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Lady Gaga Wins Best Song Written For Visual Media | 2020 GRAMMYs

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Lady Gaga Wins Best Song Written For Visual Media | 2020 GRAMMYs

Lady Gaga takes home Best Song Written For Visual Media at the 62nd GRAMMY Awards

GRAMMYs/Jan 27, 2020 - 01:54 am

Lady Gaga, Natalie Hemby, Hillary Lindsey and Aaron Raitiere, the songwriters of "I'll Never Love Again," from the 2018 film "A Star Is Born," have won Best Song Written For Visual Media at the 62nd GRAMMY Awards.

The A Star Is Born (Soundtrack) also took home Best Compilation Soundtrack For Visual Media this year, putting Gaga at 11 career GRAMMYs to date. It is the first career GRAMMY win for both Hemby and Raitiere, and the third for Lindsey.

Hemby, Lindsey and Raitiere accepted the award presented during the 2020 GRAMMY Premiere Ceremony, which you can watch below.  

"I'll Never Love Again," performed by Lady Gaga and Bradley Cooper, beat out fellow nominees Randy Newman and Chris Stapleton ("The Ballad Of The Lonesome Cowboy"), Dolly Parton and Linda Perry ("Girl In The Movies"), Beyoncé ("Spirit") and Thom Yorke ("Suspirium").

Last year, at the 61st GRAMMY Awards, Gaga won in this same category for the "A Star Is Born" ballad "Shallow," which also took home Best Pop Duo/Group Performance.

Check out the complete 62nd GRAMMY Awards nominees and winners list here.

4 Reasons To Watch The 2024 GRAMMYs Premiere Ceremony
The 2024 GRAMMYs will air live on Sunday, Feb. 4, on CBS and Paramount+.

Graphic courtesy of the Recording Academy

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4 Reasons To Watch The 2024 GRAMMYs Premiere Ceremony

The Premiere Ceremony may not be part of the CBS telecast, but it’s an indispensable part of the 2024 GRAMMYs experience — and the Recording Academy’s purview. Here are four reasons you don’t want to miss it, ahead of the 66th GRAMMY Awards on Feb. 4.

GRAMMYs/Jan 31, 2024 - 03:19 pm

As momentous as the 2024 GRAMMYs telecast will be, it will only cover a fraction of the actual GRAMMY nominations.

The realities of TV broadcasting mean the wider world only gets to see, not the whole iceberg, but merely the tip. This by way of its head-turning, world-shifting General Field Categories including Album Of The Year, Record Of The Year, and Best New Artist.

Yes, the General Field Categories boast the most visibility. But while they may be listed at the top of the nominations list, they are never meant to overshadow those beneath — not by a long shot.

That’s why the Recording Academy puts so much time, intention and care into the Premiere Ceremony, which annually precedes the main GRAMMYs telecast. And by all accounts, the 2024 iteration will be one for the ages.

The 66th Annual GRAMMY Awards Ceremony & Livestream will air at 12:30 p.m. PT/3:30 p.m. ET on live.GRAMMY.com and the Recording Academy's YouTube channel. City National Bank, the Official Bank of the GRAMMY Awards, is returning for its second year as the presenting sponsor of the Premiere Ceremony.

The Premiere Ceremony is the most incredible lead-up to Music's Biggest Night," Recording Academy CEO Harvey Mason jr. said in a statement. "With an amazing line-up of presenters and performers, we'll reveal and celebrate the winners of more than 80 Categories, spanning the diverse genres and crafts that have contributed to such a spectacular year in music."

Read on for a list of four reasons to be thrilled for the Premiere Ceremony — and we’ll see you on the stream!

A Star-Studded Opening Number

The opening performance at the Premiere Ceremony is always a highlight, and this year promises to be no exception: J. Ivy, Larkin Poe, Pentatonix, Sheila E., and Jordin Sparks.

At the 2024 GRAMMYs, J. Ivy is nominated for Best Spoken Word Poetry Album, for The Light Inside. Poe is up for Best Contemporary Blues Album, for Blood Harmony. For Holidays Around the World, Pentatonix earned a nomination for Best Traditional Pop Vocal Album.

Finally, for her feature on for KING & COUNTRY’s “Love Me Like I Am,” Sparks is up for Best Contemporary Christian Music Performance/Song. (E., though being a four-time GRAMMY nominee, is not nominated at the 2024 GRAMMYs.)

Stellar Performers All Around

The rest of the 2024 GRAMMYs Premiere Ceremony will feature brilliant performers. These musicians will showcase the wide range of genres the Academy celebrates on GRAMMY night, as well as the diverse creators in the Academy and the music industry at large.

These include current nominees Adam Blackstone, Brandy Clark, Kirk Franklin, Robert Glasper, Bob James, Laufey, Terrace Martin, and Gaby Moreno and David Aguilar, as well as GRAMMY-nominated recording artist/drummer Harvey Mason Sr.

The Music’s In Great Hands

The music producer and music director of the 2024 GRAMMYs Premiere Ceremony will be Cheche Alara, a GRAMMY-and Latin GRAMMY-winning music master who has worked on titanic albums by Lady Gaga, Christina Aguilera, Natalia Lafourcade, and many more.

With Alara at the helm, the Premiere Ceremony won’t just celebrate music — it’ll be a bastion of outstanding music itself.

You Get The Complete GRAMMYs Experience

Don’t think of the Premiere Ceremony as the mere ramp-up to the 2024 GRAMMYs; think of them as two pieces of one GRAMMYs experience.

By carefully watching the Premiere Ceremony as well as the main telecast, you get the entire sense of where music is headed, through the lens of the world’s leading society of music people.

So tune into both the 2024 GRAMMYs Premiere Ceremony and the 2024 GRAMMYs themselves — if you love this universal artform, and wish to elevate it, join us on Feb. 4 for Music’s Biggest Night!

How To Watch The 2024 GRAMMYs Live: GRAMMY Nominations, Performers, Air Date, Red Carpet, Streaming Channel & More

Performers For 2024 GRAMMYs Premiere Ceremony Announced: Robert Glasper, Terrace Martin, Gaby Moreno, Kirk Franklin, Adam Blackstone, Brandy Clark & More; Justin Tranter To Host
The 2024 GRAMMYs Premiere Ceremony will stream live from Peacock Theater in Los Angeles on Sunday, Feb. 4, at 12:30 p.m. PT/3:30 p.m. ET on the Recording Academy's YouTube channel and on live.GRAMMY.com

Graphic courtesy of the Recording Academy

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Performers For 2024 GRAMMYs Premiere Ceremony Announced: Robert Glasper, Terrace Martin, Gaby Moreno, Kirk Franklin, Adam Blackstone, Brandy Clark & More; Justin Tranter To Host

Streaming live Feb. 4, the 2024 GRAMMYs Premiere Ceremony will include an opening number featuring J. Ivy, Larkin Poe, Pentatonix, Sheila E., and Jordin Sparks. Presenters include Natalia Lafourcade, Carly Pearce, Molly Tuttle, Rufus Wainwright, and more.

GRAMMYs/Jan 25, 2024 - 01:59 pm

GRAMMY night just got bigger! The Recording Academy has announced performers and presenters, as well as the host, for the 2024 GRAMMYs Premiere Ceremony. The Premiere Ceremony kicks off with an opening number featuring a performance by J. Ivy, Larkin Poe, Pentatonix, Sheila E., and Jordin Sparks. Other artists scheduled to perform include current nominees Adam Blackstone, Brandy Clark, Kirk Franklin, Robert Glasper, Bob James, Laufey, Terrace Martin, and Gaby Moreno and El David Aguilar, as well as GRAMMY-nominated recording artist/drummer Harvey Mason Sr. Acclaimed songwriter/producer and activist Justin Tranter, who is currently nominated for Songwriter of the Year, Non-Classical, will host the 2024 GRAMMYs Premiere Ceremony.

Presenters at the 2024 GRAMMYs Premiere Ceremony include Patti Austin, Natalia Lafourcade, Carly Pearce, Molly Tuttle, Rufus Wainwright, and five-time GRAMMY winner and former Recording Academy Board of Trustees Chair Jimmy Jam. Recording Academy CEO Harvey Mason jr. and Chair of the Board of Trustees Tammy Hurt will provide opening remarks.

Taking place at Peacock Theater in Los Angeles hours before the 2024 GRAMMYs, the 2024 GRAMMYs Premiere Ceremony, officially known as the 66th GRAMMY Awards Premiere Ceremony, is a special presentation in which the majority of the night’s GRAMMY Awards are awarded. The 2024 GRAMMYs Premiere Ceremony will stream live on Sunday, Feb. 4, at 12:30 p.m. PT/3:30 p.m. ET on the Recording Academy's YouTube channel and on live.GRAMMY.com. City National Bank, the Official Bank of the GRAMMY Awards, is returning for its second year as the presenting sponsor of the Premiere Ceremony.

2024 GRAMMYs: Explore More & Meet The Nominees

"The Premiere Ceremony is the most incredible lead-up to Music's Biggest Night," Recording Academy CEO Harvey Mason jr. said. "With an amazing line-up of presenters and performers, we'll reveal and celebrate the winners of more than 80 Categories, spanning the diverse genres and crafts that have contributed to such a spectacular year in music."

Learn more about the 2024 GRAMMYs Premiere Ceremony performers, presenters and host, who are all mostly current nominees at the 2024 GRAMMYs, below.

Austin is nominated for Best Jazz Vocal Album (For Ella 2 Featuring Gordon Goodwin's Big Phat Band); Blackstone is nominated for Best Jazz Performance ("Vulnerable (Live)" Featuring The Baylor Project & Russell Ferranté) and Best Jazz Instrumental Album (Legacy: The Instrumental Jawn).

Meanwhile, Clark is nominated for Best Musical Theater Album (Shucked), Best Country Solo Performance ("Buried"), Best Country Song ("Buried"), Best Americana Performance ("Dear Insecurity" Featuring Brandi Carlile), Best American Roots Song ("Dear Insecurity" Featuring Brandi Carlile), and Best Americana Album (Brandy Clark).

Franklin is nominated for Best Gospel Performance/Song ("All Things"); Glasper is nominated for Best R&B Performance ("Back To Love" Featuring SiR & Alex Isley) and Best R&B Song ("Back To Love" Featuring SiR & Alex Isley).

James is nominated for Best Contemporary Instrumental Album (Jazz Hands); J. Ivy is nominated for Best Spoken Word Poetry Album (The Light Inside); Lafourcade is nominated for Best Latin Rock Or Alternative Album (De Todas Las Flores).

Larkin Poe is nominated for Best Contemporary Blues Album (Blood Harmony); Laufey is nominated for Best Traditional Pop Vocal Album (Bewitched); Martin is nominated for Best Progressive R&B Album (Nova with James Fauntleroy).

Moreno is nominated for Best Latin Pop Album (X Mí (Vol.1)); Pearce is nominated for Best Country Duo/Group Performance ("We Don't Fight Anymore" Featuring Chris Stapleton); Pentatonix is nominated for Best Traditional Pop Vocal Album (Holidays Around The World).

Sparks is nominated for Best Contemporary Christian Music Performance/Song ("Love Me Like I Am" with for KING & COUNTRY); Tranter is nominated for Songwriter Of The Year, Non-Classical; Tuttle is nominated for Best Bluegrass Album (City Of Gold with Golden Highway); Wainwright is nominated for Best Folk Album (Folkocracy).

The 2024 GRAMMYs will broadcast live following the Premiere Ceremony on CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT. See here for the full list of nominees at the 2024 GRAMMYs. Learn more about how to watch the 2024 GRAMMYs. See the full list of performers and host at the 2024 GRAMMYs to date.

The 66th GRAMMY Awards Premiere Ceremony is produced by Branden Chapman, Ruby Marchand, Chantel Sausedo, and Rex Supa on behalf of the Recording Academy. Greg V. Fera is executive producer and Cheche Alara is music producer and music director.

2024 GRAMMY Nominations: See The Full Nominees List

10 Reasons Why 'ARTPOP' Is Lady Gaga’s Bravest Album
Lady Gaga performs onstage during The ARTPOP Ball tour

Photo: Kevin Mazur/WireImage

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10 Reasons Why 'ARTPOP' Is Lady Gaga’s Bravest Album

Released in 2013 and following the iconic 'Born This Way,' Lady Gaga's 'ARTPOP' was maligned and misunderstood. Yet the avant garde album took admirable leaps in genre, style and presentation — and deserves serious applause.

GRAMMYs/Nov 6, 2023 - 02:27 pm

A decade ago, the music industry was practically eulogizing Lady Gaga’s career. Cause of death: her fourth album, ARTPOP.

Universally deemed a misfit (even among Gaga’s off-kilter discography), it was all too easy to crack “artflop” jokes as the record’s reception paled in comparison to the thunder of 2011’s Born This Way. In addition to Billboard-charting bangers aside, Born This Way pledged to be a champion for LGBTQIA+ rights, employing the word “bravery” so frequently that the two are now inextricably bound. The album’s daring demeanor had created a tough spectacle to follow, even for the shock-pop maven.

But rebukes of ARTPOP’s avant-garde concepts and stylings, disregard the record’s brazen interweaving of music, fashion, technology, and digital art. Released after Gaga broke her hip and canceled the  Born This Way Ball tour, ARTPOP was a canvas of earth-shattering bursts of pain and passion, and an electronic confessional.

For her efforts and vision, Gaga's maligned 2013 album would become a blueprint for contemporary alt-pop artists — not just with its experimental clash of genres, but through its winking subversion of industry expectations.  

In honor of ARTPOP’s tenth anniversary this month, read on for 10 reasons why  the overlooked outcast of Gaga’s catalog is actually the bravest album of them all.

It Prioritized Creativity Over Sales And Charts

When the public slams an artist for “only” selling one million copies of an album in a week, record sales lose their shine. After facing flack for her Born This Way numbers in 2011, Lady Gaga entered the ARTPOP era with clear intentions: creativity for creativity’s sake.

“Really, it’s about freeing yourself from the expectations of the music industry and the expectations of the status quo,” she explained during an interview at SXSW. And you know she meant it, because that same week she bucked those pressures by climbing atop a mechanical bull, where she served as the human canvas for the "creative output” of vomit artist Millie Brown.

“I write for the music not for the charts,” she tweeted, addressing a comparison between her lead single “Applause” and Katy Perry’s song “Roar,” which outperformed “Applause” on the Billboard charts. The singles were released days apart, stirring up a heated conversation about which singer was a more powerful pop star. Gaga was, of course, quick to crush the debate.

“Applause” peaked at No. 4 on the Billboard Hot 100, and despite being released in mid-November, ARTPOP nabbed 2.3 million album sales worldwide by the end of 2013. In contrast, Born This Way sold 2.1 million copies between its May 2011 release and the end of its debut year in the United States alone. 

It Put Gaga In The Producer's Seat — Alone 

By 2013, Lady Gaga boasted an impressive list of co-producing credits from working alongside collaborators like RedOne, DJ White Shadow, and Fernando Garibay. Yet ARTPOP marks the first time she slipped behind the soundboard by herself.

For "Venus," an intergalactic ode to lust that blossoms into starry-eyed infatuation, she saluted the titular goddess of love and pushed the men out of the room, folding a hybrid Sun Ra reference/Zombie Zombie sample into her sexually-emboldened EDM. Gaga cites "Venus" as the first song she ever self-produced, a major milestone for the multi-hyphenate and for women producers as a whole.

It Wasn't Afraid To Get Messy

One decade’s definition of "sloppy" is the next decade’s epitome of style. In 2013, the general consensus among critics was that ARTPOP’s sound was often too messy to take seriously. Their examples were copious; "Aura," for instance, dedicates 15 seconds to nothing but hysterical, autotuned laughter over an unraveling country western guitar riff. Manic deep cuts "MANiCURE" and "Jewels N’ Drugs" were labeled choppy and sonically inconsistent, as Gaga allegedly struggled to find common ground between rock, trap, and electronic music.

Compared to the streamlined pop sound of the time — including some of Gaga’s prior hits — ARTPOP’s frenetic mishmash of sounds felt totally alien. "I was desperate, in pain, and poured my heart into electronic music that slammed harder than any drug I could find," Gaga reflected, explaining her need for catharsis over catchiness (a choice that she was lambasted for at the time). 

Ten years later, her avant garde approach to pop suddenly seems remarkably en vogue, as genre-hopping and highly-textured sonic palettes become the norm — especially in the alt-pop sphere. In hindsight, it’s apparent that ARTPOP was ridiculed so artists like SOPHIE, Charli XCX, and Dorian Electra could rave.

It Was, Literally, Designed To Be Out Of The World

ARTPOP prioritized pushing art into uncharted territory, and not just on Earth.In addition to a naked Jeff Koons sculpture of Gaga herself, the album’s release was feted with the debut of a flying dress named Volantis. The original creation from Gaga’s TechHaus (a branch of her Haus Labs team) is technically an "electric powered hover vehicle" that fits around Gaga’s body to hoist her into the air. Gaga offered a less technical term for it, calling the dress a metaphor. "I will be the vehicle of their voices," she said during a press conference, sharing her vision for representing young fans in the sky.

Volantis arrived alongside news that Gaga would become the first musician to perform in space aboard a Virgin Galactic ship. The flying dress successfully cleared its first flight; the Virgin ship unfortunately did not. After a fatal test flight, the plans for Gaga’s galactic debut were canceled.

It Crushed Tabloid Trash-Talking  

It’s admittedly hard to recall ARTPOP’s ill-conceived R. Kelly collaboration "Do What U Want" without wincing. Beyond Kelly’s unnerving presence on the track, his lone sexually-charged verse ultimately skewed the true message of the song, transforming a kiss off to tabloid journalism into randy radio fodder.

Gaga scrubbed the song from streaming services in 2019, sparing the alternative version that instead features Christina Aguilera. Here, Gaga’s intended retaliation shines: "You can’t have my heart / and you won’t use my mind / but do what you want with my body," she taunts on the chorus, welcoming the public’s superficial — and therefore meaningless — judgments.  

When unveiling the track in October of 2013, she took to X (then named Twitter) to trounce a litany of rumors and nitpicks about her weight, likeness to Madonna, and erroneous identity as a hermaphrodite. At its core, "Do What U Want" proved that the only gesture more pointed than a middle finger is cackling while inviting the world to do its worst. 

It Invented A New Artistic Concept 

Lady Gaga can’t take credit for the notion of art-pop, but she did coin a new phrase, calling the conceptual glue of ARTPOP a "reverse Waholian expedition." Translation: if Andy Warhol transformed mass-produced items like Campbell’s soup into high art, then Gaga wanted to flip the process, placing high art where it could be easily accessible to the public.

As a result, the visual aspects of ARTPOP present a mosaic of the most esteemed masterpieces of all time. The busy album cover fuses the brilliance of American sculptor Jeff Koons with fragments of Sandro Boticelli’s magnum opus "The Birth of Venus," while her outfits for public appearances nodded to greats like Pablo Picasso and Salvador Dali with brash makeup and fake mustaches. The concept opened her up to mockery — including from Maroon 5 frontman Adam Levine — but introduced the basics of art history to millions of listeners worldwide.

It Openly Examined Gaga's Relationship With Drugs And Alcohol

Many of ARTPOP’s most exuberant moments orbit high or drunken states, such as Gaga sneaking around Amersterdam while stoned and incognito on "Mary Jane Holland." Trap outlier "Jewels N’ Drugs," which collects verses from T.I., Twista, and Too $hort, packs the same giddy punch despite its somewhat awkward execution. Yet the party pauses on "Dope," ARTPOP’s sole piano ballad.

The sobering single gazes inward, where Gaga finds a startling void, her spirit gutted after years of addiction. While the song’s lyrics vow to prioritize loved ones over drugs and liquor, Gaga revealed the most personal promise during her album release show.

"I do not have to be high to be creative," she professed from behind her piano, hand raised in the air as if taking an oath. "I do not need to be drunk to have a good idea. I can sit with my thoughts and not feel crazy." On an album bursting with innovation, "Dope" is her firmest pledge to self-improvement, delivered with aching sincerity.

It Ventured Into The Tech World 

Designing mind-bending art? There’s an app for that. Or there was, anyways. ARTPOP arrived with a supplemental app, designed to enhance Gaga’s multimedia approach to the album’s release. As a way to empower fans to dabble in digital art, one of the app’s main features was a gif and still image generator that allowed users to choose from a rainbow of gyrating geometric shapes and backgrounds. Most creations straddled the line between optical illusion and Tumblr-ready art. The app also offered fans the ability to stream the album and chat with each other.

It was an entertaining endeavor, albeit ultimately a short-lived one. Despite an in-app countdown for other features, including a stream of new behind the scenes videos and a digital audio workshop called TrakStar, neither element came to fruition. Due to Gaga’s shift in management, the project was never developed further. 

Still, the ARTPOP app remains a unique addition to pop’s first brushes with modern tech, long predating crossovers like Charli XCX performances on Roblox and AI-created music.

It Refused To Shy Away From Themes Of Sexual Assault

When ARTPOP hit shelves, the world was still three years away from the awareness about pervasive sexual assault revealed by the #MeToo movement. But a hush around the topic didn’t stop Gaga from eeking out a screech or two about her own experiences with abuse in 2013. While Gaga has since divulged more information about her unfortunate experiences with predators as a fledgling popstar, the ARTPOP track "Swine" dropped some of the first angsty breadcrumbs about her survival story.

"I know you want me / You’re just a pig inside a human body / Squealer, squealer, squealer, you’re so dis-GUS-ting," she practically spits with revulsion on the chorus. The deep cut is an exorcism dressed up as a rave, revealing a gut-churning snapshot of a woman publicly processing her own violation years before the act was deemed acceptable.

It Was Her First Record After Canceling The Born This Way Ball 

Scrapping a major tour over an injury shouldn’t warrant a comeback, but that’s what the world demanded of Lady Gaga when her Born This Way Ball hit the brakes. Gaga was forced to end the tour early in February 2013 when she broke her hip, thwarting her ability to walk, let alone dance. As she underwent surgery and paparazzi vied for photos of her in a Louis Vuitton wheelchair, the public largely viewed the truncated Born This Way Ball as a personal failure on Gaga’s part. 

By the time ARTPOP arrived, the expectations for her next move couldn’t have been higher — which made Gaga’s spasmic, genre-jumping, vomit-covered return to pop all the more daring.

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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