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GRAMMY Rewind: Watch Mariah Carey Shine As She Wins Best New Artist At The 1991 GRAMMYs

Mariah Carey at the 1991 GRAMMYs

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GRAMMY Rewind: Watch Mariah Carey Shine As She Wins Best New Artist At The 1991 GRAMMYs

In the latest episode of GRAMMY Rewind, watch the powerhouse songstress accept her Best New Artist gramophone

GRAMMYs/Nov 27, 2020 - 11:43 pm

In the latest edition of GRAMMY Rewind, witness a 20-year-old Mariah Carey shine brightly at the 1991 GRAMMYs as she accepts her Best New Artist GRAMMY win.

"I'd just like to thank God for the blessings that have brought me here," she says, rocking curly locks and a classy, rhinestone-encrusted little black dress.

More Mariah: Mariah Carey's "All I Want For Christmas Is You" Hits No. 1 25 Years After Its Initial Release

That year, she took home her first two golden gramophones, also winning Best Female Pop Vocal Performance for her debut hit single, "Vision of Love." The powerful song was also nominated for Record Of The Year and Song Of The Year, while her self-titled debut album, which opens with the track, got a nod for Album Of The Year.

Meet This Year's Best New Artist Nominees | 2021 GRAMMYs

 

GRAMMY Rewind: Green Day Celebrates The "Danger And Fun" Of Rock As They Win A GRAMMY For 'American Idiot' In 2005
Green Day at the 2005 GRAMMYs.

Photo: Courtesy of the Recording Academy

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GRAMMY Rewind: Green Day Celebrates The "Danger And Fun" Of Rock As They Win A GRAMMY For 'American Idiot' In 2005

As Green Day accepted their Best Rock Album GRAMMY for 'American Idiot,' frontman Billie Joe Armstrong made sure to spotlight the culture of rock and roll.

GRAMMYs/Jan 6, 2023 - 06:15 pm

Nearly two decades after its release, Green Day's American Idiot remains one of the best-selling punk rock albums, both from the group's discography and within the genre. Home to Green Day's iconic tracks "American Idiot" and "Wake Me Up When September Ends," the 2004 album solidified Green Day's reputation within the rock world — and helped them win a GRAMMY.

In this episode of GRAMMY Rewind, revisit the trio's GRAMMY win for Best Rock Album for American Idiot in 2005. The group's seventh studio album brought in five other nominations that year: the prestigious Album of the Year category, as well as Record of the Year, Best Rock Duo/Group Vocal Performance, Best Rock Song, and Best Short Form Music Video for "American Idiot."

As the group accepted their Best Rock Album gramophone, each member took a turn at the mic thanking various contributors to American Idiot, including producer Rob Cavallo and their manager, Pat Magnarella.

"Everybody at Warner Bros., thank you for your hard work here," bassist Mike Dirnt praised. "All the fans. Everyone at radio that plays rock and roll music still."

To close out the speech, frontman Billie Joe Armstrong echoed the support for rock music. "We know rock and roll can be dangerous and fun at the same time," he said, "so thanks a lot!"

Press play on the video above to watch Green Day's complete acceptance speech for Best Rock Album at the 47th GRAMMY Awards, and keep checking back to GRAMMY.com for more episodes of GRAMMY Rewind.

2022 In Review: 5 Trends That Defined Rock

Press Play On GRAMMY U Mixtape: New Year, It’s Poppin'! Monthly Member Playlist

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Press Play On GRAMMY U Mixtape: New Year, It’s Poppin'! Monthly Member Playlist

The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from student members. GRAMMY U celebrates new beginnings with fresh pop tunes that will kickstart 2023.

GRAMMYs/Jan 6, 2023 - 12:17 am

Did you know that among all of the students in GRAMMY U, songwriting and performance is one of the most sought after fields of study? We want to create a space to hear what these students are creating today!

The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that students are bringing to this industry directly on the Recording Academy's Spotify and Apple Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.

Each month, we accept submissions and feature 20 to 25 songs that match that month’s theme. This month we're ringing in 2023 with our New Year, It's Poppin'! playlist, which features fresh pop songs that bring new year, new you vibes. Showcasing talented members from our various chapters, we felt these songs represented the positivity and hopefulness that GRAMMY U members embody as they tackle this upcoming year of exciting possibilities.

So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify below and Apple Music.

Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our February playlist. Whether you write pop, rock, hip hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the student member (an original song) and you must be able to submit a Spotify and/or Apple Music link to the song. Students must be a GRAMMY U member to submit.

About GRAMMY U:

GRAMMY U is a program that connects college students with the industry's brightest and most talented minds and provides those aspiring professionals with the tools and opportunities necessary to start a career in music.     

Throughout each semester, events and special programs touch on all facets of the industry, including the business, technology, and the creative process.

As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.

Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.

GRAMMY Rewind: MC Hammer Accepts A GRAMMY For "U Can't Touch This" With Gratitude, Faith & Patriotism On His Mind In 1991
MC Hammer at the 1991 GRAMMYs.

Photo: Robin Platzer/IMAGES/Getty Images

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GRAMMY Rewind: MC Hammer Accepts A GRAMMY For "U Can't Touch This" With Gratitude, Faith & Patriotism On His Mind In 1991

MC Hammer spoke from the heart as he claimed his trophy for Best Rap Solo Performance for "U Can't Touch This," one of two GRAMMYs he won for the rap classic.

GRAMMYs/Dec 30, 2022 - 06:33 pm

Today, MC Hammer's "U Can't Touch This" is known as one of the defining rap classics of the early '90s. Of course, the song was a massive hit upon its release, too — and it scored Hammer two golden gramophones at the 1991 GRAMMYs, in both rap and R&B categories.

In this episode of GRAMMY Rewind, turn back the clock to 1991 and revisit Hammer's heartfelt, off-the-cuff acceptance speech for Best Rap Solo Performance. As he stood at the podium, the rapper admitted he didn't have the complete list of names of people he wanted to thank — so instead, he spoke from the heart.

"First of all, I would like to thank God for this honor," Hammer said. "Without Him, I know it's not possible."

He went on to thank the people at his record label who supported him throughout the creation of the song, and concluded with a mention of something that was weighing heavy on the hearts of many in early 1991: the Gulf War.

"Once again, I would like to send this one out to the family and the men and women who are putting their lives on the line for us in the Persian Gulf," Hammer concluded before he left the stage, receiving a rousing round of applause. 

The early-'90s Middle East conflict was a hot topic in the U.S. at the time of the 33rd GRAMMY Awards. Just before the 1991 GRAMMYs took place, Hammer was part of a star-studded, all-genre cast of singers who recorded a new group version of John Lennon's "Give Peace a Chance" in light of the war. 

Press play on the video above to watch Hammer's full acceptance speech for Best Rap Solo Performance, and keep checking back to GRAMMY.com for more new episodes of GRAMMY Rewind. 

Meet The 2022 Nominees For Best Rap Album At The 2023 GRAMMY Awards

2022 Year In Review: 7 Trends That Defined R&B
(L-R) Mariah Carey, FKA Twigs, Mary J. Blige, Wizkid, SZA, Kehlani

Photo: (L-R) Aaron J. Thornton/Getty Images for BET, Emma McIntyre/Getty Images for The Recording Academy, Scott Dudelson/Getty Images, Timothy Norris/Getty Images, Erika Goldring/WireImage, Bryan Bedder/Getty Images for Grey Goose Essences

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2022 Year In Review: 7 Trends That Defined R&B

From the return of beloved mainstays to unexpected collaborations, revisit some of the year's biggest moments in R&B.

GRAMMYs/Dec 26, 2022 - 05:24 pm

2022 was a glowing year for R&B, with newcomers and legends alike shattering claims that the genre is on the brink of losing its popularity. It was quite the opposite, actually — newer R&B stars like Flo helped revive '00s nostalgia, and veterans like Babyface showed that there's strength in collaboration.

As the world re-emerges from the pandemic, artists channeled a brighter energy in their music, using more upbeat melodies and lyrics that emphasized fun and romance. Chlöe provided the twerk-friendly anthems, while FKA Twigs' Caprisongs mixtape featured a song for every kind of party imaginable.

There were plenty more R&B stars new and old who contributed to the genre's shine this year. Below, revisit some of 2022's biggest moments in R&B.

The Ladies Seduced Us

R&B has always maintained a sensual core, and the women of the genre confidently reminded listeners of that fact throughout 2022. On her second album Age/Sex/Location, ​​Ari Lennox explored the ebbs and flows of lust with songs like the NSFW "Leak It" (featuring Chlöe) and the flirtatious "Hoodie." Chlöe also continued to unleash her seductive goddess on her solo single, "Surprise."

Two years before SZA dropped her long-anticipated second album, SOS, in December, she showed off her pole-dancing skills in a 2020 Instagram post teasing single "Shirt." (And when lead single "Good Days" arrived in March, she continued her seduction in the outro of the music video.) The LP details the journey of post-lust heartbreak and how to regain one's confidence, from the sneaky affair of "Low" to feeling empty on the punk rock-inspired "F2F."

Peacock's Bel-Air star Coco Jones proved her singing ability was equally as strong as her acting skills, as she captured hearts with her debut EP, What I Didn't Tell You, including the yearning single "ICU." Amber Mark, also a fellow newcomer, released her debut album Three Dimensions Deep. The LP features an array of genres, but songs like "Softly" are what really entranced listeners.

Singers From Across the Pond Ruled

The appreciation for R&B spans shores, and British artists delivered fresh spins on the genre. Cheltenham's FKA Twigs set the energetic tone with the January release of her first mixtape, Caprisongs, which is filled with a kaleidoscope of sounds from drum and bass to trap. Leicester's Mahalia navigated heartbreak with her Letter To Ur Ex EP. Southampton native Craig David tapped back into his '00s style with his nostalgic eighth album, 22, which opens with an interpolation of fellow R&B star Jon B.'s 1998 classic, "They Don't Know."

After winning over stateside fans in 2018 with her GRAMMY-winning single "Boo'd Up," London-born Ella Mai returned with her sophomore album Heart on My Sleeve — a self-described "therapy session" that highlighted the artist's diaristic songwriting. London also spawned a new girl group this year with Flo, a trio who channeled the heydays of '00s pop&B with their debut EP, The Lead.

Afrobeats Trickled Into The Genre

Afrobeats' international popularity has surged over the past few years, so much so that other genres are now borrowing its infectious groove. This year, R&B singers infused the genre into their own sounds, further showcasing Afrobeats' versatility.

FKA Twigs' Caprisongs features "Jealousy," a mellow collab with burgeoning Nigerian artist Rema. Two months later, Rema dropped R&B-infused music of his own on his debut album, Rave & Roses, which featured guests like 6lack and Chris Brown.

The month of June gave way to sweltering summer collaborations. Diddy paired up with Bryson Tiller on the brooding "Gotta Move On," which scored the music mogul his 11th No. 1 on Billboard's Adult R&B Airplay chart. And in true Diddy fashion, he dropped a "Queens" version featuring Yung Miami and Ashanti.

Not long after, Chris Brown and Wizkid joined forces for "Call Me Every Day." Marking their third collaboration, the sultry smash illustrated just why they're crowned the princes of R&B and Afrobeats, respectively.

Artists Took It Back To The Club

R&B is not always about love songs and heartbreak. Rather than dwell in their feelings, a handful of singers opted for a more lighthearted approach in their music. After jumpstarting her solo era with last year's booty anthem "Have Mercy," Chlöe kept the ode to curves going with "Treat Me." Built atop a sample of Bubba Sparxxx and the Ying Yang Twins' 2005 hit "Ms. New Booty," "Treat Me" is a self-confidence anthem.

Baby Tate also borrowed an Atlanta crunk staple from the same year for "Ain't No Love." Featuring fellow Georgia native 2 Chainz, the bouncy tune samples Ciara's "Oh" collaboration with Ludacris, spinning the '00s classic into a modern-day jam.

On the opposite coast, Los Angeles' own Blxst solidified his signature laid-back style with his debut album, Before You Go. Lead single "About You" is best served with a cold one and a two-step.

Kehlani then took listeners to their native Bay Area with April's Blue Water Road album (where Blxst also makes an appearance). The Slick Rick-sampling "Wish I Never" is the ultimate '90s house party jam while the upbeat "Up At Night" with Justin Bieber will do just what its title implies.

Other club genres also came into play, with Ravyn Lenae experiencing house euphoria on Hypnos' "Xtasy" and FKA Twigs going full dancehall alongside shygirl with Caprisongs' "Papi Bones."

There Were Many '90s Celebrations

The '90s still has a tight grip on R&B's current sound, and the artists who ruled that decade proudly reminded us of that fact in 2022. For the 25th anniversary of Mariah Carey's transitional Butterfly album, the icon released a special re-edition that features an updated version of "The Roof" (with added vocals from Brandy) and "Whenever You Call" (with Brian McKnight), a live version of "My All" from VH1 Divas Live, the "Amorphous Anniversary Club Remix" of the title track and more.

Usher also got in the commemorative spirit, releasing My Way (25th Anniversary Edition) — which happens to share the same Sept. 16 anniversary as Carey's Butterfly. The new edition included reimagined versions of three tracks: "My Way (Ryan James Carr Remake)," "Nice & Slow (Ryan James Carr Remake)" and "You Make Me Wanna… (Ryan James Carr Remake)."

To commemorate another 25th anniversary, Erykah Badu celebrated her GRAMMY-winning Baduizm debut with a pair of shows at London's Royal Festival Hall.

Other '90s celebrations came from R&B quartet Xscape, who received the Lady of Soul honor at the 2022 Soul Train Awards, and new artist LAYA, who honored Missy Elliott with a cover of the rapper's 1997 single "Sock It 2 Me" for Women's History Month.

Alt-R&B Girls Made A Return

The beauty of R&B is in its sonic diversity. Alternative R&B has blossomed in popularity over the years, and 2022 saw the return of some of the subgenre's leaders.

Santigold made a thrilling return with Spirituals, the singer's first album in six years. An emotional journey through lockdown, the LP fuses gospel, electronica, punk and pop, all tied together with Santigold's signature yelps.

Another long-awaited comeback came from Kelela, who re-emerged in September after a five-year hiatus. Her single "Washed Away" is the launchpad to her second album Raven, which will be released next February. "Raven is my first breath taken in the dark, an affirmation of Black femme perspective in the midst of systemic erasure and the sound of our vulnerability turned to power," Kelela shared in a press release.

Although Solange didn't give fans new music in 2022, the singer was honored with the 2022 NYU Global Trailblazer Award for Creative and Artistic Excellence in March. And ever the ever-unpredictable star, she composed a score for the New York City Ballet that came to life with a performance at the Lincoln Center in September.

Old School Met New School

This year, there was no separation of generations. Rather, the "legend vs. newcomer" hierarchy was completely dismissed, as artists from the '60s to today joined forces in the recording studio.

Ronald Isley and Beyoncé wooed soul fans with their rework of "Make Me Say It Again, Girl," which originally appeared on the Isley Brothers' 1975 album, The Heat Is On. Isley's wife/manager Kandy told Billboard that Beyoncé's mother Tina Knowles-Lawson was integral in the collaboration, marking a full-circle moment for the star, who grew up listening to the group. "The fact that they are giving us permission to put it out at this time is just overly special," Kandy said.

Ciara and Summer Walker's lilting vocals complemented each other on "Better Thangs," while  SZA (whose stage name pays homage to Wu-Tang Clan member RZA) featured the late Ol' Dirty Bastard on SOS. Elsewhere, PJ Morton's latest album is a celebration of collaboration, with guests Stevie Wonder and Nas on "Water," and Jill Scott and Alex Isley on "Still Believe."

In October, Babyface passed down his GRAMMY-winning torch to the women of R&B with his collaboration album, Girls Night Out. Solely featuring the new generation of female singers, from Muni Long to Ari Lennox, the album showed that romance has no age.

Mary J. Blige donned her Queen of Hip-Hop Soul crown on her latest album, which features rappers like Dave East and Fivio Foreign. On the opposite end, Toronto R&B duo dvsn teamed with male R&B group Jagged Edge on "What's Up" from the former's Working on My Karma album.

Whether it was R&B's legends or promising newcomers making waves, this year had plenty of proof that the genre is still thriving — and never going anywhere.

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