Musically, Seattle and the Pacific Northwest have always been a bit left of center and ahead of its time. The region has consistently brought music lovers what they wanted; even before they knew they wanted it.
In the 1940s, Ray Charles and Quincy Jones were coming up in Seattle’s burgeoning Jazz and R&B scene. By the late '50s and '60s, reverb-loving guitar bands were coming to the fore and out of this merging of styles came the unique sound of Jimi Hendrix. In the '70s, neighborhoods were filled with the street sounds of funk, while punk bands were forming in basements across the city. And just when the national charts were dominated by male lead vocalists, sisters Ann and Nancy Wilson soared to hard-rock heights with Heart.
Through the final two decades of the 20th century, Seattle redefined rock music completely when Nirvana hit the mainstream with the release of Nevermind, sending shock waves through the international rock community, making good on the Cascadian promise seen by early press in other countries. Bands like Green River, Mother Love Bone, Mudhoney, Pearl Jam, Soundgarden, Alice In Chains, Hole, and so many others were instrumental in paving the way for this new sound. Around the same time, the feminist Riot Grrrl movement was buzzing and bands like Bikini Kill were leading the charge to, literally and figuratively, bring the “girls to the front” while rallying against misogyny, homophobia, and racism.
As the grunge movement faded, a new alternative scene was coming-of-age, and brought indie darlings such as Death Cab for Cutie, Modest Mouse, and Sunny Day Real Estate to national prominence.
The hip-hop genre saw a new level of cultural excitement with the independent-into-mainstream success of Macklemore & Ryan Lewis. This was built from a scene which witnessed the coming together of the rap community due to the persistent and creative efforts of artists like Sir Mix-A-Lot, Blue Scholars, and many others.
In recent years, the PNW has seen a resurgence of contemporary folk music, led by artists such as Brandi Carlile, The Lumineers, Father John Misty, and Fleet Foxes.
The Pacific Northwest Chapter reflects the independent and DIY ethos of this region’s music makers. The Chapter is based in Seattle, WA but also covers Oregon, Idaho, Alaska, Hawaii, Montana, Wyoming, and parts of Western Canada. Events such as the annual Music Summit and the web series More Than Meets the DIY foster an environment of creativity and highlights the creative, independent spirit that has defined Seattle and the Pacific Northwest.
Please take a few minutes and explore not only what the Pacific Northwest Chapter is doing, but what all the Chapters have to offer in the way of professional development and opportunities for our members.
Executive Director: Jessica Toon
President: Andrew Joslyn
Pacific Northwest Chapter Board 22-23 Look Book
The Recording Academy
Pacific Northwest Chapter
505 Broadway E., Suite 150
Seattle, WA 98102
Ph: 206.834.1000
Fx: 206.834.1005
pacificnw@grammy.com
