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K.Flay Talks Inspiration, Politics & The Argument That Led To Her Making Music

K.Flay

Photo: Daniel Mendoza/Recording Academy

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K.Flay Talks Inspiration, Politics & The Argument That Led To Her Making Music

The versatile singer/songwriter opens up about staying positive, facing challenges and nurturing her vulnerability

GRAMMYs/Dec 13, 2019 - 02:43 am

In many ways, K.Flay is truly an artist of our times. Her music can't be contained to a single genre, she beleives songwriters have a responsibilty to speak for those who cannot and her success grows out of the ability to express her most vulnerable moments. Even as her music style evolves, her authenticity remains the through line. 

This summer, K.Flay dropped her third LP, Solutions, led by the singles, "Bad Vibes" and "Sister." The album represented another bold step forward in her musical evolution, following her 2017 effort, Every Where Is Some Where, which earned her two GRAMMYs, including Best Engineered Album, Non-Classical and Best Rock Song for "Blook In The Cut."

We recently sat down with K.Flay to hear, among other insights, how it all began...

"I started making music in college because of an argument I had with somebody, my R.A.," she shared. I was complaining about what was on the radio, and he was like, 'well you don't make music. You don't know how to make a song.' So I was like, 'Okay then, I'll make a song."

K.Flay's undeniable creativity took off from there. A graduate of Stanford, where she double-majored in psychology and sociology, she arrived as the self-proclaimed the Suburban Rap Queen. From day one through her foray into rock and exploration of pop on Every Where Is Some Where, she's always found freedom through her own hardships.

"Always, always, my best shows are when I'm struggling somehow," she said. "Vulnerability is really important to nurture." 

Hear more from K.Flay in the interview above, including how she sees politics and music, the importance of collaboration and more.

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ReImagined: Judy Whitmore Dazzles With A Classic Interpretation Of Frank Sinatra And Count Basie's "The Best Is Yet To Come"
Judy Whitmore

Photo: Courtesy of Judy Whitmore

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ReImagined: Judy Whitmore Dazzles With A Classic Interpretation Of Frank Sinatra And Count Basie's "The Best Is Yet To Come"

Judy Whitmore introduces fans to the music she grew up with in this jazzy full-orchestra performance of "The Best is Yet to Come" — a song that was made famous by Frank Sinatra and Count Basie, and won a GRAMMY thanks to Ella Fitzgerald.

GRAMMYs/Dec 6, 2022 - 06:00 pm

An American standard originally composed in 1959, "The Best is Yet to Come" has been recorded by an array of vocal greats, including Tony Bennett, Michael Bublé, Bob Dylan, and Ella Fitzgerald — the latter of whom won a GRAMMY for her rendition in 1984. But it's most closely associated with Frank Sinatra, who recorded it with jazz pianist Count Basie for their 1964 album, It Might As Well Be Swing. In fact, the song was so important to Sinatra that its titular lyric is carved into his tombstone.

In this episode of ReImagined, vocalist and cabaret-style performer Judy Whitmore delivers a faithful, buoyant rendition of "The Best is Yet to Come." A full orchestra performs behind her, including horns, jazzy drums, a sweeping string section, and a grand piano — creating a swinging performance that does Sinatra proud.

Whitmore's cover choice is no coincidence, as the singer has been inspired by American classics literally since birth — her namesake is legendary actor and musical performer Judy Garland. Like Garland before her, Whitmore has taken on a diverse and multifaceted career. She's a bonafide Renaissance woman, whose resume includes accomplishments as a theater producer, best-selling author and pilot, who also happens to have a Master's degree in clinical psychology.

Singing has been a lifelong passion for Whitmore, and she has several albums to show for it, including 2020's Can't We Be Friends. That project, which includes her spin on standards like "'s Wonderful," "It Had to Be You" and "Love is Here to Stay," is Whitmore's "love letter to The Great American Songbook," her website explains

"This is the music I grew up with, and I don't want people to forget it," she details. "I think it's one of the most extraordinary bodies of work ever created."

Press play on the video above to watch Whitmore bring her love of American classics to her version of "The Best is Yet to Come," and keep checking back to GRAMMY.com for more episodes of ReImagined. 

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5 Takeaways From RM's New Solo Album 'Indigo'
RM performing at the 2022 GRAMMYs.

Photo: Rich Fury/Getty Images for The Recording Academy

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5 Takeaways From RM's New Solo Album 'Indigo'

BTS leader RM makes his official solo debut with his first studio album, 'Indigo,' which showcases a new level of artistry from the rapper.

GRAMMYs/Dec 5, 2022 - 08:03 pm

Like many of his BTS cohorts, RM has shown off his solo musical talents long before this year. His first mixtape RM came out in 2015, capturing the rapper's raw hip-hop roots. His second mixtape Mono was released to critical acclaim in 2018, when BTS were just scratching the surface of their worldwide domination. But this year took RM's solo efforts to the next level with his first-ever studio album, Indigo. 

Across 10 tracks, RM's official solo debut documents the multilingual rapper, producer and singer/songwriter's journey through his twenties. Meshing Korean and English, his reflections about life under the public eye weave through genres and moods organically. And with diverse collaborations — from R&B legend Erykah Badu to fellow South Korean star parkjiyoon — to boot, RM uses Indigo to bring fans deeper into his expansive musical universe.

Now that the highly anticipated project has finally arrived, take a look at five key takeaways from RM's debut studio album, Indigo.

It's Connected To The Art He Loves

RM is known for being a lover of nature and fine art, and that is reflected within Indigo. Promotional photos for the album featured Yun Hyong-Keun's painting "Blue"; RM is known to be a supporter of the late South Korean artist, so the rapper's inclusion of the work shows the intentionality behind his debut — musically and beyond. 

He isn't afraid to mesh artistic mediums, and the sonic and stylistic choices made reflect this. From then sampling Korean Hyong-Keun's reflection on Plato's humanity in the opening track "Yun" to even titling a song "Still Life," the inspiration is present. RM may have refined taste, but he makes it easily digestible through his music.

It's A Reflection Of His Life Up To Now

According to RM himself, Indigo serves as a diary of the last three years of his life. Even so, the album's messages can be a blueprint for anyone going through a transitional period in life, thanks to RM's honest, open-minded and unfiltered lyrics. 

On "Lonely," he candidly exudes his frustrations over a tropical beat. "I'm f—king lonely/ I'm alone on this island," he raps. He later sings, "So many memories are on the floor/ And now I hate the cities I don't belong/ Just wanna go back home." 

The contrast between the song's upbeat melody and longing lyrics provide a dichotomy that perfectly captures the highs and lows of fame. That's a theme that carries throughout the album, further showcasing why RM has become so admired by his fans and peers alike.

The Features Tell A Lot About His Artistry

Eight of the 10 tracks on Indigo are collaborations, all of which display RM's love of diverse genres and musical eras. They also reflect the caliber of artistry RM has reached — he got Erykah Badu! — as well as his ability to bridge the gap across borders. Along with Badu, he teamed up with two other R&B stars, Anderson .Paak and Mahalia, along with several Korean artists: Paul Blanco, Tablo, Kim Sawol, Colde, youjeen, and parkjiyoon. 

There's A Song For Everyone

Many praise RM for his ability to touch people with his leadership qualities and words, and this album may just be the strongest example of that. The project is noticeably more upbeat than Mono, but RM still takes time to break his emotions down lyrically. 

His first verse on the opening track "Yun" declares "F-k the trendsetter, I'ma turn back the time," setting the tone for how RM feels artistically. Then, the high-energy track "Still Life" with Anderson .Paak expresses joy and resilience, proving that one can still stand tall despite difficulty. As he says to .Paak on the track, "S— happens in life, but what happens is what happens."  

Overall, Indigo shows off RM's versatility in a much more impactful way than his previous mixtapes. This album is about the art of music, not breaking records or following trends. It feels like an exploratory culmination of various emotions, moods, and experiences, which helps each track feel relatable in a different way. 

There's A Lot To Look Forward To

RM displayed an immense maturity in his artistic expression through Indigo. He explores emotions both good and bad, but what remains throughout the entire project is a lingering feeling of hope for a better future. 

RM has always been a symbol of hope and grace as he has served as the spokesperson for his fellow members, both musically and in the public eye. But now, RM is getting to express himself for himself — and if Indigo is any indication, this is just the beginning of his journey inspiring the masses as a soloist.

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Herbal Tea & White Sofas: Juls' Must-Have Tour Item Is An African Instrument That Doubles As A Stress Reliever
Juls

Photo: Mahaneela Choudhury-Reid

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Herbal Tea & White Sofas: Juls' Must-Have Tour Item Is An African Instrument That Doubles As A Stress Reliever

The producer and DJ introduces fans to his kosh kash — a pocket-sized, egg-shaped instrument that is so versatile, he carries it with him everywhere when he's on the road.

GRAMMYs/Dec 5, 2022 - 06:59 pm

Juls — also known as Juls Baby, and born Julian Nicco-Annan — is perhaps known best for his work as a producer, helping create hits for acts like Burna Boy, Mr. Eazi and GoldLink. But the Ghanian-British producer and DJ is also a touring act who plays sets around the world — and he makes sure he has his trusty kosh kash with him.

In this episode of Herbal Tea & White Sofas, Juls introduces viewers to the egg-shaped African percussion instrument, which is also known as a Kashaka. The pocket-sized instrument is made up of two small gourds bound together by a string, and makes a rhythmic, rattling noise when shaken. It serves a lot of purposes, Juls explains.

"It's kind of like a shaker. It's kind of like a stress reliever when I'm preparing tours. It also helps me to make music," he says. "So any time I have an idea, I just record it on my phone in Voice Memos. I carry this everywhere I go when I travel."

Another mainstay of Juls' tour rider is "one of the best drinks in the world: Supermalt," the artist continues. "It's like a malt drink, made of wheat, with other things like added sugar and starch."

The non-alcoholic and caffeine-free malt beverage first originated in the early 1970s and served as a cheap energy source for the Nigerian Army. To this day, it's still an Afro-Caribbean staple — and now, a road necessity for Juls. "Definitely need to have that on the rider," he adds.

Press play on the video above to learn more about Juls' road essentials — plus how he prepares for his shows every night — and keep checking back to GRAMMY.com for more new episodes of Herbal Tea & White Sofas. 

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Positive Vibes Only: NewSpring Worship Share A Sweeping Message Of Faith With "Desde El Principio"
Charlee Buitrago of NewSpring Worship

Photo: Josh Chapmon

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Positive Vibes Only: NewSpring Worship Share A Sweeping Message Of Faith With "Desde El Principio"

Led by Venezuela-born vocalist Charlee Buitrago, NewSpring Worship shares their message of hope, faith and community in this sparkling live performance of "Desde El Principio."

GRAMMYs/Dec 4, 2022 - 06:10 pm

Since its inception more than two decades ago, NewSpring Worship has grown into a multicultural, multigenerational, musical expression of faith. Their name is a tribute to their beloved home base, the NewSpring Church, which has 14 different locations across South Carolina.

In this episode of Positive Vibes Only, NewSpring Worship deliver a soaring performance of their song, "Desde El Principio." Helmed by vocalist Charlee Buitrago — who also co-wrote the track — the bandmates take viewers through a simple, but powerful, rendition of the song. 

The clip begins with Buitrago singing in front of a simple white backdrop, and as the first verse progresses, the camera pans back to reveal two more musicians — one strumming an acoustic guitar, the other on the bench of a Rhodes electric piano.

With just those three artists in the frame, NewSpring Worship deliver a moving rendition of their song, which represents the faith collective's passion for putting out worship music that represents their own cultural diversity.

According to his website, Buitrago originally hails from Venezuela, but emigrated to the U.S. at age 17 after meeting an American missionary who helped him find his faith. Since then, Buitrago has continued to pursue both music and worship, with both himself and his native Spanish language becoming mainstays in the NewSpring Worship collective. 

Press play on the video above to watch this performance of "Desde El Principio," and keep checking back to GRAMMY.com for more new episodes of Positive Vibes Only.

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Remembering Christine McVie Of Fleetwood Mac Through Her GRAMMY Triumphs, From 'Rumours' Onward
Christine McVie in 1969

Photo: Evening Standard / Stringer via Getty Images

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Remembering Christine McVie Of Fleetwood Mac Through Her GRAMMY Triumphs, From 'Rumours' Onward

Unflashy and undramatic, McVie's contributions to Fleetwood Mac led to some of their greatest contributions to popular song — with two GRAMMY wins to boot.

GRAMMYs/Dec 2, 2022 - 08:32 pm

In an acclaimed career that spanned more than half a century, Christine McVie staked her claim as one of the most potent singer-songwriters of her generation. A beloved original member of the seminal rock group Fleetwood Mac, with whom she sang, wrote and played keyboard, she and her bandmates catapulted to fame in the early '70s, scoring GRAMMY gold and influencing generations of musicians.

"As a GRAMMY Award winner and 2018 Person of the Year honoree, the Recording Academy has been honored to celebrate Christine McVie and her work with Fleetwood Mac throughout her legendary career," Recording Academy CEO Harvey Mason jr. stated. In an announcement of her death, the remaining members of Fleetwood Mac mourned her passing by saying "She was truly one-of-a-kind, special, and talented beyond measure."

McVie, who passed away Nov. 30 at 79 after a brief illness, may have not been as flashy, or as dramatic, as fellow Fleetwood Mac members Lindsay Buckingham and Stevie Nicks. But McVie's contributions to the band led to some of their greatest contributions to popular song, with two GRAMMY wins among seven nominations.

The tour de force that is Rumours is one of the most acclaimed and best-selling albums of all time and an inductee into GRAMMY Hall Of Fame. The masterpiece earned McVie her first GRAMMY (for Album of the Year no less) at the 20th Annual Ceremony in 1978, also earning a nomination for Best Pop Vocal Performance By A Group.

Fleetwood Mac's 11th studio album, Rumours was actually McVie's 7th album with the band after making her name in the English blues scene, rising through the ranks as part of the band Chicken Shack, and even releasing a solo album.

In 1971, McVie joined Fleetwood Mac alongside her then-husband John McVie. The potent combination of the McVies, along with Mick Fleetwood, Buckingham and Nicks, catalyzed and detonated into the stratospheric Rumours.

"It's hard to say (what it was like) because we were looking at it from the inside," McVie said about the iconic album earlier this year.  "We were having a blast and it felt incredible to us that we were writing those songs. That's all I can say about it, really."

McVie's coyness may stem from the fact that prior to its production, Christine and John divorced after eight years of marriage. Meanwhile, Buckingham and Nicks were having a tumultuous relationship themselves. 

McVie is credited as sole songwriter on a handful of instant-classic Rumours tracks, all written during a perilous moment. "I thought I was drying up," explained McVie. "I was practically panicking because every time I sat down at a piano, nothing came out. Then, one day,  I just sat down and wrote in the studio, and the four-and-a-half songs of mine on the album are a result of that."

That includes "Don't Stop," an ironically peppy ode considering the turmoil McVie and her bandmates were grappling with at the time. With lyrics that staunchly proclaim "Yesterday's gone!," the song was reportedly written as a plea from Christine to John to move on from their relationship.

"I dare say, if I hadn't joined Fleetwood Mac, we might still be together. I just think it's impossible to work in the band with your spouse," McVie later said. John, meanwhile, was oblivious to the song's message during its production and early acclaim. He revealed in 2015: "I've been playing it for years and it wasn't until somebody told me, 'Chris wrote that about you.' Oh really?"

John was also equally ignorant to the source inspiration of "You Make Loving Fun"; McVie told him the joyful song ("Sweet wonderful you/ You make me happy with the things you do") was about her dog. In reality, it was about an affair with the band's lighting designer.

"It was a therapeutic move," McVie later mused of her lyrical penchant for hiding brutal honesty in plain sight. "The only way we could get this stuff out was to say it, and it came out in a way that was difficult. Imagine trying to sing those songs onstage with the people you're singing them about."

When McVie was asked earlier this year what song she written she was most proud of, it was an easy answer: the Rumours track "Songbird."

"For some peculiar reason, I wrote "Songbird" in half an hour; I've never been able to figure out how I did that," she told People. "I woke up in the middle of the night and the song was there in my brain, chords, lyrics, melody, everything. I played it in my bedroom and didn't have anything to tape it on. So I had to stay awake all night so I wouldn't forget it and I came in the next morning to the studio and had (producer) Ken Callait put it on a 2-track. That was how the song ended up being. I don't know where that came from."

McVie's most recent GRAMMY nominations were for her contributions to The Dance, Fleetwood Mac's 1997 live album that featured her stand-outs from Rumours along with the McVie penned-tracks "Say You Love Me" and "Everywhere."

The album earned McVie and the band GRAMMY nominations for Best Rock Performance By A Duo Or Group With Vocal (for the Lindsay Buckingham-written "The Chain") and  Best Pop Performance By A Duo Or Group With Vocal (for "Silver Springs," penned by Stevie Nicks). It also landed a nomination for Best Pop Album. It was her final album with the band before a 15-year self-imposed retirement.

In her final years, McVie was a vital member of Fleetwood Mac, including in 2018 when they became the first band honored as MusicCare's Person of the Year.

Speaking to the Recording Academy before the ceremony, Nicks expressed that her initial goal upon joining the group was a humble one: "Christine and I made a pact. We said we will never, ever be treated as a second-class citizen amongst our peers."

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