Press Play: Lolo Zouaï Brings 2018 Single "Desert Rose" To Life With Captivating Cinematic Performance
Singer/songwriter Lolo Zouaï pairs live instruments with cinematic visuals to orchestrate a sublime performance of "Desert Rose," in the newest episode of Press Play
It's rare to find a song as diverse yet simultaneously uniform as singer/songwriter Lolo Zouaï's "Desert Rose." The track showcases the French-born American seamlessly bouncing between three languages — English, French and Arabic — while pleading to be loved.
In the latest episode of Press Play, the San Francisco native brings her 2018 single to life with a performance as multifaceted as the track itself.
Backed by grand live instruments and first-class cinematography, Zouaï leads the way on a captivating performance of one of her most popular releases.
Watch the performance below:
After its initial release as a single, "Desert Rose" was featured on Zouaï's debut album High Highs to Low Lows in 2019. The album's self-titled track was released in 2017 and reached breakout status while Zouaï was working as a restaurant hostess in Brooklyn.
Since her 2017 breakout, Zouaï has sold out headline shows in over a dozen countries, worked alongside four-time GRAMMY winner H.E.R. and is set to open for three-time GRAMMY winner Dua Lipa's North American tour in 2022.
Check out Zouaï's must-see "Desert Rose" performance above and watch more episodes of Press Play below.
Press Play At Home: Watch Dodie Perform A Morning-After Version Of "Four Tequilas Down"
In the latest episode of Press Play At Home, singer/songwriter dodie conjures a bleary last call in a hushed performance of "Four Tequilas Down"
"Four Tequilas Down" is as much a song as it is a memory—a half-remembered one. "Did you make your eyes blur?/So that in the dark, I'd look like her?" dodie, the song's writer and performer, asks. To almost anyone who's engaged in a buzzed rebound, that detail alone should elicit a wince of recognition.
Such is dodie's beyond-her-years mastery of her craft: Over a simple, spare chord progression, she can use an economy of words to twist the knife. "So just hold me like you mean it," dodie sings at the song's end. "We'll pretend because we need it."
In the latest episode of Press Play At Home, watch dodie stretch her songwriting muscles while conjuring a chemically altered Saturday night—and the Sunday morning full of regrets, too.
Check out dodie's hushed-yet-intense performance of "Four Tequilas Down" above and click here to enjoy more episodes of Press Play At Home.
Press Play At Home: Francisca Valenzuela Performs Her Courageous Feminist Paean "La Fortaleza"
The outspoken Chilean singer/songwriter Francisca Valenzuela sings of womanhood and will to power
For Francisca Valenzuela, feminism isn't a radical notion, but a self-evident truth. The daughter of two renowned Chilean scientists, she's published muscular, experiential poetry (like her 2000 book, Defenseless Waters, which she published in her early teens) and founded Ruidosa, a festival, platform and community that elevates female voices.
In this episode of Press Play At Home, Valenzuela sings "La Fortaleza," which contains her worldview in microcosm. "Everything that has happened has led me to today," she sings in Spanish. "I look ahead to the horizon and I bury the guilt and leave/I pack a suitcase, take a deep breath and don't look back/Setting sun, rising sun will accompany me."
Check out Francisca Valenzuela's riveting performance of "La Fortaleza" above, and watch other episodes of Press Play At Home.
Aaron Lee Tasjan
Press Play At Home: Aaron Lee Tasjan's Playful Performance Of "Computer Of Love"
"Some advanced technology is eating through my brain," Tasjan laments at the start of the lively folk-rock song
In the latest episode of Press Play At Home, Nashville-based singer/songwriter Aaron Lee Tasjan offers a playful yet piercing take on technological dependency in his performance of "Computer of Love."
"Some advanced technology is eating through my brain," Tasjan laments at the start of the lively folk-rock song. Watch his full performance below.
Featured on his forthcoming, genre-bending album, Tasjan! Tasjan! Tasjan!, out Feb. 5, 2021, the song references the disconnection caused by technology and social media and the emotional barriers they create within and between people.
Chika Drops Stripped-Down Version Of "Balencies" For Press Play
The Alabama rapper gives an intimate performance of her song "Balencies" from her major label debut EP 'Industry Games'
Chika is having a breakout year, no matter how you look at it. Born Jane Chika Oranika in Montgomery, Ala., the first-generation Nigerian-American rapper was named to XXL Magazine's 2020 Freshman Class. And it's easy to see why:
The self-described "professional truth-teller" with "a pen that's tactical," Chika shines in the latest edition of Press Play At Home, delivering an intimate version of "Balencies" from her major label debut EP Industry Games.
"The time that went into 'Industry Games,' was a year of my life, last year specifically," she recently told The Recording Academy. "I think that I fleshed out a lot more about myself with this project. You get more of my thought process, and the way my brain actually works––I get to share how crazy and hectic it gets in my brain sometimes. [Laughs.] You hear me versus my ego on it, and what that sounds like for me to be this soft-spoken person, but having a bigger ego, and having to defend certain words."
"Balencies," produced by Lido, also features production elements chosen by her puppy, Vision, who gets a nice shoutout in one of her verses. Chika's soulful, poetic lyricism shows her poetry slam roots and the influence of her southern upbringing in the church, which had a strong musical influence on her style.
Enjoy Chika's very personal performance of "Balencies" and stay tuned for more outstanding original music from GRAMMY.com's Press Play series.