meta-scriptJapan's Supersonic 2020: Black Eyed Peas, Steve Aoki, Clean Bandit, Asian Kung-Fu Generation And More Confirmed | GRAMMY.com
Taboo (L) and Will.I.Am (R) of The Black Eyed Peas perform in 2019

Taboo (L) and Will.I.Am (R) of The Black Eyed Peas perform in 2019

Photo: Sam Tabone/WireImage

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Japan's Supersonic 2020: Black Eyed Peas, Steve Aoki, Clean Bandit, Asian Kung-Fu Generation And More Confirmed

The festival announced the lineup additions during the coronavirus pandemic, noting, "Under these difficult circumstances, the entire Supersonic staff is working to welcome the audience in the best form possible this fall"

GRAMMYs/May 20, 2020 - 08:43 pm

Supersonic, the new multi-day, multi-city Japanese music festival, has unveiled its second artist lineup announcement for its first-ever edition this fall. The three-day event, taking place Sept. 19-21 in Tokyo and Osaka, has confirmed additional artists Black Eyed Peas, Steve Aoki, Clean Bandit and others. The festival has also added local Japanese artists including Asian Kung-Fu Generation, one of Japan's leading rock bands, Nulbarich, BiSH, chelmico and several others. 

They join headliners and other confirmed acts like Post Malone, The 1975, Skrillex, Wu-Tang Clan, Liam Gallagher, Fatboy Slim and Kygo, who were previously announced in early April.

The lineup news comes as the coronavirus pandemic has decimated the festival and live music industry since mid-March, essentially shutting down the global concert business. At the time of this writing, Japan has more than 17,000 confirmed coronavirus cases and 778 coronavirus-related deaths, according to The New York Times. In early April, the country declared a state of emergency and this week fell into a recession for the first time since 2015, The New York Times reports.

Read: Recording Academy And MusiCares Establish COVID-19 Relief Fund

In a blog post shared on the festival's website announcing the lineup additions, organizers addressed the "difficult circumstances" the COVID-19 pandemic has caused.

"Under these difficult circumstances, the entire Supersonic staff is working to welcome the audience in the best form possible this fall while exploring a new form for the festival from now on," the post reads. "We thank you for your understanding and cooperation."

Supersonic is produced by the team behind Summer Sonic, one of Japan's biggest music festivals that's held annually over the summer in Tokyo and Osaka. Festival organizers postponed this year's installment of Summer Sonic to 2021 due to the 2020 Summer Olympics and Summer Paralympics, which were originally scheduled to take place in Tokyo this summer before the global sporting event itself was also postponed to next year, and instead introduced Supersonic for this year only, Japan Web Magazine reports.

Last August, Summer Sonic celebrated its 20-year anniversary with a lineup that featured Red Hot Chili PeppersBLACKPINK, The Chainsmokers, Weezer and more. Attracting 135,000 visitors over three days, Summer Sonic become Japan's biggest outdoor music festival last year, IQ reports.

How Will Coronavirus Shift Electronic Music? Maceo Plex, Paul Van Dyk, Luttrell, Mikey Lion & DJ Manager Max Leader Weigh In

Tanner Adell Press Photo 2024
Tanner Adell

Photo: Chase Foster

interview

Tanner Adell's Big Year: The Country Newcomer Talks Stagecoach, "BLACKBIIRD," & Meeting Her Childhood Idols

As Tanner Adell continues making waves in country music, she shares some of the most monumental moments from her career so far — from featuring on Beyoncé's critically acclaimed 'COWBOY CARTER' to making space for Black women at the CMT Music Awards.

GRAMMYs/Jun 6, 2024 - 02:48 pm

With one bold tweet, Tanner Adell's life changed.

"As one of the only Black girls in the country music scene, I hope Bey decides to sprinkle me with a dash of her magic for a collab," she wrote, minutes after Beyoncé premiered "TEXAS HOLD 'EM" and "16 CARRIAGES" during this year's Super Bowl in February.

At first, Adell was mocked for her pitch. "You're trying too hard, love," one user said. Another chimed in, "Baby, that album is finished with all the songs cleared. I don't know about this one. Maybe, open for the tour," another user remarked.

But she wasn't bothered by the chatter: "Those people said I look desperate, I'm like, 'You must not know me, b—!" Adell reveals to GRAMMY.com with a hearty laugh. 

Confidence is the inner core of the Tanner Adell ethos. And her boldness paid off because shortly after when Beyoncé approached her to feature on COWBOY CARTER.

In Adell's first music release of 2024, she appeared alongside Brittney Spencer, Tiera Kennedy, and Reyna Roberts in Beyoncé's cover of "BLACKBIIRD" by The Beatles. It was a full-circle moment for Adell in more ways than one, as her father used to sing the song to her as a child. Little did she know, decades later, she would popularize the track's backstory — the plight of Black women in the American South — alongside one of her heroes.

But before Adell became one of Beyoncé's songbirds, she was also the Buckle Bunny. On the 11-track mixtape, Adell traced the provocative tales of an acrylic nail-wearing, lasso-wielding heartbreaker. But for every Black girl that listens, it's more than a country project. It's also a reminder that it's okay to be feminine and girly, just like Shania Twain, Carrie Underwood or Taylor Swift.

Among her rodeo of exciting firsts, Adell tacks another on June 8, when she makes her debut at Nashville's Nissan Stadium during CMA Fest. She'll perform on the Platform Stage at the stadium; the next day, she'll play a set at the Good Molecules Reverb Stage outside of Bridgestone Arena.

Below, hear from Adell about her most memorable firsts thus far, from having her debut daytime television performance on "The Jennifer Hudson Show" to bonding with Gayle King behind the scenes at Stagecoach Music Festival.

Seeing Her Breakthrough Single, "Buckle Bunny," Have A Second Life

I released "Buckle Bunny" on the Buckle Bunny EP in July 2023. I actually teased it on social media first. Almost nine months before that, I had gone super viral with it. It was doing incredibly well, so my plans were to release it in January or February of last year. But, I ended up signing a record deal in December of 2022. There were plans for it at that time, but the timeline kept getting pushed back. It turned into a fight to get that song back into my hands, which was what prompted me to go independent. Eventually, I was able to work with my label, shake hands, and mutually part ways.

I started this year as an independent artist with this song that everybody loves. It's become a huge part of my brand, but it's really my life story. People might think it's a dumb song that was easy to write, but I was called a "buckle bunny." As a teenager growing up between Los Angeles and Star Valley, Wyoming, I was into glam country, and "Buckle Bunny" is the pinnacle of that. 

"Buckle Bunny" was my first single that charted. I felt like I finally had broken through that invisible box that Nashville put me in as a country musician. It was me saying, I'm not going to follow any rules. I'm going to be as true to myself as possible.

We, as Black women, have been fighting our whole lives. We've been fighting for space. I'm purposely trying to bring softness into the picture, allowing women who listen to my music to know that it's okay to feel that way. We don't always have to have our walls up.

"Buckle Bunny" is aggressively confident, but I think that's the door to softness. You have to be self-assured to let your walls down. My newest single, "Whiskey Blues," is my next step into that. I have another song on my social media, "Snakeskin," that people want me to release. "Buckle Bunny" is like the girl who protects those softer moments.

In a way, I look at all of this as a relationship between Tanner Adell, the artist, and Tanner, the person. For me, Tanner Adell is the buckle bunny. Then, you have Tanner, who's on the inside, writing all of these songs.

Serving A Bold Fashion Statement On Her First Major Red Carpet

I wore Bantu knots! I've always loved Bantu knots in all styles, the really small ones and the larger ones. There were ideas about whether I should do a certain number of them that was significant to me in some way.

I work very closely with Bill Wackermann, who was the CEO of Wilhemina Models. He does a lot of styling and has a close relationship with my manager. So, my manager was like, "You would love him!" At the time, I was trying to hone in on what myself is. What's the message I'm trying to convey through my fashion, hair, and beauty? 

Bill sat down with me, and I told him I wanted Natalia Fedner to do my dress, which is that stretchy chain metal dress. Originally, I thought I would do my long blonde hair, but Bill was the one who told me, "This is your first major red carpet as an invited artist. Think about what you want your hair to say." As a Black woman, our hair tells 1,000 stories with whatever it is, and the lightbulb went off in my head.

I knew I wanted my hair to say everything I needed to say without having to say anything at all. I also knew there would be a lot of people who didn't know the significance behind it or just thought it was some extreme hairstyle.

I've looked very deeply into my heritage. It turns out I have a bit of Bantu heritage in my DNA. I thought that was so cool because I do love the knots so much.

The CMT Awards were a big thing at my school, Utah Valley University. Everyone would get together in the dorms and watch the show. It's crazy that a couple years ago, I was watching it, and I'm here now. I feel very respected and loved. People I've looked up to would come up to me, and I was like, "I'm a huge fan." And they're like, "No! I listened to you."

I got to meet Gayle King, who I absolutely love. I remember watching her from afar while she was doing "CBS Mornings." She saw me from across the room, and I kid you not, in the middle of her interview, she started walking towards me. She was like, "I just want to tell you that you're so beautiful. The Bantu knots are stunning." That was my favorite moment of the night.

I also had the chance to see Tiera Kennedy. She's so sweet. We got matching blackbird tattoos before that. Being on the red carpet for the first time, it was comforting to see a familiar face. It really reinforces that idea that I belong here.

Being A Part Of COWBOY CARTER

So, I'm adopted. I have four siblings. We're all biracial, but our adoptive parents are both white. Obviously, my dad is a white man with five Black children. My parents always wanted me to understand that I am a Black woman, and he was very educational when it came to music. He taught me about the Black female power players and the buzz in the industry. But The Beatles were his favorite. So, when I finally told them the news, my dad immediately got choked up. He told me that "Blackbird" was one of his favorite Beatles songs.

My dad isn't the best with words when it comes to expressing his emotions, especially in front of people. He's a quiet, reserved dude. So, he eventually texts me, sending me screenshots about the meaning behind "Blackbird." The reason why it was his favorite song was because he had Black girls, and he told me, "This is special. This is not a burden to carry, but it might be a bit of weight on your shoulders. Keep your head up high and walk knowing that this is why he wrote this song."

I can remember going to a recital as a kid and being so nervous, but my dad was so confident and excited about my abilities. Was that strategic? Was it quiet strength? Maybe. It feels like this song has been a part of my whole life. So, to be on it, on such a massive album, feels very divine.

The whole process was a surprise. It took a few weeks to set in. But I always knew I would work with [Beyoncé], and I always said it's a matter of "when," not if. 

On the day of the Super Bowl, I saw that black-and-white picture of her, and I thought it looked a lot like a photoshoot that I took the week before. Let me make a tweet, just to put it out there. I don't know — she's magical! She has her way of knowing everything that's going on all the time. 

I think that tweet has almost 10 million views. It was fun to go back to that tweet to see the people who were supporting me. And also getting to say "I told you" to the people who didn't. It kicked off a Renaissance — pun intended.

Performing At Her First Stagecoach Music Festival

I have bad social anxiety, and I get nervous in front of crowds and people. So, festivals were never something that interested me, but Stagecoach was always one I felt like I could go to. And I was not disappointed.

I had the first slot of the day, which is a s—ty slot for anyone, but you have to pay your dues in country music. It's how you build your cred with these festivals, to show you're a hard worker and will perform like you're at a sold-out show in Madison Square Garden. And I did.

Mentally, I prepared for no one. I told myself it was okay if nobody came, and I'll perform like I always do. I'll figure out where the camera is and perform it for the jumbotron, so if no one comes to the pit, the people watching the livestream will have a great show. 

Well, I didn't have an empty pit! People showed the f— up and out. I heard people in line thought they were going to miss it because the gates opened late. Within the first 10 minutes, the VIP pit was half-filled with people screaming and running in their sweet little cowboy boots and hats. That never happens at Stagecoach or Coachella, but it's a testament to the relationship I built within my listeners. It was eye-opening for me. I don't think I'm ever going to play to a dead crowd again.

Before, Levi's reached out and said I was the first artist they wanted to collaborate with for Stagecoach. So, they custom-made my outfit. I told them I have these ribbons, inspired by my mom, who was a rodeo queen. I also told them if they can't incorporate them, I probably won't do it. But they loved it! And it was special because it came back to my mom. She was a winner, so when I wear the ribbons, I'm also a winner.

My mom has competed in over 1,000 competitions and probably places in half of those. In Wyoming, we had a big wall, covered in those IQHA (International Quarter Horse Association) ribbons. She gave me a strong sense of competition.

Making Her Debut On Daytime TV

I have overcome very serious, debilitating stage fright. I don't get nervous anymore, and performing live is my favorite thing. But I was not prepared for what a television show taping looks like.

We had a soundcheck, and there were a bunch of suits in groups of threes and fours standing everywhere. There were all these cameras and lights. Then, I start realizing I'm about to meet J. Hud, who I made little custom Crocs for. It was a dream come true.

I know a lot about her story. We have very different upbringings, but we're similar in the sense of trying to stand on ground that isn't steady. I see her as someone who is a great example. She's reached so many different avenues. For me to be able to sit down with an EGOT winner is a great honor. 

I kind of like to keep my manifestations as quiet as possible. I don't tell anybody anything, but an EGOT is something I wouldn't mind having, you know?

I look at her as a woman who exceeded greatness. So, it was just amazing — and for my first television debut. I felt like this is right for me.

Why 2024 Is The Year Women In Country Music Will Finally Have Their Moment

CMA Fest 2024 Playlist Hero
(L-R) Kelsea Ballerini, Dalton Dover, Chase Matthew, Jelly Roll, Ella Langley, Dasha, Avery Anna, Breland

Photos (L-R): Jason Kempin/Getty Images for the Country Music Hall of Fame and Museum, Jason Kempin/Getty Images for BRELAND & Friends, Jason Kempin/Getty Images for iHeartRadio, Amy E. Price/Getty Images, Jason Kempin/Getty Images, Brynn Osborn/CBS via Getty Images, Jason Davis/Getty Images for SiriusXM, Jason Kempin/Getty Images for BRELAND & Friends

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Get Ready For CMA Fest 2024: Listen To A Playlist By Dasha, Ella Langley, Chase Matthew, Avery Anna, & Dalton Dover

As country stars and fans flock to Nashville for CMA Fest, five of the lineup's most exciting acts curated a playlist of the songs they're looking forward to hearing live — from Shaboozey's "A Bar Song (Tipsy)" to Lainey Wilson's "Watermelon Moonshine."

GRAMMYs/Jun 5, 2024 - 02:25 pm

For more than 50 years, the Country Music Association has hosted the genre's biggest annual party in Nashville, Tennessee: CMA Fest. Originally dubbed Fan Fair, what began as a 5,000-person celebration of country music has turned into a four-day festival that draws an estimated 90,000 people each day. And with the genre being at an all-time high, the 2024 iteration of CMA Fest might just be the most thrilling yet.

The 51st annual CMA Fest will take over Nashville from June 6-9, with upwards of 300 country artists performing. As rising stars — and returning CMA Fest performers — Avery Anna, Dalton Dover and Chase Matthew will tell you, the magic of the weekend affair has always come down to the fans.

"I love the connection that the festival provides between artists and fans," Anna says. Dover adds, "Whether it's being reunited with those I've met in the past or getting some time to say hello to all the new faces in the crowd, it's just so special to be able to connect with everyone over our love for country music."

Matthew, who grew up in Nashville, has been part of both sides of CMA Fest. "I've seen CMA Fest grow to become this epic event that every music fan should experience," he says. "It's a great opportunity for fans to see and interact with their favorite country stars, as well as discover new artists they may not have had the opportunity to hear yet."

Even Dasha, who will be experiencing her first CMA Fest this year, knows just how important it is to any country music artist or fan: "CMA Fest is such an iconic celebration of country music."

Thanks to the runaway success of her hit "Austin," Dasha will be taking the Platform Stage at Nissan Stadium, which will highlight two budding stars each night amid performances from the genre's biggest names. "When I got that call, I got online to see the number of seats there and my jaw was on the ground," she recalls. "That'll be my biggest show to date, and I can't wait to show the people what we've got."

This year's CMA Fest also marks a first for Ella Langley, who will make her inaugural appearance on the Chevy Riverfront Stage in a "full-circle moment." And in teasing what she'll bring to her set, Langley encapsulated the energy of CMA Fest as a whole: "I hope the fans are ready for a bunch of dancing, a good message and a really good time."

As they prepped for CMA Fest 2024, Ella Langley, Dasha, Chase Matthew, Dalton Dover, and Avery Anna helped curate a playlist of songs they're excited to see — and perform — live. Whether or not you'll be heading to Nashville, jam out to tracks from Kelsea Ballerini, Sam Hunt, Cody Johnson, Zach Top, Megan Moroney, and more.

Lil Wayne performing at Roots Picnic 2024
Lil Wayne performs at Roots Picnic 2024.

Photo: Taylor Hill/Getty Images for Live Nation Urban

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9 Lively Sets From The 2024 Roots Picnic: Jill Scott, Lil Wayne, Nas, Sexyy Red, & More

From hit-filled sets by The-Dream and Babyface to a star-studded tribute to New Orleans, the 2024 iteration of the Roots Picnic was action-packed. Check out a round-up of some of the most exciting sets here.

GRAMMYs/Jun 3, 2024 - 09:02 pm

As June kicked off over the weekend, The Roots notched another glorious celebration at West Philadelphia's Fairmount Park with the 16th annual Roots Picnic. This year's festival featured even more activations, food vendors, attendees, and lively performances.

On Saturday, June 1, the action was established from the onset. October London and Marsha Ambrosius enlivened the soul of R&B lovers, while Method Man and Redman brought out surprise guests like Chi-town spitter Common and A$AP Ferg for a showstopping outing. 

Elsewhere, rappers Smino and Sexyy Red flashed their St. Louis roots and incited fans to twerk through the aisles of the TD Pavilion. And Philly-born Jill Scott's sultry vocals made for a memorable homecoming performance during her headlining set. 

The momentum carried over to day two on Sunday, June 2, with rising stars like Shaboozey and N3WYRKLA showing the Roots Picnic crowd why their names have garnered buzz. Later in the day, rapper Wale brought his signature D.C. swag to the Presser Stage. And while Gunna's performance was shorter than planned, it still lit the fire of younger festgoers. 

Closing out the weekend was a savory tribute to New Orleans courtesy of The Roots themselves, which also starred Lil Wayne, acclaimed R&B vocalists, an illustrious jazz band, and some beloved NoLa natives. 

Read on for some of the most captivating moments and exciting sets from the 2024 Roots Picnic. 

The-Dream Serenaded On The Main Stage

The-Dream performing at Roots Picnic 2024

The-Dream | Taylor Hill/Getty Images for Live Nation Urban

After years away from the bright lights of solo stardom, The-Dream made a triumphant return to the festival stage on Saturday. The GRAMMY-winning songwriter and producer played his timeless R&B hits like "Falsetto" and "Shawty Is Da S––," reminding fans of his mesmerizing voice and renowned penmanship.

His vocals melted into the sunset overlooking Fairmount Park Saturday evening. And even in moments of audio malfunctions, he was able to conjure the greatness he's displayed as a solo act. Although, it may have looked easier than it was for the Atlanta-born musician: "Oh, y'all testing me," he said jokingly. 

The-Dream slowed it down with the moodier Love vs. Money album cut "Fancy," then dug into the pop-funk jam "Fast Car" and the bouncy "Walkin' On The Moon." He takes fans on a ride through his past sexual exploits on the classic "I Luv Your Girl," and closes on a fiery note with the "Rockin' That S—." While even he acknowledged that his set wasn't perfect, it left fans hoping to see more from the artist soon. 

Smino Rocked Out With His Philly "Kousins"

Smino performing at Roots Picnic 2024

Smino | Shaun Llewellyn

Despite somewhat of a "niche" or cult-like following, Smino galvanized music lovers from all corners to the Presser Stage. The St. Louis-bred neo-soul rapper played silky jams like "No L's" and "Pro Freak" from 2022's Luv 4 Rent, then dove into the sultry records from his earlier projects.

"Klink" set the tone for the amplified showcase, with fans dancing in their seats and through the aisles. His day-one fans — or "kousins," as he lovingly refers to them — joined him on songs like the head-bopping "Z4L," and crooned across the amphitheater on the impassioned "I Deserve." 

Under Smino's musical guidance, the crowd followed without a hitch anywhere in the performance. It further proved how magnetic the "Netflix & Dusse" artist is live, and how extensive his reach has become since his 2017 debut, blkswn.

Nas Took Fans Down Memory Lane

Nas performing at Roots Picnic 2024

Nas | Taylor Hill/Getty Images for Live Nation Urban

The New York and Philadelphia connection was undeniable Saturday, as legendary Queensbridge MC Nas forged the two distinctive cities for a performance that harnessed an "Illadelph State of Mind."

The "I Gave You Power" rapper played his first show in Philadelphia as a teenager, when he only had one verse under his belt: Main Source's 1991 song "Live at the BBQ." Back then, Nas admitted to underplaying the city's influence, but he knew then what he knows now — "I had to step my s— up." And he did.

The rapper played iconic songs like "Life's a B–" and "Represent" from his landmark debut Illmatic, which celebrated 30 years back in April. He even brought out Wu-Tang Clan's Ghostface Killah to add to the lyrical onslaught, and played records like "Oochie Wally" and "You Owe Me" to enliven his female fans.

Sexyy Red Incited A Twerk Fest

Sexyy Red performing at Roots Picnic 2024

Sexyy Red | Frankie Vergara

Hot-ticket rapper Sexyy Red arrived on the Presser Stage with a message: "Make America Sexyy Again." And as soon as Madam Sexyy arrived, she ignited a riot throughout the TD Pavilion aisles. Twerkers clung onto friends and grasped nearby railings to dance to strip club joints like "Bow Bow Bow (F My Baby Dad)" and "Hood Rats."

Red matched the energy and BPM-attuned twerks from her fans, which only intensified as her lyrics grew more explicit. Sexyy encouraged all of the antics with a middle finger to the sky, her tongue out, and her daring lyrics filling the air. Songs like "SkeeYee" and "Pound Town" added to the nonstop action, leaving fans in a hot sweat — and with their inner sexyy fully unlocked.

Jill Scott Delivered Some Homegrown Magic

Jill Scott performing at Roots Picnic 2024

Jill Scott (left) and Tierra Whack | Marcus McDonald

To close out night one, the Roots Picnic crowd congregated at the Park Stage for a glimpse of Philadelphia's native child, Jill Scott. The famed soulstress swooned with her fiery voice and neo-soul classics like "A Long Walk" and "The Way." Fans swayed their hips and sang to the night sky as Scott sprinkled her musical magic.

Scott, wrapped up in warm, sapphire-toned garments, was welcomed to the stage by Philadelphia Mayor Cherelle L. Parker. The newly elected official rallied the audience for a "Philly nostalgic" evening, and the GRAMMY-winning icon delivered a soaring performance that mirrored her vocal hero, Kathleen Battle. "Philadelphia, you have all of my love," Scott gushed. "I'm meant to be here tonight at this Roots Picnic."

"Jilly from Philly" invited some of the city's finest MCs to the stage for the jam session. Black Thought rapped along her side for The Roots' "You Got Me," and Tierra Whack stepped in for the premiere of her and Scott's unreleased rap song, a booming ode to North Philly. 

Fantasia & Tasha Cobbs Leonard Brought Electrifying Energy

Fantasia performing at Roots Picnic 2024

Fantasia | Taylor Hill/Getty Images for Live Nation Urban

Led by the musical maestro Adam Blackstone, singers Tasha Cobbs Leonard and Fantasia set the warmness of Sunday service and their Southern flare with a "Legacy Experience." And as the title of the performance suggests, their fiery passion was a thread of musical mastery.

As fans danced across the lawn, it was just as much a moment of worship as it was a soulful jam — and only the dynamic voices of the two Southern acts could do the job. "Aren't y'all glad I took y'all there this Sunday," Blackstone said.

The sanctity of Tasha Cobbs Leonard's vocals was most potent on "Put A Praise On It," and Fantasia's power brought the house down even further with classics like "Free Yourself" and "When I See U."

"I wasn't supposed to come up here and cut. I'm trying to be cute," Fantasia joked after removing her shoes on stage. The North Carolina native's lips quivered and her hands shook in excitement, as she continued to uplift the audience — fittingly closing with a roaring rendition of Tina Turner's "Proud Mary."

Babyface Reminded Of His Icon Status

Babyface performing at Roots Picnic 2024

Babyface | Marcus McDonald

There are few artists who could dedicate a full set to their own records, or the hits they've penned for other musicians. And if you don't know how special that is, Babyface won't hesitate to remind you. "I wrote this back in 1987," he said before singing the Whispers' "Rock Steady."

Throughout the legendary R&B singer's 45-minute set, he switched between his timeless records like "Every Time I Close My Eyes" and "Keeps on Fallin'," and those shared by the very artists he's inspired — among them, Bobby Brown's "Don't Be Cruel" and "Every Little Step," 

Fans across several generations gathered to enjoy the classic jams. There was a look of awe in their eyes, as they marveled at the work and memories Babyface has created over more than four decades. 

André 3000 Offered Layers Of Creativity

Andre 3000 performing at Roots Picnic 2024

André 3000 | Marcus McDonald

Speculation over what André 3000 would bring to his Sunday night set was the buzz all weekend. Fans weren't sure if they were going to hear the "old André," or the one blowing grandiose tones from a flute on his solo debut, 2023's New Blue Sun.

The former Outkast musician went for the latter, and while some fans were dismayed by the lack of bars, hundreds stayed for the highly rhythmic set. "Welcome to New Blue Sun live," André said. The majestic chimes and flowy notes of his performance reflect a new creative outlook, and as the performance went on, there was a cloud of coolness that loomed over the amphitheater.

His artistic approach is new to many fans, but he never stopped showcasing the personality they have grown to love. After delivering a message in an indistinguishable language, he panned to the crowd with a look of deep thought and said, "I just want y'all to know, I made all that s— up." It's the kind of humor fans have admired from him for decades, and moments like those are one of many reasons they stayed to watch the nuances of the MC's set.

Lil Wayne & The Roots Gave New Orleans Its Magnolias

Trombone Shorty and Black Thought at Roots Picnic 2024

Trombone Shorty (left) and Black Thought | Taylor Hill/Getty Images for Live Nation Urban

The sound of jazz trombones and the gleam of Mardi Gras colors transported West Philly to the bustling streets of New Orleans for the closing set of Roots Picnic 2024. The ode to the Big Easy featured natives like Lloyd, PJ Morton and the marvelous Trombone Shorty, all of whom helped deliver a celebratory tribute that matched the city's vibrance.

Lloyd floated to the stage singing The Roots' "Break You Off," and delved into his own catalog with "Get It Shawty" and "You." Morton soon followed with a soulful run of his R&B records, including "The Sweetest Thing" and "Please Be Good."

With anticipation on full tilt, Black Thought welcomed the festival closer to the stage with a message: "It's only right if Philly pays homage to New Orleans that we bring out Lil Wayne." And right on cue, Wayne drew a wave of cheers as he began "Mr. Carter."

Wayne strung together his biggest Billboard-charting and street hits, including "Uproar," "Hustler's Muzik" and "Fireman." The performance was a rousing cap-off to the weekend — and it clearly meant a lot to the rapper to rep his city in such grand fashion.

"This is a dream come true," Wayne said. "It's a motherf–ing honor."

11 New Music Festivals To Attend In 2024: No Values, We Belong Here & More

Amaarae performing in London in 2024
Amaarae performs in London in March 2024.

Photo: Burak Cingi/Redferns

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10 Can't-Miss Acts At Primavera Sound Barcelona 2024: Amaarae, Ethel Cain, Troye Sivan & More

Barcelona's Primavera Sound shines as a star-studded spectacle every year, but the famed international festival's 2024 lineup is especially lively. Get to know 10 acts you won't want to miss at Parc del Fòrum from May 29 to June 2.

GRAMMYs/May 22, 2024 - 08:43 pm

Since 2001, Primavera Sound has served as Barcelona's kickoff to summer. And with a stacked lineup chock full of effervescent acts for its 2024 iteration, this year's fest will certainly get the feel-good, warm-weather vibes rolling.

Phoenix starts the party with pop rock and new wave on May 29, setting the stage for fellow headliners Pulp, Vampire Weekend, and Justice on May 30. Lana Del Rey, The National, and Disclosure will make everyone's Friday night on May 31. Then, SZA, PJ Harvey, Mitski, and Charli XCX will ring in June on Saturday, before house/electronic acts ANOTR, The Blessed Madonna, Chloé Caillet, and Mochakk close things out on June 2.

But the headliners are just the beginning of what makes this year's Primavera Sound Barcelona exciting. Peggy Gou, L'Imperatrice, or Omar Apollo will likely tease new tunes, as they all gear up for June album releases. And just a month ago, Faye Webster, The Last Dinner Party, and Eartheater all had their respective Coachella debuts, proving they're more than ready to tackle the Primavera stage.

In the festival's jam-packed five-day lineup, hundreds of acts are primed to kick-start summer with a bang. Below, GRAMMY.com highlights 10 sets you won't want to miss in Barcelona — from Deftones' alt-metal bash to Amaarae's soulful hip-hop.

yeule

Performing: May 30, Plenitude Stage

Singaporean musician yeule is pioneering the ambient and glitch pop genres one song at a time. Born Nat Ćmiel, their stage name is based on a video game character, Paddra Nsu-Yeul, which speaks to their artistic steps in and out of reality. yeule's musical (and fashion) aesthetic is defined by the cyberworld, marked by futuristic, alternative styles that bewitchingly break norms.

Though they started out as a bedroom producer, yeule's more recent creative endeavors — like their invigorating 2022 album, softscars — have been more collaborative, adding a new layer of inspiration and beauty to their work. With influences ranging from Avril Lavigne to Radiohead, yeule's Primavera set will be ideal for living out all of your emo nostalgic fantasies.

Deftones

Performing: May 30, Amazon Music Stage

Get ready to scream with Deftones at Primavera. Winning their first GRAMMY back in 2001, the alternative metal band is still rocking out 20-plus years later — and making waves in this festival lineup. While Primavera tends to be led by various electronic and pop acts, Deftones is uniquely ushering punk to the festival's frontlines.

Banding together in 1988 in Sacramento, Deftones is known for their progressive experimentation within metal and rock, often dipping into psychedelia, post-punk, trip hop. Headed by lead vocalist Chino Moreno, the band's hardcore sound is unabashedly raw, original and heavy, continuing to evolve expansively with the metal genre.

Paving the way for contemporary heavy metal over the years, Deftones is a defiant act you won't want to miss at a major stage at Primavera Sound.

Troye Sivan

Performing: May 31, Santander Stage

Ready to feel the rush? Troye Sivan certainly is.

The Australian pop star is making Primavera an early stop in his tour for Something To Give Each Other, his latest album featuring jubilant singles like "Rush" and "Got Me Started." Once his European tour wraps in Birmingham, England at the tail end of June, he'll be headlining the Sweat Tour with fellow headliner Charli XCX — who coincidentally will be performing at Primavera the next day on June 1.

From the electropop seedlings on his 2015 debut, Blue Neighborhood, to the full-fledged forlorn beauty of his 2020 EP, In A Dream, Sivan's artistry has evolved significantly in the last decade. Today, his music is its most freeing yet, and there's no doubt it'll be glorious (and sweaty) on the Primavera stage.

Obongjayar

Performing: May 31, Plentitude Stage

UK-based Nigerian artist Obongjayar's musical style is nearly indescribable. Interlacing Afrobeat, spoken word, and EDM, all of his songs are distinctly tinged with a signature, soulful vibrance, and it'll be sensational to see how Obongjayar takes his pensive profundity to fill the Primavera stage.

Though he might be best known for the Fred again.. collaboration "adore u" (which samples his track "I Wish It Was Me"), Obongjayar's special sound effortlessly meshes with everyone he works with. From "If You Say" with Sarz, to "Point and Kill" with Little Simz, to "Protein" with Jeshi, it would be fair to call Obongjayar a chameleon — except instead of blending in, he's standing out.

Ethel Cain

Performing: May 31, Santander Stage

There's no better word to describe Ethel Cain's music than transcendent.

A master of gothic indie rock, Cain stitches together uncanny Americana and lovelorn nostalgia into a radiant, sensory experience. Her debut album, 2022's Preacher's Daughter, is divine and sometimes disturbing, but its ambience live sends audiences into an impossibly satisfying trance.

Whether you're listening to the enchanting slow burn of "A House In Nebraska" or the eerie roar of "American Teenager," both Cain's storytelling and live performance are infallibly spine-chilling — do yourself a favor and don't miss Cain's hauntingly beautiful set at Primavera.

BADBADNOTGOOD

Performing: May 31, Cupra Stage

Looking for a band that combines jazz styles with hip-hop production? Look no further than BADBADNOTGOOD, an innovative Canadian instrumental band.

After meeting at a Toronto jazz program in 2010, the three-piece band bonded over their hip-hop music appreciation, and the rest is history. Since then, BADBADNOTGOOD (which now features Leland Whitty in place of original member Matthew Tavares) has released five studio albums — fittingly, including covers of hip-hop songs with jazz interpretations. The group has also worked with Kendrick Lamar, Tyler, The Creator, Thundercat, and many more notable artists.

The band's collaborative production and remixing has earned them two GRAMMY wins and five total nominations, and there's no question BADBADNOTGOOD's set will put a spell on Barcelona.

Arca

Performing: May 31, Amazon Music Stage

Electronica is Arca's playground, and the pioneering producer's set at Primavera is sure to craft a whole new world. Dynamism defines the Venezuelan musician's shape-shifting art; through its avant-garde fusion of reggaeton, ambient techno, and dark electronica, her music is bursting with vigor.

Arca's music often discusses themes of gender identity and sexuality, and her views of queerness center around harmony and inclusion, which reflect in her pristine tracks "Nonbinary" and "Machote" on her GRAMMY-nominated album KiCk i. Having released 10 albums since 2006; worked with artists like Rosalía, Björk, and the late SOPHIE; and even opened for Beyoncé's Renaissance World Tour, Arca brings immeasurable experience to Barcelona.

The producer's music naturally begs to be heard live — it's meant to sweat to and be danced to, and Arca's Primavera set will embody true electronic extravagance.

ATARASHII GAKKO!

Performing: June 1, Cupra Stage

This rising Japanese girl group's powerful sound easily warrants a stage name in all caps and with an exclamation point.

Fresh off their U.S. television debut on "Jimmy Kimmel Live!," ATARASHII GAKKO! is ready to tackle the Primavera Sound stage with their engaging J-pop that integrates elements of hip-hop, rock, and jazz. Intrepid and commanding, their live performance features synchronized dancing, matching sailor school uniforms, and occasionally a marching band.

The quartet's upcoming world tour has a handful of sold-out dates. They've already conquered crowds at Coachella and Head in the Clouds — and there's no doubt that ATARASHII GAKKO! will bring their best to Barcelona.

Amaarae

Performing: June 1, Amazon Music Stage

Ama Serwah Genfi — better known as Amaarae — is an alté trailblazer. Raised between Atlanta and Accra, Ghana, the singer crafts mercurial music that is both introspective and stylish, and destined to be performed for vast audiences.

From her 2017 EP, Passionfruit Summers, to her 2023 album, Fountain Baby, it's easy to be mesmerized by her distinct, eccentric soprano and overflowing confidence. Her critically acclaimed "Sad Girlz Luv Money" (featuring Molly and Kali Uchis) charted globally in 2021, and just last year, she became the first Ghanaian American to perform an NPR Tiny Desk Concert. Amaarae's live performances bring her blend of R&B, pop, and afrobeats to a new level, and she's ready to introduce her infectious global beats to Primavera.

Bikini Kill

Performing: June 1, Pull&Bear Stage

Famed pioneers of the riot grrrl movement in the '90s, Bikini Kill is bringing punk fun (and rage) to the Primavera stage.

Influencing alternative stars like Sleater-Kinney, Pussy Riot, and The Linda Lindas, it's no question that the iconic American band has inspired the next generation, whether that be through their music or activism. From "Rebel Girl" to "Feels Blind" to "I Like F—ing," Bikini Kill's beautifully irate music calls for female solidarity and empowerment still resonate with listeners today.

Though the band broke up in 1997, they reunited in 2019 and have since been touring together — and now, Primavera offers a special chance to see another inspiring moment from the revolutionary rockers.

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