Imagine taking a song that was nominated for Best Dance Recording, Record of the Year and Song of the Year and making it your own. Well, Mexican Dominican singer/songwriter and musician Ambar Lucid did just that with Lady Gaga's 2008 single "Poker Face."

Lucid, a self-described introvert from Little Ferry, New Jersey, specializes in utilizing her hushed-yet-forceful vocals to create a captivating listening experience. She did it on her Dreaming Lucid and Get Lost In The Music EPs, her debut album Garden of Lucid, and now, once again, on her performance in the ReImagined At Home cover series.

Watch the episode below to see the 20-year-old lay claim to a pop classic with her '60s-inspired psychedelic rock tribute.

"Poker Face" served as the second single from Lady Gaga's 2008 debut album, The Fame. The hit track and album earned Gaga two GRAMMY wins for Best Dance Recording and Best Electronic/Dance Album, respectively, at the 52nd GRAMMY Awards in 2010.

Experience more classic songs ReImagined by up-and-coming artists down below.

For The Record: The Liberating Joy Of Lady Gaga's Born This Way At 10

Tom Cruise is physically distant from the 2023 Oscars. In fact, he's in the United Kingdom filming Mission: Impossible – Dead Reckoning Part II. But Lady Gaga proved more than a worthy ambassador, performing "Hold My Hand" from the blockbuster action sequel.

The emotionally bare performance arrived in the wake of major speculation. Initially, it was just a rumor: she wasinitially reported to be skipping the awards show due to demands on filming "Joker: Folie à Deux." During a creative team press conference on March 8, Oscars executive producer and showrunner Glenn Weiss stated that Gaga would not be performing.

But the 13-time GRAMMY winner came through with an astonishing rendition of "Hold My Hand" — one of six nominations that Top Gun: Maverick received, including Best Picture.

Keep watching this space for more music-related wins at the 2023 Oscars!

For The Record: The Liberating Joy Of Lady Gaga's Born This Way At 10

In 2002, Norah Jones altered folk singer Jesse Harris' "Don't Know Why" into a sweet, jazz-pop tune on her debut album, Come Away With Me, earning Jones her first GRAMMY Awards for Record of the Year and Best Female Pop Vocal Performance.

Fast forward to 2023, musical group Phony Ppl offers a modern twist on Jones' iconic cover in this episode of ReImagined, transforming the hit into a progressive R&B track. Lead singer Elbee Thrie stands centered at the microphone while the four other members — Bari Bass, Matt Byas, Aja Grant, and Elijah Rawk — accompany him in a recording studio.

Phony Ppl have covered countless classics in their 13 years together, including their recent R&B interpretation of Paul McCartney's "Wonderful Christmastime" for YouTube's 12 Days of Music holiday series. But the quintet has built a cult following online for their genre-bending original music as well, releasing their latest album, Euphonyus, in November.

Coming up, Phony Ppl will make appearances at Memphis' Beale Street Music Festival in May and New York's Governor's Ball in June.

Press play on the video above to listen to Phony Ppl's complete performance of "Don't Know Why," and keep checking GRAMMY.com for more new episodes of ReImagined.

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It's no secret that the blues have heavily influenced John Mayer's discography. The guitarist's venture into the genre traces back to his GRAMMY-winning 2006 studio album, Continuum, especially on the track "Gravity" — and now, Eric Bellinger is giving the bluesy single an R&B twist.

In this episode of ReImagined, the singer/songwriter transforms the Continuum single into a warm, velvety R&B track. Bellinger constructs the arrangement on his own, pairing his sultry vocals with a cajón drum box, keyboard and bass guitar.

Adding an eye-catching appeal to the performance, Bellinger adds a literal interpretation of the track's lyrics — "Gravity is working against me" — as he paces around the ceiling of an upside-down house. 

Outside of his original music, Bellinger has had a prolific career posting covers on YouTube, including his popular re-envisionings of Drake's "Fake Love" and Rae Sremmurd's "Black Beatles." The R&B singer also has an impressive list of songwriting credits, including his work on Chris Brown's F.A.M.E., which earned Bellinger his first GRAMMY Award for Best R&B Album in 2012.

Press play on the video above to watch Eric Bellinger's rendition of "Gravity," and keep checking back to GRAMMY.com for more new episodes of ReImagined.

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An American standard originally composed in 1959, "The Best is Yet to Come" has been recorded by an array of vocal greats, including Tony Bennett, Michael Bublé, Bob Dylan, and Ella Fitzgerald — the latter of whom won a GRAMMY for her rendition in 1984. But it's most closely associated with Frank Sinatra, who recorded it with jazz pianist Count Basie for their 1964 album, It Might As Well Be Swing. In fact, the song was so important to Sinatra that its titular lyric is carved into his tombstone.

In this episode of ReImagined, vocalist and cabaret-style performer Judy Whitmore delivers a faithful, buoyant rendition of "The Best is Yet to Come." A full orchestra performs behind her, including horns, jazzy drums, a sweeping string section, and a grand piano — creating a swinging performance that does Sinatra proud.

Whitmore's cover choice is no coincidence, as the singer has been inspired by American classics literally since birth — her namesake is legendary actor and musical performer Judy Garland. Like Garland before her, Whitmore has taken on a diverse and multifaceted career. She's a bonafide Renaissance woman, whose resume includes accomplishments as a theater producer, best-selling author and pilot, who also happens to have a Master's degree in clinical psychology.

Singing has been a lifelong passion for Whitmore, and she has several albums to show for it, including 2020's Can't We Be Friends. That project, which includes her spin on standards like "'s Wonderful," "It Had to Be You" and "Love is Here to Stay," is Whitmore's "love letter to The Great American Songbook," her website explains. 

"This is the music I grew up with, and I don't want people to forget it," she details. "I think it's one of the most extraordinary bodies of work ever created."

Press play on the video above to watch Whitmore bring her love of American classics to her version of "The Best is Yet to Come," and keep checking back to GRAMMY.com for more episodes of ReImagined. 

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