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How Camila Cabello Found Herself With 'Familia,' An Album That Ties Together Her Latin Roots And "An Unfiltered Me"
Camila Cabello

Photo: Sasha Samsonova

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How Camila Cabello Found Herself With 'Familia,' An Album That Ties Together Her Latin Roots And "An Unfiltered Me"

Nearly 10 years since her career began with a fateful audition on 'The X Factor,' Camila Cabello is feeling more comfortable than ever on her third album, 'Familia'

GRAMMYs/Apr 8, 2022 - 06:40 pm

March 3 is always a big day for Camila Cabello, but this year was particularly special. Not only was she celebrating her 25th birthday, she also announced her third album, Familia — a project she called "my whole f<em></em>*ing heart."

The day after, she teased the LP with a new Ed Sheeran collaboration, "Bam Bam." A lighthearted breakup song with (very specific) lyrics alluding to her recent split from Shawn Mendes, it was easy for fans to assume that Familia would be an album of heartbreak. But upon the album's arrival on April 8, they quickly realized that couldn't be further from the truth.

Sure, there's a few songs touching on that particular split (especially the final track, "everyone at this party"), but for the most part, Familia is a celebration of life — and, most of all, an homage to Cabello's Latina roots.

More than half of the album has Cabello singing in Spanish, and its lyrical themes vary from fiery romance ("Quiet") to crippling anxiety ("psychofreak," a collab with WILLOW). Whatever the topic or sound, each song on Familia is a representation of the fact that Cabello is feeling better than ever.

"I just feel like myself," she tells GRAMMY.com. "[This album process] was a lot more grounded, and I feel like you can hear that in the music — it really is an unfiltered me."

Ahead of Familia's release, Cabello sat down with GRAMMY.com to share how the album helped her find inner peace, how she's grown over the last 10 years, and why the Familia process was the most genuine yet.

You told Zane Lowe that this album was "a tool for me becoming a more well-rounded person." What is it about this music that makes you feel that way?

I think [on] my previous albums, my focus was, "How can I make a great album?" Obviously, I was honest and tried to get to the root of me, and what felt true to me, but there was also a lot of pressure. A lot of what I felt was pressure and anxiety — and not just in the studio. I was just anxious in general, and was having a tough time mentally.

It's like this album was a tool for me feeling better, and for creating real, genuine friendships and connections with my collaborators. It's about being vulnerable.

What felt different about this album compared to your previous releases?

In my previous albums, I felt like I had something to prove. I felt like I wanted to prove that I was a good songwriter, I wanted to prove that I had good ideas. So in the room with other songwriters and producers that I respected, I felt like I just wanted to show them that I was good.

I didn't feel any of that this time around. I was just like, "I don't really care. I'm just going to be myself. I'm going to make choices melodically, lyrically, that feel interesting to me." It was a lot more grounded, and I feel like you can hear that in the music — it really is an unfiltered me. There's no walls of any of that other, like, ego stuff up. So that's why it was the most fun experience, and what I think is my best work so far.

This is the first time you've collaborated with Scott Harris, one of Shawn Mendes' closest collaborators. What do you feel like he brought to your creative process?

I remember voice-memoing him in my house in Miami, he was about to come over and we were gonna just write in my bedroom. We wrote "Quiet" and "Boys Don't Cry" in the first two days [when] it was just me and him.

I told him exactly what I just told you. I was like, "I feel like, in the studio, sometimes I get anxious. I want to prove that I'm good. And I just want to be open and honest." I would journal every day, I would read them out to him, we would talk about it, and then we would write. So it started off with that intention.

Was there a certain song or a session you had for this album — or even something that wasn't even album related — that felt like a turning point for you in getting to a place where you can be that vulnerable?

I think that vulnerability really cemented, and I feel like I really matured as a writer, the day that I made a "psychofreak" with Ricky [Reed] and Scott. [Ricky] had this track — I started doing this thing after working with this artist Remi Wolf, where I would freestyle and word vomit, stream of consciousness into a mic. We weren't even like, "What are we going to write about today? I have this idea for a song." It was just like, "Cool, I love that. Let me see what comes out."

[With] "psychofreak," I felt really, really vulnerable. I felt really icky talking about those things, because they were real anxieties that I had about intimacy, and literally what I was talking through in therapy at that time. To say that, and then leave from the booth and go back into the room, and for my collaborators to be like, "Yeah, this line was really good, talk to us about that" was really hard. It was really hard, and felt embarrassing, and vulnerable.

It was a few days after that I was like, "Oh wow, I just made one of my favorite songs, if not my favorite song ever." That's when I feel like that trust between me and my collaborators was cemented, like I could say anything. And it's really f<em></em>*ing scary, but it feels good to get that out. It also results in, what I feel, is really good writing. That song was a big turning point.

You feature a variety of artists on Familia, from Ed Sheeran to Maria Becerra to WILLOW. How did you determine the right collaborators for this project?

I mean, I've had the same vision for my collaborators. I was just like, I want to work with other artists, and I don't want it to be like, you know, them over there and they send the files — obviously, sometimes it has to be that way because of schedules and whatever. But for example, Willow came over for "psychofreak" and [we ordered] some delicious vegan food, it was nighttime, we had some shots. It was me, Ricky, her and her friend in my house.

I just was like, I want to connect, I want to hang. I want it to be fun, and fun for everybody. I want it to feel genuine. With Ed, same thing — we're genuinely friends. And Yotuel, he is somebody that my family loves so much, and he is so important to the Cuban community. It didn't feel transactional. It felt very real.

This year marks both the 10 year anniversary of when Fifth Harmony formed, and five years since you officially launched your solo career with "Crying in the Club." When you think back to the Camilla who auditioned for The X Factor 10 years ago, and maybe even the Camila who you were upon going solo, how do you feel like you've grown professionally?

The girl that auditioned for X Factor is actually really similar, in a lot of ways, to who I am now. There was just this passion, vulnerability and excitement that I feel like I kind of regained — and I sometimes lost in the middle.

Writing-wise, so many different influences came together for this album — Sally Rooney, SZA — in my writing style, in my melodic style, and my lyrical style. I feel like I really have come back to what kind of turns me on about my craft, and about songwriting and making music.

How do you feel you've grown personally?

I feel like there was a lot of hard-earned wisdom. I don't have a lot of wisdom, because I'm 25, and I have a lot to learn. Something kind of stupid and silly is, I feel like things that used to make me really nervous don't anymore. And that feels really great. Like [previously] before I would do a performance, I would literally be like, almost fully blacking out [from nerves]. Now I can actually enjoy myself, which is less exhausting.

This album brings in the most Latin influence yet. I figured that probably plays into you feeling so good about this album, but it probably also comes from you being at the place you're at, and feeling so like yourself.

Definitely. I think it's all about finding my way. Honestly, I feel like I kind of lost my way a little bit in the middle of those 10 years.

This [album] has been finding my way back. A big part of that is my roots, and my heritage. I want to spend the most time in Latin America and in Mexico because it just makes me feel like myself. I just feel like myself.

10 Artists Who Have Stood Up For Women In Music: Taylor Swift, Lizzo & More

FYI/TMI: Are Taylor Swift And Ed Sheeran Getting Together?
Ed Sheeran and Taylor Swift

Photo: Kevin Mazur/Getty Images

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FYI/TMI: Are Taylor Swift And Ed Sheeran Getting Together?

Rumors surface that the two are in a red-hot relationship; Sony/ATV Music Publishing named top publisher of fourth quarter in 2012

GRAMMYs/Dec 3, 2014 - 05:06 am

(In an effort to keep you fully informed, and fully entertained, below we present today's FYI and TMI — news you need and news that's, well, sometimes needless….)

FYI …

Sony/ATV Claims Top Publisher In Q4 2012
Sony/ATV Music Publishing, which in June 2012 acquired administration of EMI Music Publishing, was the top publisher in the fourth quarter of 2012 based on its 25.8 percent share of the top 100 songs during the period, according to figures released by Nielsen BDS. No. 2 was Kobalt Music Group (16.5 percent share), followed by Universal Music Publishing Group (15.9 percent share), Warner/Chappell Music (14.2 percent share), and BMG Chrysalis (5.3 percent share).

TMI …

Swift Getting Together With Sheeran?
Taylor Swift may never be getting back together with a few people — like, ever — but that isn't stopping her from joining "The A Team." According to a report, Swift and GRAMMY-nominated singer/songwriter Ed Sheeran were reportedly seen together at a hotel in late February. Adding more red-hot fuel to the fire, Sheeran collaborated with Swift on her latest album, Red, the name of which is also a tattoo on Sheeran's left arm. Since Swift and Sheeran supposedly dated briefly last spring, maybe they are, like, getting back together.

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Pop Shines With 55th GRAMMY Nominations

GRAMMYs/Dec 3, 2014 - 04:22 am

This year's GRAMMY nominations are an eclectic, all-inclusive ensemble of nominees perfectly reflecting the wide variety of musical genres, tastes and trends that The Recording Academy celebrates.

Pop made a strong impact in the coveted General Field categories with nominations for Kelly Clarkson (Record Of The Year for "Stronger (What Doesn't Kill You"), Taylor Swift (Record Of The Year for her pop-tinged "We Are Never Ever Getting Back Together") and Carly Rea Jepsen (Song Of The Year for "Call Me Maybe").

The nominations also marked a milestone for Fun., who received six nominations, including Record and Song Of The Year and Best Pop Duo/Group Performance for "We Are Young" featuring Janelle Monáe, and Album Of The Year and Best Pop Vocal Album for Some Nights. The Brooklyn, N.Y., trio also received a Best New Artist nomination.

"It feels good, very good," lead singer Nate Ruess said backstage at "The GRAMMY Nominations Concert Live!!" in Nashville on Dec. 5.

"American Idol" alum Clarkson is among the top female nominees with three nominations, including Best Pop Vocal Album for Stronger. Pink received a deserving nod in the Best Pop Vocal Album category for The Truth About Love, which hopefully opens the door to a performance during February's GRAMMY Awards telecast. (Side note: Pink's album features "Just Give Me A Reason," a duet with Ruess.)

It was a big night for British superstar Ed Sheeran, who grabbed a Song Of The Year nomination for "The A Team." Sheeran was overjoyed with the honor, tweeting, "I can't describe how happy I am."

GRAMMY winners Maroon 5 had a strong night with nominations for Overexposed, the group's self-proclaimed "most diverse and poppiest album yet," in the Best Pop Duo/Group Performance and Best Pop Vocal Album categories.

RedFoo and Sky Blu of LMFAO scooped up a Best Pop Duo/Group Performance nomination for their dance-pop confection "Sexy And I Know It," a deserving nomination for the world's most colorful party rockers.

Following a successful year for her GRAMMY-winning album 21, Adele's momentum is still going strong.  The proud new mom picked up a nomination for her live performance of "Set Fire To The Rain" in the Best Pop Solo Performance category. Adele was nominated alongside Clarkson, Rihanna ("Where Have You Been"), Katy Perry ("Wide Awake"), and Jepsen, the latter of whom was quick to tweet that she was "over the moon excited" with the honor.

With exciting pop newcomers and veteran pop artists nominated in the General and Pop Fields, the GRAMMY Awards telecast on Feb. 10 will without a doubt be Music's Biggest Night and a terrific night for pop.

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Jay Z Tops 56th GRAMMY Nominations With Nine

Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams earn seven nods each; other top nominees include Daft Punk, Drake, Lorde, Bruno Mars, and Taylor Swift

GRAMMYs/Dec 3, 2014 - 05:06 am

Nominations for the 56th GRAMMY Awards were announced tonight by The Recording Academy and reflected one of the most diverse years with the Album Of The Year category alone representing the rap, pop, country and dance/electronica genres, as determined by the voting members of The Academy. Once again, nominations in select categories for the annual GRAMMY Awards were announced on primetime television as part of "The GRAMMY Nominations Concert Live!! — Countdown To Music's Biggest Night," a one-hour CBS entertainment special broadcast live from Nokia Theatre L.A. Live.

Jay Z tops the nominations with nine; Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams each garner seven nods; Drake and mastering engineer Bob Ludwig are up for five awards.

"This year's nominations reflect the talented community of music makers who represent some of the highest levels of excellence and artistry of the year in their respective fields," said Neil Portnow, President/CEO of The Recording Academy. "Once again, The Academy's awards process and its voting membership have produced an impressive list of nominations across various genres promising music fans a spectacular show filled with stellar performances and unique 'GRAMMY Moments.' We are off to a great start and look forward to GRAMMY Sunday as Music's Biggest Night takes the stage."

Following are the nominations in the General Field categories: 

Album Of The Year:
The Blessed Unrest — Sara Bareilles
Random Access Memories — Daft Punk
Good Kid, M.A.A.D City — Kendrick Lamar
The Heist — Macklemore & Ryan Lewis
Red — Taylor Swift

Record Of The Year:
"Get Lucky" — Daft Punk & Pharrell Williams
"Radioactive" — Imagine Dragons
"Royals" — Lorde
"Locked Out Of Heaven" — Bruno Mars
"Blurred Lines" — Robin Thicke Featuring T.I. & Pharrell Williams

Song Of The Year:
"Just Give Me A Reason" — Jeff Bhasker, Pink & Nate Ruess, songwriters (Pink Featuring Nate Ruess)
"Locked Out Of Heaven" — Philip Lawrence, Ari Levine & Bruno Mars, songwriters (Bruno Mars)
"Roar" — Lukasz Gottwald, Max Martin, Bonnie McKee, Katy Perry & Henry Walter, songwriters (Katy Perry)
"Royals" — Joel Little & Ella Yelich O'Connor, songwriters (Lorde)
"Same Love" — Ben Haggerty, Mary Lambert & Ryan Lewis, songwriters (Macklemore & Ryan Lewis Featuring Mary Lambert)

Best New Artist:
James Blake
Kendrick Lamar
Macklemore & Ryan Lewis
Kacey Musgraves
Ed Sheeran

Following is a sampling of nominations in the GRAMMY Awards' other 29 Fields:

For Best Pop Solo Performance, the nominees are "Brave" by Sara Bareilles; "Royals" by Lorde; "When I Was Your Man" by Bruno Mars; "Roar" by Katy Perry; and "Mirrors" by Justin Timberlake.

The nominees for Best Pop Duo/Group Performance are "Get Lucky" by Daft Punk & Pharrell Williams; "Just Give Me A Reason" by Pink Featuring Nate Ruess; "Stay" by Rihanna Featuring Mikky Ekko; "Blurred Lines" by Robin Thicke Featuring T.I. & Pharrell Williams; and "Suit & Tie" by Justin Timberlake & Jay Z.

For Best Dance/Electronica Album, the nominees are Random Access Memories by Daft Punk; Settle by Disclosure; 18 Months by Calvin Harris; Atmosphere by Kaskade; and A Color Map Of The Sun by Pretty Lights.

The Best Rock Performance nominees are "Always Alright" by Alabama Shakes; "The Stars (Are Out Tonight)" by David Bowie; "Radioactive" by Imagine Dragons; "Kashmir (Live)" by Led Zeppelin; "My God Is The Sun" by Queens Of The Stone Age; and "I'm Shakin'" by Jack White.

For Best Alternative Music Album, the nominees are The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You by Neko Case; Trouble Will Find Me by The National; Hesitation Marks by Nine Inch Nails; Lonerism by Tame Impala; Modern Vampires Of The City by Vampire Weekend.

The nominees for Best Rap/Sung Collaboration are "Power Trip" by J.Cole Featuring Miguel; "Part II (On The Run)" by Jay Z Featuring Beyoncé; "Holy Grail" by Jay Z Featuring Justin Timberlake; "Now Or Never" by Kendrick Lamar Featuring Mary J. Blige; and "Remember You" by Wiz Khalifa Featuring The Weeknd.

For Best Rap Album, the nominees are Nothing Was The Same by Drake; Magna Carta…Holy Grail by Jay Z; Good Kid, M.A.A.D City by Kendrick Lamar; The Heist by Macklemore  & Ryan Lewis; and Yeezus by Kanye West.

The Best Country Album nominees are Night Train by Jason Aldean; Two Lanes Of Freedom by Tim McGraw; Same Trailer Different Park by Kacey Musgraves; Based On A True Story by Blake Shelton; and Red by Taylor Swift.

The nominees for Best Americana Album are Old Yellow Moon by Emmylou Harris & Rodney Crowell; Love Has Come For You by Steve Martin & Edie Brickell; Buddy And Jim by Buddy Miller And Jim Lauderdale; One True Vine by Mavis Staples; and Songbook by Allen Toussaint.

This year's Producer Of The Year, Non-Classical nominations go to Rob Cavallo, Dr. Luke, Ariel Rechtshaid, Jeff Tweedy, and Pharrell Williams.

This year's GRAMMY Awards process registered more than 22,000 submissions over a 12-month eligibility period (Oct. 1, 2012 – Sept. 30, 2013). GRAMMY ballots for the final round of voting will be mailed on Dec. 11 to the voting members of The Recording Academy. They are due back to the accounting firm of Deloitte by Jan. 8, 2014, when they will be tabulated and the results kept secret until the 56th GRAMMY telecast.

The 56th Annual GRAMMY Awards will be held Jan. 26, 2014, at Staples Center in Los Angeles and once again will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8–11:30 p.m. (ET/PT). The 56th Annual GRAMMY Awards are produced by AEG Ehrlich Ventures for The Recording Academy. Ken Ehrlich is executive producer, and Louis J. Horvitz is director.

For updates and breaking news, visit The Recording Academy's social networks on Twitter and Facebook

30 Must-Hear Albums In 2022: Kendrick Lamar, Cardi B, Rosalía, Machine Gun Kelly, Charli XCX, Saweetie & More

(L - R): Machine Gun Kelly, Charli XCX, Saweetie, Earl Sweatshirt, Rosalía

(Source Photos L - R): Rich Fury/Getty Images for dcp; Jason Koerner/Getty Images; Tasos Katopodis/Getty Images for iHeartRadio; Marc Grimwade/WireImage; Emma McIntyre/Getty Images for The Recording Academy

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30 Must-Hear Albums In 2022: Kendrick Lamar, Cardi B, Rosalía, Machine Gun Kelly, Charli XCX, Saweetie & More

2022 has no shortage of new albums to keep your shuffle hard at work. GRAMMY.com compiled a list of 30 upcoming releases — from Kid Cudi, Earl Sweatshirt, Combo Chimbita, Dolly Parton, and Guns N' Roses — to keep you moving in the new year.

GRAMMYs/Jan 8, 2022 - 12:28 am

Editor's Note: This piece has been updated to reflect release dates and album titles announced after publishing. 

While it may feel like there's not much to look forward to during yet another wave of COVID-19, music fans around the world are eagerly waiting to load their playlists with new releases as 2022 gets underway.

And there's certainly plenty to look forward to: Along with The Weeknd, who released his fifth studio album, Dawn FM, on Jan. 7, superstars like Machine Gun KellyCamila CabelloDolly PartonGuns N' Roses, and Rosalía have all announced or teased albums coming this year.

The pandemic may have slowed things down, but there's no stopping artists in 2022. Keep an eye out for these 30 albums from ENHYPEN, Mitski, Saweetie, Bastille, and many more.

The Weeknd, Dawn FM

Release date: Jan. 7

Only a year removed from his incendiary Super Bowl Halftime Show performance, the crowned pop prince of Canada returns with the semi-surprise Dawn FM, a hotly anticipated follow-up to his record-breaking 2020 release, After Hours (you know, the one with "Blinding Lights" and "Save Your Tears" on it).

As The Weeknd's album teasers promised, Dawn FM delivered sinister synthesizers, a vocal appearance from Jim Carrey, and old-man makeup that's arguably only slightly less distressing than his wax-faced After Hours persona.Max Martin is back (on lead single "Take My Breath"), and other guests include Tyler, the Creator and Oneohtrix Point Never.

As for what the three-time GRAMMY winner wants his listeners to take away from his latest work? "Picture the album being like the listener is dead," The Weeknd told Billboard. Capisce? — Brennan Carley

ENHYPEN, DIMENSION : ANSWER 

Release date: January 10

Seven-piece boy group ENHYPEN may still be relatively new to the K-pop scene (the band formed in 2020 on the Korean survival competition show "I-Land"), but they're already making moves to put themselves in the ranks of BTS and EXO. Their latest release, DIMENSION : ANSWER, marks the group's first studio repackage album, expanding on their 2021 debut set, DIMENSION : DILEMMA.

DIMENSION : ANSWER will feature three new tracks,: "Polaroid Love," "Outro : Day 2," and lead single "Blessed-Cursed." Fans got a first taste of the three B-sides thanks to an album preview the group released on Jan. 4, which teased a wide array of sounds: punchy pop-sprinkled production on "Polaroid Love," sultry R&B vocals with "Outro : Day 2," and guitar-heavy rock on "Blessed-Cursed." With such vast musical prowess, DIMENSION : ANSWER may just be the group's ticket to K-pop superstardom. — Taylor Weatherby

Read More: 5 Rising Korean Artists To Know Now: STAYC, ENHYPEN, ITZY, TOMORROW X TOGETHER & ATEEZ

Cordae, From a Bird's Eye View

Release date: Jan. 14

Cordae set the bar high with his GRAMMY-nominated debut album The Lost Boy and emerged as one of the most exciting new talents of 2019, making his return to the game with his hotly anticipated second album.

The Maryland-raised rapper held fans over with his Just Until… EP last April before launching into his album rollout with the braggadocious hit, "Super" and a collaboration with Lil Wayne, "Sinister." The 24-year-old wordsmith — known for his reflective, carefully-crafted raps — said From a Bird's Eye View was inspired by "a life-changing trip to Africa, enduring the loss of a friend gone too soon and evolving as an artist and a man." 

The album will also mark Cordae's first full-length effort since the official disbanding of his YBN collective in 2020. — Victoria Moorwood

Animal Collective, Time Skiffs

Release date: Feb. 4

Followers of experimental pop adventurers Animal Collective have waited six years for a new album following 2016's Painting With. At last, the four-piece will release Time Skiffs, an album full of otherworldly harmonies and mind-opening melodies.

Animal Collective has released two singles from the LP so far: the gently psychedelic "Prester John" and the equally trippy "Walker." The latter is a tribute to Scott Walker, the prolific singer-songwriter who died in 2019. Its beautifully intricate music video, directed by band member Dave Portner and his sister Abby, brings the Time Skiffs album cover to life in vivid detail. — Jack Tregoning

Avril Lavigne, Love Sux

Release date: Feb 25 

Like everything Y2K, pop-punk is making a comeback. And nearly 20 years since the release of her seminal pop-punk debut Let GoAvril Lavigne brings back her pop-punk princess persona in all its glory — combat boots and all. In early November, the "Sk8r Boi" singer shared her the angsty anthem "Bite Me," first new single in over two years, featuring Travis Barker.

With the new music, Lavigne also shared she had signed to the drummer extraordinaire's label DTA Records. Her seventh studio album is set to be the artist's first LP since her more traditional pop LP Head Above Water in 2019. — I.K.

Bonobo, Fragments

Release date: Jan. 14

Like everyone else around the world, electronic shapeshifter Simon Green had a very unusual past two years. The British musician and DJ, better known as Bonobo, found himself grounded in his adopted home of Los Angeles, itching for new inspiration to get through the pandemic. His wanderings took him from a tent in the Californian desert to a new appreciation for modular synths back home in lockdown, all with a nervous eye on the precarious state of the world.

This activity fed into a flood of music which we'll soon hear on Bonobo's seventh studio album, Fragments, out on Ninja Tune. Fragments features guests including Jamila Woods, Joji and Kadhja Bonet, while channeling influences from UK bass, Detroit techno and global music through Bonobo's widescreen lens. The producer is already up for two Best Dance/Electronic Recording awards at this year's GRAMMYs, for "Heartbreak," his collaboration with Totally Enormous Extinct Dinosaurs, and "Loom," with Ólafur Arnalds. Bonobo begins a tour of the US in February, giving fans a few precious weeks to soak up the album before its live debut. — J.T.

Earl Sweatshirt, SICK

Release date: Jan. 14

With a decade-plus of acclaimed projects such as 2018's Some Rap SongsEarl Sweatshirt is both an underground hero and a critic's darling. He hasn't achieved the same level of mainstream success as former Odd Future colleagues Tyler, the Creator and Syd – which is fine with him.

Judging from SICK's lead track "2010," where he pays homage to his mother in cryptic terms, the 10-track album promises to be another collection of stylized verses, dusty beats and autobiographical confessions (albeit rendered in a clearer voice than his previous album, 2019's lo-fi affair Feet of Clay). As its title suggests, SICK was inspired by the pandemic. "My whole thing is grading things on the truth, you know what I mean? However expansive or detailed the truth is," he told Rolling Stone. — Mosi Reeves

iann dior, On To Better Things

Release date: January 21

After blasting onto the scene with his 24kgoldn team-up (and runaway smash) "Mood" in 2020, iann dior hasn't slowed down, releasing an EP and countless other collabs. On To Better Things marks dior's first full-length album since 2019, serving up 15 tracks that will help the rapper truly come into his own.

Like the Lil Uzi Vert-assisted "V12" and the racing single "Let You," On To Better Things will see dior further explore his capabilities as a rapper while also tapping into his alt-pop/rock sensibilities. Judging by his previous releases, dior won't be afraid to get raw and real on his latest project as he opens up about love, relationships and loyalty. There may be glimmers of hope on the album, though, as dior captioned a post teasing the album, "life is better now." — T.W.

Dive Deep: 9 Revolutionary Rap Albums To Know: From Kendrick Lamar, Black Star, EarthGang & More

Combo Chimbita, IRÉ

Release date: Jan. 28

The melding of cumbia beats and psychedelic vibes was embraced during the '70s by many pioneering outfits in Peru and Colombia. Since the release of their 2017 debut, New York quartet Combo Chimbita has built on that foundation, amping up the mystical tinge of its material through the soulful chanting of extraordinary vocalist Carolina Oliveros. 

Always ready to speak up on social and political issues, Chimbita uses cumbia as a starting point, adding swashes of funk and soul, Afro guitar lines and atmospheric samples. The band's new album expands its palette, enhancing lead single "Oya" with a video shot at the ruins of Puerto Rico's abandoned Intercontinental Hotel. A tour with the awesomeLido Pimienta will follow soon. — Ernesto Lechner

Aaliyah, Unstoppable

Release date: January 2022

Anticipation surrounding Aaliyah's fourth album has been building since 2012, when Blackground Records released "Don't Think They Know," which paired the late singer's vocals with Chris Brown, and a Drake collaboration, "Enough Said." The long-awaited arrival of her back catalog to streaming last fall added fresh fuel for a project that has been controversial, with some diehard fans questioning whether it honors Aaliyah's legacy.

Unstoppable includes guests like Snoop Dogg, Future and Ne-Yo. The first single, a woozy ballad titled "Poison," features The Weeknd as well as lyrics originally written by the late Static Major. "Some of the people Aaliyah liked are on the album. She loved Snoop Dogg," Blackground CEO and Aaliyah's uncle Jomo Hankerson told Billboard. "Everything I do at Blackground is always with her in my heart and my mind." — M.R.

Read More: For The Record: How Aaliyah Redefined Her Sound And Herself On One In A Million

Bastille, Give Me the Future

Release date: Feb. 4

If the pandemic had even a glimmer of a bright side, it comes courtesy of musicians like Bastille pivoting and positioning their art to address the present, as Give Me the Future promises to do.

Bandleader Dan Smith had already begun work on the English pop-rock group's fourth album before COVID-19 threw a wrench in his plans, but the pandemic made the album's probing themes seem that much more prescient. Glistening songs like "Thelma + Louise" and the vocoded "Distorted Light Beam" dig more deeply into Bastille's exploration of escapism when the troubles of the world are thundering outside our windowsall with the help of new collaborators Rami Yacoub and One Republic's Ryan Tedder. We promise it's way more fun than it sounds. — B.C.

Mitski, Laurel Hell

Release date: Feb. 4

Mitski almost pressed pause on her music career which, according to a Rolling Stone interview, was "shaving away my soul little by little." After a final performance, "I would quit and find another life."  Fortunately, though, Mitski has stuck with it.

Three years since the release of her fifth studio album Be the Cowboy, the indie singer-songwriter is set to share her forthcoming project Laurel Hell. While the majority of the LP was penned in 2018, it wasn't mixed until 2021, making it the longest the singer has spent on one of her records. What listeners can expect is a transformative set of songs that pair Mitski's signature vulnerability with uptempo dance beats and, ultimately, catharsis. — Ilana Kaplan

Guns N' Roses, Hard Skool EP

Release date: Feb. 25 

In 2021, 36 years after the band first formed in the hard rock hotbed of Los Angeles, Guns N' Roses returned with two new singles. This productive streak was remarkable enough in itself given the group's notoriously haphazard release schedule. The singles "ABSUЯD" and "Hard Skool" are doubly remarkable, though, because they usher in a new EP that brings beloved members Axl Rose, Slash and Duff McKagan together again after 28 years.

Reinterpreted from the band's Chinese Democracy sessions, "ABSUЯD" features a raw, punk-tinged sound that surprised some fans before rewarding repeat listens. "Hard Skool," meanwhile, harkens back to the classic sound that Guns N' Roses perfected in the late 1980s. The Hard Skool EP will feature the two 2021 singles alongside live renditions of GNR favorites "Don't Cry" and "You're Crazy." To mark this new era, the band is touring arenas throughout 2022, reuniting Axl, Slash and Duff as a powerhouse onstage trio. — J.T.

Take a Look Back: Guns N' Roses' 'Appetite For Destruction' | For The Record

Charli XCX, CRASH

Release date: March 18

Pop polymorph Charli XCX has been promising fans her sellout era for months now ("tip for new artists: sell your soul for money and fame," she tweeted last July), ushered in with last summer's "Good Ones" and buoyed into the holidays with "New Shapes," a powerhouse team-up with Caroline Polachek and Christine and the Queens.

CRASH is the fifth and final album she owes Atlantic Records — a benchmark not lost on fans or Charli herself. For it, Charli promises edge-of-your-seat appearances from Rina Sawayama, frequent collaborator A. G. Cook, and frequent Weeknd cohort Oneohtrix Point Never. Come for the bloody album artwork, stay for the cheeky, self-aware pop concoctions contained within. — B.C.

Dolly Parton, Run, Rose, Run

Release date: March 2022

The beloved, multi-GRAMMY Award-winning singer-songwriter Dolly Parton has built a career as a trailblazer, so it stands to reason that her next musical effort would carry on that grand tradition. Run, Rose, Run is an album of original tunes taking its energetic moniker from a companion novel that Parton co-authored with the acclaimed writer James Patterson.

According to Parton, the accompanying album consists of "all new songs written based on the characters and situations in the book" and centers on a tale about a girl who treks to Nashville to pursue her dreams. Adds Patterson, "the mind-blowing thing about this project is that reading the novel is enhanced by listening to the album and vice versa." Both projects are dropping in tandemIt's a unique undertaking that celebrates a smoldering passion for music; but if you've been following the legend's career, would you expect anything less? — Rob LeDonne

Maren Morris, Humble Quest

Release date: March 25

GRAMMY-winning singer Maren Morris has conquered modern country music with her soulful solo material and even forayed into pop (just mentioning "The Middle" will glue its sticky chorus to your every waking moment for the next week). So whatever magic Morris might make with her highly anticipated third album, Humble Quest, is cause enough for celebration.

Morris kicked off her next LP with "Circles Around This Town," an expansive, freewheeling single that blends the echoing production of her 2016 debut HERO and super-personal lyrics of 2019's GIRL. The album will be Morris' first since the untimely 2019 passing of her longtime creative partner busbee, but her partnership with pop hitmaker Greg Kurstin (who produced "Circles Around This Town" as well as four GIRL tracks) hints that this next project is going to be a timeless trip and an emotional walloping. — B.C.

Thomas Rhett, Where We Started Country Again: Side B

Release date: April 1 / Fall 2022

Though country music has always been the core of what Thomas Rhett has done since his debut album (2013's It Goes Like This), the star's 2021 set, Country Again: Side A, was more traditional than his past projects. Clearly his roots (along with the unexpected pandemic-induced downtime) sparked a bout of inspiration, as Rhett announced in November that he'll be releasing Side B as well as another LP, titled Where We Started, in 2022.

Surprisingly, Side B won't be coming first. But it will create one cohesive Country Again narrative once it arrives, as Rhett promised in an interview with Rolling Stone last year — though he did hint that Side B will feature production that's "a smidge more experimental" than Side A. His latest single, the wistful "Slow Down Summer" hints that Where We Started will also bring back more of the pop-leaning production he's incorporated in his previous albums.

Still, that doesn't mean he'll lose sight of the country boy that has been unleashed: In writing all of this music, Rhett told his producers (per Rolling Stone), "This is the direction I'm headed in, and I think I'm gonna be here for a long time." — T.W.

Read More: Saddle Up With The Best Country Song Nominations | 2022 GRAMMYs

Jack White, Fear of the Dawn / Entering Heaven Alive

Release date: April 8 / July 22 

Epic ambition fuels the very essence of rock 'n' roll and Jack White has embodied the genre's weakness for glamour, dissonance and excess since his days with The White Stripes. The reckless propulsion of "Over and Over and Over" — off 2018's Boarding House Reach — proved that he has kept the bravado in his songwriting very much alive. 

2022 will find the multi-GRAMMY Award winning singer/guitarist releasing two full-length albums: Fear of the Dawn, led by the wonderfully bombastic single "Taking Me Back," will also include a collaboration with rapper Q-Tip. No details are available on July's Entering Heaven Alive, but the appearance of two albums in the same year is the kind of grandiloquent gesture that rock is in need of more than ever before.  — E.L.

Swedish House Mafia, Paradise Again

Release date: TBA, ships April 15

When GRAMMY-nominated Swedish House Mafia announced they were getting back together (and this time for good), fans were cautiously optimistic. The trio of DJ-producers — Steve Angello, Sebastian Ingrosso and Axwell —  promised a host of new music to mark their return, and so far they've kept to their word. The comeback began with the dark, guest-free "It Gets Better," which deviated from the big-room EDM sound championed by the Swedes up to their split in 2013.

From there, the trio delivered "Lifetime," featuring Ty Dolla $ign and 070 Shake, and "Moth to a Flame," featuring The Weeknd, which became their first major hit of the new era. This flurry of activity sets the stage for Swedish House Mafia's first full album, Paradise Again. As Ingrosso told NME, the album will combine their trademark "Scandinavian melodies with dark production and hard sounds." Starting July 2022, the DJs embark on their first tour in a decade, playing 44 dates throughout the US, UK and Europe. — J.T.

Jason Aldean, Georgia 

Release date: April 22

Jumping on country music's 2021 double album trendJason Aldean issued Macon, the first half of his own two-disc set, Macon, Georgia, in November. The title is an homage to his hometown, which he refers to as a "melting pot" that shaped his music, according to Country Now. Yet, the 30-song project expands on Aldean's signature country-rock sound without steering too far away from what fans have grown to love, as evidenced with both Macon and Georgia's crooning lead single, "Whiskey Me Away."

Like its predecessor, Georgia will include 10 new songs and five live recordings of his biggest hits, essentially creating Aldean's first-ever live album.With the aptly titled track "Rock and Roll Cowboy" to boot, Georgia helps make Macon, Georgia a career highlight for Aldean. — T.W.

Machine Gun Kelly, Born with Horns

Release date: TBD 

The upcoming sixth studio album from enigmatic rocker Machine Gun Kelly, ominously titled Born with Horns, was rumored to drop on New Year's Eve 2021, but it seems Kelly had a change of heart tweeting "See you in 2022." While the release date continues to be murky, there is some solid information about the highly anticipated fresh slate of music from the multi-hyphenate rockstar.

For one, the album is produced by fellow rock luminary Travis Barker and includes the decidedly dark single "Papercuts." "It feels more guitar-heavy for sure, lyrically it definitely goes deeper, but I never like to do anything the same," Kelly said of Born with Horns in an interview with Sunday TODAY, noting it'll also mark a personal evolution. "I'm not scared anymore, there's nothing holding me back from being my true self — and my true self can't be silenced, can't be restrained." — R.L.

Watch Now: Up Close & Personal: Machine Gun Kelly On Working With Travis Barker & Influencing The Next Decade Of Music

Camila Cabello, Familia

Release date: TBD

There's perhaps never been a better advertisement for an album than Camila Cabello's edition of NPR's Tiny Desk. Released last fall, the session begins with three old songs and ends with two Familia cuts strong enough to bowl you over. In just 20 minutes, the former Fifth Harmony singer genuflects at the altar of pop's past while steering its ship into the future.

"Don't Go Yet" brims with the promise of comfort as it opens with a warm flamenco guitar. "La Buena Vida" is a Mariachi-based explosion of emotion and evocation, anchored by Cabello's arresting vocals. Whereas her prior albums sought to cement the 24-year-old amidst her contemporaries, the uber-personal Familia seems likely to propel her into a whole new pedigree of artistry. — B.C.

Rosalía, MOTOMAMI

Release date: TBD 

In 2018, Rosalía's cinematic El Mal Querer signified a before-and-after for the music of Spain and Latin America. A visionary blend of flamenco, hip-hop and confessional torch song, the album introduced her to the world as an intellectual, musicologist and pop diva wrapped up into one slick sonic package. Subsequent singles (2019's "Haute Couture" was a gorgeous slice of electro-pop) demonstrated that Rosalía's path to global domination relies on a voracious curiosity for disparate styles and high-profile collaborators such as Billie Eilish and Bad Bunny. 

Titled MOTOMAMI, Rosalía's much anticipated release includes "LA FAMA," a deliciously distorted bachata duet with The Weeknd. We can only imagine what other wonders Rosalía's remarkable imagination has dreamed up for this, her first full-length album since becoming a cultural icon. — E.L.

Saweetie, Pretty Bitch Music

Release date: TBD

Saweetie is set to finally release her debut album, Pretty Bitch Music, this year. After first announcing the project in 2020, the Bay Area native's star power has exploded, reaching new heights last year with major endorsements, her first GRAMMY nominations and a "Saturday Night Live" debut. Pretty Bitch Music was initially slated to arrive in 2021, but Saweetie postponed the effort for some additional fine-tuning.

"I'm just living with it to ensure it's perfect," she told Hollywood Life in August. "I'm really challenging myself and I just want to ensure that I put out a body of work that [will] symbolize art."

Pretty Bitch Music is expected to include Saweetie's 2x Platinum-certified collaboration with Doja Cat, "Best Friend" and her single "Tap In" with production by TimbalandLil Jon and Murda Beatz, among other heavy-hitters. — V.M.

Kid Cudi, Entergalactic

Release date: TBD

Three years after it was announced, Kid Cudi's animated music adventure for Netflix is set to arrive this summer, as the rapper declared during his set at Rolling Loud California in December. "I got some tasty surprises," he told fans before offering a snippet of unreleased music that may be on the soundtrack. 

Not much else is known about the project, which takes its title from a song on Cudi's 2009 debut Man on the Moon: The End of Day, and which co-creator Kenya Barris referred to as "the most ambitious thing" in a 2019 interview with Complex.

Entergalactic might not be where Kid Cudi stops in 2022, either: Amid his Rolling Loud teases, he said, "I want to drop another album before [Entergalactic]... I really am excited about all this new s, this new music to give to you guys. So that's why I'm teasing this s now, 'cause it's comin' out soon." — M.R.

Beach House, Once Twice Melody

Release date: throughout 2022

Nearly four years since the release of their seventh studio album aptly titled 7, Beach House is slowly unveiling their latest record Once Twice Melody. But instead of dropping all 18 tracks at once, the dreamy indie duo has been giving fans a taste of their new sound in four chapters.

Once Twice Melody is a significant shift as it's the first album produced in full by the band. Beach House also thought about its structure completely differently than they had in the past. "It didn't just feel like a regular, like another album of ours, it felt like a larger, newer kind of way of looking at our music," singer Victoria Legrand told Apple Music. Instead, they view it as "cinematic" and "literary." What fans can expect, they say, is "a lot of love" and "a sacredness of nature." — I.K.

Kendrick Lamar, TBA

Release date: TBD

One of our most celebrated artists of his generation may make his triumphant return this year.  Although it's been nearly five years since Kendrick Lamar released his GRAMMY- and Pulitzer Prize-winning album DAMN, Lamar has remained busy. In 2018, Lamar  curated the Black Panther soundtrack and he's also made guest appearances on tracks by artists as varied as Nipsey Hussle, Anderson .Paak, U2 and his cousin, Baby Keem. 

But Lamar has been mostly mum about his own music, save for an August blog post titled "nu thoughts." "Love, loss, and grief have disturbed my comfort zone, but the glimmers of God speak through my music and family," he wrote, adding that his next album will be his last with Top Dawg Entertainment. It's the sort of thoughtful, precise announcement (and perhaps a hint to his album's content) that fans have come to expect from the notoriously private rapper. Lamar will thankfully make an appearance at this year's Super Bowl in February. — Britt Julious

Read More: Black Sounds Beautiful: How Kendrick Lamar Became A Rap Icon

Cardi B, TBA

Release date: TBD

Despite the slow-burning success of her single "Bodak Yellow," few could have predicted the popularity of Cardi B'sdebut album, Invasion of Privacy. A critical and commercial success, "Invasion of Privacy" won Best Rap Album at the 61st Grammy Awards, making Cardi the first woman to win in the category. That's why anticipation for her sophomore record is so high.

Cardi's brand of hip-hop is provocative and fun, and her two singles (possibly from the record) seem to confirm that same mood is still present in her music. In 2020, she dropped "WAP," a cultural reset of a collaboration with Megan Thee Stallion, and in 2021, she released "Up," which later inspired a viral TikTok dance challenge. As with many artists, the COVID-19 pandemic has delayed the release of Cardi's new album. But late last year on Instagram Live, Cardi said she has "lots of jobs now" and one of them is to "put out this album next year." Hopefully fans won't have to wait too long. — B.J.

Koffee, TBA

Release date: TBD  

If Koffee's latest single is any indication, the youngest GRAMMY Award winner for Best Reggae Album is planning a glorious homecoming in 2022. Sung with a wide smile you can nearly hear, "West Indies" is a dancehall love letter to the islands and an upbeat promise for what the singer has in store on her first full-length.   

"I want to speak of a solution and of a way that we can come together and get along, even when things are going wrong," Koffee told Rolling Stone.

Although the pandemic halted her album recording and nixed her first Coachella performance, Koffee defies the dour attitude of much of the past two years. On "West Indies," Koffee assures that she's partying and having the time of her life — her as-yet-untitled album will likely soundtrack yours while you do the same. — Jessica Lipsky

Read More: The Women Essential To Reggae And Dancehall

Girl Ultra, TBA

Release date: TBD 

Few musical experiences are as uplifting as listening to a singer/songwriter's follow-up to a brilliant debut, where they enhance the scope of their craft with new influences and sounds. Nuevos Aires, Girl Ultra's first full-length album, was just that – a breath of fresh air for Latin R&B, anchored on the purity of her voice and collaborations with Ximena Sariñana and Cuco (for the languid hit "DameLove.") 

Following that 2019 release, the artist also known as Mariana de Miguel returns with a new EP. Lead single "Amores de Droga" evokes the sophistication of Everything But The Girl, combining smoldering vocalizing with cool electro grooves. A study in contrasts, it finds the Mexico City chanteuse reaching a pinnacle of inspiration. — E.L.

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