On Jan. 28, 1985, 35 years ago, legendary producer Quincy Jones gathered 45 of the biggest artists of the day, including Bob Dylan, Huey Lewis and the News, Stevie Wonder and Cyndi Lauper, at A&M Studios in Los Angeles to record the now-historic charity single, "We Are The World." The goal of this one-time supergroup, USA For Africa, was to raise money for famine relief in Africa; in Ethiopia alone, more than 1 million people had died due to hunger in the prior two years.

For the latest episode of GRAMMY Rewind, GRAMMY.com revisits the 28th GRAMMY Awards, held in Los Angeles in 1986, when the star-studded, seven-minute track, penned by Michael Jackson and Lionel Richie and produced by Jones, took home Song Of The Year, along with three other big wins.

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"We are so proud to be a part of an industry of people that when the world is in need of helping each other, this music industry of ours responded," Richie said to his peers as he and Jackson accepted the Song Of The Year GRAMMY. "When we called, you responded, and we thank you for that."

A cultural phenomenon and major commercial success, "We Are The World" sold more than 8 million copies in the U.S. and raised more than $75 million for famine relief in Africa. In addition to winning the GRAMMY for Song Of The Year, it also won for Record Of The Year, Best Pop Performance By A Duo Or Group With Vocal and Best Music Video. The visual for the song is a joyful journey back to the big-haired '80s, giving an inside look into the famous studio session.

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The initial idea for "We Are The World" came from singer/activist/actor Harry Belafonte, who was inspired by Band Aid's 1984 charity single, "Do They Know It's Christmas." Both singles inspired 1985's Live Aid, the first benefit concert of its size and caliber, as well as Willie Nelson's long-running Farm Aid shows.

Ultimately, "We Are The World" showed what the influence and unity of the music industry could accomplish when it comes together for a good cause and addresses the important issues of the time.

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Flashback to 2003, the Chicks frontwoman Natalie Maines made her infamous statement advocating for peace against the invasion in Iraq. The seemingly unthreatening comment quickly led to nationwide backlash, including a boycott of the Chicks by country music's fans, radio stations and musicians.

But more importantly, Maines' progressive endorsement prompted a conversation surrounding America's conservative expectations for country artists. Maines' courage to speak out was an inspiration to the next generation of women in country, including Taylor Swift and Kacey Musgraves, who credit the Chicks for empowering them to publicly claim their liberal beliefs.

In this episode of GRAMMY Rewind, we fast forward four years after the career-changing controversy to the 2007 GRAMMYs, when the trio won Song of the Year alongside folk singer/songwriter Dan Wilson for "Not Ready to Make Nice," the track made in response to the massive criticism they faced.

"This is overwhelming," said Emily Strayer, holding back tears. "Thank you, Dan, for writing with us … It was very important that you [understood] what we were trying to get across. Thank you for helping us to get all of this out and into a song."

Before heading off the stage, Maines took the time to express appreciation for her bandmates: "For the first time in my life, I'm speechless. Thank you, Martie and Emily, for sticking by me. I told you I'd take it to the GRAMMYs!" Maines joked. (The trio were the big winners that night, also taking home the GRAMMYs for Record Of The Year, Album Of The Year, Best Country Performance by a Duo or Group with Vocal and Best Country Album.)

Press play on the video above to watch The Chicks' complete acceptance speech for Song of the Year at the 2007 GRAMMY Awards, and keep checking back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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Almost 40 years ago, Whoopi Goldberg made history as the first Black woman to win Best Comedy Recording at the 1986 GRAMMYs — and marked her first step into achieving EGOT status, which she later accomplished in 2002.

In this episode of GRAMMY Rewind, we travel back to the night Goldberg received this trailblazing award for her one-woman Broadway show. The stand-up comedian fittingly warmed up her acceptance speech with a few jokes: "I'm going to have to get a job after this," she laughed before taking a quick-witted stab at the orchestra's untimely playing. "Make me move!"

She went on to thank Geffen Records, her colleagues, her longtime supporter Mike Nichols, and her family for inspiring and assisting her throughout the production of the record. Goldberg also took a moment to acknowledge her "date," 12-time GRAMMY Award winner Paul Simon, who wasn't able to escort her to the ceremony after falling ill.

"I want to say it's a very nice, wonderful honor to get something as nice as this," Goldberg concluded. "Thank you all, and good night!"

Press play on the video above to watch Whoopi Goldberg's full acceptance speech for Best Comedy Recording at the 28th GRAMMY Awards, and keep checking back to GRAMMY.com for more episodes of GRAMMY Rewind.

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From its star-studded cast to its timeless music, there's no questioning that Flashdance is one of the most iconic and influential films to emerge from the early '80s. Musical dramas decorated the year following its release, including Footloose and Prince's Purple Rain, which credited Flashdance as its inspiration. So, it was no surprise when the film's soundtrack made a sweep at the 1984 GRAMMY Awards ceremony.

In this episode of GRAMMY Rewind, we flashback to the night Irene Cara won Best Female Pop Vocal Performance for Flashdance's titular song. The triple-threat singer, actress and dancer was stunned as she made her way to the stage to accept the award: "Are you sure? I can't believe this," she squealed to the presenters.

After acknowledging the film's producers, actors and musicians, she thanked her parents, who encouraged her to begin performing. "My mother and father, who started it all for me many years ago — you know I can't visit them if I don't say that," Cara joked. "I love you all, thank you!"

Press play on the video above to watch Irene Cara's full acceptance speech for Best Female Pop Vocal Performance at the 26th GRAMMY Awards, and keep checking back to GRAMMY.com for more episodes of GRAMMY Rewind.

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In the words of recent GRAMMY winner Lizzo, it's bad b— o'clock. To kick off Women's History Month, GRAMMY.com is celebrating with an extensive playlist spotlighting women's divine musical artistry. Perpetually shaping, reinvigorating, and expanding genres, women's creative passion drives the music industry forward.

This March, get ready to unlock self-love with Miley Cyrus' candid "Flowers," or hit the dancefloor with the rapturous Beyoncé's "I'm That Girl." Whether you're searching for the charisma of Doja Cat's "Woman" or confidence of Rihanna's "B— Better Have My Money," this playlist stuns with diverse songs honoring women's fearlessness and innovation.

Women dominate the music charts throughout the year, but this month, dive into their glorious energy by pressing play on our curated Women's History Month playlist, featuring everyone from Dua Lipa to Missy Elliott to Madonna to Kali Uchis.

Listen below on Amazon Music, Spotify, Apple Music, and Pandora.

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