booked history-making headliners Bad Bunny, BLACKPINK, and Frank Ocean, along with more than 150 other artists to perform across six stages. But one of the festival's most exciting parts, however, is its surprise performers.
The first weekend of Coachella is traditionally known for its big surprises and busy crowds — and this year didn't disappoint, offering surprise performances from global superstars to underground darlings.
Metro Boomin Astonished With Not One, But 7 Star Guests
In perhaps the most star-studded performance of the weekend, Metro Boomin welcomed a slew of collaborators to color his already spectacular set at the Sahara Tent. Throughout the night, The Weeknd, Future, 21 Savage, Don Toliver, Diddy, John Legend, and Mike Dean all joined the producer on stage to perform highlights from Heroes & Villains, Savage Mode, and more. Metro Boomin ended the evening with a live debut of "Creepin" alongside 21 Savage and Diddy.
MUNA Brought Out boygenius For "Silk Chiffon"
Life's so fun, life's so fun. While many festival goers anticipated Phoebe Bridgers to join MUNA for their bubbly collaboration "Silk Chiffon," the band shocked their audience by bringing out not just Bridgers, but Julien Baker and Lucy Dacus as well — all members of the supergroup boygenius, who performed their own lively set at Coachella the next day.
Bad Bunny Tapped Post Malone, Jhayco & More Stars
Now a headliner four years after making his Coachella debut, Bad Bunny made sure to pull out all the stops for his highly-anticipated performance. The Puerto Rican superstar brought out Post Malone for guitar-driven renditions of “La Canción” and “Yonaguni"; Jhayco (and a jet ski) for “Dákiti”; and Ñengo Flow and Jowell & Randy for “Safaera.”
Among Many Guests, Gorillaz Brought Out De La Soul To Dedicate "Feel Good Inc." To Late David Jolicoeur
On the festival's main stage, Gorillaz brightened their already glowing set with many surprise stars. Thundercat appeared first for "Cracker Island," shortly followed by individual performers Peven Everett, Jamie Principle, Bootie Brown, and Slowthai.
De La Soul appeared for their collaboration "Feel Good Inc.," dedicating the song to their late member, David ‘Trugoy The Dove’ Jolicoeur. For the closer "Clint Eastwood," Del The Funky Homosapien returned to the stage, after assisting with "Rock The House" earlier in the set.
Becky G Enlisted Marca MP, Jesús Ortiz Paz, Peso Pluma & Natti Natasha
Becky G made her Coachella debut this year, and she made sure to fill her 45-minute set with several guest stars. Marca MP joined her for “Ya Acabó," and Jesús Ortiz Paz of Fuerza Regida sang “Te Quiero Besar" and "Bebe Dame" alongside the star. Fans went wild when Peso Pluma showed up to perform his collaboration “Chanel," and after an outfit change, Becky G welcomed Natti Natasha for their joint track “Sin Pijama.”
Kali Uchis Amazed With Tyler, The Creator, Omar Apollo & Don Toliver
Kali Uchis' performances are always magical, and her surprise guests helped enchant audiences during her Coachella set. Tyler, The Creator joined Uchis to perform their Flower Boy collaboration “See You Again,” and later, Omar Apollo and Don Toliver took the stage to perform "Worth the Wait" and “Fantasy" respectively, both duets from her hypnotic latest album Red Moon In Venus.
Charli XCX And Troye Sivan Took It Back To "1999"
For one of the last few explosive shows of her CRASH era, Charli XCX brought the lightning by inviting Troye Sivan on stage to perform their poppy joint song "1999." Donning shades and silver accessories, the close friends and collaborators wore all-black attire but still shined during their shared performance.
DOMi & JD Beck Welcomed Mac DeMarco & Thundercat
During their bouncy set on Friday, innovative jazz duo DOMi & JD Beck surprised with two high-profile guests: Mac DeMarco and Thundercat. At the Mojave Tent, the four celebrated DOMi & JD Beck's bright debut album NOT TIGHT.
Rosalía Shared Stage With Fiancé Rauw Alejandro
Partway through an already invigorating, dance-filled set, Rosalía took her show to a new level: her fiancé, Rauw Alejandro, joined her to perform "Beso" and "Vampiros" from their joint EP RR. The music video for the former song announced the global superstar couple's engagement last month, showing off Rosalía’s stunning diamond ring.
Ellie Goulding Was The "Miracle" Calvin Harris' Set Needed
With his set starting around midnight, Calvin Harris was just getting Coachella's party started on Saturday. After playing several high-profile collaboration mixes, Harris finally introduced his one guest of the evening — and a major one at that. Frequent collaborator Ellie Goulding appeared to perform "Miracle," the duo's single that dropped last month.
Labrinth Surprised Everyone With Billie Eilish
Loneliness didn't last long at Labrinth's Saturday set. The singer's massive crowd was pleased to see former Coachella headliner Billie Eilish stop by to perform the pair's latest collaboration, "Never Felt So Alone." The track originally premiered on HBO's Euphoria, and Labrinth and Eilish made its live debut at Eilish's headline show at California's Kia Forum back in December.