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Listen: Celebrate AAPI Month 2021 With This Playlist Featuring Artists Of Asian & Pacific Islander Descent

While the AAPI experience is far more vast than four letters can hold, AAPI Heritage Month provides ample opportunity to explore the infinite reaches of what Asian, Asian-American and Pacific Islander art can be—and this playlist can be your soundtrack

GRAMMYs/May 26, 2021 - 01:57 am

The experience of being Asian-American and/or of Pacific Islander descent cannot be contained in a word, phrase or corporate slogan. Each universe contains innumerable micro-universes; under a microscope, even more realms of identity and feeling emerge. 

That said, it is incumbent on each of us to recognize and appreciate the contributions of AAPI (Asian American and Pacific Islander) artists, even though the dialogue and introspection the term entails is astronomically larger than four letters can hold.

GRAMMY.com is proud to curate a playlist for Asian American and Pacific Islander Heritage Month 2021. Uncontained by genre or racial identity within the Asian and Pacific Islander diasporas, the result is a sonic tour through wildly divergent genres: pop, jazz, classical and beyond. We've also compiled quotes from artists as well as Recording Academy staffers who self-identify as AAPI.

The aim of this playlist is not to artificially string together artists based on their appearance or perceived racial descent; rather, it is to demonstrate how artists within the AAPI world have enriched more styles of music than we can count.

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Picks From Recording Academy Staff Members Of AAPI Descent

Kobukuro — "Winding Road"
Golden — "Hate Everything"
Lee Hong Gi — "Still"

"I love that this month gives us an additional platform to celebrate the APIDA community. The Asian American experience is filled with a lot of complexity and richness, so I'm grateful we've been able to shed some light on that through food, music and art, history, advocacy, and a heightened sense of community. Always excited to keep the energy going beyond this month!" —Taylor Kimiko Saucedo, Project Manager of Ticketing and Event Operations, Production Department

BTS — "Butter"
Stray Kids — "Back Door"
Eric Nam — "Honestly"
Radwimps — "Nandemonaiya"
Pierre Fitz — "T'lah Berubah"
Gabe Bondoc — "Filler"

"I'm so appreciative of our community and all those who support it, in and out of this month. My Philippine culture has always been a part of me, and while I always try to bring it out in everything that I do, this month I feel more welcomed to show it! During this month, I'd also love to encourage everyone to support local Asian businesses; not only have they been affected by COVID, but also the Asian injustice acts happening throughout the world." —Thea Marvic A. Domingo, Executive Office Coordinator

Rina Sawayama — "Bad Friend"
Mitski — "Your Best American Girl"
Yuna — "Dance Like Nobody's Watching"
H.E.R. — "Focus"
Suzuki Saint — "Sunday"
Japanese Breakfast — "Be Sweet"

"To be honest, I am used to AAPI Month being ignored by non-AAPI entities, so it's been a little strange to see so much about it this year. I'm getting promotional emails from companies highlighting AAPI-owned products, etc. I have a feeling the increased celebration of AAPI month is unfortunately tied to the rise in hate crimes targeting AAPI people, and so I have mixed feelings about it—not about the month itself, but about non-AAPI folks suddenly acknowledging it when they haven't before."  —Jane Kim, Coordinator

Crush + Pink Sweat$ — "I Wanna Be Yours"
DPR Live — "Cheese & Wine"
Phum Viphurit — "Lover Boy"
NIKI — "Indigo"
Rich Brian — "Kids"

"I'm glad that many people have been promoting Asian American culture this month! From the food and languages to more serious issues such as discrimination and #StopAsianHate, it's been an enlightening few weeks." —Chris Chhoeun, Accountant, Business Affairs

Quotes From Artists Of AAPI Descent

Joey Alexander — "Under The Sun"

"While it's often customary in Asian culture to remain silent when faced with adversity, it is encouraging to see how all the Asian communities have banded together to speak out against the violence that's been inflicted on our elders, brothers and sisters, not just recently but systematically because of how we look. I am hopeful for a future of harmony where there is an open dialogue about our cultural differences and how as humans, we are all seeking peace, happiness and prosperity." —Joey Alexander

Read: Joey Alexander On The Primacy Of The Blues, Building Tunes To Last & His New Single, "Under The Sun"

Vijay Iyer Trio — "Children of Flint"

"It's not that any particular album is political, but at almost any moment in my musical life, I'm listening to what's happening outside and that is informing what I do, why I do it and with whom I do it. And for whom I do it. The first two pieces on the album [2021's Uneasy] are probably the most 'political.' But it's more like each of them was serving a specific purpose—serving a specific cause. And by serving, I mean literally serving. Trying to support an existing movement on the ground." —Vijay Iyer, speaking to GRAMMY.com in 2021

Bhi Bhiman — "Magic Carpet Ride"

"I'm happy to see it. I think it's important for the younger generation of kids—Asian kids, but maybe more importantly, non-Asian kids—to see that we are just a normal part of the country. We don't need special sections for our movies on Netflix or a temporary showcase on corporate retail websites. We just wish to be treated with the same respect as our European-American counterparts in real-life situations. We want to be judged on the content of our character, not the color of our skin. But there are some strong stereotypes in America about Asians, and in my case, Indians. My parents are from Sri Lanka, which floats on the edge of the Indian subcontinent. As a musician, I'm often on the wrong end of conscious and unconscious bias, unfortunately. The plight of the perpetual foreigner is that our superpower is invisibility in plain sight. It can be challenging, especially when I know I am one of the best out there at what I do. But I love seeing people embracing their heritage and culture and having pride in it. I see the world changing and stereotypes fading away, which is good news for the next generation." —Bhi Bhiman

Yo-Yo Ma — "Amazing Grace (Prelude)"

"I value the perspective that time can give as well as different disciplines. We can look at ourselves biologically. If we look at ourselves genetically, the huge chasms in racial-ethnic differences become minuscule." —Yo-Yo Ma, speaking to GRAMMY.com in 2021

Jihye Lee — "Struggle Gives You Strength"

"I sincerely appreciate the many organizations celebrating AAPI Month. I am thrilled to see some of the Asian musicians getting special exposure, including myself. I am beyond thankful for the support. Although I am aware all the actions come from genuine intention, I still want to be seen just as a composer. I hear the name Toshiko Akiyoshi as a comparison just because of my ethnicity. Even though I have tremendous respect toward her, I don't think it's my music that reminds them of Toshiko but my look—and I am not even Japanese. Maybe people want to name the same skin color of musicians they know as a nice and kind gesture, just like I hear 'Ni hao' on the street—and I am not Chinese. I am an Asian female composer, but when it comes to music, I wish my music to be heard without any preconception and wish to have AAPI support focused on our works—not on being Asian itself. We are in the middle of making changes, and I hope these efforts lead us to a world that doesn't need the word AAPI." —Jihye Lee

Jen Shyu — "Lament for Breonna Taylor"

"I'm an artist who really embraces my ancestry. I go deep into it. That's my path. But I know how frustrating it must be for other Asian artists who people might expect that of them. They just want to make music, you know? It's just being the other. I've never let it stop me because I'm so hard-headed. I just go forward." —Jen Shyu, speaking to GRAMMY.com in 2021.

Tomoko Omura — "Revenge of the Rabbit"

"They're stories you can relate to, those folk tales. They've been told for a long time for reasons, right? Because we're humans at the end. Those children's folk songs and folk tales have lived so long because the messages are strong. I think it's a great way to connect us as humans." —Tomoko Omura, speaking to GRAMMY.com in 2021.

Min Xiao-Fen — "Annica (Impermanence)"

"This world is small, you know? People should be open-minded." —Min Xiao-Fen, speaking to GRAMMY.com in 2021.

More Artist Picks By Recording Academy Staff

Jay Som — "Tenderness"
Mxmtoon — "Creep"
Tyler Shaw — "North Star"
Steve Aoki feat. BTS — "Waste It On Me"
TOKiMONSTA — "Bibimbap"
Giraffage feat. Japanese Breakfast — "Maybes"
RayRay — "Outer Space"
Yaeji — "Raingurl"
Peggy Gou — "It Makes You Forget (Itgehane)"

"As a person of color myself, I know the struggle of feeling foreign or being 'othered' in my own home country. Yes, I am of two lineages, but I am as equally American as I am Mexican. I feel the plight of my AAPI brothers, sisters and nonbinary friends during this difficult, scary time. And while we are celebrating AAPI artists and cultures all month long, we must keep the conversation going all year long. #AAPIAllYear." —John Ochoa, Managing Editor of GRAMMY.com

Raveena — "Tweety"
Hayley Kiyoko — "Found My Friends"
—Jenn Velez, Editor of GRAMMY.com

ZHU ft. Yuna — "Sky Is Crying" 
TOKiMONSTA ft. Yuna — "Don't Call Me"
Lastlings — "No Time"
Yaeji — "WAKING UP DOWN"

—Ana Monroy Yglesias, Editor of GRAMMY.com

ZHU Talks New Rave-Ready Album DREAMLAND 2021, Being Inspired By Hyphy Music & Asian Americans Finally Being Heard

BTS Jimin
Jimin

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5 Takeaways from BTS Jimin's New Album, 'MUSE': A Bold Exploration Of Love And Inspiration

Jimin's second solo project, 'MUSE,' showcases his artistic growth and versatility, featuring a blend of nostalgic sounds, personal reflections, and standout collaborations.

GRAMMYs/Jul 19, 2024 - 05:45 pm

K-pop juggernauts BTS are still on hiatus due to military enlistments, except for Jin, who was discharged last month. Yet, all members remain booked and busy in their solo endeavors.

Documentaries, travel shows, special singles — you name it, they carefully prepared it before starting their duties. And after new records from j-hope (HOPE on the Street) and RM (Right Place, Wrong Person) this year, the next in line is Jimin, who dropped MUSE today.

The album comes almost a year and a half after his debut EP, FACE, which placed Jimin as the first South Korean soloist to top Billboard's Hot 100 chart. In it, the Busan-born star proved his versatility and prowess standing on his own, captivating audiences old and new with his sensitive charisma.

In MUSE, Jimin introduces a new facet of his musical identity: bolder and more confident, but still a big softie at heart. To celebrate the beginning of a new era — and to ease the wait until his discharge next year — here are five key takeaways from Jimin's latest release, MUSE.

It's Another Jimin-led Production

FACE was a proper introduction to Jimin's artistic vision, with him contributing to every aspect of the project and co-writing all of its tracks, minus the instrumental "Interlude: Dive."

Now, he takes it up a notch for MUSE, showcasing his growth by co-writing six out of seven tracks, and co-producing two of them: "Rebirth" and "Interlude: Showtime." Once again, Jimin had a hand on all of the album's components, including its concept and visuals, and bore down another layer of his ever-evolving skills.

If FACE introduced us to a vulnerable and sometimes desperate Jimin, MUSE charges forward with main pop boy energy, tender but commanding, sweet but sassy. It works both as a gift to fans and a tool to get to know Jimin even deeper.

He’s Still In Search Of His Muse

"We never met, but she's all I see at night/ Never met but she's always on my mind/ Wanna give her the world/ And so much more/ Who is my heart waiting for?" Jimin sings in MUSE's track, "Who." As the lyrics suggest, MUSE's main theme is Jimin's journey to find the source of his inspiration — his muse.

The album's seven tracks are all interconnected by love and longing, with Jimin searching for the one but getting lost in the way, and back at it once more. Through this perspective, he continues his path of self-discovery. After looking at his own FACE in the mirror, who else does he see? Who else instigates him enough to make art?

A Stellar Team Backs Up The Effort

To write and produce MUSE, Jimin enlisted longtime collaborators Pdogg, Ghstloop, Evan, and Supreme Boi. They have also been working with BTS for years, and know just what Jimin wants and needs in his songs.

But to make this album even more special, Jimin also collaborated with a fresh crop of professionals. Lead single "Who" was co-written and co-produced by Jon Bellion, Pete Nappi, and Tenroc, while Ayo the Producer and Kofo co-signed the fan-dedicated "Closer Than This." OneRepublic's Ryan Tedder helped pen "Be Mine," and Tommy Brown has writing credits on "Rebirth" and "Smeraldo Garden Marching Band (feat. Loco)."

Aside from Korean rapper Loco, MUSE also features American actress and singer Sofia Carson on the smooth duet "Slow Dance." Together, these names assembled a cohesive, yet diverse LP, brimming with influences from several decades, genres, and countries at once.

The Smeraldo Flower Makes A Comeback

Back in 2017, when BTS was in their LOVE YOURSELF era, they also introduced to their lore a fictional blue flower named Smeraldo. Symbolizing "a truth that cannot be told," its legend was better explored in the track "The Truth Untold (Feat. Steve Aoki)," and offered important clues to understanding that era's messages.

However, as years passed, the Smeraldo flower was largely forgotten from BTS's new works — until MUSE. Here, Jimin brings back the blue flower as one of the albums' visual concepts, and as the main motif behind pre-release "Smeraldo Garden Marching Band (feat. Loco)."

According to a press statement, the track's lyrics "express the longing to confess and find love on behalf of those unable to articulate their feelings," hence the use of Smeraldo. As for its curious title — loosely inspired by The Beatles' 1967 album Sgt. Pepper's Lonely Hearts Club Band — it came first as a casual nickname between Jimin, Pdogg, Ghstloop, and Evan while they worked together on FACE, and eventually became real.

It’s Packed With Nostalgia

If you miss Justin Timberlake's Justified sounds and other early-2000s gems, MUSE is here to take you on a nostalgic trip. Inspired by pop, R&B and hip hop from that era, Jimin gave his latest album a vintage, cozy veneer.

These references are predominantly visible on "Who" and its delightful guitar strums, but "Slow Dance (feat. Sofia Carson)," for example, sounds like an updated version of Usher and Alicia Key's "My Boo," and "Be Mine" could be the 2020's lovechild of Santana's "Maria Maria" and Sean Paul's "I'm Still In Love With You."

Another strain of references can be seen in "Smeraldo Garden Marching Band (feat. Loco)," which extends The Beatles' inspiration to experimental samples and marching band percussion, and creates a quirky piece that strays away from any current trends. "Interlude: Showtime" drinks from the same source, featuring a circus brass and drum line that introduces us to the singularity of "Smeraldo Garden."

While infused with nostalgia, MUSE still appeals to today's tastes, and offers a seamless, polished listen. It stands as a testament to Jimin's artistic growth, and while he might not have found his muse yet — he is certainly a source of inspiration for many.

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GRAMMY Museum Partners With HYBE For K-Pop Exhibit graphic featuring artist names and exhibit opening date

Graphic courtesy of the GRAMMY Museum

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GRAMMY Museum Partners With HYBE For New K-Pop Exhibit 'HYBE: We Believe In Music' Opening Aug. 2

Running Aug. 2 through Sept. 15, the GRAMMY Museum exhibit showcases artifacts from superstar HYBE artists, including BTS, SEVENTEEN, TOMORROW X TOGETHER, ENHYPEN, LE SSERAFIM, and many more.

GRAMMYs/Jul 9, 2024 - 01:09 pm

The GRAMMY Museum joins forces with HYBE to present its newest exhibit, HYBE: We Believe In Music, A GRAMMY Museum Exhibit. This interactive exhibit chronicles the history and impact of HYBE, and showcases its legacy of unparalleled innovation and creativity as a trend-setting global entertainment brand.

The exhibit opens on Aug. 2 in downtown Los Angeles and features spotlight moments with K-pop stars BTS, SEVENTEEN, TOMORROW X TOGETHER, ENHYPEN, LE SSERAFIM, and many more. "HYBE: We Believe In Music" runs through Sept.15. The exhibit will kick off on Aug. 1 with "Global Spin Live: TWS," a program featuring a moderated conversation with K-pop group TWS, followed by a performance.

The exhibit traces HYBE's evolution and influence by showcasing instantly recognizable artifacts from its roster of artists, creators, and fans. The displays notably feature original outfits worn in iconic music videos such as "Yet To Come (The Most Beautiful Moment)" by BTS, "MAESTRO" by SEVENTEEN, "Sugar Rush Ride" by TOMORROW X TOGETHER, "Sweet Venom" by ENHYPEN, and "EASY" by LE SSERAFIM. HYBE: We Believe In Music also boasts accessories and performance gear donned by ZICO, fromis_9, BOYNEXTDOOR, TWS, &TEAM, and ILLIT. The exhibit marks the first time these artifacts will be on display together in one location.

Other highlights include interactive sing-along and dance rooms, a dedicated Fan Section celebrating the endless support between HYBE artists and their fandoms, a Mono to Immersive room featuring BTS's 2022 GRAMMYs performance of "Butter," and a Photoism Booth that allows visitors to pose alongside their favorite K-pop artists.  The GRAMMY Museum exhibit will also feature exclusive video content with producers, artists, music videos, and more.

"HYBE and their artists represent the present and future of the global music landscape, and our goal with this exhibit is to deepen the appreciation and respect for its creators and performers," says Michael Sticka, President/CEO of the GRAMMY Museum. "HYBE has contributed to creating a playground of innovation that inspires fandoms that transcend age, gender, geography and beyond. The GRAMMY Museum is thrilled to provide a space where fans can express their love for K-pop and feel closer to their favorite idols."

Read more: 11 Rookie K-Pop Acts To Know In 2024: NCT Wish, RIIZE, Kiss Of Life & More

HYBE Chief Operating Officer Taeho Kim added, "Putting out an exhibition that captures HYBE's journey is a new experience for us. We're very excited about this partnership with GRAMMY Museum, and we look forward to welcoming music fans who visit the museum to enjoy and connect with our historical pieces."

The exhibit highlights the roots of HYBE's meteoric rise. In 2005, South Korean producer, composer, and songwriter Bang Si-Hyuk, known as "hitman" Bang, changed the trajectory of Korean pop music by launching the record label Big Hit Entertainment. He soon signed a talented 16-year-old rapper named RM, which became the first step in creating the label's groundbreaking boy band — BTS. With the group's global success, "hitman" Bang and Big Hit Entertainment became known as musical trailblazers and record industry innovators. Big Hit Entertainment has now evolved into HYBE, which only continues to break boundaries in music and beyond.

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RM of BTS in 2023
RM attends W Korea‘s ‘Love Your W' breast cancer awareness event in Seoul, South Korea in November 2023.

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Stream RM's New Album 'Right Place, Wrong Person': See The Tracklist, "LOST!" Video & Special Guests

The second solo album from BTS' RM further displays his knack for genre-bending experimentation, while also delving deeper into his vulnerable side. Listen to the new album here, and get to know the project's featured artists, tracklist and more.

GRAMMYs/May 24, 2024 - 04:08 pm

As the world patiently awaits the return of BTS in full force, each member continues to deliver solo projects to show off their individual talents. And 18 months after his last album, RM is back.

With a discography that hops between pop, R&B, and hip-hop, RM returns to the spotlight with his second solo album, Right Place, Wrong Person. The project tells the relatable story of an individual who is a creature of habit, but slowly comes to find solace in foreign spaces.

Below, listen to RM's latest album, and discover more about how he's revealing a new side of his artistry with Right Place, Wrong Person.

The Tracklist

After RM's debut solo album, 2022's Indigo, had 10 tracks (including features from the likes of Erykah Badu, Anderson .Paak), he ups the tally with an 11-song tracklist this time around.

Here is the complete tracklist for Right Place, Wrong Person:

1. Right People, Wrong Place
2. Nuts
3. out of love
4. Domodachi (feat. Little Simz)
5. ? (Interlude)
6. Groin
7. Heaven
8. LOST!
9. Around the world in a day (feat. Moses Sumney)
10. ㅠㅠ (Credit Roll)
11. Come back to me

The Creative Visuals

Two weeks before the album dropped, he unveiled the music video for "Come Back to Me," the lead single from Right Place, Wrong Person. Directed by the critically acclaimed actor Lee Sung Jin, the music video narrates the tale of feeling like an outsider and yearning for a sense of belonging in unfamiliar surroundings.

Then, on the day Right Place, Wrong Person arrived, RM added to release-day excitement with another intriguing visual, this time for "LOST!" The five-minute clip sees RM as the star of "The Lost! Show," where he and a group endure an eerie whirlwind of scenarios they can't seem to get out of. It's equal parts dramatic and slapstick, and another clever display of RM's creative versatility.

Noteworthy Guests

The featured artists on Right Place, Wrong Person — British rapper Little Simz on "Domodachi" and art-pop artist Moses Sumney on "Around the world in a day" — underscore RM's ability to interlace his own musical style with artists from various genres.

The album also has some notable behind-the-scenes collaborators as well. Production credits include Kim Han-joo, keyboardist and vocalist from the South Korean rock band Silica Gel, on "LOST!" and GRAMMY-nominated jazz duo DOMi & JD Beck on "? (Interlude)."

On "Come back to me" — which RM initially debuted last August during a surprise performance at BTS bandmate Suga's encore concert in Seoul — he delves into the album's central theme of wanting to venture into unknown areas, but feeling the intense urge to stay with what's already known. The track was composed and arranged by OHHYUK from the South Korean indie-rock band Hyukoh, but also features credits from artists Kuo, JNKYRD, and San Yawn.

But no matter who RM is working with, his own talent and prowess as a creator always shines. Right Place, Wrong Person presents a diverse array of tracks marked by sheer vulnerability, honesty, and sensitivity — a masterful continuation of a remarkable solo journey.

K-Pop Summer 2024 Guide: ATEEZ, IU, TXT & More Live In Concert & On Tour

ATEEZ perform at Coachella Weekend 1

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K-Pop Summer 2024 Guide: ATEEZ, IU, TXT & More Live In Concert & On Tour

Whether you want to have your Head in the Clouds, go over the moon at KCON or head Towards the Light, plan out your summer with these K-pop events and tours featuring TWICE, LE SSERAFIM, Stray Kids and more.

GRAMMYs/May 8, 2024 - 12:31 pm

2024 has had a handful of memorable K-pop moments in North America so far. From boy group ONEUS's La Dolce Vita tour to TWICE's one-night-only show at Las Vegas' Allegiant Stadium in March, the industry has kept a steady flow of entertainment for lovers of Korean music and culture. Last month, ATEEZ, LE SSERAFIM, and indie band The Rose also left their mark at Coachella Festival in California, proving that K-pop acts at major festivals are a rising trend.

With summer right around the corner, even more tours, festivals, and conventions are set to pop up across the U.S., Canada, and Mexico. From mid-May to September, whether on weekdays or weekends, there will always be something to do or someone to see. Among the most-awaited events are singer IU's first world tour and ATEEZ's massive trek in July, as well as Stray Kids, IVE, and VCHA's performances at Chicago's Lollapalooza Festival.

To help you enjoy the most out of this busy season, GRAMMY.com assembled a list of all the K-pop concerts and events happening in the next few months below.

May

CIX: 0 or 1 in North America

May 10-26

Boy group CIX will be back in North America for their third tour this May. Named after single album 0 or 1, the stint will cover eight cities across the U.S., Mexico, and Canada, starting in Chicago, IL and wrapping it up in Los Angeles, CA. The quintet will likely perform hits like "Cinema" and "Movie Star," as well as their latest single, "Lovers or Enemies," and celebrate their upcoming fifth anniversary.

Head in the Clouds Festival

Forest Hills, New York

May 11-12

Following the success of last year's edition in Queens, New York, Head in the Clouds Festival returns to the big apple in 2024. In their mission to spread Asian diaspora talent, the lineup for this year enlists (G)I-DLE to headline on Saturday and singer BIBI on Sunday, along other names like ATARASHII GAKKO! and Joji. Korean acts Balming Tiger, Wave to Earth, and newcomer girl group Young Posse will also join them. HITC Festival is usually based in Los Angeles, but this year's L.A. edition has yet to be announced.

BM (KARD): After the After Party Tour

May 14-25

Hailing from co-ed group KARD, Korean-American singer BM will kick off his first U.S. solo tour in mid-May. After the After Party Tour was inspired by the track "ATAP (After the After Party)," off his December single album, Lowkey. BM will perform in six cities across the country, including Los Angeles, Chicago, and New York. He also teased an EP soon, and stated that he will be "taking new music on this tour."

P1Harmony: P1ustage H : UTOP1A Tour

May 14 - Jun. 16

Boy band P1Harmony is also returning to North America with their third tour, P1ustage H: UTOP1A. Beginning in Houston, TX, on May 14, it will follow with shows in Chicago, Boston, Los Angeles, and more — including a prestigious performance on June 8 at New York City's Governors Ball Music Festival 2024. The sextet released their first studio album, Killin' It, in February of this year.

Tomorrow X Together (TXT): ACT : PROMISE World Tour

May 14 - Jun. 8

A TXT tour in the U.S. has become an annual event: following 2022's ACT : LOVESICK and 2023's ACT : SWEET MIRAGE, 2024 welcomes ACT : PROMISE. Featuring 11 shows across the country, the boy group will play in Houston, Atlanta, Los Angeles, and more. They will also perform two nights at New York's legendary Madison Square Garden before heading to the Japanese leg of the tour in July.

Wheein (MAMAMOO): Whee In The Mood [Beyond] World Tour

May 17 - Jun. 4

Powerhouse vocalists MAMAMOO hit stateside last year with their MY CON World Tour, a first for the group. Now, it's member Wheein's turn to celebrate her solo career with Whee In The Mood [Beyond] World Tour, inspired by her first LP, 2023's In The Mood. After a slew of shows in Asia and Europe, the singer will head to San Francisco, CA, for the first out of eight concerts in the U.S. Other cities include Dallas, Orlando, Los Angeles, and New York.

RIIZE: RIIZING Day Fan-Con World Tour

Los Angeles, California

May 20

SM Entertainment's freshest rookies RIIZE announced their first fan-con, RIIZING Day, to take place from May to August in various cities across the globe. After playing in Seoul, Tokyo, and Mexico City, the boyband will come to Los Angeles for a single performance at the Peacock Theater on May 20. RIIZE are expected to play their compact yet dynamic discography, including singles "Get A Guitar," "Talk Saxy," and "Impossible."

June

Purple Kiss: 2024 BXX Tour

June 2 - July 2

It's not even been a year since Purple Kiss toured the U.S. with their The Festa Tour in fall 2023, but they're already gearing to come back. Starting June 2 in Oceanside, CA, the 2024 BXX Tour will take the girl group to seven cities in the U.S. and nine cities in Canada, closing it off in Halifax, Nova Scotia, on July 2. This is a big chance for fans who missed their performances last year, or simply to those who want to see singles like "Zombie" and "Sweet Juice" live again.

ITZY: Born to Be World Tour

June 6-28

Girl group ITZY has spent the majority of 2024 bringing their second world tour, Born to Be, across Oceania, Asia, Latin America, and Europe. In June, they will finally step in North America for a 10-stop stint, including cities like Seattle, Los Angeles, Newark, Fairfax, Toronto, and more. Despite featuring only four out of five members while vocalist Lia is currently on hiatus due to health reasons, they promise to set the stages on fire with their high-energy discography.

VERIVERY: Go On Fan-meeting Tour

Jun. 14-23

Starting June 14, boyband VERIVERY will kick off their Go On Fan-meeting Tour in New York at Brooklyn Steel. Then, they will head to Chicago, Minneapolis, Atlanta, Fort Worth, and finally Los Angeles for a last performance at Vermont Hollywood. The seven-member group is currently a quartet, as member Dongheon is currently enlisted in the military, and members Minchan and Hoyoung are on hiatus due to health concerns. VERIVERY's latest release was 2023's EP, Liminality.

A.C.E: 2024 REWIND_US U.S. Tour

Jun. 19 - July 18

February marked the much-anticipated comeback of boy group A.C.E with the EP My Girl: My Choice. It was their first release in three years, and to rejoice further, the quintet announced an extensive 14-date tour throughout the U.S. and Puerto Rico. Starting June 19 in Madison, WI and closing off on July 18 in San Juan, PR, A.C.E will also perform in Los Angeles, Nashville, New York, and more.

HYO: Milwaukee Summerfest

Milwaukee, WI

Jun. 28

HYO, also known as Hyoyeon from Girls' Generation, will be showcasing her DJ chops on June 28 at Milwaukee Summerfest. The performance will happen just months after HYO held her 2024 Spring U.S. Tour, Cherry Blossom, which spanned seven cities across the country. In the setlist, fans can expect hits like "Dessert" and "Deep," but also some innovative remixes of other artists' songs, like GALA's "Freed From Desire" and Girls' Generation's "Gee."

July

AB6IX: Find You Fan Concert Tour

Jul. 3-21

Another boy group to embark on a North American tour this year, AB6IX will bring their Find You Fan Concert across nine stops in the U.S., Mexico, and Canada. Starting off in the cities of Toronto and Montreal, they will then head to New York, Mexico City, Miami, Denver, and more, before wrapping it up in Los Angeles. The tour title was inspired by their latest release, January's EP The Future is Ours: Found.

ATEEZ: Towards the Light: Will to Power 2024 World Tour

Jul. 14 - Aug. 11

Performance kings ATEEZ never stop. After the release of their EP, Golden Hour: Part. 1 on May 31, the eight-member group will head to North America for their Towards the Light: Will to Power 2024 World Tour. Kicking off on July 14 in Tacoma, Washington, the boyband will also play in the cities of Los Angeles, Arlington, Washington, D.C., Toronto, New York, and more. The tour supports ATEEZ's December 2023 LP, The World EP.Fin: Will, but hopefully the setlist will include surprises as new music comes out.

IU: HEREH World Tour

Jul. 15 - Aug. 2

One of the most important artists to come from South Korea, IU (born Lee Ji-eun) has been shaping the country's music industry since 2008 with her unique voice, sensitive songwriting, and sharp mind. Given her journey, it's almost absurd that her first world tour is only happening in 2024 — but better late than never. After stops in Asia and Europe, IU will head to the U.S. for six sold-out concerts, beginning on July 15 at Prudential Center in Newark, NJ, and concluding on August 2 at Kia Forum in Los Angeles, CA.

The Boyz: Zeneration II World Tour

Jul. 19-28

Following their 2023 Zeneration Tour, which featured 24 stops across Asia, 11-member group The Boyz are now bringing its sequel worldwide. After a 3-day July stint in Seoul, South Korea, the Zeneration II tour will head to the U.S. for five shows in New York, Atlanta, Dallas, Los Angeles, and San Jose. Throughout August, The Boyz will segue onto the Asian leg of the tour, wrapping it up with a few European dates in September.

KCON Los Angeles 2024

Jul. 26-28

Known as the largest Korean culture and music festival in North America, KCON has a decade-long legacy of serving as a bridge for "all things Hallyu." Held at the Los Angeles Convention Center and Crypto.com Arena, the festival includes a two-night concert, fan signings, food and merch stalls, panels with professionals in the industry, and many other attractions. KCON hasn't announced its official lineup yet, but attendees can expect it to maintain the same excellence of past years.

Secret Number: The 1st U.S. Tour 2024 Unlock

Jul. 26 - Aug. 10

Girl group Secret Number debuted amidst the chaos of 2020's COVID-19 pandemic, therefore falling short of live experiences with their fans. As they enter their fourth year together, they will finally meet North American fans with their 2024 Unlock tour this summer. Kicking off on July 26 in Chicago, the sextet will then head to Minneapolis, Charlotte, Houston, Denver, Phoenix, Seattle, and Los Angeles for a final show on August 10.

August

Stray Kids, IVE, VCHA: Lollapalooza Chicago 2024

Aug. 1-4

K-pop's presence on Lollapalooza continues to expand. This year, Stray Kids is set to headline on Friday, Aug. 2, alongside singer SZA. It's the boyband's second appearance at the festival, following their 2023 show at Lollapalooza Paris. On that same day, U.S.-based, K-pop-trained girl group VCHA, formed by JYP Entertainment in partnership with Republic Records, will also make their first performance at the festival. To close it off, Saturday will feature the captivating girl group IVE.

I.M (Monsta X): Off The Beat 2024 World Tour

Aug. 8-31

Monsta X's maknae (youngest member) I.M has been building a prolific solo career while his teammates are enlisted in the military. Accompanying his third EP, Off The Beat, the singer announced an eponymous world tour, featuring 19 stops in Asia, North America, and Europe. He will play seven dates In the U.S. and two in Canada, including New York, Boston, Toronto, and more.

ARTMS: 2024 Moonshot World Tour

Aug. 16 - Sept. 10

Formed by five LOONA members (Kim Lip, Choerry, JinSoul, HaSeul, and HeeJin), girl group ARTMS was one of 2023's most-awaited debuts. Their first studio album, Devine All Love & Live, is set to drop on May 31, and the quintet will celebrate with a string of concerts across South Korea, Japan, and the U.S. Starting August 16 in New York, the tour will cross Atlanta, Orlando, Los Angeles, and more cities before wrapping up on September 10 in Chicago.

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