For the latest episode of GRAMMY Rewind, please join us in celebrating U2 bassist Adam Clayton's 60th birthday today, March 13, with this look back at one of the legendary rock band's GRAMMY highlights. At the 48th GRAMMY Awards in 2006, the Irish rock legends took home five golden gramophones, including for the high honors of Song Of The Year and Album Of The Year.

Below, watch U2 accept the Album Of The Year GRAMMY for their 11th studio album, How To Dismantle An Atomic Bomb, with a charming speech where Bono shouts out fellow Album Of The Year nominees Kanye West (Late Registration), Mariah Carey (The Emancipation of Mimi) and Gwen Stefani (Love. Angel. Music. Baby.).

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As Bono, Clayton, The Edge and Larry Mullen Jr. approach the stage to accept the award, fellow Album Of The Year nominees Paul McCartney (Chaos and Creation In The Backyard) and West, dressed in a fierce lavender tux, congratulate the band.

"This is our second Album Of The Year, but we've lost two, Achtung Baby and All That You Can't Leave Behind, so now it feels that Kanye, you're next. [He's] a great artist that's been on the road with us [on the Vertigo Tour], [he's] extraordinary," Bono said on stage, rocking his signature tinted rimless shades with a cowboy hat and leather jacket. After also sharing complements for Carey and Stefani, he adds: "This is really a big, big night for our band."

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"If ever there should have been a record called 'Sometimes You Can't Make It On Your Own,' it should've been this one," Clayton added. "We had a lot of producers; Danny Lanois, Brian Eno, Flood, Nellee Hooper, Jacknife Lee, Carl Glanville, Chris Tomas and our friend Steve Lillywhite."

The GRAMMY-winning album was released on Nov. 22, 2004, including classic hits "Vertigo," "Sometimes You Can't Make It On Your Own" and "City Of Blinding Lights." The five GRAMMYs it helped the band win include Best Rock Album and Song Of The Year and Best Rock Performance By A Duo Or Group With Vocal for "Sometimes You Can't Make It On Your Own."

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Those pre-summer Fridays just keep rolling on. With each release day, the music community fills our hard drives, playlists and record shelves with more aural goodness.

Granted, to wrangle it all in one place is impossible — but GRAMMY.com can provide a healthy cross-section of what's out there. From here, venture forth into new releases by Luke Combs (Fathers & Sons), Normani (Dopamine), Moneybagg Yo (Speak Now), Jelly Roll ("I Am Not Okay"), and more.

For now, here are nine new songs or albums to explore.

After previously released single "Please Don't Fall in Love With Me," Khalid is back with another luminous ode to romantic disconnection, where he calls for healing amid broken ties.

"Thousand miles apart and you're still in my heart/ Can we take it back?" Khalid pleads in the hook. "I'm waiting at the start/ Fly me to the moon and now I'm seeing stars when we touch."

Khalid hasn't released a full-length album since 2019's Free Spirit. But he's been teasing a new project for a minute: two weeks ago, he shared an Instagram carousel with the caption "5 years later. Here we go again." And the yearning "Adore U" certainly sets the tone for what's to come in Khalid's world.

TWICE's NAYEON is shifting gears towards her highly anticipated solo comeback with the release of NA, a project that spans pop, dance, and more. The follow-up to her debut solo album, 2022's IM NAYEON, NA provides a glimpse into the TWICE member's transition from being daunted by a solo career to finding comfort in the act.

One highlight is the shimmering "Butterflies," which NAYEON described to Rolling Stone as "one of my favorite songs" yet "one of the harder ones to record, actually." Another is the brassy "Magic," which she calls "a very self-confident song." All in all, NA winningly cements NAYEON's identity — irrespective of her main gig.

In light of its 25-year anniversary, Mariah Carey revisits her iconic 1999 album, Rainbow, which featured collaborations with fellow household names like Jay-Z, USHER, and Missy Elliott. The new anniversary edition boasts a plethora of remastered and remixed tracks — a treasure trove for Carey acolytes.

One new track is "Rainbow's End," produced by David Morales; Carey described it as "a hopeful ending to an emotional roller-coaster ride." Elsewhere, there's "There For Me," a love letter to her fans that didn't make the album; a new remix of "How Much" by Jermaine Dupri, and some intriguing live recordings and a cappella tracks.

Since at least their debut album, 2018's I Want to Die in New Orleans, rap duo $UICIDEBOY$ have expertly cataloged the bugs beneath the rock of the human experience: addiction, depression, the whole nine yards. New World Depression is a further distillation of their beautifully filthy aesthetic and worldview.

In highlights like "Misery in Waking Hours" and "Transgressions," MCs $crim and Ruby da Cherry's chroniclings of misery are barer than ever: "Hurts too much to give a f— / Demoralized, always lying, telling people I'll be fine," they rap. Who hasn't felt like this, at one point or another?

At 82, Velvet Underground violist, multi-instrumentalist and co-founder John Cale is still a tinkerer, a ponderer, an artist in flux rather than stasis. In 2023, when GRAMMY.com asked when he felt he came into his own as an improviser, he immediately replied "Last year."

That interview was centered around that year's solo album, Mercy, another gem in a solo discography full of them. Now, he's already back with a follow-up, POPtical Illusion.

While POPtical Illusion maintains its predecessors' foreboding, topical nature — and then some — tracks like "Laughing in My Sleep" and "Funkball the Brewster" couch these morose topics in a more playful, irreverent aural palette.

The Twisters soundtrack continues to be a whirlwind of great tunes. The latest dispatch is Tanner Adell's "Too Easy," a country-pop dance floor banger — its video even featuring a performance by dance troupe the PBR Nashville Buckle Bunnies.

"Too Easy" is the fourth song to be released from the Twisters soundtrack, following Tucker Wetmore's "Already Had It," Megan Moroney's "Never Left Me," Bailey Zimmerman's "Hell or High Water," and Luke Combs' "Ain't No Love in Oklahoma." The full album — which features a hoard of country stars, including Lainey Wilson, Thomas Rhett, Tyler Childers and more — will be available on July 19 when the movie hits theaters.

We've clearly caught Ghanian Afropop star Stonebwoy in a jubilant mood. In a teaser for his new song, "Your Body," the singer born Livingstone Satekia undulates on a saturated, red-and-blue backdrop, foreshadowing the sticky summer days we'll spend jamming the tune.

And the full song certainly doesn't disappoint. Interweaving strains of pop, R&B and reggae, with Stonebwoy deftly switching between singing and rapping, "Your Body" will get your body moving.

Rapper Toosii last teased his upcoming eighth mixtape, JADED, with "Suffice," its lead single released back in November. In the interim, he's been "locked in perfecting a new look a new sound new everything!" as he shared in an Instagram reel. "I just hope you're ready," he added with star and smile emojis.

Said teaser pointed toward a melancholic, weighty ballad, which ended up being the next release from JADED, "Where You Been." Riding a multidimensional, brain-flipping beat, the song is an immersive, thoughtful banger not to be missed.

The latest Star Wars show on Disney+, "The Acolyte," is getting rave reviews — and three-time GRAMMY winner Victoria Monét is now part of its musical universe. She's contributed an original song, "Power of Two," to the end credits of the Lucasfilm series.

Over an ethereal, melancholic beat, the lyrics detail emotions ripe for either terra firma or a galaxy far, far away: "You thought your soul was a necklace/ That you could wear and take off/ That you could rip and break off/ That you could trade in the dark/ But you're mine."

Bring these killer tunes straight into your weekend — and keep checking GRAMMY.com for more brand-new New Music Friday lists!

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Years before she was dubbed the "Queen of Christmas" or became the recipient of the Recording Academy's Global Impact Award, Mariah Carey was making a name for herself with R&B earworms and impressive vocal range.

Released 34 years ago today, the New-York native's self-titled debut album featured a tasteful mix of slower, emotional ballads and upbeat anthems. Mariah Carey's lead single, "Vision of Love," offered listeners a first taste of her infamous whistle register and incredible range — it also caught the ear of Academy voters. 

Carey was nominated in five categories at the 1991 GRAMMYs, and took home golden gramophones for Best New Artist and Best Pop Vocal Performance, Female. The album broke chart records, established Carey as a household name, and ultimately paved the way for her illustrious career.

"It seems like everything I did in the first year that I came out with my first album is like a blur because everything happened so fast for me and I never had the chance to sit down and go 'Wow, this is actually happening,'" Carey recalled in an interview with MTV. "I just, like, went straight ahead." 

The success of Mariah Carey was a mix of fate, talent and perseverance. In 1988, a teenage Carey left her family home in Long Island to pursue a music career. She brought with her a four-song demo tape made during her high school years with songwriter/producer Ben Marguiles (who also co-wrote Mariah Carey with several other writers). She continued to shape up the demo tape as she worked multiple jobs, and eventually crossed paths with Latin GRAMMY winner Brenda K. Starr. 

Read more: Songbook: How Mariah Carey Became The Songbird Supreme, From Her Unmistakable Range To Genre-Melding Prowess 

Carey found herself singing back-up vocals for the artist at live performances, and caught Starr's attention with her astonishing voice. Recognizing her exceptional talent, Starr played a pivotal role in launching Carey's career to new heights.  

"I really didn't want to do it, but I said it's gotta be better than what I'm doing now," Carey confessed of the audition in Chris Nickson's book, Mariah Carey Revisited: Her Story. "So I went to the audition, and Brenda was such a great person." 

Eventually, Starr brought Carey along to an industry party, where she was able to get her demo tapes into the hands of Tommy Mottola, the then-president of Columbia Records. With stars in his eyes, Mottola listened to the tape and quickly signed Carey to the label. 

Upon the album's release, critics overwhelmingly praised 20-year-old Carey's vocal prowess, noting how her debut set a new standard that raised expectations for artists across various genres to follow. The New York Times noted that the release came with "more fanfare and promotional hoopla than [Columbia Records] has bestowed on a new young talent in years." The paper continued to lavish praise on Carey's "pop-gospel voice that is impressive in its power and range and that has elaborate vocal embellishments strikingly reminiscent of Whitney Houston's." 

The album featured a whopping four Hot 100 chart-toppers: "Vision of Love," "Love Takes Time," "Someday," and "I Don't Wanna Cry." The album itself spent 11 weeks atop the Billboard 200 — Carey's lengthiest No. 1 to date. 

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Twenty-four years and 15 studio albums later, Mariah Carey transcends time. The album not only serves as representation of Carey’s unwavering determination, but a formative piece of art that jump started a truly spectacular career. While the five-time GRAMMY winner is duly given her flowers for her complex and sprawling catalog, an equal sized bouquet should be laid at the feet of her debut album, which remains a timeless paragon for R&B artists to draw inspiration from. 

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Jon Batiste walked into the 2022 GRAMMYs with a whopping 11 nominations, making him the most recognized artist of the evening. By the end of the night, he received five GRAMMYs for Best American Roots Performance, Best American Roots Song, Best Score Soundtrack For Visual Media, Best Music Video, and the highly coveted Album Of The Year.

In this episode of GRAMMY Rewind, watch Batiste take the stage to accept the award for Album Of The Year for his sixth studio album, We Are

Batiste began his praises by acknowledging God: "I just put my head down and work on the craft every day. I love music, he said. "I've been playing since I was a little boy. It's more than entertainment for me — it's a spiritual practice." He also thanked the "many people that went into making this album," including his grandfather, nephew, father, and executive producer, Ryan Lynn.

"This [award] is for real artists, real musicians. Let's just keep going. Be you! That's it. I love you even if I don't know you," Batiste cheered.

Press play on the video above to hear Jon Batiste's complete acceptance speech and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

Watch: Jon Batiste Delivers A Heartfelt Performance Of “Ain’t No Sunshine” & “Lean On Me” | 2024 GRAMMYs Performance

At the 2024 GRAMMYs, Taylor Swift became the artist with the most Album Of The Year awards in GRAMMY history with four total wins. But her first record-breaking AOTY moment traces back eight years ago, when she became the first woman to win the category twice.

In this episode of GRAMMY Rewind, relive the moment she won the historic golden gramophone for her iconic fifth studio album, 1989, at the 2016 GRAMMYs.

“I want to thank the fans for the last 10 years,” Swift beamed, praising her loyal fanbase, the Swifties. She later acknowledged the Recording Academy for “this unbelievable honor” and the project’s main producer, Max Martin, who “deserved to be up there for 25 years.”

Before she left the stage, she offered an inspiring message to aspiring female musicians in light of her groundbreaking win. “To all the young women, there are going to be people along the way who try to undercut your success or take credit for your accomplishments or your fame,” she explained. “But if you just focus on the work and don’t let those people sidetrack you, someday, when you get where you’re going, you’ll look around and know that it was you and the people who love you who put you there. That will be the greatest feeling in the world.”

Check out Taylor Swift’s complete acceptance speech for her second Album Of The Year win, before diving into the release of The Tortured Poets Department, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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