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Watch Artists React To Winning A GRAMMY At The 2022 Award Ceremony, From Silk Sonic To SZA & Doja Cat
There were sweeps and upsets, ties and shoe-ins, but every winning artist had one thing in common: a strong reaction to getting that golden gramophone. Relive some of the most memorable acceptance speeches of the 2022 GRAMMYs.
The 2022 GRAMMYs, held for the first time in Las Vegas, were a showcase for musical excellence and raw emotion. From larger-than-life performances to powerful speeches, Music's Biggest Night was a resounding ode to the power of music to heal and excite.
But lest we forget, many artists and professionals in attendance were vying for golden gramophones in a whopping 86 categories — several of which had stiff competition. There were sweeps and upsets, ties and shoe-ins, but they all had one thing in common: a strong reaction to being awarded a GRAMMY.
Silk Sonic swept the 2022 GRAMMYs, winning in each of the four categories the duo was nominated in: Record Of The Year, Song Of The Year, Best R&B Performance (a tie with Jazmine Sullivan) and Best R&B Song. Anderson .Paak and Bruno Mars did an elated slow dance to the stage to claim their GRAMMY for Song Of The Year Award for "Leave The Door Open."
No longer a rising star, Best New Artist Olivia Rodrigo took home three GRAMMYs on Sunday night. Holding the GRAMMY for Best Pop Vocal Album for Sour, Rodrigo offered a bevy of thanks for the life-changing work.
Doja Cat and SZA made for perhaps the most memorable speech when they accepted their GRAMMY for Best Pop Duo/Group Performance for "Kiss Me More." Doja had to make a run for the stage after taking "such a fast piss," while SZA was in the complete opposite situation on crutches. They shared a sweet moment together on stage before Doja delivered a tearful final thank you.
Jazmine Sullivan was nominated for three GRAMMYs and won two (including the aforementioned tie with Silk Sonic). When the 15-time nominee arrived onstage to receive the GRAMMY for Best R&B Album, she offered an honest and empowered view of her journey to create Heaux Tales.
Emotions were already running high by the time the Brothers Osborne accepted their first-ever GRAMMY for Best Country Duo/Group Performance for "Younger Me." Viewers at home couldn't see it, but it's hard to imagine that there was a dry eye in the house after their touching speech.
With 11 nominations and five wins across a wide swath of categories, Jon Batiste was one of the biggest winners at the 2022 GRAMMYs. Batiste seemed particularly humbled by his Album Of The Year win for We Are, which provided an inspiring and uplifting end to the night.
Photo: Edwig Henson
GRAMMY Style Edit: Stylist Zerina Akers Reflects On Her "Timeless" GRAMMY Looks For Beyoncé, Jazmine Sullivan & Chloe X Halle
In this episode of GRAMMY Style Edit, Zerina Akers revisits her recently styled looks at the GRAMMYs, including Beyoncé's outfit for her history-making night in 2021 and Jazmine Sullivan's suit for her first GRAMMY win in 2022.
For award-winning stylist and costume designer Zerina Akers, fashion is the purest way to express our ideal selves — and she gets to help superstars like Beyoncé do just that.
In this episode of GRAMMY Style Edit, Akers breaks down a few of her styled looks in recent GRAMMY history. She's the mastermind behind Beyoncé's iconic black leather and gold ensemble from the 2021 GRAMMY Awards, a look Akers describes as a "refreshing take on fashion" to coincide with the singer's historical winning moment.
Akers has served as the R&B diva's personal stylist since 2014, and attributes her knack for creating memorable style moments — especially for performances, her personal favorite thing to style — to "the School of Beyonce." (She was the costume designer for Beyoncé's GRAMMY-winning film Black Is King, which won Akers an Emmy in 2021.)
In her everyday life, Akers defines her style as androgynous, with an added eclectic twist on wardrobe basics. She utilizes this approach in her work with Jazmine Sullivan, who Akers styled in a tribal-print black leather suit at the 2022 GRAMMY Awards, and Chloe x Halle, who wore sleek, structural black gowns during their 2019 GRAMMY performance.
"GRAMMY styling, specifically, is always so special," Akers says. "It's important for me to approach it with a timeless sensibility. Will this stand the test of time? Will these images, in 20 years, still be fab?"
Press play on this video to learn more about Zerina Akers' genius behind some of her most recent GRAMMY looks, and keep checking back to GRAMMY.com for more new episodes of GRAMMY Style Edit.
Photo: Christopher Polk/NBC/NBCU Photo Bank via Getty Images
10 Songs That Show Doja Cat’s Rap Skills: From "Vegas" To "Tia Tamara" & "Rules"
Doja Cat’s rap skills are often overshadowed by her many other talents. Yet her bars are too solid to be negated, and her inventive vocal stylings worthy of adulation.
Doja Cat is one of the most exciting talents of our time, and it’s partly thanks to her refusal to stick to one sound. A triple threat, the artist sings, raps and dances with a vigor that’s resulted in seven Top 10 hits and 16 GRAMMY nominations.
But due to the overwhelming popularity of her mainstream pop-forward smashes — including the twice-GRAMMY nominated "Say So," the SZA-assisted "Kiss Me More" (which scored the ladies their first win for Best Pop Duo/Group Performance last year) and her feature on Post Malone’s "I Like You (A Happier Song)" — Doja's rap skills often get overshadowed by her other talents.
Yet Doja Cat is no mere pop star. Her bars are too solid to be negated, and she currently has five 2023 GRAMMY nominations to prove it. Doja's Elvis original motion picture soundtrack cut "Vegas" earned a Best Rap Performance nod, while Planet Her single "Woman" (which fuses sensual Afrobeats with sharp hip-hop rhymes) has three nominations including Best Pop Solo Performance, Best Music Video and Record Of The Year.
In celebration of Doja Cat’s rap prowess, we’ve gathered her best rap songs, from solo album cuts to unforgettable guest features.
What makes Doja Cat’s artistry so mesmerizing is the ease in which she floats from singing to spitting. On "Vegas," the surefire highlight from last year’s Elvis soundtrack, her delicate vocals play a supporting role in amplifying her fiery bars. Her rapping is the star of the show as she unleashes fury at an ex-lover who did her wrong: "Had your ass sittin' first class with your burnt ass out in Abu Dhabi / Coulda been what we shoulda been but you lost a bet."
"Vegas" is a perfect marriage of historical homage (it chops up Shonka Dukureh’s cover of Big Mama Thornton’s original rendition of "Hound Dog") and millennial s— talking that led to a Best Rap Performance nomination at the 2023 GRAMMYs.
"Do It" Remix - Chloe x Halle (2020)
Chloe x Halle gathered an all-star lineup of women rappers for the remix to their sultry hit single "Do It." While the City Girls and Latto brought their own heat, Doja Cat stole the show. Appointed the opening verse, the artist rides the twinkling beat effortlessly but also brings her signature cheeky energy (she literally coughs in the middle of the verse). It leaves you wondering why Doja wasn’t secured for the original version in the first place.
"Tia Tamera" feat. Rico Nasty (2019)
What makes Doja Cat so endearing is that she isn’t afraid to get weird. So when she called upon fellow rapper Rico Nasty for "Tia Tamera" — a track on the deluxe edition Amala, her debut album — we knew we were going to be in for a wild ride. The pair balances their kitschy flows and sheer silliness (Doja is comparing her breasts to the iconic ‘90s twins) with impressive wordplay ("Dug in the guts and I skeet her") to remind you how much they take their rapping seriously.
The Roxana Baldovin-directed video revs up the raucous factor with a neon-colored, ‘90s-inspired explosion featuring homages to "Sister, Sister," Lisa Frank and Nickelodeon’s "Double Dare" game show.
Doja Cat’s rapping often gets compared to Kendrick Lamar for her ability to twist her vocal stylings to invent new effects. On "Rules," Doja Cat’s timbre creates an earworm rollercoaster, leaping from a helium-like tone to velvety seduction.
The Hot Pink song is also one of her most serious, which forces you to pay attention to her lyrical adaptability. "Said play with my p—y/ But don’t play with my emotions," she commands over a Western-inspired production. And better believe listeners obliged.
"Need To Know" (2021)
The GRAMMY-nominated Planet Her was an adventure into Doja’s kooky world, and "Need To Know" was the spaceship to launch us into the stratosphere. Doja Cat transforms into a full alien as she rides on icy synths and crashing snares. It’s maddening how she confidently jumps from cocky ("I don’t play with my pen / I mean what I write") to erotic "Oh, wait, you a fan of the magic? / Poof, p—y like an Alakazam" while never losing her sense of humor. It comes as no surprise that "Need To Know" earned a Best Melodic Rap Performance nomination at the 2022 GRAMMYs.
"Up And Down" (2021)
Doja Cat loves teasing her fans on social media, often sharing songs that she’s working on but likely won't release. Luckily, she gifted listeners with "Up And Down," which she first previewed during an Instagram Live in 2018. She recorded the song in real time, but fans had to hold their breath for three years to hear the official version on the deluxe edition of Planet Her. The wait was worth it, of course, as Doja’s staccato flow and signature cheekiness ("Y'all ain't s— but I flush") still sounded fresh.
"Pu**y Talk - City Girls (2020)
City Girls and Doja Cat are all known for unapologetic praising the power of the woman, so it was only a matter of time when they linked up for this raunchy banger. There is nothing subtle about the song, as Miami-based City Girls explicitly stating how wealthy they need their sexual partners to be. Doja Cat holds her own, dishing a platter of R-rated afterhours innuendos that would make Lil Kim' proud.
"Best Friend" - Saweetie (2021)
You know the musical chemistry is undeniable when it scores you a GRAMMY nomination for Best Rap Song. That’s the case for Saweetie and Doja Cat, whose "Best Friend" was filled to the brim with feel-good energy. The single is all about celebrating friendship and sisterhood, and the song poses the two in an unofficial competition on who can give the other the most compliments. Doja Cat serves double-duty on the twerk-friendly chorus and a verse that shows she’s a ride-or-die friend: "That's my best friend, if you need a freak / I ain't dumb, but motherf—er, she my Tweedledee."
"Make That Cake" Remix - LunchMoney Lewis (2019)
LunchMoney Lewis’ "Make That Cake" single didn’t gather much attention when it first dropped in the summer of 2019, but that all changed when he called upon Doja Cat for the remix not too longer after. Often credited as the artist’s most underrated guest features, it’s the best showcase of her clever and technical wordplay. "Mark my words, hit a billion like I'm Mark Zucker / Big news, Takanawa, Tom Tucker," she spits, making a handful of pop culture references (the Facebook CEO’s wealth, Family Guy news reporters and "zucker" translating to "sugar" in German) in a single bar.
"Get Into It (Yuh)" (2021)
Minaj is known for her frenetic and unpredictable style, and on the Planet Her highlight Doja Cat channels her inner Barb. Her quickfire flow is downright dizzying, taking brief pauses to catch her breath before hopping right back into her quirky wordplay. "Thank you, Nicki, I love you," she sweetly exclaims in the song’s outro. There’s no doubt she made the millennial Queen of Rap proud.
The Soundtrack Hit Makes A Comeback: How 'Encanto,' 'Top Gun' & ‘Black Panther’ Went From Chart-Toppers To GRAMMY Nominations
The once-golden bridge between Hollywood and Billboard has been quiet in recent years, perhaps due in part to the pandemic. But over the past 12 months, that trend has been truly broken.
It’s the kind of development even an animated fortune teller voiced by John Leguizamo couldn’t have predicted.
Lin-Manuel Miranda’s 2021 animated film Encanto was all-conquering, and its success also touched the Billboard charts. The film's "We Don't Talk About Bruno" entered the first Hot 100 chart of 2022 at No. 50, quickly becoming a record-breaking, multi-million-selling phenomenon. It also led to the renaissance of a particular crossover: the soundtrack hit.
With the domestic box office now showing signs of returning to pre-COVID days, the soundtrack single has, once again, become a key marketing tool and chart staple. The nominees for Best Song Written For Visual Media at the 2023 GRAMMYs are proof: Four of the six nominated songs charted on the Billboard Hot 100, with "We Don't Talk About Bruno" sitting at No. 1 for five weeks — the highest tally for a soundtrack release in seven years. (Aladdin favorite "A Whole New World" is also in the exclusive club of Disney animation No. 1s.)
2022 spawned five Top 10 hits from film soundtracks — a feat last achieved in 2018 via Kendrick Lamar’s Black Panther collabs with the Weeknd ("Pray for Me") and SZA ("All the Stars"), Swae Lee and Post Malone’s "Sunflower" (Spiderman: Into the Spider-Verse), Khalid & Normani’s "Love Lies" (Love, Simon), and the A Star Is Born cut "Shallow." Yet the once-golden bridge between Hollywood and Billboard was quiet in the intervening years, perhaps due in part to the pandemic. Not one TV or movie tie-in graced the Top 10 in 2021 or 2020. And although Oscar-winning “Shallow” reached pole position in 2019, it began its chart trajectory the year previously.
Over the past 12 months, however, this drought has been well and truly broken. And for a while, single-handedly by Encanto.
The Encanto OST picked up three GRAMMY nominations — Best Compilation Soundtrack For Visual Media, Best Score Soundtrack For Visual Media and Best Song Written For Visual Media for "Bruno" — and spawned seven Hot 100 singles, including another Top 10 smash, "Surface Pressure." Not bad for an album which in its first week entered the charts at No. 197.
Unlike the inescapable "Let It Go" from 2013's Disney juggernaut Frozen, the success of "Bruno" happened more organically. Its chart and streaming dominance wasn't steered by record executives, but by the public who deemed it more stream-worthy than any other track from the film. The biggest soundtrack from a live-action film, Top Gun: Maverick, told a similar story.
Lady Gaga’s power ballad "Hold My Hand" was primed to replicate the chart-topping, Academy Award-winning success of Berlin’s "Take My Breath Away" from the 1986 original. But while Gaga's lead single received a Best Song Written For Visual Media nomination at the 65th GRAMMY Awards, its chart peak was overwhelmingly eclipsed by OneRepublic’s "I Ain’t Worried."
The uptempo Peter, Bjorn and John-sampling track played over key scene where Tom Cruise, Glen Powell and Miles Teller play football shirtless on the beach, and became Ryan Tedder and co.’s biggest hit since 2013’s "Counting Stars" (No. 6 on Hot 100, over 660 million streams). The synergy between moviegoers and OneRepublic fans caught the band's record label off guard; Interscope pulled promotion of then-current single "West Coast" to capitalize on all the buzz.
2022 also witnessed a return-to-form from pop music-savvy director Baz Luhrmann, whose expert curation helped Romeo and Juliet, Moulin Rouge and The Great Gatsby spawn radio hits. Luhrmann was never going to give his Elvis Presley biopic a traditional soundtrack; instead he favored a mix of nostalgia and anachronism.
Elvis is peppered with songs performed by The King himself, as well as covers sung by former teen idol/lead actor Austin Butler and a host of newcomers and established artists. Yet the film's sole Top 10 hit was contemporary: Doja Cat's "Hound Dog"-sampling "Vegas." For Luhrmann's vision, Elvis was nominated alongside Encanto, "Stranger Things," Top Gun: Maverick and West Side Story for Best Compilation Soundtrack For Visual Media GRAMMY Award.
Even Rihanna came out of self-imposed musical retirement for a film soundtrack, releasing the lead single from Black Panther: Wakanda Forever in late October. While the dramatic balladry of "Lift Me Up" might not have been the floor-filling banger many fans hoped for — the song is Rihanna's first solo single in six years — it still returned the Barbadian to the upper echelons of the hit parade, reaching No. 2.
No stranger to the film soundtrack, Taylor Swift’s contribution to haunting drama Where the Crawdads Sing, "Carolina," is also nominated in the Best Song Written for Visual Media category alongside "Nobody Like U" — Turning Red’s fictional boyband song co-penned by Billie Eilish. And while the monolithic state of the comic book universe has rarely translated to the singles chart, The Batman’s use of Nirvana’s "Something In The Way" catapulted 1992's Nevermind up the charts.
As movie hits were abundant, so were songs featured in big-time TV shows — bringing new songs and decades-old hits back into public consciousness. Chief among these small screen-to-chartoppers was Kate Bush's 1985 single "Running Up That Hill," which played over a significant moment in the mammoth fourth season of Netflix’s "Stranger Things."
The song was the British singer/songwriter's first Top 40 hit in the U.S., peaking at No. 30 on the Hot 100 in the '80s. Nearly 30 years later, without any label backing, the majestic synth-pop classic enjoyed a much-deserved second wind, shooting all the way up to No. 3 faster than you can say "flesh-eating Demogorgon."
The sci-fi nostalgia-fest also gave another, although much heavier, ‘80s gem a new lease of life when Joseph Quinn’s Eddie Munson shredded Metallica’s "Master of Puppets" in its season finale. The thrash metal favorite subsequently enjoyed a belated chart debut at No. 35, returning the headbangers to the Hot 100 for the first time in 14 years.
Elsewhere, video game adaptation "Arcane" spawned the first TV theme hit in eons with unlikely dream team Imagine Dragons and JID’s "Enemy," while "Euphoria" regular Labrinth scored a chart hit with "I’m Tired," a gospel-tinged song he performs in the second season's fourth episode as Zendaya's Rue imagines entering a church. The new golden age of television combined with the return to multiplexes ensured that 2022 was a banner year for the OST.
2023 looks promising, too: Dua Lipa is rumored to be contributing to Barbie’s long-awaited cinematic debut; Disney is set to give The Little Mermaid the live-action treatment featuring Chloe x Halle’s Halle Bailey; and several franchises that previously spawned No. 1 soundtrack songs have new installments on the way (The Hunger Games: The Ballad of Songbirds and Snakes, Fast X). Regardless, expect the soundtrack hit renaissance to continue growing like the "grapes that thrive on the vine."
Press Play On GRAMMY U Mixtape: New Year, It’s Poppin'! Monthly Member Playlist
The GRAMMY U Mixtape is a monthly, genre-spanning playlist to quench your thirst for new tunes, all from student members. GRAMMY U celebrates new beginnings with fresh pop tunes that will kickstart 2023.
Did you know that among all of the students in GRAMMY U, songwriting and performance is one of the most sought after fields of study? We want to create a space to hear what these students are creating today!
The GRAMMY U Mixtape, now available for your listening pleasure, highlights the creations and fresh ideas that students are bringing to this industry directly on the Recording Academy's Spotify and Apple Music pages. Our goal is to celebrate GRAMMY U members, as well as the time and effort they put into making original music — from the songwriting process to the final production of the track.
Each month, we accept submissions and feature 20 to 25 songs that match that month’s theme. This month we're ringing in 2023 with our New Year, It's Poppin'! playlist, which features fresh pop songs that bring new year, new you vibes. Showcasing talented members from our various chapters, we felt these songs represented the positivity and hopefulness that GRAMMY U members embody as they tackle this upcoming year of exciting possibilities.
So, what’s stopping you? Press play on GRAMMY U’s Mixtape and listen now on Spotify below and Apple Music.
Want to be featured on the next playlist? Submit your songs today! We are currently accepting submissions for songs of all genres for consideration for our February playlist. Whether you write pop, rock, hip hop, jazz, or classical, we want to hear from you. Music must be written and/or produced by the student member (an original song) and you must be able to submit a Spotify and/or Apple Music link to the song. Students must be a GRAMMY U member to submit.
About GRAMMY U:
GRAMMY U is a program that connects college students with the industry's brightest and most talented minds and provides those aspiring professionals with the tools and opportunities necessary to start a career in music.
Throughout each semester, events and special programs touch on all facets of the industry, including the business, technology, and the creative process.
As part of the Recording Academy's mission to ensure the recorded arts remain a thriving part of our shared cultural heritage, GRAMMY U establishes the necessary foundation for music’s next generation to flourish.
Not a member, but want to submit to our playlist? Apply for GRAMMY U Membership here.