meta-scriptArmani White Details How To Use Social Media To Shape Your Career In GRAMMY U Masterclass | GRAMMY.com
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Armana White speaks at the GRAMMY U Masterclass, Presented by Mastercard

Photo: Terence Rushin/Getty Images for the Recording Academy

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Armani White Details How To Use Social Media To Shape Your Career In GRAMMY U Masterclass

Rising rapper Armani White rocketed to fame via TikTok. During a GRAMMY U Masterclass Presented by Mastercard, White explained how to shape your career using social media: Know yourself, be yourself and stay hungry.

GRAMMYs/Dec 15, 2022 - 02:16 pm

TikTok famous: A phrase that didn't exist a few years ago can now be a golden ticket into the music industry. Today, a 15-second clip has the power to alter someone’s career and life.

Sometimes, going viral on social media is purely luck of the draw. Other times, it’s a very calculated and tactful business strategy that can be used to help the masses realize your full potential and maximize your success. For Philadelphia-born rising rapper Armani White, the latter has never been more true.

A now-viral TikTok of White and friends vibing in the studio to his new song "BILLIE EILISH." changed the trajectory of his career. Within several hours of being uploaded, the video reached two million views and has since surpassed 80 billion views.

White says that while he posted that TikTok in February 2022 for fun, he had no doubt that it would be something special. With his favorite mantra, "losers get lucky, winners do it again," on a loop in his head, White was able to turn what could’ve been a fleeting viral hit into a pivotal career move.

At the HBCU Love Tour in Atlanta this October, White advised students on how to use social media to take their careers to new heights. The discussion is part of the GRAMMY U Masterclass, Presented by Mastercard, and was moderated by musician, actress, and Recording Academy Atlanta Chapter Board member Kat Graham. Read on for GRAMMY U's takeaways from Armani White's masterclass. 

It’s Not About Making "TikTok Music," It’s About Making Music That Feels Genuine 

Armani White compared the process of being an actor to what it is like to be a musical artist. Actors are constantly having to audition, and one role in a movie or TV show doesn’t necessarily lead to a lasting career. Similarly, one hit song doesn’t immediately make a substantial career for an artist. 

The goal isn’t to make a song that will go viral, White continued, noting that he makes music that speaks to his character and experiences. The viral TikTok of White and crew blasting "BILLIE EILISH." over the studio's speakers and goofing off was raw, pure, and true to who he is. This genuine glance behind the curtain is what made his audience feel connected. 

Pay Attention To Audience Reactions

Both White and Graham noted that social media can create an overwhelming feeling of comparison. White's advice? Rather than focusing on the number of views other videos are getting, focus on your own analytics. 

The rapper said he will dissect a video that has been more successful than others and try to pinpoint what it is about that video that gained traction. Look to see what you did differently in each video and what the outcome was based on that tactic. Then, try to recreate it.

First, Know Who You Are

Even before the attention and opportunity that followed his TikTok, White knew who he was and wanted to be. He advised the audience to refrain from creating a persona that people want to see — that won’t get you far, and you’ll be chained to that version of you. 

Instead, know who you are and stick with it. That certainty will allow others to understand your unique perspective and experiences, and will ultimately move you further along in your career. White decided who he was and implements that into every record he creates, whether by himself or in collaboration with others. 

"Stay Down, Stay Hungry, Stay Determined"

Though White now has the career he always dreamed of, it wasn’t handed to him on a silver platter. He had to work hard, be patient and remain optimistic when things weren’t going as he had hoped. Even with the popularity of his original TikTok, he had more steps to climb to get the song to where it is now. 

White’s first obstacle was finding a way to get the sample he used from N.O.R.E’s song "Nothin'" cleared for use. This is not a task that can be accomplished overnight, and the waiting process can be brutal. He decided the best way to go about this was to get his fans involved. 

White encouraged his fans to use "Nothin'" as much as they could in their videos. As trends surrounding the song started rising up, it became clear that people weren’t losing interest in it. The TikTok sound of his song even made its way onto the “for you” page of Billie Eilish, who reposted a video using the sound. This solidified that everyone, including Eilish herself, were supporting not only the song itself, but Armani White as an artist. 

White also spoke about life before "BILLIE EILISH." went viral and the struggles he went through. White says that through it all, he kept reminding himself, If I can get there, it’ll be worth it. He is now proud to have an encouraging story for artists to look at and remember that if you stay motivated, your wildest dreams are possible.

Graham echoed these sentiments, adding "Everyone has a unique journey…You gotta really look at yourself and know you have your own journey. Stay humble, hardworking, do the work, and you might just end up on this stage."

The full GRAMMY U Masterclass with Armani White, Presented by Mastercard, is available to stream now. Click the video below to hear more on the advice White and Graham share and the full story behind White's success.

Behind The Camera With Hannah Lux Davis: Your Favorite Pop Star's Favorite Music Video Director

Tori Kelly
Tori Kelly

Photo: Sarah Morris/Getty Images for The Recording Academy

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Tori Kelly Gets “Unwrapped” For 'TORI' At GRAMMY U Event Showcasing Production & Recording Techniques From Her New Album

The singer stepped out for GRAMMY U's first "Unwrapped" event to give fans a look deep inside her new record, TORI. Joined by producer and collaborator Tenroc, the pair walked guests through the making of several tracks including "missin u" and "oceans."

GRAMMYs/May 21, 2024 - 10:11 pm

GRAMMY U members got a special treat from Tori Kelly when the singer (and Sing-er) took the stage for the first ever GRAMMY U "Unwrapped" event on May 15. Held at The Novo in downtown Los Angeles, the event brought together fans, music industry professionals, and students for a night that dove deep into the creative process behind Kelly’s brand new record, TORI. Amazon Music and Mastercard were presenting sponsors for this event. 

Joined on stage by producer and collaborator Tenroc, Kelly took fans through a journey of several tracks from her new record, from inception to completion. Kelly discussed each track, aided by a video presentation and using stems to highlight special production techniques, musical intricacies, and cool little Easter eggs. The showcase was followed by a round of live questions from the audience, where Kelly dished about everything from her voiceover work to her pre-studio rituals, before grabbing a guitar and performing two new tracks: "High Water" and "Oceans." 

Here’s a glimpse into all the songs Kelly and Tenroc featured, from "Missin' U" to "Spruce."

"thing u do”

When it came time to make Tori, Kelly told the audience that she wanted to focus on "songs that make [you] wanna dance," and "songs that [anyone] can belt out in the car." Mainly collaborating just with Tenroc, Bellion, Clyde Lawrence, and Jordan Cohen, Kelly put together a record that's strongly influenced by late '90s and early '00s pop, with references to chirping Sidekick phones and plenty of nostalgic vocal effects. 

"missin u" in particular is interesting, not just because it was inspired by Craig David and the U.K. Garage sound — with Kelly taking special care to pronounce "garage" in true British fashion at the live event — but also because it was released in both its original form and as an R&B edit. The latter version is the one Kelly and Tenroc highlighted at the event, going through Kelly's vocal tracks, and really digging in on the remix's bridge, which Kelly wrote just for that track and recorded in her home studio.

Getting to see Tenroc's Logic Pro work on the big screen seemed to mesmerize everyone in attendance, with most marveling at the ease he seemed to have flicking through the dozens of stems, layers, and plug-ins. 

"missin u"

When it came time to make TORI, Kelly told the audience that she wanted to focus on "songs that make [you] wanna dance," and "songs that [anyone] can belt out in the car." Mainly collaborating just with Tenroc, Bellion, Clyde Lawrence, and Jordan Cohen, Kelly put together a record that's strongly influenced by late '90s and early '00s pop, with references to chirping Sidekick phones and plenty of nostalgic vocal effects.

In particular, "missin u" is interesting, not just because it was inspired by Craig David and the U.K. Garage sound — with Kelly taking special care to pronounce "garage" in true British fashion at the live event — but also because it was released in both its original form and as an R&B edit. The latter version is the one Kelly and Tenroc highlighted at the event, going through Kelly's vocal tracks, and really digging in on the remix's bridge, which Kelly wrote just for that track and recorded in her home studio.

Getting to see Tenroc's Logic Pro work on the big screen seemed to mesmerize everyone in attendance, with most marveling at the ease he seemed to have flicking through the dozens of stems, layers, and plug-ins. 

"shelter"

Talking about "shelter," Kelly described a sort of shorthand she'd developed with Tenroc, after working closely together over the past few years. She said they're at the point where they can communicate with "sounds" and "telepathy," a benefit she attributes to not switching producers throughout the making of her record.

Tenroc and Kelly used "shelter" to talk about the comping process, or the act of combining the best parts of different takes into a single track. Kelly said she typically does about five takes of a vocal track, all in different personas: one normal, one shyer, one wild, one with a lot of vocal runs, and one that's sort of a wild card. She can keep each take separate in her mind that way, remembering how she recorded a vowel slightly better in one take or gave a line a little grittier vocal texture in another. It's not something everyone can do, though, and Tenroc said it's truly amazing to witness in person — a fact the live audience could attest to. 

For Kelly, a lot of making TORI, was about exploring different tones and textures of her voice, she said. She'd sometimes start by doing an impression of a singer like Rihanna and Willow in one run, and then blend the inspired version with her own, stretching herself vocally. She demonstrated that kind of thing live at the show, doing off-the-cuff runs of bits of "Shelter" to talk about how they changed the way the word "plate" in the chorus. 

Tenroc also showed off how he used the Little Alterboy plug-in to alter Kelly's voice, turning the rap in "shelter," as well as the "you, you, you, you, you" bit into what sounds like a deep masculine voice, even though those lines were originally laid down by Kelly herself. 

"spruce"

When "spruce" was first being envisioned by Kelly and co-writer Casey Smith, it was a song called "truce" about making up with your loved one before going out on the town. Kelly had been wanting to make a "getting ready, girly song," though, and Bellion came into the studio one day with the idea of merging the two ideas in what became "spruce." 

Written over a loop made by Tenroc, "spruce" — featuring Kim Chaewon of K-Pop group LE SSERAFIM — is emblematic, Kelly said, of her effort to let go, change, and try new things in the studio. The production was inspired by Jai Paul and uses sidechain compression, which is when the level of one instrument or sound triggers a compressor to control the level of another sound. The crowd clearly seemed taken with the sound when Tenroc played examples of how it was used in the track, which he said he made in part with the Serum plugin. Kelly said the result feels fully "3-D," like you're "inside" the track rather than just listening along.

"same girl"

The last — and most personal —song on the record, "same girl," was mostly written by Kelly while she was on a plane. She wanted something that felt like it could close the record, and she recorded it live with Tenroc in her studio, where he also played piano. 

Kelly said the song was inspired by her love of various music styles and genres. She explained, "Coming up as an artist, I always felt a little insecure about trying to stay in one lane and be in one box. I love so many different genres. I'm inspired by so many different things." She continued, "And so finding my sound I always thought that was a bad thing... But I'm grateful for all these different genres I've been able to dabble in. This song was me being overwhelmed by people's opinions and letting it get to me a little bit while thinking of my career as a whole."

Kelly said that while she worried when she was writing that the lyrics would be too personal and too specific, she's had great feedback about the track, something that reminds her that, "Anytime you write about your own experience, someone else out there is going to be able to relate to it." 

5 Takeaways From The 2024 GRAMMY U Conference In New York City

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Press Play On GRAMMY U Mixtape: In Bloom Monthly Member Playlist

The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from our talented members. This month's mix of pop, indie and jazz-influenced tracks are the perfect jams to turn on as spring takes full bloom.

GRAMMYs/May 8, 2024 - 12:50 pm

Did you know that among all GRAMMY U members, songwriting and performance are some of the most sought after fields of study? This playlist dedicates a space to hear what these members are creating today!

The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that members are bringing to this industry directly on the Recording Academy's Spotify, Apple Music, and Amazon Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.

Each month, we accept submissions and feature 15 to 25 songs that match each month’s theme. This month, we’ve crafted the perfect mix of pop, indie, and jazz-inspired tunes to jam to as the sun comes out and spring takes full bloom. Highlighting our Nashville Songwriter Showcase Finalists, alongside lively songs from our members, we're confident you'll discover a new track to freshen up your current rotation. So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify, Apple Music and Amazon Music.

Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our summer playlist. Whether you write pop, rock, hip-hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the member (an original song) and you must be able to submit a Spotify, Apple Music and/or Amazon Music link to the song. Artists must be a GRAMMY U member to submit.

About GRAMMY U:

GRAMMY U is a program that connects aspiring professionals and creatives ages 18-29 with the music industry's brightest and most talented minds. We provide a community for emerging professionals and creatives in addition to various opportunities and tools necessary to start a career in music. Throughout the program year, events and initiatives touch on all facets of the industry, including business, technology, and the creative process.

As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.

Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.

Former GRAMMY U Reps Heather Howard and Sophie Griffiths contributed to this article.

15 Must-Hear Albums In May 2024: Dua Lipa, Billie Eilish, Sia, Zayn & More

Billy Porter at the GRAMMY U conference in New York City
Beanie Feldstein with keynote speaker Ben Platt at the GRAMMY U Conference

Photo: Rob Kim/Getty Images for the Recording Academy

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5 Takeaways From The 2024 GRAMMY U Conference In New York City

GRAMMY U’s 2024 Conference presented an action-packed, motivating slate panels on everything from Broadway to studio albums with Ben Platt, a performance workshop with Billy Porter, and live music production on late night television with Remi Wolf.

GRAMMYs/Apr 30, 2024 - 02:45 pm

On April 20th, GRAMMY U members and industry professionals gathered at the Times Center in New York City for the 2024 GRAMMY U Conference presented by Amazon Music. 

The GRAMMY U team prepared an action-packed and motivating day of panels "Live From New York," focusing on topics from live performances to the business behind Broadway productions. Keynote speaker Ben Platt talked about the transition from a Broadway star to recording his solo studio album, followed by a performance workshop with Billy Porter, and live music production on late night television with Remi Wolf.

Once members arrived, they took advantage of professional development opportunities and mingled with other GRAMMY U members before attending the conference panels. Attendees visited the robust Career Center which included a professional headshot station, resume review station, and a dedicated speed networking hour with industry professionals within the Recording Academy, Amazon Music and more. These collaborations allowed for the next generation of music creatives and professionals to gain first-hand experience with mentors across various business sectors and musical genres.

Below are five impactful takeaways from the 2024 GRAMMY U Conference.

Shed Your Armor To Embrace Vulnerability 

After a two-year performance run on Broadway starring in "Dear Evan Hansen", Ben Platt shifted his priority toward making original music and sharing personal storylines.

In "Live! With Ben Platt," moderated by actor and long-time best friend of Platt's, Beanie Feldstein discussed Platt's bold choice of stepping back from portraying fictional characters on stage, to now releasing original music with his upcoming album Honeymind

"The gratification of connecting with your own experiences and seeing people really use the songs in their lives is so infinitely beyond the worries," Platt shared. 

Crossing over from a Broadway stage to pop music, Platt suggested that a key to success is trusting one's vocal technique and individual sound to translate your perspective.  

Beanie Feldstein and Ben Platt on stage at the GRAMMY U conference

Beanie Feldstein with keynote speaker Ben Platt at the GRAMMY U Conference | Photo: Rob Kim/Getty Images for The Recording Academy

Consistently Perfect The Fundamentals 

During the performance workshop "Standing in the Spotlight with Billy Porter," GRAMMY, Emmy, and two-time Tony Award-Winner Billy Porter sat down with SiriusXM Program Director Julie James. They discussed the importance of performance critique in helping artists perfect their craft and captivate audiences, as well as strategies for maintaining overall health while on tour.

Porter mentioned that while critiques are important for artists to continue improving their vocal abilities, knowing how to meet personal needs and goals is just as important.

"As you sift through [critiques], you have the right to choose what's right for you and what isn't," Porter said before posing the question, "What notes are good for your vision, and which aren't?"

Billy Porter stands to deliver advice to the audience at the GRAMMY U conference

Left to Right: GRAMMY U Performer Roy Gantz, Billy Porter and moderator Julie James | Photo: Rob Kim/Getty Images for The Recording Academy

This marked the first time GRAMMY U included a performance workshop in its programming, and it provided a fresh perspective from the best in the business. GRAMMY U National Membership Representative Roy Gantz sang "Someone to Watch Over Me," accompanied on piano by Tedd Firth, and received real-time feedback from Billy Porter in front of a live audience. 

"From the minute you hit the stage, to when you get to that mic[rophone], it's about your presence. Keep connecting with us [the audience]," Porter told Gantz.

Porter emphasized the importance of mastering the original melody and musical notations of a song before incorporating riffs and embellishments of popular pieces, and praised Gantz for his advanced technique and interpretation.

"Believe in what you have to offer. In honoring your authenticity, you teach people on the outside how to receive you," Porter advised the audience. 

Stay Vocal, Relationships Are Everything

"On the Screen: Performing On Live TV" featured panelists Yeji Cha-Beach, the Music Associate Producer on NBC's Late Night with Seth Meyers Show, Marnie Stern, former member of the 8G Band on the Seth Meyers Show, and pop recording artist Remi Wolf. Moderated by Siobhan Schanda, the panelists discussed the intricacies of playing on a live TV set including lighting, sound, and design choices. Wolf mentioned her preference for performing with her touring musicians and a live band. 

"Put the music first and try to develop your own style," Wolf said. "The most I've ever felt proud of my work was when I followed my gut." 

Stern remarked that although socializing and navigating the music industry network did not always come naturally, connecting and playing with other musicians was vital to her success as a live TV musician. She described one of the biggest differences between playing on live television and working on her own recording artistry.

"You're selling a commercial product and your job is to entertain," Stern said. "With your own work, your job is to present your feelings and emotions. Everyone is working to further not only the artist but the network." 

Cha-Beach offered guidance for aspiring TV music producers, stating, "Be curious, try as many things as you possibly can. Knowing when to say yes is just as important as knowing when to say no."

The “Sounds of the Stage” panel at the GRAMMY U conference

 Left to Right: Siobhan Schanda (moderator), Yeji Cha-Beach, Marnie Stern, Remi Wolf; Close-up photo of Remi Wolf | Photos: Rob Kim/Getty Images for The Recording Academy

A Great Musical Takes Time 

The "Sounds of the Stage" panel conducted a candid conversation about the behind-the-scenes process of composing and writing music for musicals. Kurt Deutsch (Senior Vice President at Warner Music Entertainment and Theatrical Ventures) was joined by David Lai (Co-Founder Park Avenue Artists), Kathy Sommer (Composer, Conductor, Producer), and moderator Thomas Winkler (Head of Publisher, Songwriter, and Society Relations at Amazon Music). 

These panelists conducted a candid conversation about the behind-the-scenes process of composing and writing music for musicals. They focused on how Broadway theater experience translated into the process of recording live studio albums.

"You can't bring it to the stage until the bones are set, until things are solidified," Lai said. It's worth spending the time to use the resources we have to work on your material."

Deutsch described the nuances of recording a pop album versus a cast performance record which has quick turnaround times. Often, they are recorded in a single day-long session due to budgeting costs for the orchestra and cast members involved. 

The main goal of a cast album is to allow audiences to relive the emotional experience they had in the theater setting, and for newcomers to still be able to relate to the show's characters and themes through a sonic medium. 

Left to Right: Thomas Winkler (moderator), David Lai, Kurt Deutsch and Kathy Sommer | Photo: Rob Kim/Getty Images for The Recording Academy

'Content Is Queen': Prioritize Meaningful Storytelling

"Side Stage: The Team Behind the Curtain" featured Erich Bergen (Producer, Actor, Director, 6W Entertainment); Pete Ganbarg (President of A&R, Atlantic Records); Adam Hess (Executive Producer, DR Theatrical Management); Christen James (Tony Award-Nominated Broadway Producer); and Michael Kushner (Founder and Creator of Michael Kushner Photography & Dear Multi-Hyphenate).

Together, these creatives explored the business of Broadway and discussed the roles of producers and managers who bring the shows to life. James spoke about what she's most drawn to when beginning a new theatrical project.

"Meaningful storytelling is key [and] music absolutely makes the difference. Content is queen, the story as well as the music," she said. "Art is supposed to change what you're doing to the point where you're thinking about it, it's influencing you." 

Left to Right: Michael Kushner (moderator), Erich Bergen, Pete Ganbarg, Adam Hess and Christen James | Photo: Rob Kim/Getty Images for The Recording Academy

Presented by Amazon Music and with participating sponsorship from Mastercard, GRAMMY U's 2024 conference "Live From New York" engaged members through an exhilarating two-day summit.

From the Friday showcase with GRAMMY U performers to Saturday's slew of panels covering all things show business, the GRAMMY U Conference in the Big Apple helped inform, connect, and inspire GRAMMY U members across the nation. 

Relive the experience and watch all the panels again here

5 Takeaways From GRAMMY U's Masterclass With Andrew McMahon: Be Bold, Build Bonds & Embrace Your Fears

Beanie Feldstein (L) and Ben Platt (R) speak onstage during the GRAMMY U Conference.
Beanie Feldstein (L) and Ben Platt (R) speak onstage during the GRAMMY U Conference.

Photp: Rob Kim/Getty Images for The Recording Academy

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Recording Academy & Amazon Music Host 2024 GRAMMY U Conference In New York Featuring Ben Platt

The two-day conference included a showcase of GRAMMY U performers and Infinity Song, as well as panels and workshops geared toward live television and Broadway musical performances, in addition to a thought-provoking keynote from Ben Platt.

GRAMMYs/Apr 22, 2024 - 06:57 pm

GRAMMY U hosted a two-day conference presented by Amazon Music for GRAMMY U members in New York City on April 19 and 20. The event, spearheaded by GRAMMY U Senior Director Jessie Allen, offered an immersive experience designed to enrich and empower emerging talents within the music industry. 

An emerging artist showcase took place on Friday, April 19, followed by a day-long series of panels and breakout sessions on Saturday, April 20, highlighting the live performance industries of Broadway and television talk shows, featuring GRAMMY, Tony, and Emmy-winning artist and actor Ben Platt as the keynote speaker.

The summit marks the beginning of a new cornerstone collaboration between GRAMMY U and Amazon Music, in which Amazon Music will play an integral role in the growth of GRAMMY U’s year-round programming, development and impact. Mastercard was also a participating sponsor of the conference.

“We were all thrilled to bring the GRAMMY U Conference to the heart of New York City. It’s a testament to the dedication of Jessie Allen, whose leadership has elevated this event year after year,” said Ruby Marchand, Chief Awards Officer of the Recording Academy. “I extend heartfelt gratitude to the Amazon Music Team for supporting GRAMMY U; this marks the genesis of an extraordinary collaboration, and together, we look forward to crafting an array of programs that will empower our GRAMMY U members throughout the year.”

The emerging artist showcase featured dynamic performances by GRAMMY U members Kayla Erhardt, Kühlname, Serena Laurel, Nicknames, Liv Paris, and Your Future Is Now scholar Jawan Audè. The evening concluded with a captivating performance by New York soft rock sibling ensemble, Infinity Song.

Saturday’s programming kicked off with keynote speaker Ben Platt. In a thought-provoking keynote discussion moderated by actor Beanie Feldstein, Platt delved into his musical journey spanning Broadway, film and television, inspiring attendees with his insights. The day continued with a performance workshop led by GRAMMY, Emmy, and Tony-winner Billy Porter. Moderated by SiriusXM Program Director Julie James, attendees immersed themselves in a captivating session aimed at honing their live performance skills. 

Read more: Inside Ben Platt's 'Honeymind': How Queer Love, Live Performance & More Led To His Most Authentic Album Yet

The conference included a panel featuring “Late Night with Seth Meyers” Music Associate Producer Yeji Cha-Beach, former member of the “Late Night with Seth Meyers” 8G Band, Marnie Stern, and musician Remi Wolf. Titled “On Screen: Performing on Live TV,” the panel covered the challenges and nuances of delivering live musical performances on television, and was moderated by Siobhan Schanda, Co-Executive Producer of “SHERRI.” 

Programming continued with a panel titled “Sounds of the Stage,” moderated by Thomas Winkler, Head of Publisher, Songwriter and Society Relations at Amazon Music, featuring SVP of Warner Music Entertainment and Theatrical Ventures Kurt Deutsch, Co-Founder of Park Avenue Artists David Lai, and composer, conductor and producer Kathy Sommer, where they explored sound production on stage and cast recordings.

Additional panels included “Side Stage: The Team Behind the Curtain,” featuring industry executives moderated by Michael Kushner, founder of Michael Kushner Photography and Dear Multi-Hyphenate, featuring producer, actor and director Erich Bergen, President of A&R of Atlantic Records Pete Ganbarg, Executive Producer of DR Theatrical Management Adam Hess, and Tony-nominated Broadway producer and vocalist Christen James, where they detailed the business of Broadway and how teams bring shows to life every night.

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