Rapsody Honors Black Women's Past, Present And Future On 'EVE'


Photo: Jose Gongora 


Rapsody Honors Black Women's Past, Present And Future On 'EVE'

On the rapper's third album, out now, she has a sonic conversation about black women's worth and resilience

GRAMMYs/Sep 4, 2019 - 11:22 pm

Oprah, Maya, Serena, Michelle. These are just some of the black women, recognized by their first names alone in entertainment, sports, arts, politics and beyond, Rapsody recognizes on her third studio album, EVE. Over the course of 16 tracks, the GRAMMY-nominated rapper from North Carolina wants to show not only the strength and resilience black women hold, but that "black women come in a spectrum." 

 "I wanted to have a conversation," Rapsody tells the Recording Academy about speaking to black women through the album. "I wanted to write my letters to them to show that or remind us that we are beautiful, we are strong, that we are human."

EVE, the follow-up to 2017's Laila's Wisdom, which paid tribute to her grandmother, continues Rapsody's trajectory as one of hip-hop's most recognized and respected female voices. The Recording Academy spoke with the rapper about her album (out now via Roc Nation in partnership with Def Jam Recordings) about how black women are seen in society, how "IBTIHAJ" ​came about and more. 

EVE is not the first time you've paid tribute to women in the form of an album. Laila's Wisdom was named after your grandmother. Who are you paying tribute to on this album?

Leila's Wisdom was for me, and I wanted to make something that was more broad that all women could gravitate to and see themselves. I wanted to make something that showed that we're not monoliths, that black women come in a spectrum, that we have different flavors and styles and energy and it all should be celebrated and loved, and to show that even I am a reflection of so many different women. I'm inspired by so many different women I know, so many other black women. I learned motherly love from Phylicia Rashad, outside of my own mother and aunt.

I learned the power of words from Nikki Giovanni and Maya Angelou. It's examples like that. So I wanted to make a project that creatively told that story in this way. I probably recorded maybe 40 songs coming forth from this idea about 40 different women and I just would wake up every day and think of a different woman. And it was so much fun and so easy because I respect so many and I follow so many. We narrowed it down to the 16 that we have and that was based on sonics; how we wanted the album to sound, what songs sounded good together, but also for a wide range story. So that's kind of how we came to the project that we have now.

I mean, there's so many badass black women out there. How did you narrow it down to 16?

[Laughs.] It was so hard, believe me. I thought about doing a double disc. I thought about doing part one, part two, but I said in the world that we live in people can't consume that much music right now. They don't even have the attention span to. So once we found two songs that we really wanted to build around sound-wise, because when we make albums we make it off what sonically sounds good together, and that also doesn't repeat the same concepts that I did within the album, so I think we built around "OPRAH" and "SOJOURNER" and "AALIYAH." Those were the first three songs that we created that we knew we were going to keep for the album. And we built around what sounded good with those three songs.

That's kind of how we dwindled it down. And we might have two songs that told two different stories, but musically they sounded the same so we just had to pick which one we thought was the best one. But it was very difficult, though. But I think what we ended up with is variety. If you see music in colors, it's very colorful and a bunch of different colors. It shows the world of black women that I wanted to showcase. You're going to get the rowdy chick. You're going to get the introspective one. You're going to get the loving one. You're going to have songs about beauty. You're going to have songs that are political. So it just covered all the stories and energies that I wanted to showcase.

You named the album EVE. How come?

I wanted a title that represented black women. There's no one name that can tell the story of all these different women so I wanted to start with the first woman ever created, the mother of all living things, and that's Eve from the Bible. So that's why I chose Eve. God created man. He took a rib from him and blew life into a lung and He created the first woman and named her Eve. That is a reflection of who we are and where we come from and the beginning of women, giving birth to the world, nurturing the world, feeding the world through our bodies. So that's why I chose "EVE."

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Did you have an audience in mind when creating the album?

Yeah. Specifically, directly first I wanted to talk to black women. I wanted to have a conversation. I wanted to write my letters to them to show that or remind us that we are beautiful, we are strong, that we are human. It's okay to feel weak at times because we do carry so much and we have to go through so much. We have to fight so much, but we still persevere. So I wanted to talk to black women and black little girls, first and foremost. But then I wanted to talk to men to remind them why we should be loved, respected and protected, to remind them of their daughters, remind them of their sisters, their mothers, the women that are around them and to show them that at the core of who we are, you are this because of us.

Every man is raised by a strong woman. That's why I named the last song "AFENIA" but we kept it, we put the sample of 2Pac in it. We revere 2Pac and we love him for the man that he is, but he is who he is because he was raised by a strong black woman. And so those are the first two people I wanted to talk to. But I feel like no matter what race you are, what age group you are, what part of the world you are, this album will still resonate with you and you'll be inspired or feel something from it in some shape, form or fashion.

Do you feel like men have a role in uplifting black women?

I do. I think we have a role to each other. Women have a role to respect and love and uplift man and men should do the same for women. The men are the head of the household. I'm from the South, it's just one thing I believe. But it's for the man to protect the woman and to have her back and to love her and to be kind to her and to be patient and to step up for her in a time of need. Again, we deal with so much, having to bring life into this world, having to be the backbone when your man come home, especially black men from a long day of work and having to deal with the world, and how the world views black me, and how the black men is always on edge because of just everything that they have to deal with.

And it reminds me of a conversation that Nikki Giovanni had with James Baldwin. That section of where you hear Nikki expressing [something along the lines of,] "Well, you lie to the world all day. Why can't you lie to me?" The black man's saying, "Because I have to put on a front, because I have to hold everything in so long, you're the person that I could come to and let it all out and be myself." And it's just a powerful conversation, and I think it's important, that I want to make music that reflects both sides of that story. And at the end of the day we kind of have to be there for each other.

Do you feel the men have a role in uplifting women in the music industry?

Oh yeah, I definitely do. Especially as a female in hip-hop and coming up in this climate and we see how for me, our talent is looked at as less than because we're women, just the images that are portrayed and pushed to the forefront. So I think it's up to the men. It's a responsibility to have my back. And that's something men have been doing for me for my whole career. I was signed by 9th Wonder and Young Guru who believed in me, who felt like they didn't have to change my image and make me something that I wasn't just to fit up with what was trending or what was hot. Kendrick Lamar, he's been a supporter from day one. I'm the only feature on his second album, To Pimp A Butterfly, which is one of the most anticipated albums ever made.

Big K.R.I.T. has always been a supporter. He just recently hit me up to go on tour with him. Men have been supporting me my whole career. Jay-Z signed me. I'm the first female to be signed to Roc Nation and a lot of times men have stepped up for me more than women have at times. So it just shows when men step up and they're part of the conversation and they're part of the fight that we go through just to earn respect, it helps. In the same way, I would love to see the NBA players step up for the WNBA players when you talk about pay equality. It takes a village, not just gender. It takes everyone to create change and we should have that support.

"IBTIHAJ" came together in such a cool way. It features GZA and D'Angelo and it samples Wu-Tang. Tell me how that song came together. 

I was inspired to do it. One, from a Nicole Bus record called "You" where she actually used a old Wu-Tang sample the same way I did so I wanted something that felt like that for my album. And for whatever reason, myself and Nicole couldn't work, but 9th just went through a sample bank of a bunch of Wu Tang samples and he was like, "I'm going to do 'Liquid Swords,' just because how dope a song it was and what it meant for the time." And he just felt like that energy fit well with the album.They made the beat. It was crazy. I wrote to it and before we did anything, we had to reach out to GZA to ask for his blessing as a code of conduct because we are the culture and to also ask him to be on it because it just made sense.

It's probably his most popular song, so he agreed that we could even do the song and use the sample and that he would give us a verse. And while we were waiting on his verse we got a call, just trying to work out logistics and everything, getting GZA's verse recorded for the project. There was a person that was with D'Angelo, spoke about how D'Angelo was a fan of both myself and 9th and he thought that D'Angelo would really love the record.

So he wanted to play it for him and we told him we would love for him to. And he did. And D'Angelo connected with it so many other people because what that song meant when it came out for a lot of people, it connected a lot of people to a memory and the history that D'Angelo has with GZA and back then, the first time they did a song together, "Cold World," that's how much he loves Wu Tang. So for him the song inspired him in a way that he wanted to be a part of it and it just happened that naturally, just that organic and it came out to be a banger.

Malcolm X once said, "The most disrespected person in America is a black woman." Do you believe that still to be true today?

Yes, I do. That's one of the reasons I wanted to make this project.There's so much going on in the world: your gender, your race, your religion, so many factors. And black women are sometimes always at the bottom. Because we're women, we're looked at as less than because we're black, we're not respected, and then you have in your household we are the most disrespected, and sadly that's still true today. When I watch videos, black women having to fight for themselves and defend themselves and men are standing around in circles and just, it just never made sense to me.

They have to be the head of the household a lot of times and take up the slack and be the man or the woman. It's just a way harder fight than we expect, even in our image. There are a lot of times where our images are portrayed or taken by other people and they're looked at as being more beautiful when everyone else does. We used to get called ugly and talked about because we were thicker in our thighs and we had plumper, more beautiful lips. And the way we wore our hair, it was called "ghetto." But when other people do it that don't look like us in other races, it's called high fashion. And that's a disrespect. The way Serena Williams is treated sometimes in the tennis world, that's a disrespect that wouldn't necessarily happen if she wasn't a black woman. I definitely want to touch on that, and that's part of the reason I made the project.

What is the most empowering thing about being a black woman today for you?

For me the most empowering thing is our strength and our perseverance. No matter how much you disrespect us and how much you throw at us, we always find a way to thrive again. And that's embedded in our DNA because we've been doing it so long. Even in the political climate and time that we're in, a lot of black women are stepping up and saying we want change and we have to be that change, and I'm down for the cause. It's a powerful time that I love and appreciate. I always seen black women step up no matter how tired we get, no matter how much we continue to have to carry, no matter how many walls and doors get closed in our face, we don't give up. And that's powerful. And that's one thing that makes me proud to be a black woman and that I can stand on, something I can see when I was a little girl in my house with my mom and my aunt, to even in the world today that we live in. 

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Iggy Pop Announces New Album, 'Free', Shares Title Track

Iggy Pop

Photo: Harmony Korine


Iggy Pop Announces New Album, 'Free', Shares Title Track

"By the end of the tours following Post Pop Depression, I felt sure that I had rid myself of the problem of chronic insecurity that had dogged my life and career for too long. But I also felt drained… I wanted to be free," the Godfather of Punk explained

GRAMMYs/Jul 18, 2019 - 11:47 pm

Today, GRAMMY-nominated punk forbearer Iggy Pop revealed the details for his forthcoming 18th solo studio album, along with its short—at under two minutes—yet spacious title track, "Free." The 10-track LP is due out Sept. 6 and follow's 2016's GRAMMY-nominated Post Pop Depression.

"This is an album in which other artists speak for me, but I lend my voice," Pop explains in a press release.

The statement notes jazz trumpeter Leron Thomas and L.A.-based electric guitarist Noveller as the "principal players" collaborating with Pop on this exploratory new project. On "Free," Thomas' horn and Noveller's guitar add layers of depth, somberness and exploration, as Pop's echoing voice cuts through twice to proclaim, "I want to be free."

Pop adds that his last tour left him feeling exhausted but ready for change, and the shifts eventually led him to these new sounds:

"By the end of the tours following Post Pop Depression, I felt sure that I had rid myself of the problem of chronic insecurity that had dogged my life and career for too long. But I also felt drained. And I felt like I wanted to put on shades, turn my back, and walk away. I wanted to be free. I know that's an illusion, and that freedom is only something you feel, but I have lived my life thus far in the belief that that feeling is all that is worth pursuing; all that you need—not happiness or love necessarily, but the feeling of being free. So this album just kind of happened to me, and I let it happen."

Post Pop Depression earned the former Stooges frontman his second GRAMMY nod, at the 59th GRAMMY Awards for Best Alternative Music Album. It was produced by GRAMMY winner Josh Homme of Queens of the Stone Age and as a tribute of sorts to David Bowie, Pop's longtime friend the producer of his first two solo albums, and was released shortly after Bowie's surprising passing.

As the press release states, "While it follows the highest charting album of Iggy's career, Free has virtually nothing in common sonically with its predecessor—or with any other Iggy Pop album."

You can pre-order and pre-save the new album now for the Sept. 6 release here. You can also check out Pop's new book, 'Til Wrong Feels Right, on Sept. 26.

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Lila Downs Announces New Album Paying Tribute To The Chile Pepper, Releases Tour Info

Lila Downs 


Lila Downs Announces New Album Paying Tribute To The Chile Pepper, Releases Tour Info

The announcement was made with the release of the first single, a cover of the Peruvian cumbia classic "Cariñito"

GRAMMYs/Apr 11, 2019 - 04:42 am

GRAMMY-winning singer/songwriter Lila Downs, known for her eclectic mixture sounds from Mexico and beyond, has announced that her latest album, Al Chile, will pay tribute to the chile pepper and will drop May 3. The news came with the release of the first single, "Cariñito."

Al Chile, produced by the GRAMMY-nominated DJ and producer Camilo Lara (Mexican Institute of Sound) and mixed by Mario Caldato Jr., who has worked with the Beastie Boys and Jack Johnson, is not a joke; it sincerely shows love for the fruit. 

"Yes, the music is a tribute to the fruit that causes us so much craving and suffering, but that we really love!" Downs said in a statement. "We fry the chile, add beats from the city, then saxophones, trumpets and drums from the Mexican coast to keep the dance going. The village and the city are united by the same beat. With a mezcal in hand, we dream of a place with a palm tree where one falls in love and reflects."

The first single is Down's take on a Peruvian cumbia classic. The singer also released dates for the album's supporting tour that will take her to Los Angeles' Walt Disney Concert Hall, New York City, Seattle and other cities across the U.S.

For more information on the tour, visit Downs' website

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Tyga Talks Inspiration Behind "Go Loko" & Collaborating With L.A. Rappers Like YG



Tyga Talks Inspiration Behind "Go Loko" & Collaborating With L.A. Rappers Like YG

"Growing up in L.A., it's a really big culture here, Mexican culture," the rapper said. "So we really wanted to do something to give back to the culture."

GRAMMYs/Jun 8, 2019 - 04:16 am

Tyga's latest collab has him paying tribute to Los Angeles' large Mexican community. The rapper is featured on fellow L.A. rapper YG's  leading single, "Go Loko" off his latest album 4REAL 4REAL and when asked about his take on the song, he says much of it was inspired by Mexico's cultural impact. 

"Growing up in L.A., it's a really big culture here," he said. "Even YG could tell you, he grew up around all Mexicans, so we really wanted to do something to give back to the culture."

The video features visuals and symbolisms inpired by the Mexican community, including mariachi, but also by the Puerto Rican community (you'll easily spot the boricua flag). The song also features Puerto Rican rapper Jon Z. Tyga mentioned the diversity of Latinos on the different coasts and wanted to make a song that also celebrates the different Latin cultures in the country. "We wanted to do something different to kinda try to bring all Latins together," he said. 

Watch the video above to hear more about the song and the vibe when he joins forces with other L.A. rapppers. 

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Quarantine Diaries: ARI Is Cuddling With Her Cat, Making Her Own Tea & Preparing For Her Debut 'IDIOT GRL' EP Release


Photo: Nicole Davis


Quarantine Diaries: ARI Is Cuddling With Her Cat, Making Her Own Tea & Preparing For Her Debut 'IDIOT GRL' EP Release

As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors

GRAMMYs/Aug 12, 2020 - 02:59 am

As the coronavirus/COVID-19 pandemic continues to rock the music industry, the Recording Academy reached out to a few musicians to see how they were spending their days indoors. Today, rising singer/songwriter ARI shares her quarantine diary. ARI's debut IDIOT GRL EP is out Aug. 14.

[9:40 a.m.] A late start to the day. I just woke up to my cat Malakai licking my face and snuggling under my chin, desperate for cuddles. I reluctantly gave in before diving into my morning routine, which starts by going through all of the daily news on my Snapchat feed to see what’s going on in the world.

[11 a.m.] Just out of the shower and into the kitchen for the usual: tea and avocado toast. I don’t typically like tea or coffee, but I had this amazing tea from Starbucks once and fell in love with it. I ended up finding the recipe and making it myself, and to be honest, I like my version better. Once I boil the kettle, I start part two of my morning “meditation”: watching one of my favourite shows while I respond to emails. With the IDIOT GRL EP coming out next week, I can tell you there are a TON of emails. I turned on "Gilmore Girls" (my guilty pleasure) and opened up my laptop to go through my calendar.

[1:45 p.m.] Recording session time. Zoom calls have become my everyday life. It’s crazy to think that this time last year, you could actually be in a room with people. Now the most social interaction I get is virtually. On the positive side, I get to set up my little home studio from the comfort of my own bed and I find the sessions to be really productive with no outside distractions.

[3:30 p.m.] Malakai is meowing at my door. As I try to sing over him, eventually I can’t ignore his cute little voice. We take a quick break and I have a little playtime with him. I can hear my song playing in the living room—it still weirds me out hearing myself. My guess is my roommate aka my manager is sending off final approval for the “IDIOT GRL” music video, which comes out the same day as the EP. Super excited for everyone to finally see it!

[6:00 p.m.] Time for dinner. It may just be my favourite part of the day. During my session, my roommate cooked us some delicious pasta. We eat dinner together every night, which is really nice. Usually, after dinner, we wind down and watch TV, but we decided to try doing an arts and crafts project tonight. I watched this TikTok video of a DIY way to make music plaques. You take a screenshot of a song on Spotify and use a marker to trace out the name of the song, artist, play button, etc. Once that’s done, you simply add the album artwork of your choice, frame it, and voila! I thought it would be a cool idea to make a wall of each of the songs off of my EP.

[9:00 p.m.] After an eventful day, I decided to go watch a drive-in Maple Leafs game (wearing a mask, of course). My sister works for the TSN network and started hosting drive-in game nights to promote the network and social distancing events. I’ll admit, I’m not the biggest hockey fan, but I’ll never pass up an opportunity to spend time with my family.

[11:30 p.m.] I finally get home and hop straight into bed. I feel like I haven’t spent much time on Instagram today, so figured I’d open it up before getting some shuteye. I launched the pre-save link for the EP today and told my followers that I would DM anyone who pre-saved it and sent me a screenshot. I always love getting to interact with my fans and I can’t tell you how grateful I am to see how excited people are for my debut EP. It’s a great feeling to end the day with.

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