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Guns N' Roses perform on the main stage at Coachella in 2016

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Coachella's influence on the modern music festival

How the Coachella Valley Music and Arts Festival has formed the template for the modern music festival and grown to become a destination for everyone

GRAMMYs/May 15, 2017 - 01:36 pm

Coachella is this weekend. Are you going?

Whether you'll be attending or not, chances are favorable that you'll interact with the festival by way of news coverage over the next two weeks. If you wish you could attend, but can't, you'll be able to live stream more than 50 artist sets from this year's festival to the comfort of your living room or mobile device.

Launched in 1999, Coachella holds a singular relevance in the development of the modern music festival, and its influence in shaping the aesthetic and popularity of other contemporary American festivals is undeniable. Where once it may have been true to claim only a certain faction of artists would be booked to play, or only fans of certain genres would choose to attend Coachella (versus, say, Bonnaroo), that distinction no longer holds water. Case in point, this year's diverse lineup features headliners Radiohead, Kendrick Lamar and Lady Gaga on down to the likes of the Allah-Las, Eli & Fur, Red Axes, and Zipper Club.

"There is no underground anymore. It's all kind of pop, in a way," said Coachella founder Paul Tollett regarding the dissolving borders between targeted genres to book for the festival each year. His recent interview with The New Yorker gives a fascinating recount of the journey that took him from passing out flyers for Goldenvoice founder Gary Tovar in the late '80s to strategizing plans to expand the scope and reach of his iconic two-weekend festival, which is now approaching its 20th anniversary.

Road trip?! Which upcoming music festival are you planning to attend?

Excited fans in a crowd shot at Coachella 2024
Fans at weekend one of Coachella 2024

Photo: Christina House / Los Angeles Times via Getty Images

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Meet The Coachella Die-Hards: 5 Super Fans You'll Find In The Desert

It's not only influencers and celebrities heading to Indio, California. The "real Coachella" brings together people from across the country, including super fans who come year after year for the killer live show, community, and the occasional beer chug.

GRAMMYs/Apr 16, 2024 - 01:32 pm

After 25 years, Coachella is like a live music holiday. Every year, thousands of people from all walks of life descend upon the Empire Polo Club in Indio, California to enjoy artists whose music is as diverse as the crowd assembled. No matter what style anyone prefers, an artist they love is playing at Coachella.

This year alone, attendees can enjoy the classic Britpop sounds of Blur, trendy house music beats from John Summit, a reunion of the ska-punk icons, Sublime (featuring the late frontman's son, Jakob Nowell), and a headlining set from enigmatic rapper Tyler, The Creator.

Coachella also offers the opportunity for audiences to see artists they may never see elsewhere, like a rare American performance by the jazz-house master St.Germain, a shared set from the now-defunct dance music supergroup J.E.S.u.S. (Jackmaster, Eats Everything, Seth Troxler, and Skream), or pop legend Jai Paul’s first live show ever. 

Then, of course, there are the Coachella sets that will live in infamy: From Daft Punk’s debut of The Pyramid, which is largely credited with launching the popularity of electronic music in the United States, to Tupac’s resurrection in hologram, to Beyoncé's marching band of HBCU students soundtracking a reunion of Destiny’s Child.

The people of Coachella revel in these eclectic and epic offerings. Approximately 125,000 people per day touch down on the grass at the Empire Polo Club, and upwards of 100,000 have been reported to gather for a single set. And while hundreds of thousands of people are on the ground worshiping the music, 40 million people are watching the magic through YouTube, wishing they were there.

Coachella is a spectacle. So often the people who went one year bring their friends or family the next, and those people become obsessed. Others meet people at the festival and become best friends, family, and lovers — relationships born from a shared reverence for live music. 

With its massive popularity, it's easy to assume influencers and celebrities have taken over the polo grounds. A key moment in Billie Eilish’s documentary, Billie Eilish: The World's a Little Blurry, the young pop sensation meets her lifelong hero, Justin Bieber, for the first time at Coachella. But any long-time attendee will tell you, that the celebrities and influencers don’t engage with the true Coachella.

"The Kardashians are having one experience, and I’m having a different experience out in the field," says Ashton Aellarose who’s attended Coachella 12 times in eight years. "If you don’t want to be that, then you don’t see that…there’s the real Coachella for real people."

Real fans of Coachella stay all day and night, braving the heat and the dust, to engage with the epic performances and their fellow music lovers. Alaskan Alex Rodriguez creates an Artist of the Day post on the Coachella Reddit, posting every day from when the lineup drops until the festival. He flies in from the Last Frontier because Coachella provides something that other festivals simply can’t.

"Whether it be over-the-top productions, unexpected guest appearances or simply the chance to let others hear your unfamiliar sound to others, Coachella invites performances that you simply won’t see anywhere else," Rodriguez tells GRAMMY.com via email. 

Coachella’s community is built on the idea that music is the universal language. Whether you’re coming for the first time or the 25th time, whether you’re a senior citizen, a new parent, or a college kid on spring break, Coachella is a space for live music fans to celebrate what they love more than anything, and celebrate each other. GRAMMY.com spoke to five Coachella die-hards — attendees who count Coachella as an annual, important part of their year — to learn what Coachella means to them.

From Fan To Music Industry Professional: The 25-Year Attendee 

Coachella Die-Hards: 5 Fans To Meet In The Desert Josh Brooks

Josh Brooks DJing in 2011┃Josh Brooks

Name: Josh Brooks

Number of Coachellas attended: 26

Favorite set: The Chemical Brothers, 1999

Josh Brooks has attended every year of Coachella since the first edition in 1999, and credits the festival for his career in music. To date, he's worked as a booking agent, tour manager, and DJ who has played Coachella on several occasions. In 2023, he played a slot during the after-hours silent disco in the campgrounds. 

Back in 1999, Brooks had just started college at UCLA and was studying physical science, geology, and geography. He went to Coachella on a whim because tickets were $50 per day to see Rage Against The Machine, Tool, Beck, Morrissey, and the Chemical Brothers. Everything in his musical life snowballed from there. 

"[Coachella] really opened my eyes to this whole world of music that I didn’t know existed," Brooks tells GRAMMY.com. "I’ve played music my whole life. I played clarinet, trumpet, and saxophone. I was in the California Young Musicians Orchestra for a year in high school. Music has always been really important to me. But that’s where I really started to find myself musically." 

In 2011, Brooks found himself as a part of Coachella. That year, Global Inheritance — the nonprofit that organizes all of Coachella’s sustainability efforts —hosted a human-powered stage called the Energy Factory. Brooks submitted a DJ mix as part of a contest to play a slot on that stage, and he won. 

"I just played at the festival that I have been enamored with for the last 12 years. I just made a dream come true," Brooks said.

A year after that, he got laid off as a high school science teacher, and he’s been working in music ever since. Currently, he’s the booking agent and tour manager for respected house music artist Sacha Robotti, and revitalizing their SLOTHACID brand. But in between his workload, he’s still taking time for a trip to the desert for some live music. 

The Fan That Made Coachella A Family Affair

Meet The Coachella Die-Hards: A family affair

The Glazer family┃MIkey Glazer

Name: Mikey Glazer

Number of Coachellas attended:  16

Favorite set: M.I.A., 2008

Every year at Coachella, you see a handful of parents celebrating live music with their children. In fact, there are meetups for families at the festival. Among this somewhat unusual sight, you'll find Mikey Glazer and his 5-year-old son, Axwell. 

Glazer has been attending Coachella since 2003, and used to be one of the festival's more typical attendees (a 20-something attending for the party and the tunes). Now, at age 47, Coachella has become his yearly family vacation. Glazer and his wife, Melissa, brought Axwell to the festival four times: three in the flesh, and once in utero.

During the pandemic, Mikey, Melissa, and Axwell listened to music as a family. Especially electronic artists like Skrillex and Tiësto. (Axwell is also the artist moniker of one of the members of the GRAMMY-nominated electronic trio Swedish House Mafia.) When the family went to Coachella together, they saw Axwell express that love of music in full force.

"Seeing a DJ and the visuals, he just loved it. To see it through his eyes is absolutely amazing," Glazer says. "Nobody who doesn’t have kids would ever want to have a kid with them at Coachella. But when you spend every day with your kid, you’re going through new music Friday; he’s picking out songs he likes, and you listen to music together every day; when you get to Coachella, to see him enjoy it is great."

Ranking Coachella: The Fan Who Listens To Every Single Artist 

Fans inside the ferris wheel at Coachella

Brian Downing (second from right) with friends from Cincinnati┃Brian Downing

Name: Brian Downing

Number of Coachellas attended: 4

Favorite set: Madeon, 2022

For decades, Brian Downing has been ranking all the live artists he sees. He saw hundreds of artists the year he turned 50, and condensed all of them into a top 20 list.

When he comes to Coachella, he does the same thing, except instead of creating a list over the course of a year, he does it for three days. In the weeks leading up to the festival, he listens to every one of the 150 artists performing at the festival and gives them all a ranking.

"There are so many acts I don’t know going into it," Downing says. "Someone else might look at [the lineup] and go, ‘Oh my god, this is so overwhelming.’ I look at it and go, ‘Oh my god, I get to rank so many things’."

He ranks every artist on the lineup 1–10 and organizes the rankings on a spreadsheet that he shares with his friends who come to Coachella with him. A 10 is reserved for someone he is going to see, no matter what; one signifies someone he’s going to skip. That way, his group will know who they may or may not enjoy as well. 

Brian also frequently adds commentary to each artist. Here’s what he has to say about the drag-ready pop star Chappel Roan, who is performing on Friday at Coachella this year:

"I do loves me some Chapell Roan! She is an indie pop darling, and for good reason. Red Wine Supernova is an absolute bop! But she has so many other great songs too that haven't been hits yet. Don't want to miss this fun show! Side note: Remember to learn the entire H-O-T-T-O-G-O dance. You’re gonna thank me later. 10’s all day, baby! - 10."

The Fan Who Would Spend Eternity At Coachella 

Coachella Die-Hards: 5 Fans To Meet In The Desert Ashton Aellarose

At Coachella 2011┃Ashton Aellarose

Name: Ashton Aellarose

Number of Coachellas attended:  9

Favorite Set: Postal Service, 2013

Throughout her life, Ashton Aellarose has lived in many places: Northern California, North Carolina, Colorado, even a few extended stints abroad. But no matter where she was residing, Aellarose would see the Coachella lineup in copies of SPIN magazine and dream of going somewhere with such vast musical offerings.

Now she’s attended nine Coachellas, and Coachella is the one place she calls home. Simply put, her life wouldn’t be the same without Coachella.

When she attended in 2014, Aellarose worked at an on-site lemonade stand. Not only did the experience lead to her working in festival vendor management for a time, but Aellarose met her best friend during her very first shift at the stand. That same friend introduced Aellarose to her boyfriend, whom she brought to Coachella for the first time last year. 

When she brought him, she showed him all the traditions she’d developed over numerous editions: Picking up last-minute camping supplies at the Wal-Mart in Indio; watching the first sunset performance of the weekend (one of her favorites was Violent Femmes in 2013); enjoying her favorite foods like the spicy pie and the arepas.

"It’s nice to have this place that’s so spiritual and consistent in such an inconsistent world," Aellarose says. "I thought it was cool when Skrillex said during the TBA set [in 2023], ‘This is the biggest party in the world right now where you’re at.’ I say that every year."

Coachella is such an important place for Aellarose, that she would like it to be her final resting place: "When I die, I want my ashes thrown around Coachella. No joke."

Creating Community With Beer & Cheer: The Fan Who Learned To Love At Coachella 

Coachella Die-Hards: 5 Fans To Meet In The Desert Joe Stamey

Joe Stamey and friend┃Joe Stamey

Name: Joe Stamey

Number of Coachellas attended: 16

Favorite Set:  Beyoncé, 2018

At 1:32:14 in the Coachella documentary, Coachella: 20 Years in the Desert, Joe Stamey says:

"I come because I genuinely love music. I’ve seen more music here than I’ve seen in my entire life in other places. I see acts here that I will never see at the other festivals all over."

The filmmakers followed multiple attendees around the festival in 2019. Stamey is the only one who made it into the documentary. His love of music is a significant factor in why.

But more than his love of music, he genuinely wants everyone at Coachella to have an amazing time enjoying the live music like he does. Before our call is over, he even offers me to stay at his campsite. 

"​​I meet people that are my friends now forever because of things that I've done like that. Caring for people," Stamey says. "The festival did that to me."

Every year, Stamey organizes a beer chug at 10:40 a.m. on Friday in the campgrounds through the Coachella subreddit. Mikey Glazer (who you met above) attends every year as well. 

"It's literally just hundreds of people sitting around chugging beers at 10:40 a.m. And I just give everyone I can as big a hug as I can," Stamey says. "It’s a huge friend reunion. I run into so many people from 15 years of my life, and I love them all."

Coachella Weekend 1 Recap: 20 Surprises And Special Moments, From Billie Eilish & Lana Del Rey, To Olivia Rodrigo With No Doubt

Doja Cat headlines at the Coachella Valley Music and Arts Festival on Sunday, April 14, 2024
Doja Cat headlines at the Coachella Valley Music and Arts Festival

Photo: Dania Maxwell / Los Angeles Times via Getty Images

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7 Incredible Sets From Coachella 2024 Weekend 1: Doja Cat, No Doubt, Raye & More

With a weekend full of surprise guests, exciting reunions and breakout performances from first-time performers, this weekend in Indio was one for the books. Read on for seven of the top performances at the first weekend of Coachella 2024.

GRAMMYs/Apr 16, 2024 - 02:37 am

While every headliner at last year’s Coachella held some sort of historical cultural significance, Coachella 2024’s roster instead represented a series of graduations from opening slots and side stages to top-tier main stage titan status.

Friday featured Lana Del Rey, whose sole previous Coachella performance was at the Outdoor Theatre in 2014. Saturday was capped by Tyler, The Creator appearing for the third time in Indio (his last appearance as runner up to Haim and Beyoncé on the main stage in 2018). And on Sunday, Doja Cat occupied the uppermost spot after her penultimate main stage appearance in 2022.

Yet Coachella Weekend 1 this year’s attendees got astronomically more bang for their buck than they counted on, due to a surprise-guest-heavy lineup. The bulk of those special moments came from  A-list talent, from Billie Eilish with Lana Del Rey to Olivia Rodrigo with No Doubt, Justin Bieber joining Tems, Kesha with Reneé Rapp, most of the Fugees performing alongside YG Marley, Will Smith performing "Men in Black" with J Balvin … the list goes on. 

When all was said and done, the diversity, quality and impact of the weekend’s performances were tremendous. Even without elite bonus appearances, there were plenty of performances — quite a few of them newcomers, recent buzzbands and imminent breakthroughs — that made this year’s Coachella more than worthy of an early accolade for one of the first-rate fests of 2024. Read on for seven of the best sets from Coachella 2024.

Faye Webster Thrills Loyal Fans With Supreme Confidence

Underneath that shaded canopy, Faye Webster held her sprawling audience in the palm of her hand during her Coachella debut. Deafening cheers rang out at the start of every song, which seemed to infuse the 26-year-old singer/songwriter with a level of energy unparalleled up to this point in her career.

Webster deftly worked her way through 11 tracks, each one received with wild cheers from fans, who sang with such gusto that they often nearly overpowered her own vocals. The crossroads of her confidence and creativity fully manifested during closing tune "Kingston," which saw her pausing to let the audience belt out the remainder of the line, a beckoning gesture that exuded self-assuredness. 

Notably, three of six new songs ("Wanna Quit All the Time," "He Loves Me Yeah!" and "Lego Ring") from her recently released fifth album Underdressed at the Symphony were live debuts. The fact that Webster saved them for Coachella showed a clear intention to ensure the set was extra special. Beyond any shadow of doubt, she succeeded. 

Lana Del Rey Taps Billie Eilish, Jon Batiste & Others For Standout Friday Set

With her notoriously downtempo demeanor, Lana Del Rey wasn’t the obvious choice for a Friday headlining spot on the main stage, but when all was said and done, her 20-song set delivered plenty to position her as a standout performer. 

Dressed in an elegant baby blue gown, her entrance — a slow ride on the back of a motorbike through the lanes of the crowd all the way to the stage — worked wonders to build excitement. And her first three song choices, a shortened version of "Without You" (not performed since 2014) and two more gems from the vault — "West Coast" (debuted 10 years ago to the day at her first Coachella appearance) and her superb cover of Sublime’s "Doin’ Time" — signaled her intention to make this show a truly special occasion (neither of the latter two tunes have appeared on setlist since 2019).

From there it was a parade of hits culled from her robust catalog, as the GRAMMY-nominated singer waltzed her way across the expanse of a fairytale palace stage production, at several points venturing up flights of stairs to a towering terrace. Four of her 10 albums feature production from Jack Antonoff (who played with Bleachers on Saturday), so it was unsurprising when he took the helm of the white grand piano toward the end for a strikingly serene duet with a hologram Lana on "Hope is a Dangerous Thing for a Woman Like Me to Have — But I Have It."

Jon Batiste (who performed his own set on Saturday) also assisted on piano for an alluring take on "Candy Necklace," but the pinnacle moment arrived during performances of "ocean eyes" and "Video Games" alongside surprise guest Billie Eilish. Sitting side by side atop a balcony, the two harmonized through much of those tracks, and the occasions when Lana sat back to let Billie sing several sections solo were absolutely arresting. The two superstars stared adoringly at each other throughout, clearly just as awe-inspired by the unprecedented collaboration as the audience, which erupted with rapturous applause that rivaled the decibels of the set’s glittering fireworks finale.

Raye Races Toward Superstardom During Emotional Debut

After just one song of Raye’s Saturday afternoon performance, there was no question that her Coachella debut would be remembered as one of the most striking in recent years. The British songwriter and chanteuse, who shattered the record for most wins and nominations in a single year at this year’s BRIT Awards, poured every ounce of her soul into her 45-minute set. The crowd inside the Mojave tent hung on every note and went absolutely berserk all the way from the sultry intro of "The Thrill is Gone" to gloriously anthemic closer "Escapism."

Backed by a powerhouse band of eight backup singers, three string players, four brass aces and the standard guitar, drums and bass, each song was a showstopper. Without the question, the most impactful moment came on "Ice Cream Man," which deals with her own experience with sexual assault and rape.

"I want you to know it’s not an easy song to sing," she started. And before she could continue, the audience released a loud roar of support, to the point that the singer shed tears. When she composed herself, she continued, "But it’s important to be loud .. and to be brave. This allows me to be loud about something I’ve been quiet about my entire life. I am very f—ing strong."

That moment — which culminated into a big band-style belter that evoked the power of Amy Winehouse and Billie Holiday — likewise drew tears from many in the audience. Further, it defined Raye as an artist destined for superstardom on the merits of genuine talent, an infinitely infectious spirit, and incomparably hard work ethic. To that end, it should be no surprise she’s the songwriter behind tunes from GRAMMY-winning artists including Beyoncé, no big deal. 

Sublime Revives Their Definitive Sound Alongside Jakob Nowell

Though many were referring to Sublime’s Saturday afternoon appearance on the Coachella main stage as a "reunion" in the days leading up to the festival, new frontman Jakob Nowell — son of the band’s deceased original singer Bradley Nowell — made it abundantly clear that wasn’t precisely the case.

"My name is Jakob Nowell and this is Sublime," he said following the conclusion of opening song "April 29, 1992," gesturing toward the beloved Southern California ska-punk band’s surviving members bassist Eric Wilson and drummer Bud Gaugh.

Read more: Sublime's Jakob Nowell On Leading His Father's Legendary Band & What To Expect At Coachella

His resistance to co-opt his dad’s legacy was admirable, which was an issue for some when Rome Ramirez joined Wilson and Gaugh in 2009 to form Sublime with Rome, a chapter that ended for those original members when Gaugh left the band in 2011 and Wilson subsequently exited in February. With all the pieces in place, the next hour during what played out as fantastically fun alliance of old and new.

Jakob sounded strikingly like his dad during most moments, though he asserted his own spin on the classic sound by adding a hardcore-esque growl at various points in the set. Among the 14 songs, they revived early-era material that hadn’t been played live since the mid '90s, including "Date Rape," "Badfish" and "Doin’ Time." One cut, "Romeo," had not been performed live since 1988. The band likewise included tunes that Bradley never got to perform from the band’s final self-titled album, including some of their biggest commercial successes. Tracks such as "What I Got" and "Santeria" were sung by thousands, a chorus oozing with celebratory mass catharsis. 

By the end, there could be only one conclusion: the most definitive version of a revived Sublime has arrived and, should they choose to continue on, they’ll be received by fans with open arms. 

No Doubt Snatches Headliner Status During Jubilant Reunion

Though the reunion of No Doubt was billed as the runner-up to Tyler, the Creator’s Saturday night finisher, it’s absolutely valid to argue that the beloved Southern California outfit — playing their first show since 2015 — was the evening’s true headliner. The eye-popping expanse and unerring enthusiasm of the audience (the largest of the weekend), combined with the group’s sheer joy and explosive energy, drove the feeling home.

Every member of the core group — bassist Tony Kanal, guitarist Tom Dumont, drummer Adrian Young and frontwoman Gwen Stefani — emanated pure exultation, wide grins plastered permanently on their faces. Stefani was especially fired up; after the band powered through five treasured tracks — including opener "Hella Good" (performed at the end of long catwalk), "Ex-Girlfriend," and "Different People" (featured for the first time since 2009) — the singer stopped to address the sea of screaming fans.

"Wow … you showed up to Coachella Saturday night 2024 to see No Doubt play together on this stage for the first time in nine years. Are you crazy?!" Stefani said. "If I could just somehow explain the amount of love [we feel] and how much I wanna slap the s— out of you guys tonight!"

The sentiment was meant endearingly, but every song did hit intensely. In particular, a rendition of "Bathwater" featuring special guest Olivia Rodrigo — as hyped as Stefani with her never-ending spinning and bouncing antics — left a lasting mark. For old school fans, the Return to Saturn single was a special treat, and with Rodrigo in the mix, it elicited equal exuberance from younger audience members.

For the finale of the 16-song setlist, the band fulfilled the promise of euphoric nostalgia with a hard-hitting trio of tracks off 1995 breakthrough third album Tragic Kingdom: "Just a Girl," "Don’t Speak" and "Spiderwebs." The timeless tunes incited a sudden surge of fans toward the stage, and one would’ve been hard pressed to spot anyone not participating in the jubilant singalongs. It was a moment of multi-generational unity and unbridled joy — unquestionably unforgettable, and hopefully just the precursor to a triumphant new era of No Doubt.

Olivia Dean Enters the Stateside Festival Scene With Humbling Authenticity

Watching the first few moments of British neo-soul singer Olivia Dean’s Sunday afternoon performance in the Gobi tent, you’d never know this was her first American festival appearance. And what an incredible debut, at one of the States’ most prestigious festivals with only one album under belt (2023’s Messy) to boot. The 25-year-old stunned with utmost finesse and confidence, workin the stage like a long-established diva and immediately eliciting rapturous applause after each of the first two songs, "OK Love You Bye" and "Echo."

While it can sometimes be off-putting when an artist introduces every song with a tidbit explaining what it’s about, this method had the opposite effect for Dean. Her context made every moment feel intensely personal, and the audience reaction was overwhelming. One of many tunes with a distinctly Motown bop, "The Hardest Part," was prefaced with the remark that it "recently changed [her] life," and spoke to the process of overcoming grief. After the final note was sung, she received a deafening standing ovation, prompting her to endearingly cover her face in response. And there was so much power in her anecdote before "Carmen," a tribute to how her grandmother made everything possible for her. 

"My granny came to London when she was 18 … had never been on a plane … left her life behind and had my mom, and my mom had me," she said, already being drowned out by cheers before the final remark: "This song is for my granny and anyone brave enough to move and any immigrant in the crowd right now."

As she wrapped up her short set with the bewitching single "Dive," the sun broke through the clouds, illuminating her with the loveliest natural spotlight to complement a performer who already naturally, effortlessly shines on her own.

Doja Cat Exudes Total Command & Flawless Flow For Sunday Finale 

It cannot be overstated: Doja Cat’s fest-closing performance on the main stage was a visionary masterpiece, and the strongest headlining set of the first weekend. That wasn’t certain from the stripped-down beginning moments when the GRAMMY-winning singer/rapper appeared on a circular b-stage mid-audience, dressed in a hazmat suit and encircled by a black and yellow biohazard pattern.

Bombastically delivered opening song "ACKNOWLEDGE ME," even in an abbreviated format, lived up to its title and created a palpable air of anticipation for what would follow. The excitement built slowly as she strutted back toward the main stage via a connected catwalk, meeting briefly in the middle with South African quintet the Joy (set to release their self-titled debut album on June 21) offering up fiery raps amidst the group’s arresting a cappella.

Shortly after, Doja appeared on the main stage dressed in a knee-length platinum blonde weave, flanked by an army of dancers who all wore matching getups covered in the same synthetic hair. The effect when they all converged, their movements completely in sync, created an optical illusion of one enormous hairy creature moving across the stage to punctuate the ferocity of "Demons." 

That was just the first taste of a breathtaking series of visual sequences over the course of the 70-minute show, each profoundly enhanced by cinematography that created the effect of watching a top-quality music video on the main stage’s massive screens. If you witnessed the camera work during Beyoncé’s Homecoming show back in 2018 or Rosalía’s production in 2023, you’ll understand the aesthetic. 

Other key moments when the video work was utterly astonishing arrived during the live debut of "OKLOSER" (one of five first-time song features) where the previously smooth camera went rogue, shakily weaving through the gang of dancers to create the effect of maneuvering through a chaotic house party; again during "Attention" as the lens wove through dancers in fur coats wielding Cruella de Vil-inspired cabrioles until it settled on Doja at the end of the line; and finally during closing track, "Wet Vagina," where Doja and her dancers rolled and writhed (in perfect choreographed unison) on the b-stage filled with brown mud, the sequel ending in a stunning birds-eye shot. 

Backtracking a few moments earlier, maybe the most jaw-dropping production element came on "WYM Freestyle" in the form of a giant T-Rex skeleton following Doja down the catwalk while flames erupted from the stage behind her. The precise reason for that wasn’t evident, but it certainly boosted the ferocity of her raw rap delivery.

The unending visual feast only served to amplify Doja’s already flawless flow. She never missed a vocal mark, whether singing or rapping. She didn’t even once pause to banter with the audience, creating the effect of total focus and command. Big bonuses: 21 Savage materializing mid-set to serve up "n.h.i.e.," Teezo Touchdown’s cameo on "MASC" and A$AP Rocky (who likewise performed with Tyler, the Creator on Saturday) swooping in for "URRRGE!!!!!!!!!!" before Doja dazzled with super-hit "Paint the Town Red."

When all was said and done, Doja Cat more-than-earned her graduation to festival headliner, and while she’s already set for an arena tour this year, she’s clearly destined to stun at stadiums not far in the future. 

Coachella 2024 Weekend 1 Recap: 20 Surprises And Special Moments, From Billie Eilish & Lana Del Rey To Olivia Rodrigo With No Doubt

Shakira
Colombian singer Shakira performs with Argentine record producer and songwriter Bizarrap on the Sahara Stage during the Coachella Valley Music and Arts Festival in Indio, California, on April 12, 2024

Photo: VALERIE MACON / AFP) (Photo by VALERIE MACON/AFP via Getty Images

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Coachella 2024 Weekend 1 Recap: 20 Surprises And Special Moments, From Billie Eilish & Lana Del Rey To Olivia Rodrigo With No Doubt

Weekend 1 of Coachella 2024 is a wrap, and the internet can’t stop talking about it. Here are 20 surprises and special moments from Coachella so far, including inspired team-ups, wackadoo moments in the clutch, and much more.

GRAMMYs/Apr 15, 2024 - 09:11 pm

It may be hard to believe, but Weekend 1 of Coachella 2024 is already over. Clearly, time flies when you’re having fun — particularly when beholding the world’s leading artists, convened in the Indio desert in California.

If you weren’t there, the festival was filmed, of course. You can enjoy Coachella from the comfort of your own home, sans-sunburn, undrenched with champagne.

As you survey Coachella’s sold-out first weekend, read on for 20 performances, debuts and moments that surprised and touched us from Coachella Weekend 1.

Lana Del Rey's Headlining Set Brought Out GRAMMY Winners Billie Eilish, Jon Batiste & Jack Antonoff

After rolling deep up to her desert set on a fleet of motorcycles for her Friday performance, Lana Del Rey infused her iconic sad-girl pop persona into every facet of her Gatsby-esque performance. 
Her headlining set also included some special GRAMMY-winning guests: Jon Batiste and 2024 Producer Of The YearJack Antonoff both accompanied on piano, while Billie Eilish joined her idol on stage for duet performances of "Ocean Eyes" and "Video Games." Sharing a moment with her hero on stage at the end of the set, Eilish declared, "This is the reason for half you bitches’ existence, including mine.”

Tyler, The Creator Brings Out Childish Gambino, A$AP Rocky, Kali Uchis and Charlie Wilson

Saturday's main stage event kicked off with a ruckus 80-minute set by creative magnet Tyler, The Creator, who transformed the stage into an ever-changing desert scene to host fellow performers.

First up, Childish Gambino hit the stage to perform a duet of "Running Out of Time," before A$AP Rocky joined for a performance of two tracks, "Potato Salad" and "Who Dat Boy."

Tyler admitted he once saw both as rivals, but now considers them friends. Kali Uchis also returned to the desert stage with Tyler for a quick appearance as well as legendary singer/songwriter Charlie Wilson, who made an unexpected appearance to accompany Tyler on a laid-back version of "EARFQUAKE." 

No Doubt Made Their Grand Re-Entrance (With Olivia Rodrigo!)

No Doubt electrified Coachella with their first performance in nine years, featuring all original members and a blend of eclectic hits that defined their career. Their memorable reunion set highlighted their timeless appeal and was punctuated by a surprise appearance from pop sensation Olivia Rodrigo for a duet performance of No Doubt classic, "Bathwater."

Taylor Swift and Travis Kelce Show Up To Support Ice Spice And Jack Antonoff's Bleachers

The Queen of Pop, Taylor Swift herself, showed up on Sunday with her boyfriend Travis Kelce among the crowds to support her friends: producer and Bleachers band member Jack Antonoff and Eras tourmate Ice Spice

Will Smith Joined J Balvin For The “Men In Black” Theme

What slap? Last year, Will Smith appeared at “A GRAMMY Salute To 50 Years Of Hip Hop” as one half of DJ Jazzy Jeff and the Fresh Prince. And at Coachella 2024, the world was treated to another throwback, as he and four-time GRAMMY nominee J Balvin performed the immortal theme to Men in Black.

Doja Cat Brought Out A$AP Rocky, 21 Savage and Teezo Touchdown

GRAMMY winner and 19-time nominee Doja Cat turned in a performance heavy on rap — and also puppet dinosaurs. As per the former, A$AP Rocky, 21 Savage and Teezo Touchdown touched down, collaborating with Doja on “Urrrge,” “N.H.I.E.,” and “Masc,” respectively.

Ice Spice Previewed A New Song Onstage

Something’s stirring in Ice Spiceworld. At Coachella, she wowed with her live debut of a new song that sampled Sean Paul’s 2005 track “Gimme the Light.” (She closed out with “Think U the Shit (Fart).”)

As reported earlier in April, Ice Spice is going to make her acting debut in Spike Lee’s new movie High and Low, starring Denzel Washington

Peso Pluma Made His Coachella Debut

¡Corridos tumbados de por vida! In the wake of his big win at the 2024 GRAMMYs — Best Música Mexicana Album (Including Tejano), for GÉNESIS Peso Pluma lit up Coachella 2024 with that signature fusion of folky guitar ballads and modern hip-hop, with special guests including Becky G and Arcángel.

Lil Uzi Vert Previewed A New Song Onstage

Ice Spice wasn’t the only act to preview new material at Coachella 2024. Enter four-time GRAMMY nominee Lil Uzi Vert, who performed a hypnotic and — again — unnamed track, one that seemed to be tailor-made for Coachella.

A Mini-Fugees Reunion Went Down (Thanks To YG Marley)

Lauryn Hill and Wyclef Jean are no strangers to reigniting the Fugees spirit onstage — they did so at Essence Fest 2022, while GRAMMY.com was reporting on site. This time, they kept it in the family; during Hill’s son YG Marley’s set, both Fugees came out, playing classics like “Killing Me Softly.” (The embattled Pras wasn’t present.)

Blur Announced This Was Their Last Performance Together

Social media is currently abuzz at the allegedly unresponsive audience for Blur — but what’s a viral, out-of-context clip supposed to prove, anyway? Whatever the case may be, after their rollicking set, Damon Albarn and company declared that the Britpop icons were entering another hiatus.

Bizarrap Brought Out Shakira

Mega-watt Argentine producer Bizarrap brought his BZRP Music Sessions to the Coachella stage and included a surprise appearance from superstar Shakira.

Shakira and Bizarrap won the Latin GRAMMY for Song Of The Year at the 2023 Latin GRAMMYs for "Shakira: Bzrp Music Sessions, Vol. 53," a featured track on her fresh-out-the-trap album, Las Mujeres Ya No Lloran

Billie Eilish Threw A Special “Billie & Friends” Party & Hyped Up The Crowd With The Killers’ “Mr. Brightside”

After surprising fans during Lana Del Rey's Friday set, Billie Eilish treated fans and special guests to a preview of her new album, Hit Me Hard and Soft at the Do LaB Stage on Saturday night.

The previewed songs were well-received by an enthusiastic set of attendees who were introduced to yet-to-debut tracks "“Lunch,” "L’Amour De Ma Vie," and "Chihiro." 

"Yo Gabba Gabba!" Showed Up To The Aquabats’ Pool Party

Christian Jacobs, lead singer of the Aquabats, co-created the "Yo Gabba Gabba!" TV show — and the colorful cast of costumed characters showed up to their pool party! This marks yet another example of ska picking up at Coachella — see the transcendent No Doubt and Sublime performances.

Sublime Made Their Coachella Debut With Jakob Nowell

As you may have read, Sublime are back, against the odds — not with Rome, but with Jakob Nowell, original Sublime frontman Bradley’s son. (It must be said: Bradley died at 28, ending the band’s original run; as he takes the guitar and mic, Jakob himself is 28.)

Speaking of the guitar — he wielded his old man’s, in an emotional and electrifying set that proved these songs’ durability and beyond.

Vampire Weekend Brought Paris Hilton Onstage To Play Cornhole

Life imitates Mad Libs! The beloved indie rockers are out promoting their new album, 2024’s Only God Was Above Us — and who better to cheerlead than the one and only Paris Hilton, to play the classic bean bag game with the crew?

Dom Dolla Brought Out Nelly Furtado

Dance/electronic sensation Dom Dolla returned to Coachella for a charged set featuring festival first-timer Nelly Furtado who joined to perform their GRAMMY-nominated track, "Eat Your Man."

Furtado gave her all during the rousing performance, a testament to the duo's synergy after Dom Dolla brought the singer out of a six year hiatus to work together on the song.

Sky Ferreira Made A Surprise Appearance With Kevin Abstract

If Sky Ferreira seems like an unlikely candidate to belt out a Lady A hit, think again. The singer/songwriter brought newfound heft to the five-time GRAMMY winners’ classic hit, “Need You Now,” with Kevin Abstract.

Does this foreshadow a reappraisal of the country mainstays’ catalog? Once the dust settles re: the ska revival, we’ll have that conversation.

Kesha Showed Up To Rock With Reneé Rapp (And Diss A Certain Disgraced Rapper)

“Wake up in the morning feeling like P. Diddy,” Kesha once rapped, in her inescapable 2009 hit “Tik Tok.” Well, that didn’t age well, and Kesha knew that. So she changed “P. Diddy” to “me” — and if that’s just going to be the official lyric now, that’s fine by the music industry. Reneé Rapp, of Mean Girls fame, bolstered her.

Mac DeMarco Joined Forces With Lil Yachty

Mac DeMarco’s been a savvy chameleon at this stage in his career, prioritizing brainy collaborations over typical album release cycles.

He has two songwriting credits on Yachty’s game changing 2023 album Let’s Start Here, and during Yachty’s performance, he showed up to perform two of his song songs: “On The Level,” from 2017’s This Old Dog, and “Chamber of Reflection,” from his decade-old album Salad Days.

Additional reporting by Nina Frazier.

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Gwen Stefani and Olivia Rodrigo perform during No Doubt's set at Coachella.

Photo: John Shearer/Getty Images for No Doubt

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No Doubt’s Coachella Comeback: A Night Of Nostalgia With Olivia Rodrigo As A Special Guest

No Doubt's triumphant return to Coachella, marking their first show in nine years, electrified the desert with a dynamic performance that spanned their eclectic hits and featured a surprise appearance by Olivia Rodrigo.

GRAMMYs/Apr 13, 2024 - 12:35 am

On the first Saturday of Coachella, No Doubt made a striking comeback on the festival's main stage for their first performance together in nine years. 

Originating from Anaheim, California in 1986, the band is celebrated for their eclectic sound that defies easy categorization — from the ska-punk vibrancy of their early days to the polished pop anthems that later defined their career. 

Their big breakthrough album, Tragic Kingdom, was released in 1995 and propelled them to fame with hits like "Don't Speak" and "Just a Girl," which dominated the Billboard charts for 16 weeks. 

Featuring all original members — Gwen Stefani, guitarist Tom Dumont, bassist Tony Kanal, and drummer Adrian Young — No Doubt's Coachella performance was a tribute to their iconic past and a reminder of their beloved eccentricity. 

The standout set was filled with unbeatable stage presence, surprise guests, and showcased the band's timeless appeal nearly four decades into their career. Known for blending introspective brooding with a uniquely sardonic edge, the band has significantly influenced a generation of complex female artistry. Highlights from the performance, including Stefani's magnetic stage presence, heartfelt interactions with fans, and a surprise appearance by Olivia Rodrigo, underscore their palpable appeal and lasting influence on contemporary music. 

Read on to discover five key highlights from their hotly anticipated return at Coachella during their 'Weekend 1' set:

Gen Z And OG Fans United As One

As fans converged on Coachella's main stage for No Doubt's set, the diversity of the audience was immediately apparent. Younger fans, clad in social media-ready outfits inspired by Gwen Stefani’s iconic style (some even recreating her most iconic looks) braved the evening's brisk winds. 

Despite challenges, the alleged bad modern concert etiquette was not apparent, especially after Stefani's call for a return to old-school concert vibes before performing a “Simple Kind of Life.” 

“Let’s do this old school!” Stefani said as she confessed missing the days when fans would belt out all the lyrics at the top of their lungs without much care in the world. It was a sentiment that quickly resonated through the audience and a moment that not only bridged generational divides but also highlighted No Doubt's broad and enduring appeal. 

The Night Was Full Of Nostalgia

Outside of the fact that frontwoman Stefani is allergic to aging, for a group returning after nine years performing together, No Doubt’s stage presence was just as powerful as their past, dynamic performances.  

“There’s no f—king comparison!” Gwen Stefani roared during “Underneath it All,” capturing the intensity of the moment as she dropped to her knees, rhinestones sparkling on her eyebrows and a smile breaking through. 

Read more: GRAMMY Rewind: Watch No Doubt Accept Their GRAMMY Award For “Underneath It All” In 2004

The band's passion burned just as brightly when they were playing local college gigs in Orange County. There was no sign of awkwardness or a single misstep as Stefani showcased the same brilliance of her early days as a burgeoning musician.

She shared the spotlight seamlessly. As Dumont delivered a guitar solo during “Different People,” Stefani playfully skipped and ran across the expansive stage, never missing a note. 

No Doubt has always transcended nostalgia, yet they embraced their history at Coachella. Stefani dressed to the nines in a plaid, avant-garde outfit while background videos played personal and rehearsal footage from the '90s, evoking a simpler time for the group. Stefani appeared barefaced in a plain white tee, bouncing around a beat up truck in a video that explained the band's origins and showed the magnetic charisma that manifested a star turned supernova.

Olivia Rodrigo Made A Surprise Appearance

Right before Stefani took a brief water break, she flashed a mysterious smirk to the crowd. 

As the introspective track “Bathwater” thrummed to life, a brunette donning a glittering “I [love] ND” tank top emerged, her face turned from the audience. The murmurs quickly escalated into screams, particularly from the younger fans, signaling the arrival of pop starlet Olivia Rodrigo. Matching Stefani in energy and presence, Rodrigo proved a formidable presence on stage, trading verses and singing in duet through the chorus, their performance culminating in a sweet embrace. 

No Doubt’s influence on Rodrigo's music is palpable. After all, tracks like Rodrigo’s “Get Him Back!” and No Doubt’s “Bathwater” are cut from the same mascara-stained cloth — each with a poetic, vengeful twist. They were just girls! Living in captivity! The revenge? Being able to put into song the diabolical conditions of womanhood, while allowing themselves to truly feel — whether it be anger, delusion, or plain pettiness. 

The Band Members Have A Bond

No Doubt’s historic return to the stage elevated the entirety of the Coachella-going experience, setting a standard and outshining the majority of the other acts. Throughout their performance, the admiration they had for one another became increasingly evident. 

From Stefani frequently calling out “Tony! Tony!” to (Tony) Kanal during the set’s adlibs to the end of their set when the group remained locked in a hug for several moments, the group was clearly overjoyed to be back together again. Before exiting the stage, Stefani leaped onto the back of Young while she excitedly kicked her feet, as though in protest of having to leave. 

A Coachella backstage supervisor working onsite during their rehearsals candidly confessed that he was taken by the band's natural chemistry. During soundcheck, he stated they were so intrinsically confident and overjoyed about their performance it seemed as though they had never stopped performing with one another. 

They Showed Deep Gratitude For Their Fans

There was nothing but gratitude on display from each and every member during the festival set. After almost every other song Stefani would belt an “I love you!” to the crowd. 

During an experimental instrumental-only tribute to ska-pop, Kanal ran across the stage with a huge smile, at-the-ready to riff back-to-back with members of the group. 

“Indio, put your f—king hands up!” Stefani commanded the crowd as they gleefully complied. Then, as smoke filled the air under the brilliantly shining crescent moon, she celebrated the group coming together for the first time in nine years. 

“Isn’t this so crazy?” Stefani yelped during her performance for “It’s My Life.” “This is our life! Singing I love you!” 

It was an epic return for No Doubt as a band and Stefani as their fierce leader, showing up to Coachella naturally, just a girl. A girl who loves to sing, rile up the audience in a fierce sing-along, and remind everyone that self-acceptance is all their music has ever been about. 

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