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Meet The 55th GRAMMY Nominees For Best New Artist

Part one of the Best New Artist Series captures the initial reactions of the 55th GRAMMY Best New Artist nominees

GRAMMYs/Dec 3, 2014 - 05:06 am

The Recording Academy has teamed with Pepsi to provide an intimate look at the nominees for Best New Artist for the 55th Annual GRAMMY Awards. In the first of two video installments of the Best New Artist Series, the nominated artists share their initial reactions in learning that they were nominated for music's most prestigious honor, as well as their upcoming plans.

Athens, Ala.-based Alabama Shakes comprise lead vocalist/guitarist Brittany Howard, bassist Zac Cockrell, guitarist Heath Fogg, and drummer Steve Johnson. Combining elements of retro soul, gritty blues and hard rock, the quartet released Boys & Girls in 2012. The album, which features 11 tracks penned by the group, peaked at No. 8 on the Billboard 200. In addition to their Best New Artist nomination, Alabama Shakes also received a nod for Best Rock Performance for "Hold On."



"To be nominated for Best New Artist, it's kind of hard to talk about it because it's almost like it's still surreal," says Howard. "It's not real yet."

The infectious pop/rock stylings of Fun. come courtesy of guitarist Jack Antonoff, keyboardist Andrew Dost and lead vocalist Nate Ruess. The trio's sophomore album, 2012's Some Nights, peaked at No. 3 on the Billboard 200. Their breakthrough hit, "We Are Young," which features Janelle Monáe, topped the Billboard Hot 100 and was the No. 3 best-selling song of 2012. Fun. netted nominations in each of the four General Field categories, including Record and Song Of The Year for "We Are Young." Overall, Fun. received six GRAMMY nods, tying them for the most nominations in the 55th GRAMMY field.



"Being nominated is always a thought the way that you would dream about going to the moon or being a rocket scientist or a brain surgeon, or anything like that," says Antonoff, "just because it's the ultimate honor for our field."

At 21 years old, Hunter Hayes is the youngest nominee in this year's Best New Artist category. The Louisiana-born artist released his self-titled debut album in October 2011. Hayes co-wrote every song, shared producer duties and played some 30 instruments on the album. Hunter Hayes, which received a nomination for Best Country Album, spawned the multi-platinum-certified single "Wanted," which reached No. 16 on the Billboard Hot 100 and is among the nominated songs for Best Country Solo Performance.


"After the five [nominees] were called, I realized that I was sort of the only country guy in the category," says Hayes. "It's an honor. I'm proud to be the 'country music guy'."

The Lumineers formed in 2002 in Ramsey, N.J., when childhood friends Wesley Schultz and Jeremiah Fraites turned to writing music to cope with the drug-related death of Fraites' brother, Josh Fraites. The duo subsequently relocated to Denver where they met classically trained cellist Neyla Pekarek, who responded to an ad on Craigslist. Mixing Americana, country, pop, and folk textures, the trio released their self-titled debut album in 2012. The set, which garnered a nomination for Best Americana Album, features 11 tracks co-penned by Fraites and Schultz, including the Top 5 hit "Ho Hey." 



"I think it feels really, really good that we're recognized for a body of work versus one song," says Pekarek. "We made a whole record and I don't think there were any afterthoughts on that record."

Also nominated for Best New Artist is New Orleans native Frank Ocean, who was previously a member of the wild hip-hop collective Odd Future Wolf Gang Kill Them All. As a songwriter, he has penned songs for artists such as Justin Bieber, John Legend and Beyoncé. Following the release of a mixtape, 2011's Nostalgia, Ultra., Ocean released his debut studio album, Channel Orange, in 2012. The album ascended to No. 2 on the Billboard 200 and spawned the Record Of The Year-nominated "Thinkin Bout You." Ocean received six 55th GRAMMY nominations, including Album Of The Year and Best Urban Contemporary Album for Channel Orange, tying him for the most nominations in the 55th GRAMMY field.

Who will take home the award for Best New Artist? The 55th Annual GRAMMY Awards will be held Sunday, Feb. 10 at Staples Center in Los Angeles, and will be broadcast live in high-definition TV and 5.1 surround sound on the CBS Television Network from 8–11:30 p.m. (ET/PT). For updates and breaking news, visit The Recording Academy's social networks on Twitter and Facebook.

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Listen To GRAMMY.com's LGBTQIA+ Pride Month 2023 Playlist Featuring Demi Lovato, Sam Smith, Kim Petras, Frank Ocean, Omar Apollo & More
(L-R, clockwise): Hayley Kiyoko, Ricky Martin, Brandi Carlile, Sam Smith, Kim Petras, Orville Peck, Omar Apollo

Photo: Kristy Sparow/Getty Images, Kevin Winter/Getty Images for LARAS, Kevin Winter/Getty Images for The Recording Academy, Alberto E. Rodriguez/Getty Images for The Recording Academy, Stephen J. Cohen/Getty Images, Gustavo Garcia Villa

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Listen To GRAMMY.com's LGBTQIA+ Pride Month 2023 Playlist Featuring Demi Lovato, Sam Smith, Kim Petras, Frank Ocean, Omar Apollo & More

Celebrate LGBTQIA+ Pride Month 2023 with a 50-song playlist that spans genres and generations, honoring trailblazing artists and allies including George Michael, Miley Cyrus, Orville Peck, Lady Gaga and Ariana Grande and many more.

GRAMMYs/Jun 1, 2023 - 04:21 pm

In the past year, artists in the LGBTQIA+ community have continued to create change and make history — specifically, GRAMMY history. Last November, Liniker became the first trans artist to win a Latin GRAMMY Award when she took home Best MPB Album for Indigo Borboleta Anil; three months later, Sam Smith and Kim Petras became the first nonbinary and trans artists, respectively, to win the GRAMMY Award for Best Pop Duo/Group Performance for their sinful collab "Unholy."

Just those two feats alone prove that the LGBTQIA+ community is making more and more of an impact every year. So this Pride Month, GRAMMY.com celebrates those strides with a playlist of hits and timeless classics that are driving conversations around equality and fairness for the LGBTQIA+ community.

Below, take a listen to 50 songs by artists across the LGBTQIA+ spectrum — including "Unholy" and Liniker's "Baby 95" — on Amazon Music, Spotify, Apple Music, and Pandora.

15 Songs That Will Make You Dance And Cry At The Same Time, From "Hey Ya!" To "Dancing On My Own"
André 3000 of Outkast performs "Hey Ya" at the VH1 Big In '03 in 2003.

Photo: M. Caulfield/WireImage for VH-1 Channel - New York

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15 Songs That Will Make You Dance And Cry At The Same Time, From "Hey Ya!" To "Dancing On My Own"

Whether it's "Tears of a Clown" or "Tears in the Club," take a listen to some of the most sneakily sad songs by Outkast, TLC, Avicii and more.

GRAMMYs/May 22, 2023 - 05:20 pm

In 2003, OutKast scored their second No. 1 hit with "Hey Ya!" The timeless track has an upbeat energy that makes you want to shake it like a polaroid picture — until you happen to catch its rather unhappy lyrics.

"Are we so in denial when we know we're not happy here?" André 3000 sings on the second verse. The line that follows may sum up its contrasting nature: "Y'all don't wanna hear me, you just wanna dance."

The ability to make listeners feel (and physically react) to a wide range of emotions is part of the genius of songwriting. Tunes like "Hey Ya!" — a sad narrative disguised by an infectious melody — is one trick that has been mastered by Outkast, R.E.M., Smokey Robinson, Robyn and many more. 

If you've ever happily boogied to a beat before realizing that the lyrics on top are actually a big bummer, you're certainly not alone. BBC and Apple Music both call such tracks Sad Bangers, a fitting name for what's become an unofficial genre over the past half-century. 

In light of Mental Health Awareness Month this May, GRAMMY.com compiled a list of 15 songs that will both get you in your feelings and get your body moving. 

Smokey Robinson & The Miracles — "The Tears of a Clown" (1967)

The upbeat music on this Motown classic was written by Stevie Wonder, a 25-time GRAMMY winner who is deft at crafting tearjerkers that will tease your body into joyful dancing. The bassoon-bottomed song registers at 128 beats per minute, a tempo that's still favored by modern dance music producers. So when Smokey sings, "The tears of a clown/When there's no one around," you'd be forgiven for also welling up just a little bit while you're in the groove.

Gloria Gaynor — "Never Can Say Goodbye" (1975)

Gloria Gaynor reimagined the Jackson 5's 1971 pop hit "Never Can Say Goodbye" for the disco era. The sweeping string arrangements and trotting beat helped to fill dance floors, and to make the poignant song about holding onto a love of her own. Other cover versions by Isaac Hayes and the Communards also capture the contradictory vibe.

Tears For Fears — "Mad World" (1983)

British duo Tears For Fears became internationally known after outfitting their first danceable hit with a depressing and dramatic chorus that's hard to shake even 40 years after its release: "I find it kinda funny, I find it kinda sad, the dreams in which I'm dying are the best I've ever had." Roland Orzabal and Curt Smith would later release more uplifting fare, such as "Everybody Wants to Rule The World" and "Sowing the Seeds of Love."

Kate Bush — "Running Up That Hill" (1985)

Kate Bush has had three twirls through charts around the world with "Running Up That Hill," beginning with its 1985 release and then as an unlikely Summer Olympics closing ceremony song in 2012.

"And if I only could, I'd make a deal with God/And I'd get him to swap our places/Be running up that road/be running up that hill/With no problems," she sings in the chorus of the racing track, longing to be more worry-free.

More recently, a placement in the Netflix drama Stranger Things in 2022 earned the weepy, minor key-led dance number a whole new generation of fans. The English artist was recently named a 2023 Rock & Roll Hall of Fame inductee.

Midnight Oil — "Beds Are Burning" (1988)

Midnight Oil lead singer Peter Garrett channeled the rage he felt from early climate change and the lack of Aboriginal land rights in the Australian Outback into "Beds Are Burning." The powerful dance tune flooded airwaves and dance floors around the world in the late '80s, reaching No. 17 on the Billboard Hot 100 chart.

"How can we dance when the Earth is turning?" he sings in the rousing chorus. "How do we sleep while the beds are burning?"

Garrett clearly had a personal connection to the song's yearning message: He later dedicated his life to environmental activism as the leader of the Australian Conservation Foundation, and became an elected Member of Australia's House of Representatives.

Crystal Waters — "Gypsy Woman (She's Homeless)" (1991)

A house music hit about a woman without a home, "Gypsy Woman (She's Homeless)" helped New Jersey singer Crystal Waters achieve international success despite a somewhat somber subject. A subsequent parody on the sketch comedy series "In Living Color" drew attention to the contrast of having happy and upbeat instrumentation with dispiriting lyrics.

"She's just like you and me/But she's homeless, she's homeless," rings the chorus. "As she stands there singing for money/La da dee la dee da…"

R.E.M. — "Shiny Happy People" (1991)

This upbeat collaboration is between rock group R.E.M. and B-52's singer Kate Pierson.The jangly guitar pop makes you want to clap your hands and stomp your feet, but the lyrics make you question if everything is indeed quite so shiny and happy.

The song is rumored to be about the massacre in China's Tiananmen Square, because the phrase "Shiny Happy People" appeared on propaganda posters. Pierson isn't so sure about that, though.

"I can't imagine that R.E.M. was thinking at the time, Oh, we want this song to be about Chinese government propaganda," she said in a 2021 interview with Vulture. "It was supposed to be shiny and happy. It was a positive thing all-around."

TLC — "Waterfalls" (1994)

"Waterfalls" was a worldwide hit for TLC in 1994, thanks to its sing-along chorus and funky bassline. The song's insistent bounce softens a firm lyrical warning that pulls people back from the edge: "Don't go chasing waterfalls/Please stick to the rivers and the lakes that you're used to/I know that you're gonna have it your way or nothing at all/But I think you're moving too fast."

"We wanted to make a song with a strong message — about unprotected sex, being promiscuous, and hanging out in the wrong crowd," Rozonda "Chilli" Thomas shared with The Guardian in 2018. "The messages in 'Waterfalls' hit home. I think that's why it's our biggest hit to date."

Outkast — "Hey Ya!" (2003)

André 3000 sings about loveless relationships to a whimsical, time-shifting dance beat on this Billboard Hot 100 chart-topping smash. The seriousness of the song — which André 3000 once explained is about "the state of relationships in the 2000s" — got lost among many listeners.*

Its unhappy lyrics were masked by André's peppy singing, as well as the song's jangly guitar and keyboard-led groove, which infectiously doubles up in speed at the end of every four beats. Even Outkast themselves couldn't help acknowledging the song's juxtaposition in a 2021 tweet.

Robyn — "Dancing On My Own" (2010)

A penultimate example of a sad banger is "Dancing On My Own" by Swedish pop star Robyn. The rueful song — a top 10 hit in multiple countries — commands you to shake your stuff, while also picturing yourself watching your ex move on at the club. Calum Scott's 2016 cover really brings out the sadness that can be obscured by Robyn's uptempo version.

"Said, I'm in the corner, watching you kiss her, oh no/And I'm right over here, why can't you see me?" Robyn sings in the chorus. "And I'm giving it my all/ But I'm not the girl you're taking home."

Fun. — "Some Nights" (2012)

fun. (the trio of Jack Antonoff, Andrew Dost and Nate Ruess) is best known for the zeitgeist-grabbing pop-rock power ballad "We Are Young," which is about the relentlessly positive enthusiasm of youth out on the town. The title track to their 2012 album Some Nights (which contains "We Are Young") is a much dancier, yet sadder song.

"What do I stand for?" Ruess asks as your feet shuffle along to the beat. "Most nights, I don't know anymore."

Avicii — "Wake Me Up" (2013)

Avicii collaborated with soulful pop singer Aloe Blacc for this worldwide chart-topper that is considered one of EDM's peak anthems. The slapping beat masks the track's sad, self-reflective lyrics about being lost.

The Swedish DJ/producer's 2018 death by suicide adds an even heavier air to Blacc's impassioned chorus: "So wake me up when it's all over/When I'm wiser and I'm older/All this time I was finding myself, and I/I didn't know I was lost."

Flume featuring Kai — "Never Be Like You" (2015)

"Never Be Like You" isn't the fastest cut in Australian DJ/producer Flume's bass-heavy discography, but the wispy track still has an irresistible bump to it. Canadian singer Kai begs her lover not to leave her ("How do I make you wanna stay?"), but her lovely tone still manages to keep the song hopeful.

FKA twigs featuring The Weekend — "Tears In The Club" (2022)

Perhaps the most overt selection of this entire list is "Tears In The Club," which finds FKA twigs and The Weeknd taking to the dancefloor to shake off the vestiges of a bad relationship. The singer/dancer has been candid about being in an abusive relationship, and the song is a lowkey bop that's buoyed by despairing chants such as, "I might die on the beat, love."

Everything But The Girl — "Nothing Left to Lose" (2023)

Nearly 30 years after DJ/producer Todd Terry helped introduce Everything But the Girl to the international dance music community with a remix of "Missing," the duo leaned into their electronic side on "Nothing Left to Lose." A single from their first album in 24 years, Fuse, "Nothing Left to Lose" features a squelching electronic bassline that contrasts the song's helpless yearning.

"I need a thicker skin/ This pain keeps getting in/ Tell me what to do/ 'Cause I've always listened to you," the pair's Tracy Thorne sings on the opening verse. Later, she makes a demand that fittingly sums up the conflicts of a quintessential sad banger: "Kiss me while the world decays."

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GRAMMY Rewind: Fun. Jokes About The Irony Of "We Are Young" After Winning Song Of The Year At The 2013 GRAMMYs
fun. at the 2013 GRAMMYs.

Photo: Jason Merritt/Getty Images

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GRAMMY Rewind: Fun. Jokes About The Irony Of "We Are Young" After Winning Song Of The Year At The 2013 GRAMMYs

Upon winning their second GRAMMY of the night, fun. frontman Nate Ruess couldn't help but point out a hilariously ironic point: "We are not very young."

GRAMMYs/Apr 21, 2023 - 04:06 pm

As indie rock infiltrated the mainstream in the early 2010s, fun. scored three consecutive hits — "We Are Young," "Some Nights" and "Carry On" — and became one of the hottest acts of the time.

"We Are Young" helped the trio become the first rock group to peak at No. 1 on the Hot 100 in over a decade, while making rounds on commercials and popular teen television series — so it was no surprise that fun. entered the 2013 GRAMMYs with six nominations.

In this episode of GRAMMY Rewind, we revisit the moment fun. won Song of the Year for "We Are Young." Earlier that evening, the band also received a golden gramophone for Best New Artist.

"I don't know what I was thinking, writing the chorus of this song. If this is in HD, everyone can see our faces, and we are not very young," lead singer Nate Ruess joked at the start of the speech. "We've been doing this for 12 years, and I just got to say we could not do this without the help of our fans that we've had, keeping us afloat."

Fun.'s guitarist Jack Antonoff (yes, the superproducer and Taylor Swift's now-right-hand man) took a moment to thank those who financially supported them. "To our families... we've been touring 12 years and haven't made money for a long time. They let us live at home for a long time."

Press play on the video above to watch fun.'s full acceptance speech at the 55th GRAMMY Awards, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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