Originally recorded and written in 1973 by Dolly Parton, "I Will Always Love You" is one of the most recognizable ballads in the entire history of pop music. Almost two decades later, the late, great Whitney Houston recorded her version for the 1992 film The Bodyguard, which famously won Record of the Year and Best Pop Vocal Performance, Female at the 1994 GRAMMYs. 

When Houston died in 2012, the Recording Academy paid tribute to the beloved performer; Jennifer Hudson performed a spare, stunning rendition of "I Will Always Love You," which you can relive in our latest edition of GRAMMY Rewind.

Wearing a simple black dress, Hudson performed the ballad backed by a simple piano. As she sang, photos of Houston and other great music people who passed that year flashed in the background. 

Relive Hudson's gorgeous performance above. 

Coolio was living in the "Gangsta's Paradise" of his own creation when the 1996 GRAMMY Awards rolled around. The year before, the ode to hip-hop culture had not only become a global No. 1 hit for the rapper, but also the best-selling song of 1995 in the U.S. And that February night in Los Angeles' Shrine Auditorium, the track won Coolio his first GRAMMY, for Best Rap Solo Performance.

Receiving the trophy from Salt-N-Pepa and Mary J. Blige (clad in head-to-toe leopard print), the rapper emerged from backstage with his overjoyed entourage in tow, and started out his acceptance speech by claiming his GRAMMY "for the whole hip-hop nation."

"West Coast, East Coast, worldwide — united we stand, divided we fall. Recognize," he continued before going on to thank God, his then-fiancée Josefa Salinas and his kids, as well as Stevie Wonder, Quincy Jones, his collaborator L.V., Michelle Pfeiffer (who starred in the song's music video) and others.

Coolio then ended his remarks on a serious note, acknowledging, "We've had a lil' problem lately in high schools and I only got one ting to say to all my Black and Latino brothers out there fightin': Ain't no gangsters living in paradise." 

During the telecast, Coolio also took to the stage to perform "Gangsta's Paradise," which had earned a second nomination for Record of the Year. (That major award ultimately went to Seal's "Kiss From a Rose," along with Song of the Year.)

Sadly, the gangsta rap pioneer died in September 2022 at age 59 after suffering an accidental overdose laced with fentanyl. Press play on the video above to revisit Coolio's GRAMMYs win and check GRAMMY.com for more new episodes of GRAMMY Rewind.

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They're cool like that. Back in 1994, Digable Planets took home the trophy for Best Rap Performance By A Duo Or Group for their single "Rebirth of Slick (Cool Like That)" at the 36th Annual GRAMMY Awards.

Accepting the award from presenters SWV and Salt-N-Pepa, the jazz-rap connoisseurs dedicated their win to "hip-hop music [and] Black culture in general" before sharing an entreaty for the less fortunate outside the gilded glamour of Radio City Music Hall.

"We'd like for everybody to think about the people right outside this door that's homeless as you sittin' in these $900 seats and $300 seats — they out there not eatin' at all," Ishmael "Butterfly" Butler added. "Also, we'd like to say to the universal Black family that one day we gon' recognize our true enemy and we're gonna stop attacking each other. And maybe then we'll get some changes goin' on."

As their debut single, "Rebirth of Slick" served as Digable Planets' seminal hit. That night, it beat out other four other rap classics: Cypress Hill's "Insane in the Brain," Naughty by Nature's "Hip Hop Hooray," Dr. Dre and Snoop Dogg's "Nuthin' But a G Thang" and Arrested Development's "Revolution."

The trio — Butler, Mariana "Ladybug Mecca" Vieira and Craig "Doodlebug" Irving — were also nominated for Best New Artist, an award that ultimately went to Toni Braxton.

Press play on the video above to revisit Digable Planets' big GRAMMYs win and check GRAMMY.com for more new episodes of GRAMMY Rewind.

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Despite being at the top of the rap game, Eminem's personal life has been far from steady. In 2009, the Detroit native exposed his struggle with addiction (and an eventual stint in rehab) on his LP, Relapse. One year later, he dropped one of the most iconic albums of his career, Recovery, which is lauded for its vulnerability and accountability — and became a prime influence to the current generation of introspective rappers, including hit-makers like Machine Gun Kelly and NF.

In honor of hip-hop's 50th anniversary, revisit the evening Eminem won Best Rap Album for Recovery at the 2011 GRAMMYs. It marked his second win in a row in the category, as Relapse had won the year prior.

"Okay, this is crazy," Eminem said as he took the stage. After thanking all of those involved with the album, he gave a special shout-out to his "Love The Way You Lie" collaborator. "I want to thank Rihanna, too, for helping propel the album to where it's at right now."

Eminem went on to thank Interscope Records, Dr. Dre, his Aftermath Entertainment family, and his fans. Last but not least, Eminem had to give a shout out to his hometown: "What up, Detroit! Stand up!" he cheered.

To date, Eminem has won 15 GRAMMYs, six of which were for Best Rap Album. And though he and Rihanna didn't win any GRAMMYs together for their first collaboration

Press play on the video above to watch Eminem's complete acceptance speech for Best Rap Album at the 2011 GRAMMYs, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

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Known variously as the Black Godfather, the Godfather of Black Music and the Godfather of Black Entertainment, industry legend Clarence Avant was a pioneer over some seven decades in entertainment. The manager, label and broadcast media owner, and mentor died on Aug. 13 at age 92.

The breadth of Avant’s impact cannot be overstated. For his myriad accomplishments — many of which were historic and groundbreaking — he received the Recording Academy's Trustees Award in 2008. In 2019, Avant received the GRAMMY Salute To Industry Icons Award.

"Clarence Avant will forever be remembered as a trailblazer and changemaker whose commitment to music and the community paved the way for opportunity and greater inclusion within our industry," said Recording Academy CEO Harvey Mason jr. "He fundamentally transformed the musical landscape for the better. The depth of Clarence’s legacy will last for generations."

A lengthy list of luminaries in the worlds of entertainment, music, politics and more paid tribute to Avant on social media.

(L-R) Jay-Z, Clarence Avant and Sean Combs attend 2020 Roc Nation THE BRUNCH on January 25, 2020, in Los Angeles, California | Photo: Kevin Mazur/Getty Images for Roc Nation

Bill Clinton tweeted, "It was impossible to spend time with Clarence Avant and not come away feeling more positive and wanting to follow his example."

The Rev. Al Sharpton called Avant "a revolutionary," adding that "When people in the entertainment world were delegated to a near master/slave relationship, he broke through that wall of exploitation and made us respected business people.

"This man was singularly responsible for helping so many Black artists get paid their worth," civil rights attorney Sherrilyn Ifill tweeted.

Magic Johnson tweeted, "He knew how to touch every individual he met and meet them where they were in order to get them where they needed to be."

Jay-Z’s Roc Nation reflected on Avant's legacy:

Born Feb. 25, 1931, in North Carolina, Avant began his career under the tutelage of Louis Armstrong manager Joe Glaser. He would soon branch out on his own to manage artists including Sarah Vaughan, Freddie Hubbard and pioneering Black record producer Tom Wilson. Avant opened a Los Angeles office in 1964.

In 1967, Avant helped negotiate what is said to be the first joint venture between a Black artist and a major label when he mediated a deal for Motown writer-producer William "Mickey" Stevenson with MGM for the soul subsidiary Venture Records.

In 1969, Avant founded his own label, Sussex. The label’s first release was Cold Fact, the unsuccessful debut from the late Sixto Rodriguez, who would years later become the subject of the Oscar-winning doc Searching for Sugar Man. While it took 50 years for Rodriguez to get his due, such was not the case for other Sussex releases such as Dennis Coffey’s smash funky instrumental "Scorpio" and certainly not for Bill Withers, who from 1971 to 1972 had three singles go platinum or gold.

During this time, Avant also bought what became one of the first Black-owned U.S. radio stations, Los Angeles R&B outlet KTYM. Both this venture and Sussex would wind down by 1975, which led to Avant’s founding of Tabu Records.

It was at Tabu that Avant discovered the songwriting and production talents of Jimmy Jam and Terry Lewis, who had both been members of the Prince-owned band the Time. Jam and Lewis would create one of the most gravity-defying sounds of the ’80s, and Avant would eventually introduce them to Janet Jackson.

That kind of behind-the-scenes dot-connecting was the norm for Avant. He was considered an important mentor by Jam and Lewis, L.A. Reid and Babyface, industry titans Sylvia Rhone, Jheryl Busby, Jon Platt and Jimmy Iovine, and many others — including football great Jim Brown, whom Avant reportedly convinced to take up acting.

He was a political activist, especially for Black causes, and was an unofficial advisor to Presidents Jimmy Carter, Bill Clinton, George H.W. Bush and Barack Obama.

He would also serve as Chairman of Motown Records and would become the first Black person to serve on the international management board for PolyGram. He was the subject of the 2019 documentary The Black Godfather.

In addition to his Recording Academy Trustees Award, he was inducted into the Rock and Roll Hall of Fame in 2021 and is due to receive a star on the Hollywood Walk of Fame on Oct. 7.

There was no blueprint for Avant’s storied career. "I kept hearing about this guy Clarence Avant, but no one seemed to know what his actual official title was," Jim Brown recalled.

"My whole career has been like this," Avant once told Variety. "People ask me, ‘how did you do all this?’ How the f— do I know? I just do things. I just like to take shots."

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