meta-scriptLifetime Achievement Award: Kris Kristofferson | GRAMMY.com

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Lifetime Achievement Award: Kris Kristofferson

Rodney Crowell pays tribute to a country music icon

GRAMMYs/Dec 3, 2014 - 05:06 am

(In addition to the GRAMMY Awards, The Recording Academy presents Special Merit Awards recognizing contributions of significance to the recording field, including the Lifetime Achievement Award, Trustees Award and Technical GRAMMY Award. In the days leading up to the 56th GRAMMY Awards, GRAMMY.com will present the tributes to the 2014 Special Merit Awards recipients.)

When in 1971 the news reached my small corner of the world that there was this helicopter-piloting, William Blake-quoting Rhodes scholar by the name of Kris Kristofferson, whose songs were transforming the country and popular music airwaves, I was marooned six nights a week in an East Texas Holiday Inn lounge, fielding requests for "Scotch And Soda" and "99 Bottles Of Beer" from a handful of traveling salesmen and gin swills whose nightcap needs did not include meaningful music. Fortunately, recent recordings of "Help Me Make It Through The Night," "Me And Bobby McGee," "Sunday Mornin' Comin' Down," "For The Good Times," and "Why Me Lord" had begun seeping into the disinterested listeners' nonmusical psyche, and, practically overnight, introducing even the most obscure Kristofferson tune seemed to trigger in the Old Mill Club clientele something resembling audience refinement.

Despite the cold fact that the typical "Mill" crowd consisted of, maybe, six inebriated tractor suppliers, a table full of box tape wholesalers and a couple of recently divorced medical assistants, experiencing this subtle shift in the public's taste bolstered in me the notion that I too could someday carve out for myself a career as an artist.

Forty-three years later, having gotten to know the man and his wife, Lisa, I feel modestly qualified to scribble down these few words framing his extraordinary musical legacy: By creating a narrative style that introduced intelligence, humor, emotional eloquence, spiritual longing, male vulnerability, and a devilish sensuality — indeed, a form of eroticism — to country music, Kris Kristofferson, without compromising the content and quality of his work, did as much to expand the mainstream accessibility of an all-too-often misunderstood art form as Roy Acuff, Hank Williams, Johnny Cash, Roger Miller, Willie Nelson, Ray Charles (I'm thinking of Modern Sounds In Country And Western Music) and, more recently, Garth Brooks. And, lest we forget, the man is one hell of an accomplished actor. 

(A GRAMMY-winning singer/songwriter and 56th GRAMMY nominee for Best Americana Album for Old Yellow Moon with Emmylou Harris, Rodney Crowell was featured on the 2006 album The Pilgrim: A Celebration Of Kris Kristofferson with a cover of "Come Sundown," which is featured on Kristofferson's 1970 GRAMMY Hall Of Fame-inducted debut album. Six years later, Kristofferson was featured on Crowell's 2012 album Kin: Songs By Mary Karr & Rodney Crowell.)

 

Remembering Toby Keith: 5 Essential Songs From The Patriotic Cowboy And Country Music Icon
Toby Keith performs at the 2021 iHeartCountry Festival in Austin, Texas.

Photo: Michael Hickey/Getty Images

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Remembering Toby Keith: 5 Essential Songs From The Patriotic Cowboy And Country Music Icon

After a two-year battle with stomach cancer, country star Toby Keith passed away on Feb. 5 at the age of 62. Revisit his influence with five of his seminal tracks, including his debut hit "Should've Been a Cowboy."

GRAMMYs/Feb 7, 2024 - 04:39 pm

We may have known about Toby Keith's stomach cancer diagnosis for nearly two years, but that didn't keep the news of his Feb. 5 death from hitting hard. The oftentimes outspoken country music star enjoyed a three-decade career as one of the genre's beloved hitmakers, courtesy of unabashed hits like "Who's Your Daddy?," "Made In America" and "I Wanna Talk About Me."

Occasionally his in-your-face persona clashed with folks, particularly when it came to his political views in recent years. But for the most part, it was Keith's blue-collar upbringing and work ethic that shined through and resonated with his legion of listeners. 

It wasn't until his thirties that the future Songwriters Hall of Famer landed his first record deal in 1993, following years grinding away as a rodeo hand, in oil fields and as a semi-professional football player to make ends meet. The Oklahoma-born crooner would go on to record 20 No.1 hits, sell over 40 million records across 26 albums, and gross nearly $400 million touring — cementing himself as one of country music's most successful artists in the process.

As we look back on Keith's life and legacy, here are five essential cuts from the seven-time GRAMMY nominee, whose memory will live on in the hearts of country music artists and fans alike.

"Should've Been A Cowboy" (1993)

Few artists strike gold with their maiden release, but Keith did just that when his song "Should've Been A Cowboy" launched in February 1993. The upbeat track received widespread acclaim, eventually reaching No. 1 on the Billboard's Hot Country Songs chart a few months later.

"Should've Been A Cowboy" takes on a distinctly traditional tone as Keith romanticizes cowboy culture by referencing classic westerns like Gunsmoke with nods to Marshall Dillon and Miss Kitty in addition to six-shooters, cattle drives and Texas Rangers abound. The tune also reinforces the notion that cowboys just have more fun, whether its "stealin' the young girls' hearts, just like Gene [Autry] and Roy [Rogers]" or "runnin' wild through the hills chasin' Jesse James." 

By the looks of Keith's career, he certainly had his fair share of fun, and it may not have come if it weren't for "Should've Been A Cowboy."

"How Do You Like Me Now?!" (1999)

After a successful '90s run (which included two more No. 1s in "Who's That Man" and "Me Too"), Keith kicked off the 2000s with his fourth No. 1 hit, "How Do You Like Me Now?!" In signature Toby Keith fashion, he confronts his haters by asking the titular, rhetorical question, posed to his high school's valedictorian — who was also his crush. "I couldn't make you love me but I always dreamed about livin' in your radio," he sings on the brazen chorus.

The song is a stern reminder to never let anyone keep you from chasing your dreams; it's also a lesson of standing strong on your convictions. Its message also proved fitting for Keith's career: After Mercury Records Nashville rejected the song (and its namesake album) in the late '90s, Keith got out of his deal with them in favor of signing with DreamWorks Records, with whom he released the project a year later. Not only did the single go on to spend five weeks at No. 1 on the Hot Country Songs chart, but it became the singer's first major crossover hit.

"Courtesy of the Red, White and Blue (The Angry American)" (2002)

Keith was never afraid to share his opinion in public or in song, especially when it came to displaying his patriotism and appreciation for those who protect the United States. While the Okie approached this from a softer side on 2003's "American Soldier," his most renowned musings on the subject without a doubt came a year earlier with "Courtesy of the Red, White and Blue (The Angry American)."

On the angsty ballad — which was written in the wake of his father's March 2001 death and the Sept. 11, 2001 terrorist attacks — Keith channels a universal feeling of American hurt and pride. "Courtesy of the Red, White and Blue (The Angry American)" inspired an equal outpouring of support and outrage that, for better or worse depending on where you stand, helped cement the song into the annals of country music lore.

"I Love This Bar" (2003)

We've all got our favorite watering hole full of its own quirks and characters, from winners to losers, chain-smokers and boozers. Keith taps into that feel-good, hometown hang feeling with "I Love This Bar," a lighthearted tale from 2003's Shock'n Y'all that makes dingy dive bars feel like the prime party destination.

The midtempo track — Keith's 12th No. 1 — further plays into country music drinking tropes as Keith proclaims, "I like my girlfriend, I like to take her out to dinner, I like a movie now and then" before making a hard pivot, adding "but I love this bar." 

All joking aside, the song, and all of the unique individuals described within it, have a harmony to them inside those hallowed walls. It's a kinship that seems more and more difficult to find in today's world, and a sentiment best captured at the song's conclusion: "come as you are."

"As Good As I Once Was" (2005)

Your best days may be behind you, but that doesn't mean you can't still live your best life and thrive in the present — even if you don't get over hangovers as quickly as you used to.

That youthful wisdom is distilled into every lyric of "As Good As I Once Was," a reminiscent story in which a then-44-year-old Keith recounts his prime as a lover, drinker and fighter humbly. That being said, his pride is still quick to take charge with convictions like "I still throw a few back, talk a little smack, when I'm feelin' bullet proof."

Lasting six weeks at No. 1, "As Good As I Once Was" was the biggest of the 15 chart-toppers Keith tallied in the 2000s. And though he scored one more in the following decade (along with several other hits, including the playful drinking song "Red Solo Cup"), "As Good As I Once Was" will live on as one of Keith's quintessential messages of fun-loving confidence: "I ain't as good as I once was, but I'm as good once, as I ever was."

8 Artists Bringing Traditional Country Music Back: Zach Top, Randall King, Emily Nenni & More On Why "What's Old Becomes Beloved Again"

The Recording Academy Announces 2024 Special Merit Award & Lifetime Achievement Award Honorees: N.W.A, Gladys Knight, Donna Summer, DJ Kool Herc & Many More
(Top Row, L-R): Gladys Knight, the Clark Sisters, Tammy Wynette, Laurie Anderson, Gerald Eaton; (Middle Row, L-R): N.W.A, Tom Scott, Donna Summer, Joel Katz, Steve McEwan; (Bottom Row, L-R): Peter Asher, Tom Kobayashi, DJ Kool Herc, K'naan

Photo Credits: Derek Blanks; Mel Elder, Jr.; Michael Ochs Archives; Stephanie Diani; Kim Virdi; TiVo; photo courtesy of SMPTE; Copyright Brian Leatart; Gittings; Steve McEwan; Henry Diltz; Kobayashi Family; Johnny Nunez/WireImage; Nabil Elderkin

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The Recording Academy Announces 2024 Special Merit Award & Lifetime Achievement Award Honorees: N.W.A, Gladys Knight, Donna Summer, DJ Kool Herc & Many More

The 2024 Special Merit Awards honorees include Lifetime Achievement Award recipients Tammy Wynette, the Clark Sisters, and many others. The Special Merit Awards will return to the Wilshire Ebell Theater on Saturday, Feb.3, during GRAMMY Week 2024.

GRAMMYs/Jan 5, 2024 - 01:55 pm

Ahead of the 2024 GRAMMYs, the Recording Academy has announced the 2024 Special Merit Awards honorees.

Laurie Anderson, the Clark Sisters, Gladys Knight, N.W.A, Donna Summer, and Tammy Wynette are the 2024 Recording Academy Lifetime Achievement Award honorees; Peter Asher, DJ Kool Herc and Joel Katz are the Trustees Award recipients; Tom Kobayashi and Tom Scott are the Technical GRAMMY Award honorees; and “Refugee,” written by K’naan, Steve McEwan, and Gerald Eaton (a.k.a. Jarvis Church), is being honored with the Best Song For Social Change Award

The Recording Academy’s Special Merit Awards Ceremony celebrating the 2023 Special Merit Award recipients will return to the Wilshire Ebell Theatre in Los Angeles on Saturday, Feb. 3. 

“The Academy is honored to pay tribute to this year’s Special Merit Award recipients — a remarkable group of creators and industry professionals whose impact resonates with generations worldwide,” said Harvey Mason jr., CEO of the Recording Academy. “Their contributions to music span genres, backgrounds and crafts, reflecting the rich diversity that fuels our creative community. We look forward to honoring these music industry trailblazers next month as part of our week-long celebration leading up to Music’s Biggest Night.”

Lifetime Achievement Award Honorees

This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording (through 1972, recipients included non-performers).

Laurie Anderson is a writer, director, composer, visual artist, musician, and vocalist who has created groundbreaking works that span the worlds of art, theater, experimental music, and technology. As a performer and musician, she has collaborated with many people including Brian Eno, Jean-Michel Jarre, William S. Burroughs, Peter Gabriel, Robert Wilson, Christian McBride, and Philip Glass. In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance, The End of the Moon. She has been nominated for six GRAMMY Awards throughout her recording career and received a GRAMMY for the release Landfall in collaboration with the Kronos Quartet at the 61st GRAMMYs. 

The Clark Sisters, an American gospel vocal group initially consisting of five sisters: Jacky, Denise, Elbernita, Dorinda, and Karen – have been taking the world by storm since the early 1980s. Credited for helping to bring gospel music to the mainstream, the Clark Sisters are considered pioneers of contemporary gospel. Their biggest crossover hits include: “Is My Living in Vain?,” “Hallelujah,” “He Gave Me Nothing to Lose,” “Endow Me,” their hit song “Jesus Is A Love Song,” “Pure Gold,” “Miracle,” and their largest, mainstream crossover gold-certified, “You Brought The Sunshine.” The Clark Sisters (Jacky, Elbernita, Dorinda, and Karen) have won three GRAMMYs (two awarded to the group, and one to Karen as a songwriter for “Blessed and Highly Favored”), and with 16 albums to their credit and millions in sales, they are the highest-selling female gospel group in history.

Gladys Knight is a seven-time GRAMMY Award winner who has enjoyed No. 1 hits in pop, gospel, R&B, and adult contemporary, and has triumphed in film, television and live performance. Knight has recorded more than 38 albums over the years including four solo albums. She appeared on ABC’s 14th season of “Dancing With The Stars” in 2012, and in 2019, she competed on the inaugural season of “The Masked Singer.” Knight has sung the National Anthem at several major sporting events, including at Super Bowl LIII in Atlanta in 2019, and at the 2021 NBA All-Star Game. She was a National Endowment for the Arts 2021 National Medal of Arts Recipient and received a Kennedy Center Honor for Lifetime Artistic Achievements in 2022.

N.W.A was a rap group from the Compton district in Los Angeles who are credited by many with inventing gangsta rap. The group, consisting of Eazy-E^, Dr. Dre, Ice Cube, DJ Yella, and MC-Ren, developed a new sound, which brought in many of the loud, extreme sonic innovations of Public Enemy while adopting a self-consciously violent and dangerous lyrical stance. In 1988, N.W.A released their album, Straight Outta Compton, a brutally intense record that became an underground hit without any support from radio or MTV. This negative attention worked in their favor as it brought the album to multiplatinum status. Although the group was short-lived, gangsta rap established itself as the most popular form of hip-hop during the mid-1990s.

Donna Summer^ rocketed to international superstardom with her groundbreaking merger of R&B, soul, pop, funk, rock, disco, and avant-garde electronica, catapulting underground dance music out of the clubs of Europe and bringing it to the world. Summer holds the record with three consecutive double albums to hit No. 1 on the Billboard charts (the only solo artist to ever accomplish this), and first female artist to have four No. 1 singles in a 12-month period on Billboard’s Hot 100 chart. A five-time GRAMMY winner and 18-time GRAMMY nominee, Summer was the first artist to win the GRAMMY for Best Rock Vocal Performance, Female (1979, “Hot Stuff”) as well as the first-ever recipient of the new GRAMMY Category for Best Dance Recording (1997, “Carry On”). Summer was the first female artist to win GRAMMY Awards in four different genres: dance, gospel, rock, and R&B.

Tammy Wynette^ first hit the musical scene in 1966 with “Apartment #9” after moving to Nashville and teaming up with record producer Billy Sherrill. Together, the duo wrote songs that reflected the yearnings and the things Wynette felt were important in her life. In 1968, Wynette released “Stand By Your Man,” which sold more than five million singles and became the largest-selling single ever recorded by a female artist. By 1970, she racked up five No. 1 country hits, was named the Country Music Association’s Female Vocalist of the Year three times, and won two GRAMMYs. Wynette was the first female country music singer to sell over one million albums and has sold more than 30 million records grossing more than $100 million, earning her the title “The First Lady of Country Music.”

Read More: GRAMMY Lifetime Achievement Awards | The Complete List

Trustees Award Honorees

This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to individuals who, during their careers in music, have made significant contributions, other than performance, to the field of recording (through 1983, recipients included performers).

Peter Asher’s career began in 1964 as one-half of Peter & Gordon, whose “A World Without Love” topped the charts worldwide. Nine more Top 20 hits followed before Asher became head of A&R for the Beatles’ Apple Records in 1968, and discovered, produced and managed James Taylor; later adding Linda Ronstadt, Neil Diamond, 10,000 Maniacs, Cher, Diana Ross, Kenny Loggins, Bonnie Raitt, Robin Williams, Stevie Nicks, Lyle Lovett, Morrissey, Steve Martin & Edie Brickell, Ed Sheeran, and more to his roster. Asher won the GRAMMY for Producer Of The Year in both 1977 and 1989. He hosts a hit radio show “From Me To You” on Sirius XM and is much in demand not only in the studio but as a performer, speaker and author.

The legendary Rock & Roll Hall of Fame inductee DJ Kool Herc is consistently credited as the founder of hip-hop. His mastery at the turntables is known worldwide, as are his positive contributions to the evolution of hip-hop culture. Herc’s popularity rose by playing long sets of assorted rhythm breaks strung together. Unlike any of his DJ counterparts, Herc is not a rapid rapper who keeps your head spinning with a patter, but he is a musical innovator to the turntables. He first introduced using two turntables to make the beats last longer, creating the illusion of one long break for the B-Boys to show off their skills. Herc has received a great deal of recognition during his lifetime, including his induction into the 2023 Rock & Roll Hall of Fame, and recognition from the New York Landmarks Conservancy as a 2023 Living Landmark. 

Joel Katz has played a profound role in shaping the entertainment industry through his work in facilitating entertainment-related corporate acquisitions and mergers and consulting multi-national and multi-media entertainment companies. Katz was ranked Billboard magazine’s No. 1 entertainment attorney in its “Power 100” list of most powerful executives in the music business and has been called “the dealmaker who thinks outside the box.” At Kennesaw State University, Katz endowed and began a commercial music program – one of the largest music education programs in America with over 500 students. He has authored and co-authored many articles and commentary on topics concerning entertainment law. In honor of his work, the University of Tennessee College of Law dedicated its library in his name, the Joel A. Katz Law Library.

Read More: GRAMMY Trustees Awards | The Complete List

Technical GRAMMY Award Honorees

This Special Merit Award is presented by vote of the Producers & Engineers Wing Advisory Council and Chapter Committees and ratification by the Recording Academy's National Trustees to individuals and/or companies/organizations/institutions who have made contributions of outstanding technical significance to the recording field. 

Tom Kobayashi^ and Tom Scott met at Lucasfilm’s Skywalker Sound in 1985, when the duo joined the company and completed the building of the Skywalker post-production facilities in both Northern and Southern California. Together, Kobayashi and Scott launched the Entertainment Digital Network, also known as “EDnet,” which employed fiber-optic networks to send high-quality video and audio great distances. Its then-revolutionary technology enabled the industry to link together talent, executives and production facilities at great cost savings. For 25 years, that company connected hundreds of recording studios worldwide in the days before the Internet could handle high-quality audio. EDnet became a part of Onstream Media, and over the decades, tens of thousands of long-distance collaboration sessions were facilitated for the music, advertising, TV, and cinema businesses. 

Best Song For Social Change Award Honorees

This Special Merit Award honors songwriter(s) of message-driven music that speaks to the social issues of our time and has demonstrated and inspired positive global impact. The finalists and recipient(s) are selected annually by a Blue-Ribbon Committee composed of a community of peers dedicated to artistic expression, the craft of songwriting and the power of songs to effect social change. See past recipients here.

In June 2023, singer-songwriter K’naan released the inspiring single and accompanying video “Refugee,” co-written by GRAMMY Award-winning songwriter Steve McEwan and GRAMMY-nominated producer Gerald Eaton (also known by his stage name, Jarvis Church). “Refugee” stands out as a distinctive musical endeavor, skillfully interweaving personal and political narratives, and serving as a tribute to refugees around the world. With the single, K’naan drew inspiration from his personal experiences, aiming to redefine the traditional perception of the term “refugee” into a symbol of resilience and strength. The song was written with the hopes of encouraging individuals to embrace the word “refugee” proudly and to give those made homeless by conflict a song that felt like home.

Read More: GRAMMY Technical Awards | The Complete List

^Denotes posthumous honoree.

2024 GRAMMY Nominations: See The Full Nominees List

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Ann Wilson & Nancy Wilson Of Heart Receive The Recording Academy Lifetime Achievement Award | 2023 GRAMMYs
Ann Wilson and Nancy Wilson

Photo: Chris Cain; Jeremy Danger

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Ann Wilson & Nancy Wilson Of Heart Receive The Recording Academy Lifetime Achievement Award | 2023 GRAMMYs

This Lifetime Achievement Award honors performers who have made creative contributions of outstanding artistic significance to the field of recording.

GRAMMYs/Feb 6, 2023 - 08:24 pm

Ann and Nancy Wilson of Heart are verging on the half-century mark of their groundbreaking group. Through five decades of changing musical eras, their impact has not waned. From the ’70s, when Ann set the blueprint for rock frontwomen and Nancy established her oft-imitated and never-quite-duplicated guitar playing style, through the ’80s when the band dominated MTV, to 2019 when the sisters spearheaded the all-female Love Alive tour, the Wilsons broke barriers as musicians, singers and songwriters.

The two started early in music. Nancy showed marked virtuosity on the acoustic guitar at 9 years old. Ann, four years her senior, was already singing in the style of blues greats — albeit filtered through rock and roll.

Their 1976 debut album, Dreamboat Annie, spawned the hits "Magic Man" and "Crazy on You,"which remain staples on classic rock radio. "Barracuda" from 1977’s Little Queen followed suit. Drawing from folk, hard rock and the daring to not be pigeonholed by their gender, the Wilsons were among the few women granted authority on a rock stage dominated by men.

By the time the sisters glammed up and became MTV staples and chart-toppers in the mid-‘80s, they were proven songwriters and already a multiplatinum-selling band. It was the GRAMMY-nominated Billboard No.1 album Heart that catapulted Ann and Nancy into the musical stratosphere. The album’s hits were ubiquitous, all cracking the Top 10. Its flagship song, "These Dreams"— sung by Nancy — hit No.1 on the Billboard Hot 100. A year later, the band snagged that position again with "Alone" from their album Bad Animals, and with it, two more GRAMMY nominations. They continued their GRAMMY nomination streak with 1990’s Brigade.

Over the course of 16 studio albums, the pair have sold 35 million records and had seven Top 10 albums. Ann and Nancy also charted on the New York Times bestsellers list with their 2013 memoir, Kicking & Dreaming: A Story of Heart, Soul and Rock & Roll.

Ann and Nancy individually extended their musical reach to the silver screen. Ann through her iconic voice on the unforgettable songs "Almost Paradise," "Best Man in the World" and "Surrender to Me" on stellar soundtracks from the timeless films Footloose, The Golden Child and Tequila Sunrise, respectively. Nancy through her essential, award-winning scores for the box office smashes Say Anything, Almost Famous and Vanilla Sky.

Their abilities have continuously attracted accomplished musicians of all genders who speak with reverence about their skills and consider performing alongside as a distinct privilege. Their songs have been sampled by the likes of Eminem, Lil Wayne, G-Eazy, and Nas.

No matter how much they accomplish, the need to create is ever present with the Wilson sisters. In the last couple of years, they have both released solo albums. Nancy with her first album of original material in 2021 with You and Me, and Ann in 2022 with her third solo album, Fierce Bliss.

Honors and accolades abound for Ann and Nancy: the ASCAP Pop Music Awards Founders Award, a star on the Hollywood Walk of Fame, induction into the Rock & Roll Hall of Fame. But they remain active. As Nancy said in her Rock Hall acceptance speech: "We’re not finished rocking just yet."

2023 GRAMMY Nominations: See The Complete Winners & Nominees List