Photo: Kevin Winter/Getty Images for Coachella
Crowd at Coachella Valley Music And Arts Festival 2019
Breaking Down The Coachella 2022 Lineup: Headliners Harry Styles, Billie Eilish, Ye Are Just The Beginning Of An Epic, Long-Awaited Return
GRAMMY.com digs deep into the 23 rows of the Coachella 2022 lineup — featuring Swedish House Mafia, Doja Cat, Anitta, Pabllo Vittar, Phoebe Bridgers and many more — to highlight major trends across the star-studded roster
After two long years off, Coachella Valley Music and Arts Festival is finally set to return at the Empire Polo Club on April 15-17 and 22-24.
Goldenvoice, the producers of the festival, announced the long-awaited lineup for Coachella’s 2022 installment on Jan. 12, and there’s plenty for festgoers to be excited about.
GRAMMY-winning pop hero Billie Eilish returns, moving from the second lineup row in 2019 to the coveted top billing, becoming the youngest-ever Coachella headliner at 20. Fellow GRAMMY winners Harry Styles, Ye (the artist formerly known as Kanye West) and GRAMMY-nominated EDM supergroup Swedish House Mafia share headliner status, closing out each night of the desert extravaganza with pop, rap, dance, plenty of fanfare, and surprise guests.
Doja Cat, Big Sean, 21 Savage, Disclosure, Karol G, Anitta and Banda MS are just a handful of the other heavy hitters on the bill, which covers just about every corner of music (even The Nightmare Before Christmas composer Danny Elfman will make an appearance).
The Coachella lineup announcement is always a major moment in the industry, as it unofficially marks the beginning of festival season. Its roster traditionally includes a mix of music’s hottest hitmakers and promising rising stars, making for a real-time reflection of what's happening now and next.
What goes down at Coachella is even more monumental, setting music, festival and fashion trends for the year ahead. Performers use the Coachella stage as a testing ground to try new elements of their live show, debut unreleased songs, reunite with collaborators, and deliver plenty more headline-worthy moments (who could forget when Billie first met Justin Bieber?).
Beyond the buzz of the biggest names, there's countless noteworthy acts on the 2022 Coachella lineup. Read on for six major takeaways from this year's stellar offering.
Rap & R&B Continue Their Reign
Hip-hop and R&B led the (ultimately canceled) 2020 lineup, with some of those artists making their way to 2022. Not only does Ye return to close out both weekends of the fest (he did a special Sunday Service set on Easter in 2019), the lineup is a treasure trove of rap talent.
Women represent, with Megan Thee Stallion, City Girls, Doja Cat, Sampa the Great and Princess Nokia all ready to throw down bars and vibes. Vince Staples, Big Sean, Lil Baby, Denzel Curry, J.I.D, Run the Jewels, Isaiah Rashad, BROCKHAMPTON, Cordae and 2022 Best New Artist nominee Baby Keem also represent a solid selection of rappers continuing to shake up the game.
As for R&B, showcasing some of the sweetest sounds coming out of the current alt-R&B wave, Amber Marks, Ari Lennox, Snoh Aalegra, Steve Lacy, Daniel Caesar, Emotional Oranges and Pink Sweat$ are sure to make listeners swoon.
Read More: 2021 In Review: 8 Trends That Defined Rap
Latin Representation Expands Beyond The Superstars
As Rolling Stone writer Tomás Mier noted, this might be "the most Latino lineup in Coachella history."
It offers an exciting sample of the breadth of Latin music, with Mexican regional bands Grupo Firme and Banda MS, from Tijuana and Mazatlán, respectively, receiving prime billing in the second tier. Other Latin music acts include Brazilian popstars Anitta and Pabllo Vittar, Colombian reggaetonera Karol G, Argentine rappers Nathy Peluso and Nicki Nicole, Mexican corrido trap artist Natanael Cano and Mexican alt-folk singer/songwriter Ed Maverick.
Mexican-American alt genre benders Cuco and Omar Apollo, both of whom sing in Spanish and English and serve up an infectious blend of influences and styles with pop and rock, will make their Coachella debuts.
The Roster Spans The Globe
In addition to the rich Latin music offerings from Mexico, South America and the U.S., Coachella attendees can also hear an eclectic mix of sounds from the rest of the globe.
You'll be able to get lost in the funky Turkish psych-rock of Altin Gün; the energetic, bright and super kawaii J-pop of Kyary Pamyu Pamyu; the hair metal rock of Italian band Måneskin; and the sublime French nu-disco of L'Impératrice. South African house music legend Black Coffee and rising Benin-born, Brooklyn-based DJ/producer AMÉMÉ will each command the dance floor with their sublime, sultry African-infused beats.
The Desert Rave Happens Day And Night
Dance music has never been lost on Coachella, as the fest's legendary Yuma Tent — an enclosed (and air-conditioned!) disco ball-glittered and laser-streaked stage — brings the underground dance club energy to the middle of the desert. And with this year’s roster of dance and electronic acts, it’ll clearly be bumping all weekend.
Beloved EDM trio Swedish House Mafia return to the fest 10 years after their first headline set there, since breaking up in 2013 and reuniting in 2018. Major dance acts Fatboy Slim, Jamie XX, Flume and Disclosure will also get the dance party going.
As with rap, women are also holding it down in the dance category, with TOKiMONSTA, Ela Minus, Jayda G, Logic1000, ANNA, Sama' Abdulhadi, DJ Holographic, Honey Dijon and The Blessed Madonna, the latter two whom are billed together, ready to serve up house, techno and beyond. Black Coffee, Channel Tres, The Avalanches, DJ Koze, Hot Chip, Dixon, Caribou — who's also performing as his DJ alias Daphne, ARTBAT, Damian Lazarus, Richie Hawtin, Tchami, Madeon, Purple Disco Machine and more round out the dance acts.
Alternative Acts Are Aplenty
Sunshine plus alt and indie acts always make for a perfect festival mood. While Coachella has served up a larger rock menu in the past, there are plenty of indie rock and alternative genre blenders to see this year, including Phoebe Bridgers, Maggie Rogers, Japanese Breakfast, Omar Apollo, Caroline Polacheck, girl in red, Nilüfer Yanya, and the Wallows.
Amyl and the Sniffers and IDLES will serve up some punk energy, while the always-masked crooner Orville Peck will deliver his artsy, queer brand of country. Ed Maverick, The Marías and Chicano Batman represent Latinx artists making beautiful music across the alternative spectrum from their life experiences.
Pop Doesn’t Stop At The Headliners
Harry Styles and Billie Eilish will wear the crowns this year, but beyond their mega-glow, there's plenty of alt-pop acts we can't wait to see. Billie's big brother FINNEAS will make his solo debut at the fest, and Conan Gray, Cuco, Alec Benjamin, Joji, Still Woozy, and hyperpop boundary-pushers 100 gecs will also keep things poppy.
Yet again, women are well-represented on the lineup in the ever-evolving pop genre. Carly Rae Jepsen, Kim Petras, Beabadoobee, Arlo Parks, Bishop Briggs, Japan-born, London based art-pop queen Rina Sawayama and Indonesian 88-rising act NIKKI bring so much to the art form and will bring that energy to Coachella 2022.
For the full Coachella 2022 lineup, visit coachella.com, where you can also join the weekend one waitlist and register for the upcoming weekend 2 presale (taking place this Friday, Jan. 14).
Photo: Kevin Winter/Getty Images for Latin Recording Academy
10 Incredible Moments From The 2023 Latin GRAMMYs: Rosalía, Shakira, Peso Pluma & More
The 2023 Latin GRAMMYs were truly international, embracing sounds of flamenco, norteño, reggaetón, and everything in between. Read on for 10 of the most exciting moments from the Biggest Night In Latin Music.
It is not a coincidence that the 24th annual edition of the Latin GRAMMYs took place in Sevilla, Spain — far away from the traditional epicenters of Latin music production. More than ever before, the sound of the Latin GRAMMYs are truly international, embraced by fans all over the world.
At a time of unprecedented global turmoil and collective anxiety, the songs of Bad Bunny, Shakira, Peso Pluma and Rosalía — to name a few of many reigning stars — have enough zest, honesty and passion in them to provide comfort. Both Spain and Latin America boast a long standing tradition of healing through rhythm and melody. Not surprisingly, this year's ceremony felt like a casual gathering of friends for an evening of dancing and celebrating.
From the strains of flamenco to the boom of Mexican music and the ongoing permutations of reggaetón, these are the takeaway points from the unforgettable 2023 Latin GRAMMYs.
The Genius Of Rosalía Transcends Her Own Songbook
It was only fitting that Rosalía — one of the most visionary singer/songwriters in global pop — should open up the first Latin GRAMMY ceremony in Spanish territory.
She could have certainly taken advantage of the opportunity to drop a new single or perform one of her many hits. Instead, Rosalía sang an achingly beautiful version of the 1985 classic "Se Nos Rompió El Amor" by the late singer Rocío Jurado. It was a lovely way to deflect the spotlight and focus on celebrating her Spanish roots.
Spain And Latin America Make Beautiful Music Together
From beginning to end, the telecast underscored the organic kinship that unites the music of Spain and Latin America. It took place during the International Day of Flamenco, and the transcendent genre was present in Alejandro Sanz's moving performance of "Corazón Partío." The award for Best Flamenco Album, won by Niña Pastori for Camino, was presented during the main ceremony — a GRAMMY first.
Later in the telecast, Spanish pop singer Manuel Carrasco and Colombian artist Camilo performed an acoustic duet of "Salitre." They were soon joined by Brazilian singer IZA Texas-born producer/songwriter Edgar Barrera, transforming the Sevilla stage with Carnivalesque energy.
Hell Hath No Fury Like A Pop Star Scorned
Since its release in January, “Shakira: Bzrp Music Sessions, Vol. 53,” the collaboration between Shakira and Argentine producer Bizarrap, has become a global cultural phenomenon. Not only is it a grand pop song with slick EDM accents, but the Colombian diva's lyrics struck a chord with its message of empowerment and fortitude in the face of adversity.
The duo's brisk performance — preceded by a brief intro with Shaki showcasing her tango dancing skills — was an iconic pop culture moment. The track itself won awards in the Best Pop Song and Song Of The Year categories.
Emerging Talent Is The Lifeline That Keeps Latin Music Alive
Watching young artists performing together with the legends that inspired them is a Latin GRAMMY staple. This year was particularly poignant, as Colombian singer/songwriter Juanes performed a moving rendition of the atmospheric rocker "Gris" — about overcoming a relationship crisis — with majestic background vocals provided by six of the 10 Best New Artist nominees: Borja, Natascha Falcão, GALE, Paola Guanche, León Leiden and Joaquina — who ended up winning the award.
For Mexico, The Time Is Now
The moment was ripe for the richness and depth of música Mexicana to shine on an international scale. 2023 was the year when the entire world fell in love with the strains of banda, norteño and corridos tumbados.
The infectious collaboration between Peso Pluma and Eslabón Armado, "Ella Baila Sola" became the emblem of this revolución mexicana. A buoyant rendition of the track was a telecast highlight, as well as the performance by Carín León, who won the award for Best Norteño Album.
Laura Pausini's Artistry Evokes The Elegance Of Decades Past
Introducing herself as "the most [expletive] Latina Italian woman in the world," Laura Pausini seemed overjoyed with her Person Of The Year award. Her medley of career highlights — full of drama and gorgeous melodies — included nods to her first mega-hit, the nostalgic "La Solitudine," and the cinematic "Víveme."
"I thank my father because he chose not to go to the movies with my mom, and instead stayed at home, made love to her and had me, the Person Of The Year," Pausini quipped. Her songbook evokes the golden era of Latin pop, a time of elegance and style.
Radical Genre Bending Never Fails To Intrigue
Latin music is currently experiencing a moment of grace, and this creative apex is frequently expressed through intriguing fusions of seemingly disparate styles. The adrenaline-fueled performance by Puerto Rican neo-reggaetón star Rauw Alejandro gained in electricity when he was joined by Juanes on a rocked-up rendition of "BABY HELLO."
Exquisite Singing & Songwriting Will Never Go Out Of Style
There's something to be said about an album that was recorded live on tape with analog equipment — the singer surrounded by her band, as they perform together in the same space, with no outside guests allowed.
Natalia Lafourcade's "De Todas Las Flores" is all about feeling and warmth, her vulnerable vocals framed by delicate piano notes and supple percussion. A worthy Record Of The Year winner, this exquisitely layered track proposes that some traditional methods of music making are definitely worth preserving. At the Premiere Ceremony, Lafourcade also took home golden gramophones for Best Singer-Songwriter Song and Best Singer-Songwriter Album.
Hip-Hop Is A Natural Component Of The Latin Music DNA
At the tail end of the ceremony, the performance by Colombian vocalist Feid — aided by the stellar skills of producer DJ Premier — included a moody reading of "Le Pido a DIOS" with nods to '90s rap and jazzy keyboard flourishes. Just like EDM, hip-hop has been fully incorporated into the Latin music lexicon, assuming an identity of its own.
KAROL G Is Much, Much More Than Just A Global Pop Star
Just like Rosalía's Motomami, KAROL G's fourth studio LP – winner of the coveted Album Of The Year award — will be remembered for the dazzling quality of its songs and the kind of indelible magic that can only be experienced, not described. The Colombian singer's artistic partnership with producer Ovy On The Drums has resulted in a futuristic sound that leaves ample space for the warmth of her vocals — and it grooves like crazy.
Most importantly, MAÑANA SERÁ BONITO celebrates the small pleasures, the brief glimpses of inner peace, and the decision to embrace self-acceptance even in the wake of emotional storms. In KAROL G's world, optimism is the only pathway out to a better tomorrow.
Photo: Neilson Barnard/Getty Images for Latin Recording Academy
2023 Latin GRAMMYs Red Carpet Fashion: See Pics Of Rosalía, Karol G, Peso Pluma, Shakira, Bizarrap, & More
For the 24th Latin GRAMMYs Awards, Latin music's biggest artists graced Sevilla, Spain’s royal red carpet in their most dazzling outfits.
The 2023 Latin GRAMMYs are not just The Biggest Night In Latin Music — it was also an occasion for the leading lights in Latin music to don a plethora of eye-catching outfits. Just as many of the nominated artists blend genres and break barriers, so too did their sartorial choices.
Latin GRAMMY performers and nominees demonstrated their individuality and creativity with extravagant, playful styles. Artists including Rosalía, Karol G, Bizarrap, Peso Pluma, Juanes, and Sebastián Yatra donned jaw-dropping award show looks. Daniela Santiago, Liz Trujillo and Sandra Calixto of Música Mexicana group Conexión Divina coordinated their all black and leather ensembles, while singer/songwriter Natalia Lafourcade — who took home multiple Latin GRAMMYs for, including Record Of The Year, for "De Todas Las Flores" — added a satin green touch to the red carpet.
The most-nominated artists at the 2023 Latin GRAMMYs are Camilo, Karol G and Shakira, each of whom have seven nominations. Songwriter and composer Keityn also received seven nominations. Edgar Barrera, who took home the Latin GRAMMY Award for Producer Of The Year, led the night with 13 nominations.
Hosted by Latin GRAMMY winner and performer Sebsatián Yatra, GRAMMY nominee and actress Danna Paola, along with critically-acclaimed actresses Roselyn Sánchez and Paz Vega — who each also made fashion statements — the 2023 Latin GRAMMYs were an aural and visual night to remember.
Here are some of our favorite looks from the red carpet at the FIBES Conference and Exhibition Centre in Sevilla, Spain.
Karol G ┃John Parra/Getty Images for Latin Recording Academy
Rosalía | Patricia J. Garcinuno/WireImage
Bizarrap | Juan Naharro Gimenez/Getty Images
Natalia Lafourcade ┃Juan Naharro Gimenez/Getty Images
Peso Pluma and Nicki Nicole┃Rodrigo Varela/Getty Images for Latin Recording Academy
Sebastian Yatra┃Patricia J. Garcinuno/WireImage
Conexión Divina┃Juan Naharro Gimenez/Getty Images
Karen Martinez and Juanes┃Neilson Barnard/Getty Images for Latin Recording Academy
Mon Laferte┃Rodrigo Varela/Getty Images for Latin Recording Academy
Edgar Barrera┃Neilson Barnard/Getty Images for Latin Recording Academy
Maria Becerra┃Rodrigo Varela/Getty Images for Latin Recording Academy
India Martínez┃Rodrigo Varela/Getty Images for Latin Recording Academy
Joaquina┃Rodrigo Varela/Getty Images for Latin Recording Academy
Kenia OS┃Neilson Barnard/Getty Images for Latin Recording Academy
Sita Abellán┃Patricia J. Garcinuno/WireImage
Photo: Courtesy of The Latin Recording Academy/Borja B. Hojas, Getty Images © 2023
2023 Latin GRAMMYs: Karol G Wins Album Of The Year For 'Mañana Será Bonito'
Karol G won the Latin GRAMMY for Album Of The Year for 'Mañana Será Bonito' at the 2023 Latin GRAMMYs.
Pablo Alborán's La Cu4rta Hoja, Paula Arenas' A Ciegas, Camilo's De Adentro Pa Afuera, Andrés Cepeda's Décimo Cuarto, Juanes' Vida Cotidiana, Natalia Lafourcade's De Todas Las Flores, Ricky Martin's Play, Fito Paez's Eadda9223, and Carlos Vives' Escalona Nunca Se Había Grabado Así were the other nominees in the category.
Karol G first made a splash by cross-pollinating reggaeton and Latin trap; these days, she has eyes on an entire country: her native Colombia.
Musical powerhouse, reggaetonera and general bichota, Karol G is one major reason why all eyes are on Colombia. After establishing herself as a hit-making star in the adjoining worlds of reggaeton and Latin trap, she is clearly enjoying her success and savoring the moment.
As its sunshine-and-rainbows-festooned cover suggests, Mañana Será Bonito was one of 2023's most irresistible albums — it radiates verve, panache and sexuality. Not only that: it’s filled with inspired features by the likes of Romeo Santos, Shakira, Carla Morrison, and Sean Paul. Mañana Será Bonito debuted at the top of the Billboard Hot 200, making it the first all-Spanish language album by a female artist to hold that impressive distinction.
Check out the complete list of winners and nominees at the 2023 Latin GRAMMYs.
Here Are The Nominees For Best Rap Song At The 2024 GRAMMYs
Get a deeper look into the five tracks from Doja Cat, Nicki Minaj and Ice Spice, Lil Uzi Vert, Drake and 21 Savage, and Killer Mike, André 3000, Future and Eryn Allen Kane that earned the Best Rap Song nod at the 2024 GRAMMYs.
Rap music has changed a lot since the Best Rap Song category was introduced at the 2004 GRAMMYs. Most of the first year's nominees, even if they're still making music, now spend the majority of their time on things like making hit TV shows or running iconic fashion brands.
But the category, then and now, has its finger on the pulse; it gives us a cross-section of what makes hip-hop so important to so many people. The Best Rap Song nominees for the 2024 GRAMMYs are no different. The Category includes a pop princess taking a big left turn; two New Yorkers paying tribute to the greatest of all dolls; a Philly rapper taking us to the club; a duo who can't stop flexing on us; and a Dungeon Family reunion that spans generations.
Below, take a deep dive into the five tracks up for Best Rap Song at the 2024 GRAMMYs.
Attention" — Doja Cat
Rogét Chahayed, Amala Zandile Dlamini & Ari Starace, songwriters (Doja Cat)
"Attention" marked a new era for Doja Cat — one where she moved away from the pop sounds that made her famous, and into something harder and more aggressive.
In the weeks leading up to the track's release, Doja called her earlier rapping attempts "mid and corny" and referred to the music that broke her into the big time as "mediocre pop." So it only made sense that her big statement single would be exactly that — a statement.
The beat by Rogét Chahayed and Y2K has a drum loop that wouldn't sound out of place on Ultimate Breaks and Beats, and Doja lets the world see her inner hip-hop fan with some serious rapping — no mid or corny verses here. This is the Doja who can quote underground faves like Homeboy Sandman and Little Brother at the drop of a hat.
"Attention" finds Doja addressing her often-contentious relationship with fans and social media, as well as the controversies she went through leading up to the song's release. But the whole thing is playful and ambiguous. Does she want the world's attention, now that she has it? What is she willing to do to keep it? In this song — and even more so in its video — Doja plays with these questions like a truly great superstar.
"Barbie World" [From Barbie The Album] — Nicki Minaj & Ice Spice Featuring Aqua
Isis Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice Featuring Aqua)
Aqua's "Barbie Girl" was too sexy for Mattel when it was released in 1997 — the company sued the band, claiming that people would associate lyrics like "Kiss me here, touch me there" with their wholesome children's toy. So it's both ironic and, given the post-irony tone of the movie itself, somehow fitting that "Barbie Girl" is sampled in a major song from the new Barbie movie.
And who better to bring Barbie to life in rap form than the head of the Barbz? Soundtrack producer Mark Ronson said that there was no way to have a Barbie soundtrack without Nicki Minaj, and he was absolutely right. Nicki, with her career-long association with Mattel's most famous toy, was the perfect choice. Joining her on the track is the hottest rapper of the moment, Ice Spice. Ice's go-to producer RiotUSA did the music for the song, which accounts for both its aggressive drums and its sample drill-style use of the once-verboten Aqua hit.
Nicki and Ice have great chemistry in the song. Nicki doesn't treat the song like a movie soundtrack throwaway — her rhyming is clear, sharp, layered, and funny. And she gets extra points for referring to a bob-style wig as her "Bob Dylan."
"Just Wanna Rock" — Lil Uzi Vert
Mohamad Camara, Javier Mercado & Symere Woods, songwriters
Lil Uzi Vert took "Just Wanna Rock" from TikTok all the way to the GRAMMYs.
The track began as a snippet on the social media app, where it went viral, garnering hundreds of millions of views; even celebrities like Kevin Hart got into the act. When the actual song came out, at just about two minutes long, it wasn't much longer than a TikTok video. But it didn't need to be — the full track kept all the joy and danceability of the memeable excerpt.
"Just Wanna Rock" features Uzi acting as an MC, but not in a traditional going-for-the-cleverest-rhyme way. Instead, his voice is used more for its rhythmic qualities, darting in and out of the four-on-the-floor pounding of the kick drum with short, punchy phrases. "I just wanna rock, body-ody-ya" may not look like much on the page, but it's placed perfectly, and it's the kernel that blossoms into the rest of Uzi's performance.
He takes the rhythm of that initial phrase and plays with it throughout in increasingly intricate ways, while never losing sight of the source material. The song is heavily influenced by the Jersey club sound that has been all over hip-hop this year. As the most popular rap/Jersey club crossover of 2023, it makes perfect sense that "Just Wanna Rock" is in the running for Best Rap Song — even if it is unfinished.
"Rich Flex" — Drake & 21 Savage
Shéyaa Bin Abraham-Joseph, Charles Bernstein, Isaac "Zac" De Boni, Brytavious Chambers, Aldrin Davis, Aubrey Graham, J. Gwin, Clifford Harris, Gladys Hayes, Anderson Hernandez, Michael "Finatik" Mule, Megan Pete, B.D. Session Jr & Anthony White, songwriters
Simon and Garfunkel. Sam and Dave. Hall and Oates. To that list of great duos, it might be time to add Drake and 21 Savage. Seven years after their first collaboration, Toronto and Atlanta's finest finally got together for a full-length project in 2023, and Her Loss standout (and opener) "Rich Flex" is now up for an award on Music's Biggest Night.
"Rich Flex," like much latter-day Drake, has multiple beats. But in this case, that adds to the song's playful mood. Drizzy and 21 sound like they're actually having fun — Drake even playfully lapses into a sing-songy, nursery rhyme-esque melody on occasion. Savage, for his part, seems to be having a blast interpolating Megan Thee Stallion's "Savage" — a move which earned the Houston rapper a writing credit on the track.
Drake, as in a lot of his recent work, seems consumed with the costs of fame: haters everywhere you look, hangers-on who make your house feel like a hotel; women who won't leave you alone; unwanted attention from law enforcement. But he almost never sounds this engaged, even joyful, when addressing these topics. Maybe what he needed all along was a duet partner.
"Scientists & Engineers" — Killer Mike Featuring André 3000, Future And Eryn Allen Kane
Paul Beauregard, Andre Benjamin, James Blake, Tim Moore, Michael Render & Dion Wilson, songwriters
It was Andre 3000's first appearance on a song in two years that got all the attention at first. But there's a lot more to "Scientists & Engineers" than the fact that the reclusive half of OutKast shows up.
For one thing, it's what he shows up with. Andre's verse is smart, well-observed, poetic, and somehow manages to change focus completely in the middle and yet still hold together as an artistic statement.
But he's far from the only talent on the song. The track is a veritable all-star fest — not for nothing did Killer Mike call it a "hip-hop fantasy." On the music side, there are contributions from legendary producers No ID and Three 6 Mafia's DJ Paul, hip-hop's favorite singer/songwriter James Blake, and TWhy. Singer Eryn Allen Kane adds her gorgeous vocals. And Future, who lest we forget, began his career as a "second generation" member of the Dungeon Family collective that included OutKast and Mike, adds his patented boastful vulnerability.
Then there's Mike himself. He needed to bring a stellar performance in order not to be buried by all his very special guests, and he more than pulls it off. "I am Thelonius Monk in a donk," he rhymes, and the combination of the innovative jazz legend and the classic car with big rims perfectly describes not only him, but the entire mood he sets with this song.
The 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, returns to Los Angeles' Crypto.com Arena on Sunday, Feb. 4, 2024, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.
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