Music's Biggest Night, the 54th Annual GRAMMY Awards, will air live from Staples Center in Los Angeles on Sunday, Feb. 12 at 8 p.m. ET/PT on CBS.

In the weeks leading up to the telecast, we will take a stroll through some of the golden moments in GRAMMY history with the GRAMMY Rewind, highlighting the "big four" categories — Album Of The Year, Record Of The Year, Song Of The Year, and Best New Artist — from past awards shows. In the process, we'll discuss the winners and the nominees who just missed taking home the GRAMMY, while also shining a light on the artists' careers and the eras in which the recordings were born.

Join us as we take an abbreviated journey through the trajectory of pop music from the 1st Annual GRAMMY Awards in 1959 to this year's 53rd telecast. Today, the GRAMMY Awards remember the year the Dixie Chicks were flying high.

49th Annual GRAMMY Awards
Feb. 11, 2007

Album Of The Year
Winner: Dixie Chicks, Taking The Long Way
Gnarls Barkley, St. Elsewhere
John Mayer, Continuum
Red Hot Chili Peppers, Stadium Arcadium
Justin Timberlake, FutureSex/LoveSounds

This Album Of The Year win was just the tip of a huge year for the Dixie Chicks, all of which was welcome vindication for the group after a politically charged comment made by singer Natalie Maines at a concert in 2003 had cost the group some fan and radio support. GRAMMY voters rose above the controversy to reward the album's merits. The group would win four GRAMMYs this year, and have won 12 to date. Gnarls Barkley (producer Danger Mouse and singer Cee Lo Green) teamed for a galvanizing album that drew from pop as much as the collaborators' roots in hip-hop. Mayer's Continuum won the Best Pop Vocal Album trophy, and marked his conscious awareness of the social issues of his generation, evidenced by his GRAMMY-winning "Waiting On The World To Change." The Red Hot Chili Peppers earned a nomination with the sprawling Stadium Arcadium, a 28-song double album released in a CD/digital-download age in which double albums rarely exist. Timberlake, the former 'N Sync star, rounded out the nominees with a modern-day, blue-eyed soul record, which ambitiously reached the top of the Billboard 200 in 2006. 

Record Of The Year
Winner: Dixie Chicks, "Not Ready To Make Nice"
Mary J. Blige, "Be Without You"
James Blunt, "You're Beautiful"
Gnarls Barkley, "Crazy"
Corinne Bailey Rae, "Put Your Records On"

The Dixie Chicks took Record Of The Year on the strength of "Not Ready To Make Nice," a fiercely defiant song that contained lines that spoke volumes about their trials, including death threats: "How in the world can the words that I said/Send somebody so over the edge/That they'd write me a letter/Sayin' that I better shut up and sing or my life will be over." "Be Without You" was equally heartfelt, with Blige pouring her soul into every word in her typical no-holds-barred approach, withholding no emotion. "You're Beautiful" was the ballad of the year, a soft ode to the perfection of a woman from the past, just out of the singer's reach. Gnarls Barkley's "Crazy" captivated listeners with its combination of retro-soul, inescapable hooks and cutting-edge production. Brit newcomer Rae brought a jazzy feel to the neo-soul of "Put Your Records On," though she started out inspired by all-female punk groups such as L7.

node: video: Dixie Chicks Win Record Of The Year

Song Of The Year
Winner: Dixie Chicks, "Not Ready To Make Nice"
Mary J. Blige, "Be Without You"
James Blunt, "You're Beautiful"
Corinne Bailey Rae, "Put Your Records On"
Carrie Underwood, "Jesus, Take The Wheel"

The Dixie Chicks completed their sweep of the "big four" categories for which they're eligible with a Song Of The Year win for "Not Ready To Make Nice," which the group wrote with Dan Wilson, whose band Semisonic scored a Best Rock Song GRAMMY nomination for "Closing Time" in 1998. Blige co-wrote "Be Without You" with hot R&B writers Johnta Austin, Bryan-Michael Cox and Jason Perry. Blunt wrote "You're Beautiful" with Amanda Ghost and Sacha Skarbek. Ghost, former president of Epic Records, also received a nomination for her production work on Beyoncé's GRAMMY-nominated Album Of The Year, I Am…Sasha Fierce, at the 52nd Annual GRAMMY Awards. Rae teamed with John Beck and Steve Chrisanthou for "Put Your Records On." Beck's credits include Tasmin Archer's "Sleeping Satellite," a Top 40 hit in 1993. Finally, Underwood scored a No. 1 Country Singles hit with "Jesus, Take The Wheel," a tune written by country songwriting stalwarts Brett James, Hillary Lindsey and Gordie Sampson. The track also picked up Best Country Song and Best Female Country Vocal Performance honors.

node: video: "Not Ready To Make Nice" Wins Song Of The Year

Best New Artist
Winner: Carrie Underwood
James Blunt
Chris Brown
Imogen Heap
Corinne Bailey Rae

Underwood became the first, and so far only, "American Idol" alumnus to win the Best New Artist award. It was a solid choice, as the singer has gone on to win five GRAMMY Awards in her still growing career. Blunt's five nominations this year didn't result in any wins, but were a testament to the impact this newcomer made. Brown has earned four more nominations since his Best New Artist nod as he continues to develop an impressive career. Heap may not have won here, but she became the first female to win the Best Engineered Album, Non-Classical, GRAMMY in 2009 for Ellipse. Rae also missed the cut, but would win the next year in the Album Of The Year category as part of the ensemble cast assembled by Herbie Hancock for his River: The Joni Letters album.

node: video: Carrie Underwood Wins Best New Artist

Come back to GRAMMY.com tomorrow as we revisit the milestone 50th Annual GRAMMY Awards. Tune in to the 53rd Annual GRAMMY Awards live from Staples Center in Los Angeles on Sunday, Feb. 13 at 8 p.m. ET/PT on CBS.

Follow GRAMMY.com for our inside look at GRAMMY news, blogs, photos, videos, and of course nominees. Stay up to the minute with GRAMMY Live. Check out the GRAMMY legacy with GRAMMY Rewind. Keep track of this year's GRAMMY Week events, and explore this year's GRAMMY Fields. Or check out the collaborations at Re:Generation, presented by Hyundai Veloster. And join the conversation at Facebook, Twitter, and YouTube.

In 2020, Megan Thee Stallion solidified herself as one of rap's most promising new stars, thanks to her hit single "Savage." Not only was it her first No. 1 song on the Billboard Hot 100, but the "sassy, moody, nasty" single also helped Megan win three GRAMMYs in 2021.

In this episode of GRAMMY Rewind, revisit the sentimental moment the Houston "Hottie" accepted one of those golden gramophones, for Best New Artist.

"I don't want to cry," Megan Thee Stallion said after a speechless moment at the microphone. Before starting her praises, she gave a round of applause to her fellow nominees in the category, who she called "amazing."

Along with thanking God, she also acknowledged her manager, T. Farris, for "always being with me, being by my side"; her record label, 300 Entertainment, for "always believing in me, sticking by through my craziness"; and her mother, who "always believed I could do it."

Megan Thee Stallion's "Savage" remix with Beyoncé also helped her win Best Rap Song and Best Rap Performance that night — marking the first wins in the category by a female lead rapper.

Press play on the video above to watch Megan Thee Stallion's complete acceptance speech for Best New Artist at the 2021 GRAMMY Awards, and remember to check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

Black Sounds Beautiful: How Megan Thee Stallion Turned Viral Fame Into A GRAMMY-Winning Rap Career

Amongst Beyoncé's expansive catalog, "Halo" is easily one of her most iconic songs. Today, the 2009 single is her most-streamed song on Spotify; it was her first video to reach one billion views on YouTube; and it helped her set one of her GRAMMY records in 2010.

In this episode of GRAMMY Rewind, watch the superstar take the stage to accept Best Female Pop Vocal Performance for "Halo" in 2010 — the year she became the first female artist to win six GRAMMYs in one night.

"This has been such an amazing night for me, and I'd love to thank the GRAMMYs," she said, admitting she was nervous before taking a deep breath.

Before leaving the stage, Beyoncé took a second to thank two more special groups: "I'd love to thank my family for all of their support, including my husband. I love you. And I'd like to thank all of my fans for their support over the years."

The five other awards Beyoncé took home that night were for the coveted Song Of The Year ("Single Ladies (Put A Ring On It)") and four R&B Categories: Best Contemporary R&B Album (I Am... Sasha Fierce), Best R&B Song ("Single Ladies"), Best Female R&B Vocal Performance ("Single Ladies"), and Best Traditional R&B Vocal Performance (for her cover of Etta James' "At Last"). 

As of 2024, Beyoncé has won the most GRAMMY Awards in history with 32 wins.

Press play on the video above to relive Queen Bey's "Halo" win for Best Female Pop Vocal Performance, and check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

With Hasten Down the Wind, Linda Ronstadt became the first female artist with three million-selling albums in a row — and furthered her legacy as one of the pioneers of women in rock music.

The album also helped Ronstadt snag her second GRAMMY, as it won Best Female Pop Vocal Performance in 1977. (The year prior, she took home Best Female Country Vocal Performance for her cover of Hank Williams' "I Can't Help It (If I'm Still in Love With You).")

In this episode of GRAMMY Rewind, relive the moment Linda Ronstadt won Best Female Pop Vocal Performance for Hasten Down the Wind in 1977.

Ronstadt kept her acceptance speech short and sweet: "I'd especially like to thank Peter Asher," the producer of the pop rock LP. "Thank you," she added with a smile.

To date, Ronstadt has won 11 GRAMMYs and received 27 nominations. In 2011 and 2016, respectively, she received a Latin GRAMMY Lifetime Achievement Award and a GRAMMY Lifetime Achievement Award.

Press play on the video above to watch Linda Ronstadt take the stage to accept Best Pop Vocal Performance at the 19th Annual GRAMMY Awards and remember to keep checking back to GRAMMY.com for more new episodes of GRAMMY Rewind.

5 Songs To Get Into Kim Gordon's Solo Work, From "Change My Brain" To "I'm A Man"

During her remarkable 83 years of life, the late Tina Turner received eight GRAMMY awards, a GRAMMY Lifetime Achievement Award, and three introductions into the GRAMMY Hall of Fame.

In this episode of GRAMMY Rewind, we travel to 1985, when Turner won a golden gramophone for one of her many iconic hits, "What's Love Got to Do with It?," in the Best Pop Vocal Performance, Female, category.

"I've been waiting for this opportunity for such a long time," she said in her acceptance speech. "I have to thank many people. And all of you that I don't get to thank, you must know that it's in my mind."

Among those "many people," Turner praised Graham Lyle and Terry Britten, who wrote the track; John Carter, her A&R "who played a wonderful part" in relaunching her career with Capitol Records in the '80s; and Roger Davies, her manager, "a great man who has done a great job with her career."

Later that night, "What's Love Got To Do With It?" helped Turner win Record Of The Year; she also took home Best Rock Vocal Performance, Female, for "Better Be Good to Me." Though the 1985 ceremony marked Turner's first solo awards, she first won a GRAMMY in 1972 alongside her ex-husband, Ike Turner, for their recording of "Proud Mary."

Press play on the video above to watch Tina Turner's full acceptance speech for Best Pop Vocal Performance, Female, and remember to check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

10 Essential Tina Turner Songs From the '70s: How Her Forgotten Era Set The Stage For A Dramatic Debut As A Solo Performer