(In addition to the GRAMMY Awards, The Recording Academy presents Special Merit Awards recognizing contributions of significance to the recording field, including the Lifetime Achievement Award, Trustees Award and Technical GRAMMY Award. In the days leading up to the 55th GRAMMY Awards, GRAMMY.com will present the tributes to the 2013 Special Merit Awards recipients.)
In the mid-'50s, while the academics, pundits and practitioners of "new music" were debating and legislating the future of their art, a young man from India arrived in the West and, unbidden and unannounced, set into motion a revolution in Western musical language that is today, more than 50 years later, still powerfully shaping our landscape.
That young man was, of course, Ravi Shankar.
He was already famous in India as a leading master of the classical music world and foremost sitar player of the day. He soon became a close friend and collaborator of the great French flutist Jean-Pierre Rampal and the formidable violin virtuoso Yehudi Menuhin.
His appearance at the Monterey Pop Festival in 1967 would lead him to all manner of performances at other festivals as well. He had become a living pied piper of music with a huge following among young musicians, composers and theater/dance enthusiasts.
In fact, Raviji (as he was affectionately known to students and friends alike) was well-known and adored not only by the rich and famous but by the young and passionate as well. In that regard, the Beatles qualified in all four categories. Not surprisingly, he had a long and close friendship with George Harrison and, along the way, made formidable waves in the worlds of popular and commercial music.
He was particularly drawn to young people — both musicians and music lovers. He was an indefatigable teacher. Lessons could begin anytime. On several occasions I saw him lay down the sitar and lecture his audience on the immorality of drug taking, smoking and drinking. These kinds of sermons were tolerated kindly enough by the young fans, who were sitting it out, waiting for that magnificent torrent of music to begin again. In those days, and to the end, he was treated as a superstar. Always gracious and kind, though occasionally not exactly on time, except in his music, when he would be impeccable.
He is no longer with us but his legacy is all around us. Simply, today's music world would not be what it is without him. His companions, students and friends are everywhere. His brilliance, enthusiasm and simple love for the life in which he was immersed remain as a wave of energy that continues to animate everything it touches.
I spoke to Raviji just a few days before he died. Sukanya, his wife and longtime companion, arranged the call for me, for which I will always be grateful. It wasn't a long conversation, nor did it need to be. Things were said that had been said before but needed to be said one last time.
Seeing a great man die is like watching a sunset. For me, he was the greatest of the great and the best of the best. At that unbelievable and unknowable event, as with the last tender light of the evening, all the beauty and sadness, joy and terror of life at last come together. Even Death, at that moment, is briefly robbed of its finality.
(Philip Glass has been called one of the most influential composers of the 20th century. He has earned four GRAMMY and three Academy Award nominations. Glass collaborated with Ravi Shankar on the 1990 album Passages.)