Most beloved films would not have the same impact without the music that propels its scenes and evokes emotions from the viewers.

One such song is Jorge Drexler's "Al otro lado del río," from the 2004 film The Motorcycle Diaries, starring Gael García Bernal as young Che Guevara. It became the first Spanish-language song to win the Oscar for Best Original Song and was also nominated for Song Of The Year at the 2005 Latin GRAMMYs, firmly placing the Uruguayan artist on the global musical map.

In the latest episode of the ReImagined At Home cover series, watch Mexican singer/songwriter Silvana Estrada perform a warm, emotive rendition of "Al otro lado del río," breathing new life into the powerful track. Watch her gorgeous performance in full above.

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In 2006, John Mayer wrote "Waiting on the World to Change," feeling hopeless about the ongoing wars and society's future. Almost twenty years later, the track still finds relevancy in a world, once again, ridden by political tension.

"We see everything that's going wrong/ With the world and those who lead it/ We just feel like we don't have the means/ To rise above and beat it," Mayer croons in the opening verse. "So we keep waiting/ Waiting on the world to change."

In this episode of ReImagined, Indian singer Prateek Kuhad offers his take on Mayer's GRAMMY-winning call for peace. He remains faithful to Mayer's signature acoustic sound with a stripped-down performance, using only a guitar and a piano.

Along with Mayer, Kuhad also calls blues and folk singers Elliot Smith and Bob Dylan the primary influences on his songwriting.

Kuhad's cover comes on the heels of his latest project, Mulaqat, which was written exclusively in Hindi. In a social media post on the eve of the EP's release, Kuhad shared that the five-song collection is "stories from my life this year and are very close to my heart."

Press play on the video above to hear Prateek Kuhad's rendition of John Mayer's "Waiting on the World to Change," and check back to GRAMMY.com for more new episodes of ReImagined.

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While Snoop Dogg and Pharrell boast a bevy of chart-toppers across their respective careers, both artists' first No. 1 can be traced back to 2003 thanks to one special single: "Drop It Like It's Hot." The track went on to receive two GRAMMY nominations, Best Rap Song and Best Rap Duo/Group Performance. By the end of the 2000s, Billboard declared it the most popular rap song of the decade.

In this episode of ReImagined, contemporary jazz artist and drummer Kassa Overall delivers a live performance of "Drop It Like It's Hot" from a highway. Overall uses pieces of the song's original iconic production — like its tongue clicks — but ultimately turns it into his own with jazzy improvisation.

Overall's spirited performance is a teaser for what fans can expect on his Ready to Ball World Tour, which kicked off with a sold-out performance in Tokyo on Oct. 19. The trek will see Overall hit 30 cities in the United States and Europe, ending on March 21 in Knoxville, Tennessee.

Press play on the video above to hear Kassa Overall's unique rendition of Snoop Dogg and Pharrell's "Drop It Like It's Hot," and check back to GRAMMY.com for more new episodes of ReImagined.

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Though the title "Happier Than Ever" suggests otherwise, Billie Eilish's hit song is far from it. As the track's instrumental transitions from a soothing ukulele to a blazing electric guitar, Eilish comes to terms with her ex's mistreatment before exploding with rage over his behavior she let go over the years.

"I don't talk s— about you on the internet/ Never told anyone anything bad," Eilish exposes in the song's second movement. "'Cause that s—'s embarrassing, you were my everything/ And all that you did was make me f—ing sad."

In this episode of ReImagined, Mexican singer/songwriter Adi delivers an equally cathartic cover of "Happier Than Ever." She remains faithful to Eilish's vocal performance, but trades in the original pop-punk production for synth-pop sounds.

Beyond covers, Adi is a prolific content creator on TikTok and Instagram, boasting more than 450,000 combined followers across all platforms.

Since making her debut with the single "Poison" in March 2022, Adi has released two more singles, "Ojos Marrones" and "Monstruos." According to a press statement, her songwriting "reflects the feelings of a new generation of young people, where loneliness, depression, and love are present in their daily lives."

Press play on the video above to hear Adi's raging cover of Billie Eilish's "Happier Than Ever," and check back to GRAMMY.com for more new episodes of ReImagined.

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