Ryan Reed

Ryan Reed

Ryan Reed is a writer, editor, professor and record collector with regular bylines at Rolling Stone, Relix, Ultimate Classic Rock and Revolver. He’s also contributed to Billboard, Pitchfork, Stereogum, Esquire and Salon, among other outlets. He currently lives in Knoxville, Tennessee, with his wife, two dogs and cat.

Ryan's Articles

My Morning Jacket’s Jim James On ‘The Waterfall II’ & Finding Hope In Music

My Morning Jacket’s Jim James On ‘The Waterfall II’ & Finding Hope In Music

"One of the funnest things for me is moving on [from an album]," says My Morning Jacket's Jim James. "Not really worrying about it anymore or looking back." It's ironic timing: The brawny psych-rock band just released The Waterfall II, the long-awaited "sequel" to their 2015 LP. As he's quick to emphasize, these songs aren't leftovers or B-sides—they were recorded…

Sparks’ Russell Mael Talks 24th LP, ‘A Steady Drip, Drip, Drip,’ Adam Driver & That Time They Showed Up On ‘Gilmore Girls’

Sparks’ Russell Mael Talks 24th LP, ‘A Steady Drip, Drip, Drip,’ Adam Driver & That Time They Showed Up On ‘Gilmore Girls’

Even the best rock bands follow a sad life cycle seemingly embedded in their DNA: As retirement age approaches, the desire to innovate—and be brazenly weird—often flickers and fades, like a lightbulb on its last legs. But Sparks are not a normal rock band—if they can even be described as "rock," or even a "band." Since the group's formation in…

Freedom For My Body, Freedom For My Mind: The ‘Panther’ Theme Song Turns 25

Freedom For My Body, Freedom For My Mind: The ‘Panther’ Theme Song Turns 25

"We will not bow down to racism," Vanessa Williams sings in a warm gospel a cappella, answered by SWV's soothing melisma and three-part harmonies: "We will not bow down to injustice." That's the intro to "Freedom," a mega-collaboration featuring over 60 Black women from R&B, rap and pop. 25 years later, it feels more like a national anthem for those fighting institutional…

No Self Control: An Oral History Of ‘Peter Gabriel III’

No Self Control: An Oral History Of ‘Peter Gabriel III’

Peter Gabriel's first two albums are full of brilliant moments: the cinematic 7/8 saunter of "Solsbury Hill," the spooky art-funk atmospheres of "Exposure," the creepy-crawly grooves on "Moribund the Burgermeister." But they showcased a songwriter searching for an identity, working with famous producers (Bob Ezrin on his 1977 debut, King Crimson's Robert Fripp on his 1978 follow-up) and exploring new sounds on each…

‘Digging Deep’ Into Robert Plant’s Solo Catalog

‘Digging Deep’ Into Robert Plant’s Solo Catalog

In a decade when most of his '70s rock god peers have either retired or settled comfortably into life as a nostalgia-fueled touring act, Robert Plant reached a creative zenith. The former Led Zeppelin frontman released two of his most cinematic LPs, 2014's lullaby… and The Ceaseless Roar and 2017's Carry Fire, in his late '60s—the latest artful chapter in a…

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