Photo: Hollie Fernando
Global Spin: Wet Leg's Gritty "Being In Love" Performance Brings '90s Nostalgia With A Surprising Twist
Wet Leg deliver their signature quirky sense of imagination and striking style in this grunge-inspired performance of "Being in Love," which features a whimsical — and unexpected — ending.
British indie rock duo Wet Leg combine '90s rock nostalgia with a quirky, fresh visual in their performance of "Being in Love," the lead track from their self-titled 2022 debut album. The song encapsulates the giddy — and slightly sick — feeling of an exciting new relationship, and the band pairs that topic with grungy guitarwork and kaleidoscopic vocals.
In this episode of Global Spin, Wet Leg bandmates Rhian Teasdale and Hester Chambers give viewers a front row seat as they perform "Being in Love." The gritty guitar lines are matched by grainy '90s-inspired visuals, complete with a neon sign bearing the band's name behind them.
But if you're expecting a straight-ahead performance video, think again: There's a twist at the end of the clip.
As the song ends, the clip jumps to some place completely new, taking viewers to a windy outdoor setting. Pointed towards a walking path over a rocky embankment, the video shows a woman dressed in a draping, feathery white suit as she slowly strides into the distance.
"It's kinda nice to watch her, like, walking," someone behind the camera comments, amid some giggles from the people behind the scenes. "...Look how sad that is. Look at her."
While the video's final shot doesn't have the same nostalgia factor that Wet Leg embrace during their performance, it puts an equal emphasis on grainy, DIY grunge. It underscores the whimsical vibes that the band has brought to all of their musical endeavors since their 2021 breakout "Chaise Lounge" — a song that's also included on the track list of their self-titled debut.
Press play on the video above to watch Wet Leg's full performance, and keep checking back to GRAMMY.com for more episodes of Global Spin.
Photo: REELS Corporation Inc. (Sunghyun, Seyeon)
Global Spin: Watch South Korean Phenoms Viviz Perform An Irresistible Version Of "Bop Bop!"
In this episode of Global Spin, a video series highlighting exceptional artists from around the globe, watch South Korean group Viviz perform their scintillating song "Bop Bop!"
We may live in an era where cultural borders are vanishing, but have you ever considered K-pop with Latin rhythms? If not, feast your ears on Viviz.
Hailing from South Korea, the trio performs their vibrant, disco-tinged single "Bop Bop!" from the Dongdaemun Design Plaza in their hometown of Seoul.
With flowers in their hair and a troupe of dancers in tow, the Viviz girls deliver a flawless performance — one that’ll get you moving right along with them.
In this episode of Global Spin, a video series spotlighting spectacular artists around the world, get to know Viviz in all their hyper-melodic, continent-spanning glory.
Enjoy the performance above and keep checking back for more episodes of Global Spin.
Photo: Erick Fernando Quituizaca
Global Spin: The Change Goes On A Trek For Her Electric, Hillside Performance Of "Imperio"
In the debut episode of Global Spin, a brand-new performance series spotlighting global music and international artists, Dominican singer/songwriter/producer the Change delivers an electrifying performance of her 2019 single "Imperio."
It's fitting that the debut episode of GRAMMY.com's Global Spin series, a brand-new performance series spotlighting global music and international artists, kicks off with a sunrise performance from Dominican artist the Change.
In just three years since she released her first single, she has organically generated a fan base of more than 2 million monthly Spotify listeners off songs she wrote and produced entirely by herself. In fact, according to the Change, she recorded "Imperio," the track she performs in this installment of Global Spin, on her cell phone.
Watch her performance of the touching single below.
The Change's songwriting ability shines bright on "Imperio," which she describes as one of the most personal songs she's ever written, thanks to the track's strong hook; in it, she bounces back and forth from her lover making her feel like a girl again to not being afraid to age—so long as her partner is there along the way.
For now, the multitalented singer/songwriter/producer only has a handful of songs under her belt. But after signing to Warner Music earlier this year, the Change is primed to bring her flag to new heights.
Tune in to the sounds of the world with Global Spin every other Tuesday starting Sept. 28, at 10 a.m. PT/1 p.m ET on the Recording Academy's official YouTube channel, Facebook page, Instagram page, and Twitter profile.
Photo: Lucy Rose Laucht
Global Spin: Facesoul Explores The Healing Power Of R&B With His Soulful Performance Of "All I Need"
In the latest episode of Global Spin, Somali-born, U.K.-based singer/songwriter FACESOUL displays the healing heights of his R&B sound with a stunning performance of his 2021 song, "'All I Need"
By growing from his roots in Islam and exploring the healing power of music, Somali-born, U.K.-based singer/songwriter FACESOUL looks deep into the soul of soul music.
In matching minimalist production, layered vocals, and a lyrical search for meaning, the transcendent artist born Faisal Salah produces a meditative, beguiling beauty unlike anything else in modern R&B.
In the latest episode of Global Spin — a brand-new performance series spotlighting global music and international artists — FACESOUL shows just how magnetic his melange of styles can be.
Watch the London-based vocalist perform "All I Need," off his 2021 album, YSRA, below.
In the clip, FACESOUL sings serenely in the center of an abandoned building, ivy and trees growing through the cracks in the stone. "Glory sure will rise, if I just believe it," FACESOUL sweetly sings, his hope and optimism growing through the darkness like the insistent nature around him.
Check back every other Tuesday for new episodes of the Global Spin performance series.
Photo: Alive Coverage
10 Moments From Outside Lands 2022: Kim Petras Covers Kate Bush, Larry June Gets Healthy & An Illegal Afterparty
San Francisco's Outside Lands Festival returned to Golden Gate Park for three days of sun-soaked sounds. From local rap and DJs, to "slut pop" and Pussy Riot, GRAMMY.com recaps three days of distinctly Bay Area joy.
Outside Lands, which takes place in San Francisco’s Golden Gate Park, is typically accompanied by foggy days and nights, a wintery music festival that takes place in the summertime. But sunny skies and temperatures into the ‘70s brought a brighter outlook and bolder outfits to this year’s event on Aug. 5-7.
The festival, which began in 2008 and has taken place annually except for 2020, featured headliners SZA, Green Day and Post Malone at the top of an international lineup of DJs, artists and bands, plus extensive food and drink options and even a legal cannabis marketplace and consumption area. Here are some of the many notable moments that helped to make Outside Lands a delightful experience this year.
A sold-out crowd at Outside Lands’ main stage. | Photo: Alive Coverage
DJ Umami Wins The Game
As the official DJ for the San Francisco Giants and the Golden State Warriors, DJ Umami knows how to rock stadiums with a smile. Her packed Friday afternoon performance at The House by Heineken — one of four areas at the festival that were dedicated to DJ sets — combined the explosive energy she has at those big sporting events with the hype of her bar and club gigs. Fran Boogie, her friend and frequent collaborator on the mic, offered the cherry on top with his vocal party-pumping punctuations.
Hiatus Kaiyote Slays The 4:20 Set
Nai Palm of Hiatus Kaiyote | Photo: Alive Coverage
The festival’s Grass Lands area sold THC-infused beverages (including cans of weeded sparkling water by Pabst Blue Ribbon), edibles and cannabis flower. The smell in the air at 4:20 p.m. on Friday made it clear that Grass Lands was on track to sell millions of dollars of products, as it reportedly did in 2019.
Grass Lands was located close to the main stage, Lands End, where Australian jazz-funk act Hiatus Kaiyote must have received quite the 420 contact high. Singer Nai Palm led a set largely taken from the band’s 2021 album, Mood Valiant, which was written when she was undergoing treatment for breast cancer. The soul survivor also effortlessly handled a cover of David Bowie’s "Within You."
Lil Uzi Vert Looks Out For His Fans
Lil Uzi Vert gets up close and personal. | Photo: Alive Coverage
GRAMMY nominee Lil Uzi Vert was careful to notice when the crowd at his Lands End performance got too squished together in front. At a few points during his 26-song set, he asked everybody to take three steps back before he’d start again.
"Then we can really open up," he said. Those pauses in the show appeared to work, giving people more room to throw their hands up and jump up and down instead of being involuntarily carried by the crowd.
He did his most-requested original songs, like "XO TOUR Llif3," "444+222" and "I KNOW," but also covered "WDYW" by Carnage and Playboy Carti’s "Wokeuplikethis," the latter of which prompted an overzealous fan to jump on the stage, which Lil Uzi Vert handled with obvious love and grace.
Qbert And Shortkut Offer DJ Masterclasses
Nestled under trees, the intimate Cocktail Magic stage featured technically masterful freestyle sets from legendary local DJs Qbert and Shortkut on Friday and Saturday. With their schedules taking them to different places, the longtime friends rarely get to see each other these days, and Shortkut told their audience that they were having fun practicing together.
The DJs played hip-hop, drum & bass, and electro beats and wittily conversed through the cadences of their improvised cuts and scratches over the top. After their Saturday show, they posed with girls in pickle costumes, a nod to their '90s world champion DJ battle crew name, Invisibl Skratch Piklz.
(L-R) Hester Chambers and Rhian Teasdale of Wet Leg. | Photo: Steve Jennings/Contributor
Wet Leg Gets Tiny Blue Babies… Again
One of the festival’s true scheduling conflicts was having Russia’s provocative Pussy Riot perform at the same time as buzzy English duo Wet Leg on Sunday, forcing tough choices and a strong desire to be two places at once. Those who chose Wet Leg at the Sutro stage were rewarded with a sunny set of songs from their self-titled debut album, including "Being in Love," "Wet Dream" and the purposefully misspelled "Chaise Longue."
The audience also got the chance to bear witness to a rather strange mystery. In between songs, singer/guitarist Rhian Teasdale picked up tiny blue plastic babies that were thrown on stage. Wet Leg has no idea why they keep getting pelted with them.
"We get these every time we play in San Francisco!" marveled singer/guitarist Rhian Teasdale, holding up one of the tiny tots.
Baby Tate Wakes Up The Panhandle
Though Atlanta rapper Baby Tate (the daughter of GRAMMY-nominated singer Dionne Farris) appeared on Sunday’s Panhandle stage — one of the smaller and traditionally sleepier performance areas at Outside Lands — she quickly drew a feverishly-bouncing crowd that foreshadows how confidently she’d fare on a main stage at the festival.
DJ Sky Jetta introduced her with a quick flurry of surprising songs, including Miley Cyrus' "Party in the USA" and Panic! At The Disco's "I Write Sins Not Tragedies." Tate, 26, somehow matched the energy of those millennial classics with her own newer songs, like 2020’s "Rainbow Cadillac," which contains an interpolation of Danity Kane’s 2006 pop debut, "Show Stopper."
Larry June Gets A Healthy Crowd
Local rapper Larry June | Photo: Alive Coverage
The only local rap artist booked at Outside Lands, San Francisco’s Larry June didn’t appear to have high expectations beforehand, telling SFGate, "I don't care if there's 100 people in my set, I just keep pushing. I don't even care about set times or whatever, I just do my thing and go home."
But thousands of people pushed through to see June perform what he calls a "healthy and organic experience" on Saturday with effortlessly cool songs like "Watering My Plants" and "Smoothies in 1991." He said the Outside Lands audience was his biggest and best crowd of all time.
Kim Petras Covers Kate Bush
"It’s a scary f—ing time right now, especially for trans girls," said the German pop star Kim Petras on Sunday as a preface to her vocally strong, emotionally-charged cover of Kate Bush’s "Running Up That Hill," which she made sure to note that she released months before the song’s star turn on "Stranger Things."
It was a sobering and tear jerking moment in what was otherwise a tight set of naughty and fun anthems, including "Slut Pop" and "Throat Goat," on the second biggest stage, Twin Peaks.
Tater Tots Grow Up
Lobster tater tots fromWilliam Tell House | Photo: Tamara Palmer
With over 80 restaurants and food vendors, Outside Lands is as much a food festival as a music one, and the diverse selections really represented what the Bay Area culinary scene has to offer.
Two takes on tater tots easily stole the show for deliciousness and ease of eating: a spicy, lobster-crowned version by William Tell House in neighboring Marin County, and churro tots topped with chocolate and caramel sauces and whipped cream by San Francisco confectioner Charles Chocolates.
Hemorage Drops The Hottest (Illegal) Aftershow
Just after Green Day finished their Saturday set at Lands End that included reminiscing on playing an illegal show in another San Francisco park in the '90s, a hardcore thrash band from the city called Hemorage started their own show. They parked their van at a residential corner near one of the festival exits and proceeded to send even more noise throughout the already-weary Sunset District.
While police arrived, they actually waited for a song to finish before pulling the plug. There’s no doubt that Billie Joe Armstrong would have more than approved of such a genius pop-up show.