"I think I love you/ 'Cause it hurts so bad, so bad, so bad/ Oh yeah, I would die to/ Call you my friend," Korean indie rock quartet The Rose declare in the lyrics of their new love song, "Shift." It's a declaration of unconditional devotion from the fast-rising group, one that captures deep emotion both lyrically and melodically.

In this episode of Global Spin, the band brings their mid-tempo ballad to life with a mellow performance in California’s famed Joshua Tree. The Rose's four members trade vocals, strum acoustic guitar and tap out a beat in this stripped-down rendition of "Shift," a track from their recently released album, Heal.

The Joshua Tree backdrop — with stunning sand dunes, cacti and a breathtaking mountain range in the distance — makes the performance even more impactful. But the desert setting is more than just an aesthetic choice: It also reflects the album-making process behind Heal.

"We started [the album] in Korea and finished at a desert," singer/guitarist Kim Woo-sung told Consequence upon the project's release. "We really got to spend some time together and, you know, just hang out. And I think that's what felt the best."

Heal is the first album to come from The Rose in a few years, and during that time, they've been on hiatus, pursuing personal projects and honing in on their individual musical identities. Now reunited and rejuvenated, the bandmates suggest that their purpose as musicians — both individually and together — is stronger than ever before. 

"We had so much free time, and...we were able to have a good moment of us bonding and understanding," singer/keyboardist Park Do-joon added. "That really helped us a lot writing songs."

Press play on the video above to take an emotional journey through the desert with The Rose, and keep checking GRAMMY.com for more new episodes of Global Spin. 

Ten's New Era: The K-Pop Singer Promises To "Keep Changing" On Celebratory New Release

Andy Allo is all smiles, holding her acoustic guitar under a small, wooden roof in the verdant climes of South Cameroon. There's no amplification; she has no band. But she does have radiant backing — via the Baka women of Bifolone, who augment her performance with their exultant vocals.

"As long as you're here/ Might as well say/ Don't be afraid/ I'm going away," Allo sings. "The one you knew/ Bid adieu/ Somewhere a long time ago." As the singer/songwriter's rendition of "Back to Africa" picks up steam, so do her accompanists, who lift up this exuberant performance with their claps and counterpoint.

In this episode of Global Spin, watch this feel-good performance straight from South Cameroon. Therein, the throng sing in exultation as they deliver this ode to the precious continent.

Allo already commands a sizable legacy. In her twenties, she was a guitarist and vocalist in Prince's band; the Purple One also co-wrote several songs with Allo and served as executive producer on her second album, Superconductor.

In her thirties, she is one of the two stars of "Upload," a Prime Video series helmed by Greg Daniels from "The Office"; the show returns for its second season on March 11.

Watch Allos' humanistic performance of "Back to Africa" above, and keep checking GRAMMY.com for more episodes of Global Spin.

Love Burna Boy & Wizkid? Listen To These 5 African Genres

If you ask Pretoria musician Focalistic how to define himself, he would say "focalistic-cataclism" — a term his cousin coined that describes a "focused person who's going to change the world and how people view things."

As the budding artist continues to rise in popularity, he's doing just that, spreading awareness about the sphere of South Africa and amapiano music.

In this episode of Global Spin, Focalistic delivers a glowing performance of "SJEPA," the lead single from his latest album, Ghetto Gospel. Stationed center in a dark, empty room, only accompanied by the illumination of pink neon strobes, Focalistic's simplistic staging spotlights the singer's bouncy lyricism and sharp vocal cadence.

Ghetto Gospel is Focalistic's third studio album and collaboration project with fellow Pretoria music duo Mellow & Sleazy, helmed by additional appearances from other leading South African performers, such as Sjava and DBN Gogo.

This era of Focalistic, really, is all about uniting creatives around the continent: "The saying is 'collaboration over competition,' so you'll notice a feature in many of my songs. We're at a point right now with African music where it's about showing the true spirit of Ubuntu," he told GQ in 2022.

Press play on the video above to watch Focalistic's captivating performance of "Sjepa," and keep checking back to GRAMMY.com every Tuesday for more new episodes of Global Spin.

Love Burna Boy & Wizkid? Listen To These 5 African Genres

Moroccan pop singer Manal never expected to have a full-time career as a performer. She balanced her appearance on the Lebanese reality competition series Star Academy with her business and finance studies before eventually pursuing a Master's degree and a Ph.D.

But after a whirlwind few years of posting covers on YouTube and independently releasing music, Manal signed with Sony Music Middle East and skyrocketed to fame with her major label debut single, "Taj," in 2018. She's since released her first album, 360, in 2021, and was featured in the 2022 FIFA World Cup soundtrack.

In this episode of Global Spin, Manal enters her next chapter with a premiere of her newest release, "7iya." Clad in traditional jewelry, she pays homage to her Moroccan heritage as she simultaneously sings in her native language, Arabic. The simplistic set allows Manal's vocals to take center stage as she dances slowly around an empty white room.

"7iya" is the second single from Manal's upcoming second studio album, following the release of "3ari" in March 2022.

"My second album is even more important to me than my first one," she teased in an interview with L'Officiel Arabia. "You're going to be able to get to know another aspect of my personality in this project."

Press play on the video above to watch Manal's exclusive performance of "7iya," and keep checking back to GRAMMY.com every Tuesday for more new episodes of Global Spin. 

Bonobo's Favorite Productions: Phone Recordings, A '20s Bulgarian Choir, Moroccan Gnawa Music & More

With every release, singer/songwriter LAY has paid homage to his Chinese heritage. His latest EP, West, is no different, as he croons over the sounds of traditional instruments.

Released as a sequel to his 2021 EP, East, West continues LAY's global exploration and comprehension of western culture through the lens of his upbringing in China. "I'm a proud Chinese person first before an artist," LAY detailed in a media conference. "I just want to share the good things about my culture. I hope it inspires others to do the same."

In this episode of Global Spin Live, LAY offers a highly energetic performance of West's lead single, "Veil," at the GRAMMY Museum. He smoothly transitions between English and his native language, Mandarin.

It's a metaphor for LAY's multicultural mindset that's not only manifested in his lyricism, but additionally in the song's choreography and production; he balances contemporary hip-hop moves with the soft tapping of the Chinese erhu.

Though West presents two versions of "Veil" — one in Mandarin and one predominantly in English — LAY performs the latter on the GRAMMY Museum stage. "'Veil' is [asking listeners to] be more real. Take off your mask and show me the real you," he shares, further emphasizing the message of "Veil" that encourages listeners to share our most authentic selves.

Global Spin Live is held in conjunction with GRAMMY Museum and GRAMMY.com as a live event extension of the popular online series, Global Spin, showcasing Global Music artists. Press play on the video above to watch LAY's suave performance of "Veil," and check back to GRAMMY.com for more episodes of Global Spin.

It Goes To 11: The Rose Introduces The Acoustic Guitar That's Been Part Of Their Career Since The Beginning