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Justin Bieber Breaks Streaming Record As Spotify's Most Listened-To Artist

Justin Bieber

Photo: Denise Truscello/Getty Images for Wynn Las Vegas

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Justin Bieber Breaks Streaming Record As Spotify's Most Listened-To Artist

Justin Bieber currently boasts the most monthly listeners on Spotify, scoring the biggest number in the platform's 15-year history

GRAMMYs/Aug 31, 2021 - 12:33 am

Just five months after the release of his sixth studio album, Justice, Justin Bieber has broken the internet. As Spotify's all-time most listened-to artist, the Canadian singer nabbed a total of 83.3 monthly listeners, based on the platform's July data. Tailed by The Weeknd (74.53 million monthly listeners) and Ed Sheeran (72.41 million monthly listeners), Bieber has remained on the charts, credited to surprise features over the summer and his "Peaches" collaboration with Daniel Caesar and Giveon.

Following the release of Justice, Bieber joined The Kid LAROI on the young Aussie rapper's single "STAY"—which has spent four weeks at No. 1 on the Billboard Hot 100—along with the remix of "Essence" by Nigerian artists WizKid and Tems. Featured on the deluxe re-release of WizKid album Made in Lagos, Bieber's appearance on "Essence" was accused of cultural appropriation on social media, but also received a global push on the Billboard charts, debuting at No. 82 on the US Hot 100.

In an oral history article about "Essence" by Rolling Stone, Bieber's DJ and personal A&R Tay James explained Bieber's impact on the song's remix:

"When Justin hops on a record, he'll take it from just being a hip-hop or an urban or an Afrobeats record. It's going to bring other eyes; people who probably didn't even know about the record," James said. "Now they hear it, and now they know who Wizkid is. So, that's part of the reason why we want[ed] to hop on it, too, also just to shine light on these talented artists, which is what I think Justin is really good at."

With over ten years at the top of his game, breaking Spotify's all-time monthly listener record is yet another notch in Bieber's career trajectory and a milestone in his multi-genre influence.

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Meet Justin Bieber With GRAMMY Charity Online Auctions
Justin Bieber

Photo: Lester Cohen/WireImage.com

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Meet Justin Bieber With GRAMMY Charity Online Auctions

Bid on an exclusive VIP concert experience to meet Justin Bieber

GRAMMYs/Dec 3, 2014 - 05:06 am

GRAMMY Charity Online Auctions has launched a new auction offering bidders the opportunity to bid on an exclusive VIP concert experience with Justin Bieber. Open now through Oct. 25, the auction package features two tickets and meet-and-greet passes to an upcoming Bieber concert.

To place your bid on this exclusive experience, visit www.charitybuzz.com. All proceeds will benefit the GRAMMY Foundation.

Taylor Swift Plots 2020 World Tour With U.S. Dates For Lover Fest East & West

Taylor Swift

Photo: Dimitrios Kambouris/VMN19/Getty Images

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Taylor Swift Plots 2020 World Tour With U.S. Dates For Lover Fest East & West

Following dates in Europe and South America, Swift will land in the U.S. for Lover Fest East and West, where the pop star will open Los Angeles' brand new stadium

GRAMMYs/Sep 18, 2019 - 02:38 am

Taylor Swift  will be spreading the love in support of her hit album Lover.in 2020, but it may or may not be in a city near you. The GRAMMY winner announced plans for her summer 2020 tour in support of her seventh studio album, including two shows each in Foxborough, Mass. and Los Angeles for Lover Fest East and West respectively as the only four U.S. dates announced so far.

The tour kicks off in Belgium on June 20 and hits festivals in seven European countries before heading to Sao Paulo, Brazil on July 18 then heading to U.S. Swift will then present Lover Fest West with back-to-back Los Angeles July 25 and 26 at the newly named SoFi Stadium. The concerts will serve as the grand opening of the much-anticipated NFL venue. The tour will wrap a double header at Gillette Stadiuim in Foxborough July 31 and Aug 1

"The Lover album is open fields, sunsets, + SUMMER. I want to perform it in a way that feels authentic," she tweeted. "I want to go to some places I haven’t been and play festivals. Where we didn’t have festivals, we made some. Introducing, Lover Fest East + West!" 

Lover was released Aug. 23 and debuted at No. 1 on the Billboard 200. Her sold-out tour for her previous album, 2017's Reputation, was the highest grossing U.S. tour ever, breaking her own record.

Tickets for the new dates go on sale to the general public via Ticketmaster on Oct. 17. 

ReImagined At Home: Watch Ant Clemons Croon The Cosmic Blues In Performance Of Bill Withers' "Ain't No Sunshine"

Ant Clemons

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ReImagined At Home: Watch Ant Clemons Croon The Cosmic Blues In Performance Of Bill Withers' "Ain't No Sunshine"

Singer/songwriter Ant Clemons puts his own spin on Bill Withers' immortal "Ain't No Sunshine" in an exclusive performance for ReImagined At Home

GRAMMYs/Jun 15, 2021 - 08:13 pm

Why has Bill Withers' immortal hit, "Ain't No Sunshine," endured for decades? And, furthermore, why does it seem set to reverberate throughout the ages?

Could it be because it's blues-based? Because it's relatable to anyone with a pulse? Because virtually anyone with an ounce of zeal can believably yowl the song at karaoke?

Maybe it's for all of those reasons and one more: "Ain't No Sunshine" is flexible

In the latest episode of ReImagined At Home, check out how singer/songwriter Ant Clemons pulls at the song's edges like taffy. With a dose of vocoder and slapback, Clemons recasts the lonesome-lover blues as the lament of a shipwrecked android.

Giving this oft-covered soul classic a whirl, Clemons reminds music lovers exactly why Withers' signature song has staying power far beyond his passing in 2020. It will probably be a standard in 4040, too.

Check out Ant Clemons' cosmic, soulful performance of "Ain't No Sunshine" above and click here to enjoy more episodes of ReImagined At Home.

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ArtsWatch: Antigua's Piracy Gamble

WTO ruling raises the stakes in Caribbean nation's stand-off with U.S.

GRAMMYs/Dec 3, 2014 - 05:06 am

In recent news ...

Permission Slip Granted: Antigua Allowed $21 Million In Infringement Earnings
On Jan. 28 the World Trade Organization advanced the long-running trade dispute between the U.S. and the island nation of Antigua and Barbuda, authorizing suspension of intellectual property obligations as retaliatory sanctions for the U.S. refusal to permit its consumers to use gambling websites based on the islands. Colorful coverage included Associated Press emphasizing the notion of a "copyright haven," Reuters highlighting U.S. warnings against "government-authorized piracy," and The Hill quoting an Antiguan attorney's threats that putting their plan into effect would establish a precedent for other countries. All this publicity likely serves Antigua's negotiating strategy to extract substantial assistance from the U.S., but International Intellectual Property Alliance counsel Steve Metalitz argued, "We are of the firm view that suspending intellectual property rights is not the right solution, and that state-sanctioned theft is an affront to any society. Should Antigua determine to move forward in this manner, it would certainly interfere with the ability to reach a negotiated resolution, and would harm the interests of Antiguans." The WTO dispute began in March 2003, so even though things are speeding up, there could be a long wait before its final resolution.

Permission Slip Revoked: Chorus Of Complaints Over 'Jailbreaking' Rule Change
The latest round of Digital Millennium Copyright Act exemptions to the statutory prohibition on circumventing digital security became effective Oct. 28, 2012 and included a "90-day transitional period" for jailbreaking mobile handsets that expired on Jan. 26. This led digital rights advocates, including tech journalists, to trumpet the theme "Just a Few Hours Left to Unlock Your Phone!" PC World moaned, "As of Saturday ... [y]ou just can't unlock your phone yourself — at least, not legally. That decision was made not by voters, the courts, or even Congress. It was made by one man." This kind of oversimplification enjoys some popular support, partially because copyright law can be difficult and frustrating. The voters elect Congress, which passed the DMCA requiring the Librarian of Congress to identify exemptions to the DMCA's anti-circumvention provisions every three years. Many stakeholders, including the public, trade organizations, and digital rights advocates, are invited by the Library of Congress to suggest exemptions, and then the Register of Copyrights is tasked with producing recommendations based on this wide scope of considerations. The latest mobile phone interoperability rules are complicated but clearly influenced by the Vernor v. Autodesk court case that was decided in 2010 after the previous DMCA rules were finalized, tilting judicial opinion towards treating software use as a license rather than more comprehensive ownership. So this chorus of complaints should not be considered reliably accurate.

Promoting Spotify To The U.S. House Of Representatives
On Jan. 31 the RIAA responded to reporting by Politico that revealed the U.S. House of Representatives is currently blocking music service Spotify on its computer networks because of Spotify's peer-to-peer infrastructure. Writing to the House's Chief Administrative Officer, RIAA Chairman/CEO Cary Sherman encouraged using the Why Music Matters list of legal sites as a resource and said, "We appreciate your need to ensure that the House network is secure, and we would welcome the opportunity to work with you to develop a new policy that ensures that users of the House network will be able to gain access to these new legal services. All members of the music community who create, invest in, promote, market and distribute music appreciate your efforts to fix this problem."

The Recording Academy actively represents the music community on such issues as intellectual property rights, music piracy, archiving and preservation, and censorship concerns. In pursuing its commitment to addressing these and other issues, The Recording Academy undertakes a variety of national initiatives. ArtsWatch is a key part of an agenda aimed at raising public awareness of and support for the rights of artists. To become more involved, visit Advocacy Action @ GRAMMY.com and sign up for Advocacy Action E-lerts.