meta-scriptQuarantine Diaries: Ambré Is Making Music, Enjoying New Orleans & Playing Video Games With Her Brother | GRAMMY.com
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Quarantine Diaries: Ambré Is Making Music, Enjoying New Orleans & Playing Video Games With Her Brother

"You gotta figure out new ways to live life, and it's making me a better person. As messed up as the circumstances are, you can always find the good," Ambré says her video diary

GRAMMYs/Sep 29, 2020 - 11:58 pm

As the coronavirus/COVID-19 pandemic continues to rock the music industry, GRAMMY.com reached out to a few musicians to see how they were spending their days indoors. Today, New Orleans-born alt R&B singer/songwriter Ambré shares her video Quarantine Diary.

Alt R&B singer/songwriter Ambré met producer Erick Bardales in 2014 and began making music with him when she was just 17. In 2015, she released her first mixtape, Wanderlust, which was produced by Bardales. That same year, the "american beauty" singer gained recognition for her first collab with Kehlani in 2015, a cover of Drake's "Preach."

She's also collabed with the Glitch Mob, TOKiMONSTA, Keys N Krates and Ryan Hemsworth, and co-written music on H.E.R.'s GRAMMY-winning self-titled mixtape. After signing to Roc Nation in 2019, she released her major label debut project, the Pulp EP, in November 2019, followed by Pulp (Director's Cut) this past July 31.

In the latest episode of GRAMMY.com's Quarantine Diaries series (watch above), the "fubu" singer brings us along for a productive day working on music and enjoying good company (her brother and Bardales) and good food while staying in her hometown of New Orleans.

"You gotta figure out new ways to live life, and it's making me a better person. As messed up as the circumstances are, you can always find the good," Ambré says in the video.

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Quarantine Diaries: Black Pumas' Eric Burton Is Working On A New Album & Spending Time In The Garden

Sabrina Carpenter
Sabrina Carpenter performing in 2024

Photo: Joseph Okpako/WireImage via Getty Images

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Sabrina Carpenter Releases New Single "Please Please Please": Everything We Know About Her New Album 'Short N' Sweet'

Sabrina Carpenter and her boyfriend are Bonnie and Clyde-style outlaws in the new video for "Please Please Please." Here's what we know about the album it belongs to, 'Short N' Sweet' — out Aug. 23.

GRAMMYs/Jun 7, 2024 - 05:27 pm

When Sabrina Carpenter announced her new album, Short n' Sweet, earlier this week, she also dangled a special treat in front of fans. "I also have a surprise coming for you on thursday night," she announced in an Instagram post, "so keep an eye out!!"

The surprise was a video for her new single, "Please Please Please," starring her boyfriend, Barry Keoghan. Directed by Bardia Zeinali, the clip is a high-octane rendering of Carpenter and Keoghan as a pair of bona fide outlaws, whose relationship rides a rollercoaster of criminality and incarceration.

The slinky track follows her viral hit "Espresso" from last spring — itself the lead single from Short n' Sweet. As the YouTube comments pour forth, flecked with adjectives like "obsessed" and "iconic," here's everything GRAMMY.com could dredge up about the forthcoming LP.

Short N' Sweet Will Be Released Aug. 23

Carpenter's been mum on many of the details of Short n' Sweet, but she did allow that the Jack Antonoff and Julian Bunetta-produced, 36-minute album willl be released Aug. 23.

"This project is quite special to me and i hope it'll be something special to you too," she wrote on said Instagram post; it's practically destined to soundtrack the dog days of summer as they fade to fall.

The Album Will Hop Between Genres

Speaking to Maya Hawke — who herself just released her third album, Chaos Angel in Interview Magazine, Carpenter discussed the contents of her next offering.

"I feel a lot freer and more excited about what I'm making now because I've realized that genre isn't necessarily the most important thing. It's about honesty and authenticity and whatever you gravitate towards," she stated. "There were a lot of genres in my last album, and I like to think I'll continue that throughout writing music."

Read more: Sabrina Carpenter's Big Year: The Pop Songstress Gushes On The Eras Tour, Her Christmas EP & More

The Title Is A Reference To Her Height

Speaking to Cosmopolitan about her opening slot on Taylor Swift's Eras Tour, Carpenter called performing those sets "a tall order."

"This is not even to sound like a pick-me, like when girls are like, 'I'm so small, I can't reach the top shelf' — I'm literally five feet tall," she said mirthfully. "So sometimes when I'm on that stage, it feels so huge that I just have to be larger than life in some capacity."

She's worked her height (or lack thereof) into the promotional machine behind
Short n' Sweet: billboards the country over say things like, "When I say I hate short people, Sabrina Carpenter is NEVER included."

We Have The Album Cover

On the cover of Short n' Sweet, the sunkissed singer looks over her shoulder with a kiss mark on her shoulder, against a striking azure sky, her blonde hair hanging down.

The Eras Tour Harkened A New One

As mentioned, Carpenter got the opening gig of a lifetime — warming up the Eras Tour across America, Australia and Asia. Speaking with Cosmo, she revealed the tour wasn't an end to itself, but a launching pad to new adventures.

Read more: Behind The Scenes Of The Eras Tour: Taylor Swift's Opening Acts Unveil The Magic Of The Sensational Concert

"I'm starting to feel like I've outgrown the songs I'm singing [on The Eras Tour]," she explained, "which is always an exciting feeling because I think that means the next chapter is right around the corner." Behold: that chapter is now.

Everything We Know About Halsey's New Album: Listen To New Song "The End"

Charli XCX Press Photo 2024
Charli XCX

Photo: Harley Weir

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Charli XCX's Road To 'Brat': How Her New Album Celebrates Unabashed Confidence & Eccentricity

As Charli XCX releases her sixth studio album, revisit the creative decisions and ventures that led to 'Brat' — and how it all helped her become one of pop's most innovative stars.

GRAMMYs/Jun 6, 2024 - 05:32 pm

Charli XCX is a product of the internet. A teen during MySpace's peak years, Charli — born Charlotte Aitchison — landed her first gigs thanks to the platform. Her first amateur album, 14, caught the attention of a promoter organizing illegal raves in London, and soon enough, she was performing at those parties as Charli XCX — fittingly, a former online username.

Even though 14 never had an official release (and Charli has declared her distaste for it, calling the project "terrible MySpace music"), her earliest beginnings became the throughline to her current work. MySpace was a breeding ground for creativity and Charli used it to explore niche — and unheard-of — genres. To date, she's touched on every iteration of pop, including electro-pop and dance-pop, even being heralded as the figurehead for hyperpop. As a result, she's not your stereotypical pop star.

Just over a decade after the release of her debut album, 2013's True Romance, Charli XCX is bringing everything she's done from her MySpace beginnings to present day with her sixth studio album, Brat. Leaning on the time spent performing at raves and clubs as a young teen, she embodies the same childlike and larger-than-life approach she had when she was first starting.

Charli XCX was signed to Asylum Records in 2010 but felt lost, according to an interview with The Guardian. The process of figuring out her artistry earned her a trip to meet with producers in Los Angeles, where she met American producer Ariel Rechtshaid. After they wrote her eventual single "Stay Away," everything started falling into place. "I was freaking out: I had found a piece of myself in this crazy world where people are trying to drag you apart and make you into something," she recalled. "That's when things started to come together."

Before she even released her debut album, Charli XCX first found global success as a songwriter. After penning the club-ready song "I Love It," she opted to give it away to Swedish synth-pop duo Icona Pop because it didn't suit the sound Charli was leaning into. But she did feature on the 2012 track, which became a global smash and landed at No. 7 on the Billboard Hot 100 — solidifying Charli as an artist to watch.

Almost a year later, Charli XCX released her major label debut with True Romance, her first studio album, in 2013. Although it didn't land on any major charts or spawn any hits, what the album did have was a clear, catchy direction. When reflecting on the album to NME, she stated that she was "just a MySpace kid" inspired by things that seemed out of reach for her, like the plots in teen movies and party photos from club scenes. True Romance was also integral to Charli discovering herself "as a person"; she's said that the album helped her better understand her voice, confidence, style, and stage presence.

Although True Romance didn't immediately make Charli XCX into a household name, it did usher in new opportunities for her as an artist. One of those opportunities was working with then-up-and-coming rapper Iggy Azalea on the track "Fancy," which marked a breakthrough moment for both rising stars. Along with spending seven weeks at No. 1 on the Billboard Hot 100 and scoring Charli XCX her first two GRAMMY nominations (Record Of The Year and Best Pop Duo/Group Performance), she has insisted that "Fancy" helped open the doors for her to write for bigger artists.

Following the taste of the mainstream after "I Love It" and "Fancy," Charli XCX seemingly veered towards a poppier and brighter sound — and soon found herself on the charts as a solo act. Charli XCX's first top 10 solo hit, "Boom Clap," was first featured in the 2014 film The Fault in Our Stars and eventually became the lead single to Charli XCX's sophomore record, Sucker. Working with the likes of Weezer frontman Rivers Cuomo, Rostam Batmanglij of Vampire Weekend, Benny Blanco, and more, Sucker showcased XCX's whip-smart songwriting and tongue-in-cheek aphorism, changing out gritty synths for glittery guitars and sky-soaring drums. 

But the new sound didn't necessarily indicate a new direction. She has admitted that she was chasing chart points with Sucker rather than writing songs that she enjoyed, and pieces of the album "feel fake" to her as a result. Still, Sucker helped validate what Charli already knew about herself, even if she got a little lost along the way. As she told The Guardian in 2018, rebelling on the outskirts of mainstream music is where she's meant to be, creating her "own language" and her "own world."

Shrugging off feeling rather stifled post-Sucker, Charli XCX began working with Scottish producer Sophie in March 2015. In October of that year, the singer released the track "Vroom Vroom" and unveiled an EP of the same name a few months after, both of which signaled that Charli was embracing a more experimental electronic sound and marking a change in sonic direction for her.

"I've worked with Sophie on the new EP and what we create together speaks for itself," Charli said about Vroom Vroom. "The album goes to other places and I can't wait for people to hear it. I feel the most creative I have in a long time and I couldn't be more excited for the next chapter." 

Although the EP didn't go over as sweetly as Sucker and True Romance did with critics and fans, Vroom Vroom is now heralded as a pioneering work in the hyperpop genre. When speaking with Vulture about the highs and lows of her career, she credits Sophie's production for the EP title track being a "f—ing masterpiece," noting that the song, in particular, was complex and niche, teetering between underground and mainstream. As she declared, it's why the song has "only retroactively found praise by those who now have a taste for that genre of pop."

Read More: Get Glitchy With These 7 Artists Essential To Hyperpop

In 2017, XCX's work in hyperpop continued with two Top 40 tracks, "After the Afterparty" and "Boys," the latter of which became an instantly viral track thanks to its sultry cameos from a slew of male celebrities. Both were meant to be part of Charli's third studio album, but after the album leaked, she opted to release two more electronic experimental mixtapes — 2017's Number 1 Angel and Pop 2 — rather than labelling them albums. Much like the way Charli approached her earlier recordings, the two mixtapes were her return to experimentation, and, by not calling them albums, she could freely create and avoid charting pressure from her label

From the fall of 2018 to the fall of 2019, XCX released a slew of singles with other artists — "1999" with Troye Sivan, "Blame It on Your Love" featuring Lizzo, "Gone" with Christine and the Queens, and a few others all leading up to the release of her third album, Charli. Equal parts explorative and expansive, Charli saw XCX explore every emotion in abundance. Although she didn't move too far away sonically, at the time Charli was the "most personal album" she had ever made. She told The Standard that it "encapsulated all sides" of who she is, because she'd rather create the music she wants to create instead of sacrificing her art for a thinly veiled attempt to become a bigger artist.

Five years separated Sucker and Charli, but the star only took eight months to release her next album, 2020's How I'm Feeling Now. A six-week DIY experiment throughout the early months of the COVID-19 lockdown, How I'm Feeling Now became Charli's pandemic album. Produced alongside longtime producer AG Cook, she crafted an album that touched on the universal experiences everyone was going through ("I'm so bored – what?/ Wake up late and eat some cereal") and bristled with longing to return to a sweaty and sticky dance floor. 

While Sucker was Charli trying to appease the public at the expense of her art, her snarky fifth studio album, 2022's Crash, leaned into that mindset tenfold. Playing a dramatized "soulless" caricature of herself, Charli wrote and promoted the conceptual album satirically, stating that it's her "major label sell-out" album by heavily leaning into the concept of selling one's soul to get what you want. And it worked: the album debuted at No. 1 on the UK Albums Chart, her first time ever hitting No. 1 in the UK, in addition to debuting at No. 7 on the Billboard 200, which was her first top 10 and her highest-charting album to date in the United States. 

Looking back, XCX felt that Crash, much like Sucker, didn't resonate deeply with her. "There were songs on Crash that I would never listen to," she asserted to The Face earlier this year. Longing to change things up, yet again, brings Charli to Brat

For an artist who is truly a sonic shapeshifter, it makes sense that she'd eventually return to her club roots on Brat. "Von Dutch," the album's lead single, serves as a throwback to her teens with its punchy synth-driven electropop melody reminiscent of her earlier tracks. The album's second single "360," an electro-pop ear-worm, features Charli's signature on-the-nose songwriting, singing, "I went my own way and I made it, I'm your favourite reference baby." It's apt, then, that the music video brings together the internet's "It Girls" — Julia Fox, Gabbriette, Emma Chamberlain, and many others — to try and find the next viral sensation, all while poking fun at the ridiculousness of the influencer world.

"I just want to be able to make the music that I want to make without having to sacrifice any of my artistic decisions," Charli told The Standard during the release of Charli. "I don't ever want to become something that I'm not because I've done that before. I didn't even know myself properly as a person let alone as an artist. I think I've figured out who I am now."

Five years later, and the release of Brat is, in a way, her coming full circle. Pairing her origin story — illegal raves, club nights and the internet world — with a decade of working on her own music and collaborating with big-name artists has been the catalyst to Brat. But it's also her official declaration that she's staying true to her artistry, for herself but also for her fans.

As she told British GQ ahead of Brat's release, she still grapples with the temptation of tapping into a more commercial sound. "Sometimes I tempt myself with going there, but I think the problem is my fan base knows that that's not who I am, so they kind of smell a rat, and they're like, 'This is inauthentic.' But then I think that sometimes puts me in this position where the masses are like, 'What the f— is this?'

"But I would in no way be as happy, creatively satisfied or, honestly, as good as some of the people who are operating on a hugely commercial level," she adds, "because maybe I'm just not built for it."

And maybe she's not. But her unashamed and unfiltered confidence is exactly what's made her such a beloved star, as well as what brings Brat together — and it's likely what we'll continue to see from Charli XCX from now on.

Lady Gaga's Biggest Songs: 15 Tracks That Show Her Avant-Garde Pop Prowess

Metro Boomin Performs at Future & Friends' One Big Party Tour in 2023
Metro Boomin performs during Future & Friends' One Big Party Tour in 2023

Photo: Prince Williams/Wireimage 

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Metro Boomin's Essential Songs: 10 Must-Know Tracks, From "Creepin" To "Like That"

The 2024 GRAMMY nominee for Producer Of The Year is one of hip-hop's most in-demand minds. Between his collab albums with Future and some highly debated beefs with rap's biggest stars, it's the perfect time to revisit the Metro-verse.

GRAMMYs/Jun 4, 2024 - 01:38 pm

Metro Boomin has spent more than a decade redefining rap music. The gloomy, 808-induced trap beats that flood radio airwaves and blare from nightclub speakers are a symbol of his influence. But now, the Atlanta-based superproducer is on one of his biggest musical runs to date.  

In April, Metro released the second of two joint albums with Future, hinted at a third release this year, sold out a concert at the Kundalini Grand Pyramids in Egypt, and clinched the No. 1 spot on Billboard’s Hot 100 with "Like That" featuring Kendrick Lamar. He also delivered a first-of-its-kind instrumental diss aimed at Drake called "BBL Drizzy," accusing the Toronto rapper of going under the knife.  

The diss was in response to Drake’s "Push Ups" and subsequent disses toward Kendrick Lamar. "Metro shut your hoe ass up and make some drums" he rapped. The verbal blow inspired Metro to release the hilarious instrumental, which he encouraged fans to rap on for a chance to win a free beat.  

Months before the feud, Metro celebrated two nominations for Best Rap Album and Producer of the Year, Non-Classical at the 66th GRAMMY Awards. While he didn’t take home a coveted golden gramophone, the momentum has elevated his career to new heights.  

Before the St. Louis-bred producer kicks off the We Trust You tour with Future on July 30, revisit 10 of Metro Boomin's biggest releases.  

"Karate Chop" (2013) 

A 19-year-old Metro crafted his first charting single right before making a life-changing move to Atlanta. With piercing synths and bubbly arpeggios, the song was the lead single for Future’s highly anticipated sophomore album, Honest. 

But Metro, a freshman at Morehouse College at the time, wasn’t sold on its success. "I never really like it," Metro told XXL. "Then every time people would come into the studio, he would always play the record and I was like, ‘Why are you so stuck on this s—? We have way harder records.’"  

But after cranking out a new mix on the original track, "Karate Chop" went on to become his first placement on a major label album. The remix with Lil Wayne further elevated the record and, by virtue, Metro’s profile as a musical craftsman.  

"Jumpman" (2015) 

 Metro mastered the late-summer anthem in 2015 with "Jumpman." The song was the most notable hit from Drake and Future’s collaborative mixtape, What a Time to Be Alive, and went on to shut down bustling nightclubs and obscure strip joints. And while the record didn’t perform as well as other songs on this list, it secured Future his first Top 20 hit.  

The song — which features Metro’s signature bass and a screeching raven sound effect — also saw a streaming boost after an Apple Music commercial featuring Taylor Swift rapping to the song. According to Adweek, the campaign helped generate a 431 percent increase in global sales 

 What makes "Jumpman" even more special is that a collab between Future, Metro, and Drake may never happen again. Reportedly, the duo is at odds with Drake because the OVO artist decided to link with 21 Savage on Her Loss instead of doing a follow-up project with Future.  

"Father Stretch My Hands Pt. 1" (2016) 

"Father Stretch My Hands Pt. 1" is the song that set Kanye West’s album, Life of Pablo, ablaze. Opening with a clip of gospel musician and singer T.L. Barrett’s Father I Stretch My Hands,” Metro’s signature producer tag kicks the record into full gear. The pulsating synthesizers and bouncy percussion match West’s raunchy and sexually explicit lyrics.  

Metro’s production received significant praise, with several publications pointing to his contributions on end-of-year listings. And in the eight years since its release, "Father Stretch My Hands Pt. 1" has been certified six times platinum by the Recording Industry Association of America, making it one of Ye’s most-sold records of all time. 

"Congratulations" (2016) 

After the success of "White Iverson," a young Post Malone was on the hunt for the hottest producers in the rap game. He managed to land Metro, who worked with fellow producers Frank Dukes and the prolific Louis Bell on the triumphant trap record "Congratulations."  

On a 2022 episode of the podcast "Full Send," Metro revealed that the celebratory song was made after watching the world’s greatest athletes eclipse historic feats of their own. "I remember the Olympics was on TV, and just how the music was sounding, it sounded like some champion s—," he said.  

"Congratulations" marked Post Malone’s second Top 20 hit following his debut, "White Iverson." The song was certified diamond after totaling more than 11 million combined sales. Today, it remains one of Metro’s biggest achievements.

"Bad and Boujee" (2017) 

Fueled by virality and a shoutout from Donald Glover at the 2017 Golden Globes, the Migos and Lil Uzi Vert’s "Bad and Boujee" landed Metro Boomin his first No. 1 Billboard hit as a producer.  

The song has every element Metro fans have grown to love: moody keys, hard-hitting bass, and plenty of room for the artists’ adlibs to pierce through the track.  

Two months before its eventual ascension, the song had a steep hill to climb atop the Billboard charts. But Metro’s production and the chemistry between Quavo, Offset, and Uzi helped the record shoot up to its rightful place. It continues to garner praise In the years since its 2016 release, too. It was ranked No. 451 on Rolling Stone’s "500 Greatest Songs of All Time" list 

"Mask Off" (2017) 

When "Mask Off" dropped in 2017, it scorched the Billboard charts. Hip-hop was flirting with flutes (as heard on songs like Drake’s "Portland" and Kodak Black’s "Tunnel Vision" — another Metro-produced beat) — but "Mask Off" stands out as the biggest song of the short-lived era.  

Metro infused jazz-like undertones to perfectly meld the flute lick into the dark and mystic beat. The record led to the remix with Kendrick Lamar, with his verse breathing new life into the already-seismic hit. It’s now certified nine times platinum.  

Years after the song’s release, Future said "Mask Off" initially put radio programmers in disarray. In his East Atlanta rapper’s Apple Music documentary The WIZRD, he revealed that the song dropped before Carlton WIlliams’ "Prison Song" sample was officially cleared. "Out of all the songs, ‘Mask Off’ wasn’t even legit," he said. "The s— was on the radio, they’re thinking it’s not a sample, but it got so big they were like, ‘It’s a sample.’" 

"Heartless" (2019) 

The Weeknd's "Heartless" is a pop and electro-clash classic that fires on all cylinders. The visuals are atmospheric, the lyrics are ultra-stimulating, and the production — partly handled by Metro — makes for a lasting club banger.  

The leading single for The Weeknd’s fourth studio album, After Hours, topped the Billboard charts. It marked the Toronto-born crooner’s fourth No. 1 hit and unveiled the depths of Metro’s musical arsenal.  

Metro produced four tracks on After Hours: "Faith," "Escape from L.A.," "Until I Bleed Out" and "Heartless." On the latter and in his other collaborations with The Weeknd, James Blake, and Solange, Metro’s creative sorcery was tested. He proved, once again, that he could generate a hit outside the confines of trap music.  

"Creepin" (2022)

After a solid outing on his first album Not All Heroes Wear Capes, Metro returned with another series of hard-hitting records. His second solo venture, Heroes & Villains, featured John Legend, Don Tolliver, Travis Scott, and other premiere artists. But the biggest song to come out of the star-studded lineup was "Creepin’" featuring 21 Savage and The Weeknd 

The only single to Metro’s second solo album struck sonic gold. The Weeknd’s flowy vocals overlay the silky and harmonic record, which transitions to a more trap-induced beat once 21 Savage’s verse kicks in. The remake of Mario Winans’ "I Don’t Wanna Know" was a notable departure from Metro’s past singles, which heavily lean on his trap roots. But it still managed to connect with his audience – and even beyond it. "Creepin" peaked at No. 3 on Billboard, which was Metro’s highest-charting solo record up until that point.

Spider-Man: Across The Spider-Verse (2023) 

Following the success of "Creepin’" and his other smash singles, Metro extended his creative powers to the film world. He was given the green light to executive produce the soundtrack for Sony’s Spider-Man: Across the Spider-Verse. 

Metro Boomin told Indie Wire that he crafted songs from rough animations and selected scenes "just to get in the world and the story of Miles [Morales] and what he’s going through," He even exchanged phone calls and texts with the film’s composer Daniel Pemberton to ensure the soundtrack and score were on the same accord.  

From the classical serenade "Am I Dreaming" to the Latin swing of "Silk & Cologne" and the Timbaland-stomping "Nas Morales," the result was an equally transformative musical experience. Each record ranged in musicality and tone while beautifully complementing the vibrant animated superhero flick.

"Like That" (2024) 

"Like That" is easily one of the best beats in Metro’s catalog, and may end up being one of the most memorable. Samples from Rodney O & Joe Cooley’s "Everlasting Bass" and Eazy-E’s 1989 classic "Eazy-Duz-It" shaped the bouncy trap beat, sinister synths, and spine-chilling baseline. But Kendrick Lamar’s verse turned it into a heat-seeking missile.  

With the song’s thunderous bass and rapid hi-hats in the background, Kendrick dissed J. Cole and Drake for their recent claims of rap supremacy, particularly on 2023’s "First Person Shooter." The lyrical nuke sparked the Civil War-style rap feud, which led to a seven-song exchange between Kendrick and Drake.  

The initial musical blow made the genre stand still. It also led to the massive success of the record, which notched Future and Metro another No. 1 hit song. It also helped the pair’s album, We Don’t Trust You, claim the top spot on the Billboard 200 albums chart.  

Inside The Metro-Verse: How Metro Boomin Went From Behind-The-Scenes Mastermind To Rap's Most In-Demand Producer 

Lil Wayne performing at Roots Picnic 2024
Lil Wayne performs at Roots Picnic 2024.

Photo: Taylor Hill/Getty Images for Live Nation Urban

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9 Lively Sets From The 2024 Roots Picnic: Jill Scott, Lil Wayne, Nas, Sexyy Red, & More

From hit-filled sets by The-Dream and Babyface to a star-studded tribute to New Orleans, the 2024 iteration of the Roots Picnic was action-packed. Check out a round-up of some of the most exciting sets here.

GRAMMYs/Jun 3, 2024 - 09:02 pm

As June kicked off over the weekend, The Roots notched another glorious celebration at West Philadelphia's Fairmount Park with the 16th annual Roots Picnic. This year's festival featured even more activations, food vendors, attendees, and lively performances.

On Saturday, June 1, the action was established from the onset. October London and Marsha Ambrosius enlivened the soul of R&B lovers, while Method Man and Redman brought out surprise guests like Chi-town spitter Common and A$AP Ferg for a showstopping outing. 

Elsewhere, rappers Smino and Sexyy Red flashed their St. Louis roots and incited fans to twerk through the aisles of the TD Pavilion. And Philly-born Jill Scott's sultry vocals made for a memorable homecoming performance during her headlining set. 

The momentum carried over to day two on Sunday, June 2, with rising stars like Shaboozey and N3WYRKLA showing the Roots Picnic crowd why their names have garnered buzz. Later in the day, rapper Wale brought his signature D.C. swag to the Presser Stage. And while Gunna's performance was shorter than planned, it still lit the fire of younger festgoers. 

Closing out the weekend was a savory tribute to New Orleans courtesy of The Roots themselves, which also starred Lil Wayne, acclaimed R&B vocalists, an illustrious jazz band, and some beloved NoLa natives. 

Read on for some of the most captivating moments and exciting sets from the 2024 Roots Picnic. 

The-Dream Serenaded On The Main Stage

The-Dream performing at Roots Picnic 2024

The-Dream | Taylor Hill/Getty Images for Live Nation Urban

After years away from the bright lights of solo stardom, The-Dream made a triumphant return to the festival stage on Saturday. The GRAMMY-winning songwriter and producer played his timeless R&B hits like "Falsetto" and "Shawty Is Da S––," reminding fans of his mesmerizing voice and renowned penmanship.

His vocals melted into the sunset overlooking Fairmount Park Saturday evening. And even in moments of audio malfunctions, he was able to conjure the greatness he's displayed as a solo act. Although, it may have looked easier than it was for the Atlanta-born musician: "Oh, y'all testing me," he said jokingly. 

The-Dream slowed it down with the moodier Love vs. Money album cut "Fancy," then dug into the pop-funk jam "Fast Car" and the bouncy "Walkin' On The Moon." He takes fans on a ride through his past sexual exploits on the classic "I Luv Your Girl," and closes on a fiery note with the "Rockin' That S—." While even he acknowledged that his set wasn't perfect, it left fans hoping to see more from the artist soon. 

Smino Rocked Out With His Philly "Kousins"

Smino performing at Roots Picnic 2024

Smino | Shaun Llewellyn

Despite somewhat of a "niche" or cult-like following, Smino galvanized music lovers from all corners to the Presser Stage. The St. Louis-bred neo-soul rapper played silky jams like "No L's" and "Pro Freak" from 2022's Luv 4 Rent, then dove into the sultry records from his earlier projects.

"Klink" set the tone for the amplified showcase, with fans dancing in their seats and through the aisles. His day-one fans — or "kousins," as he lovingly refers to them — joined him on songs like the head-bopping "Z4L," and crooned across the amphitheater on the impassioned "I Deserve." 

Under Smino's musical guidance, the crowd followed without a hitch anywhere in the performance. It further proved how magnetic the "Netflix & Dusse" artist is live, and how extensive his reach has become since his 2017 debut, blkswn.

Nas Took Fans Down Memory Lane

Nas performing at Roots Picnic 2024

Nas | Taylor Hill/Getty Images for Live Nation Urban

The New York and Philadelphia connection was undeniable Saturday, as legendary Queensbridge MC Nas forged the two distinctive cities for a performance that harnessed an "Illadelph State of Mind."

The "I Gave You Power" rapper played his first show in Philadelphia as a teenager, when he only had one verse under his belt: Main Source's 1991 song "Live at the BBQ." Back then, Nas admitted to underplaying the city's influence, but he knew then what he knows now — "I had to step my s— up." And he did.

The rapper played iconic songs like "Life's a B–" and "Represent" from his landmark debut Illmatic, which celebrated 30 years back in April. He even brought out Wu-Tang Clan's Ghostface Killah to add to the lyrical onslaught, and played records like "Oochie Wally" and "You Owe Me" to enliven his female fans.

Sexyy Red Incited A Twerk Fest

Sexyy Red performing at Roots Picnic 2024

Sexyy Red | Frankie Vergara

Hot-ticket rapper Sexyy Red arrived on the Presser Stage with a message: "Make America Sexyy Again." And as soon as Madam Sexyy arrived, she ignited a riot throughout the TD Pavilion aisles. Twerkers clung onto friends and grasped nearby railings to dance to strip club joints like "Bow Bow Bow (F My Baby Dad)" and "Hood Rats."

Red matched the energy and BPM-attuned twerks from her fans, which only intensified as her lyrics grew more explicit. Sexyy encouraged all of the antics with a middle finger to the sky, her tongue out, and her daring lyrics filling the air. Songs like "SkeeYee" and "Pound Town" added to the nonstop action, leaving fans in a hot sweat — and with their inner sexyy fully unlocked.

Jill Scott Delivered Some Homegrown Magic

Jill Scott performing at Roots Picnic 2024

Jill Scott (left) and Tierra Whack | Marcus McDonald

To close out night one, the Roots Picnic crowd congregated at the Park Stage for a glimpse of Philadelphia's native child, Jill Scott. The famed soulstress swooned with her fiery voice and neo-soul classics like "A Long Walk" and "The Way." Fans swayed their hips and sang to the night sky as Scott sprinkled her musical magic.

Scott, wrapped up in warm, sapphire-toned garments, was welcomed to the stage by Philadelphia Mayor Cherelle L. Parker. The newly elected official rallied the audience for a "Philly nostalgic" evening, and the GRAMMY-winning icon delivered a soaring performance that mirrored her vocal hero, Kathleen Battle. "Philadelphia, you have all of my love," Scott gushed. "I'm meant to be here tonight at this Roots Picnic."

"Jilly from Philly" invited some of the city's finest MCs to the stage for the jam session. Black Thought rapped along her side for The Roots' "You Got Me," and Tierra Whack stepped in for the premiere of her and Scott's unreleased rap song, a booming ode to North Philly. 

Fantasia & Tasha Cobbs Leonard Brought Electrifying Energy

Fantasia performing at Roots Picnic 2024

Fantasia | Taylor Hill/Getty Images for Live Nation Urban

Led by the musical maestro Adam Blackstone, singers Tasha Cobbs Leonard and Fantasia set the warmness of Sunday service and their Southern flare with a "Legacy Experience." And as the title of the performance suggests, their fiery passion was a thread of musical mastery.

As fans danced across the lawn, it was just as much a moment of worship as it was a soulful jam — and only the dynamic voices of the two Southern acts could do the job. "Aren't y'all glad I took y'all there this Sunday," Blackstone said.

The sanctity of Tasha Cobbs Leonard's vocals was most potent on "Put A Praise On It," and Fantasia's power brought the house down even further with classics like "Free Yourself" and "When I See U."

"I wasn't supposed to come up here and cut. I'm trying to be cute," Fantasia joked after removing her shoes on stage. The North Carolina native's lips quivered and her hands shook in excitement, as she continued to uplift the audience — fittingly closing with a roaring rendition of Tina Turner's "Proud Mary."

Babyface Reminded Of His Icon Status

Babyface performing at Roots Picnic 2024

Babyface | Marcus McDonald

There are few artists who could dedicate a full set to their own records, or the hits they've penned for other musicians. And if you don't know how special that is, Babyface won't hesitate to remind you. "I wrote this back in 1987," he said before singing the Whispers' "Rock Steady."

Throughout the legendary R&B singer's 45-minute set, he switched between his timeless records like "Every Time I Close My Eyes" and "Keeps on Fallin'," and those shared by the very artists he's inspired — among them, Bobby Brown's "Don't Be Cruel" and "Every Little Step," 

Fans across several generations gathered to enjoy the classic jams. There was a look of awe in their eyes, as they marveled at the work and memories Babyface has created over more than four decades. 

André 3000 Offered Layers Of Creativity

Andre 3000 performing at Roots Picnic 2024

André 3000 | Marcus McDonald

Speculation over what André 3000 would bring to his Sunday night set was the buzz all weekend. Fans weren't sure if they were going to hear the "old André," or the one blowing grandiose tones from a flute on his solo debut, 2023's New Blue Sun.

The former Outkast musician went for the latter, and while some fans were dismayed by the lack of bars, hundreds stayed for the highly rhythmic set. "Welcome to New Blue Sun live," André said. The majestic chimes and flowy notes of his performance reflect a new creative outlook, and as the performance went on, there was a cloud of coolness that loomed over the amphitheater.

His artistic approach is new to many fans, but he never stopped showcasing the personality they have grown to love. After delivering a message in an indistinguishable language, he panned to the crowd with a look of deep thought and said, "I just want y'all to know, I made all that s— up." It's the kind of humor fans have admired from him for decades, and moments like those are one of many reasons they stayed to watch the nuances of the MC's set.

Lil Wayne & The Roots Gave New Orleans Its Magnolias

Trombone Shorty and Black Thought at Roots Picnic 2024

Trombone Shorty (left) and Black Thought | Taylor Hill/Getty Images for Live Nation Urban

The sound of jazz trombones and the gleam of Mardi Gras colors transported West Philly to the bustling streets of New Orleans for the closing set of Roots Picnic 2024. The ode to the Big Easy featured natives like Lloyd, PJ Morton and the marvelous Trombone Shorty, all of whom helped deliver a celebratory tribute that matched the city's vibrance.

Lloyd floated to the stage singing The Roots' "Break You Off," and delved into his own catalog with "Get It Shawty" and "You." Morton soon followed with a soulful run of his R&B records, including "The Sweetest Thing" and "Please Be Good."

With anticipation on full tilt, Black Thought welcomed the festival closer to the stage with a message: "It's only right if Philly pays homage to New Orleans that we bring out Lil Wayne." And right on cue, Wayne drew a wave of cheers as he began "Mr. Carter."

Wayne strung together his biggest Billboard-charting and street hits, including "Uproar," "Hustler's Muzik" and "Fireman." The performance was a rousing cap-off to the weekend — and it clearly meant a lot to the rapper to rep his city in such grand fashion.

"This is a dream come true," Wayne said. "It's a motherf–ing honor."

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