The day before the scheduled release of her sophomore album Punisher, Phoebe Bridgers let the cat out the bag. "I’m not pushing the record until things go back to ‘normal’ because I don’t think they should," she tweeted, along with an album link. "Here it is a little early. Abolish the police. Hope you like it."

The move, while unorthodox by most promotional standards, was a no-brainer for Bridgers. Open about her beliefs, both on social media and in interviews, the musician has already been a strong supporter of Black Lives Matter and The Bail Project, which in early June she helped fundraise for with a hushed version of Bright Eyes' classic "First Day of My Life."

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Of course, resiliency and improvisation isn’t a completely unheard of attribute in the mist of the 2020 quagmire. When we spoke in early May, Bridgers is calling from on top of a treadmill in the middle of her house. For the singer/songwriter, the exercise equipment represents the adjustment we’ve all been forced into, and a way to get some exercise now that walking in her Los Angeles Echo Park neighborhood has become too complicated. (Only walking—she confirms, citing "shitty knees.") The sense of movement helps her think, particularly after calling her summer tour off after only one rehearsal with her band. 

This pause, both figurative and literal, has been the first Bridgers has had, almost since her 2017 debut, Stranger in the Alps. As if supporting one critically acclaimed album wasn’t enough (see the year-end lists and string of film placements that made singles like "Motion Sickness" shorthand for complicated sadness), in 2018 she hit the road with boygenius, a meeting of minds featuring her, Julien Baker and Lucy Dacus. In 2019, she repeated the collaborative trick again hitting the road as Better Oblivion Community Center, a project she shares with Conor Oberst. Fans have been catching on to Bridgers’ ability for narrative storytelling—and not just the social media manager at Men's Health, who seems to be an omnipresent visitor during her live streams. ("I feel like they’re doing something right over there," she cracks of her unnamed admirer.) 

Of course, it hasn’t been all stillness. Even recently during lockdown, Bridgers has been making the rounds, including a recent appearance on "Jimmy Kimmel Live!," where she gave a pajama-clad, Omnichord-led performance of her single "Kyoto." (An aesthetic, she explains, that was inspired by both acoustics and a similar performance from The Killers.) She also recorded a video for "Kyoto" on green screen—channeling the aesthetics of Japanese Monster films, after a trip back to the country was scrapped. Creativity is still happening—even if she has no clue when fans will get to experience it live. 

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Ahead of the release of Punisher, Bridgers spoke with GRAMMY.com about Japanese snack food, learning to be grateful and nostalgia for life on the road. 

So aside from the treadmill, what has been the most unique purchase you've made during lockdown?

I bought a bunch of cheese cloth so that I could make almond milk at home. I'm not very crafty or homey. So, that was a big purchase. For me, even though super cheap, but like out of the box, I bought a pajama onesie with a skeleton on it, but the crotch has ripped out of it already because it’s really cheap.

Is it true that you were Conor Oberst's gateway to memes?

Yeah! I still think he's pretty outside of the gate. Sometimes they'll genuinely make him laugh, but mostly he's just like, "What the f**k is that?"

You're doing a service to humanity one meme at a time.

Exactly. I'm solving all our conflict that's reported on. Totally taking it upon myself.

Given that you were casually into other bands last year, when did Punisher start coming together?

It started coming together before even my first record was out. I kind of take forever to write music, so I started writing it and then started recording it like, right after I recorded both my other bands. "Garden Song" was one of the first ones. "I See You Too." I remember playing that for everybody on the boygenius tour the recording. So, we were working on it for a really long time and then and then finished it up.

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Are you the are you the kind of writer that’s constantly writing?

No, I go through weird phases. Mostly I'm procrastinating.

Hence your amazing Twitter presence. I get it now.

Hey, yeah! You're hearing the only 10 songs I really have. I guess I have like one extra song that I finished after the album was already recorded. I tend to write what is needed for me and I don't really like edit, or use elimination. I just record what I have.

Has the fair amount of collaborating you've done in the last year change how you work with other artists on your solo albums?

I really learned how to collaborate with first record, and then just every project I've done since it's like involves more and more people. Just because my friend group and the people I can like, call upon has become very big. I've always wanted his work like that. But this is the first time I've had the opportunity to.

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Are there any names you wish you could add to that creative Rolodex?

It's so funny because like, honestly, not really. I think I will discover more people that become collaborators of mine, but for right now, my group is so solid, and it works.

Punisher seems like a very evocative title.

Well, I was gonna do like a self-titled album, which I might do to the next one. But then I wrote a song called "Punisher" and I was like, that's actually a sicker album title. A Punisher is someone who doesn't know when to stop talking. So, I think of like, older relatives who are talking about, like their hip replacement or something. They just don't know when you're disinterested. And I think we've all been that, like, to our heroes. So, in this context, I'm like punishing someone. You know, like, you get cornered at the bar by the friend that the person you were hitting on. That's a punisher.

I wish you could see the spit take I just did. 

Yeah, I think it's a little too relatable for everybody.

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I feel like at some point everyone has been a punisher--and everyone who's been to Japan claims Kyoto as their favorite place. What's your relationship to the city?

It was like my favorite place I've ever been. Still is. I just had such a good time when I was there and wanted to go back. Yeah, I just made like a really big impression on me.

How do you handle that sense of displacement when you're discovering these amazing things so far from home?

Right now, I would kill to be on tour. But when I'm on tour, I save cute Pinterest home ideas. And I like look on Google maps [of] hikes by my house. I think it's pretty common, like wanting to be where you're not, but it's especially prevalent and weird when you're, like, living out something you've always wanted to and you're thinking about the next thing.

Yeah, I think anyone who lives in fast motion like that can identify with that as well. When those moments strike, and you realize that your brain is somewhere else like you described in the song "Kyoto," how do you bring yourself back?

It's hard. I'm still working on it every day. I'm trying to write like three things I'm grateful for every day now. I think it's pretty common and Pinterest-y again. But it seems to be working because at first you really have to wrack your brain and then after a while, it just gets easy and they become like tiny little details. But I've been talking to a couple friends it's like, when we forget about all the fear of being alive right now, it's going to be tempting in 10 years to be like, remember that crazy time when we were all just like finding ourselves or whatever? Like, I know there's gonna be like op-eds that are, like, romanticizing right now. And it's easy to think of the past that way. Because it's really hard to romanticize your present. Especially when everything's so uncertain and literally dangerous and life-threatening. But yeah, I just want to romanticize my life a little bit more while I'm living in it instead of in the future or past.

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So, what has been on your list for the three things you're grateful for?

I should go look at it. But some days are really bad where it's like, I didn't eat until I got sick. But that is a special skill. I feel like an anxiety mechanism is like, I ate five toaster waffles in a row in the middle of the night a couple nights ago and I felt ill. So, the next day was a victory to not do that. I learned how to not do that. Sometimes I'll turn on a yoga class on my computer and then lay on my yoga mat and stare at the ceiling. And since I've been writing stuff down, I realized that when I finish the class I will write it down. Or like if I make something, or if I get enough sleep, or just like, you know, made a really good pot of coffee today, and it kind of sets the whole day instead of reheating yesterday's coffee.

I like that you're giving yourself credit for the little victories we're all having right now.

That's all there is.

Since it played a role in the song "Kyoto," what is the best thing about Japanese convenience stores?

Snacks. Just like, the triangle rice onigiri at convenience stores are so good, which is funny because I think they're for kids. Oh my god.

If you had to place yourself in the chaotic good chaotic evil sort of square, where would you rank?

I'm like all over the place. Sometimes chaotic good. And sometimes I'm neutral evil. I'm all at different times in my life.

What are you looking forward to most once we get back to the era of live music?

I'm finding myself looking forward to the weirdest smallest things, like being at a truck stop in the middle of the night. Going to diners after shows. Looking out the window if the bus in Montana. Seeing other bands. I'm remembering all the extra stuff, but mostly I'm just looking forward to playing these songs. We had one rehearsal before shit the fan with the band and it sounded so good. And I was kind of scared that it wasn't gonna translate. But it did immediately and it was so fun to play the songs. I can't wait.

Hinds' Carlotta Cosials On 'The Prettiest Curse' & Why "Rock And Roll Is Free Of Gender"

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

10 Essential Facts To Know About GRAMMY-Winning Rapper J. Cole

Quite a lot has changed for boygenius in the months following the release of their debut album, the record, in March.

The indie supergroup of Julien Baker, Phoebe Bridgers, and Lucy Dacus initially joined forces in 2018, offering a self-titled EP and North American tour. Despite positive reception for both, the trio were largely quiet for several years and shifted to their solo projects.

So when their reunion and debut full-length was confirmed in January 2023, much attention was given to boygenius' trajectory. Once the record was released, the group seemingly went skyward.

Fast forward to the present and the band is on the third leg of their tour in support of the record, recently performing for 25,000 people at Gunnersbury Park in London and selling out Madison Square Garden. Continuing their exponential growth, boygenius recently announced the rest, a four-track EP set for release Oct.13.

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Sonically, the rest is a revisitation. ​​"We veered away from our folkier roots on the record in a way that was fun to come back to for the EP," says Bridgers sitting alongside Baker and Dacus on a Zoom call from the Westville Music Bowl in New Haven, Connecticut.

Even deeper rooted than their love of folk music, and what has remained consistent throughout  the five years after their initial connection, is the trio's shared dynamic. 

"We were never not a band," says Bridgers. Yet, "it doesn’t just mean that we’re all great musicians and therefore our talent gets exponentially multiplied," Baker says of their "supergroup" designation. "It’s the dedication to how we mediate music between the three of us as a conduit. That’s the important part." 

Their impact and connection extends beyond music as well. The trio has moved into other forms of media, producing a music film directed by Academy Award nominee Kristen Stewart, and have become icons for the queer community after performing in drag in Nashville to protest the city’s anti-drag legislation (among other pro-queer activities).

Ahead of their new EP, boygenius candidly dive into their songwriting process, relationships with queerness, and using music as a conduit of their connection. 

This interview has been edited for clarity.

When you think back on who you were professionally and personally when you wrote the first EP, what is it like to bring those songs into the present on much bigger stages?

Phoebe Bridgers: I think about it more from a fan perspective now. I’m like The kids are singing it to me. They get excited when we play older songs 'cause they feel a part of it.

Julien Baker: It's sweet imagining them having anticipated it. Having been at that [older] show or missed that show. We’ve aged with them and they can trace our parallel aging. 

Bridgers: When we play "Me & My Dog," I was singing about myself and from my perspective. Now I’m so far away from it that it’s like the fans are singing it. I feel that way about "Souvenir." This is one for the fans to sing to us.

How did you view yourselves at the start of the group in 2018, and how does that compare to you are today?

Lucy Dacus: I’m a bigger fan of who I am now than who I was, but you gotta root for yourself, so I’m retroactively rooting for who I was.

Baker: I have more grace for my past self. I don’t know if I would have the wisdom to admire current me… think overall I’d be stoked. Some of the stuff [I've done] would surprise me.

Bridgers: We talk sometimes about how there’s a certain hometown mentality that can be poisonous. Like your friend whose band never took off says, “You guys f—ing sold out,” and we’re like “Well you didn’t get a chance to my friend. 'Sold out' means people buy the album.”

Baker:  In 2018 when I met you guys I was straight edge and vegan and now it’s nice to have a lobster roll when you’re in New England. I’m a lot more lax but more mature and I don’t know if I would have had the foresight as such a young kid.  I was so neurotic then and really principled in a misguided way, but I think I have to have retroactive grace for that person more than I need to admire.

You’ve mentioned that much of the writing for boygenius takes place separately, but the songs are finished together. How did writing the record compare to the first EP?

Bridgers: The main way is that we talk about each other now. We were just writing, trying to help each other with songs that already existed or little ideas that already existed. Now we have so much context for each other that the record starts eating its own tail and becomes about making the record, which is cool.

Baker: There’s an ease of communication that maybe wasn’t quite available when we were first working together, where each of us brought a verse that then got gently edited. 

A lot of the record is an exquisite corpse of working out line by line with each other. Then there are huge swaths that are just s— [Phoebe] wrote or just s— that Lucy wrote, but it’s nice to feel an entitlement to something that’s being created corporately instead of pieced [together].

Dacus: It’s never been difficult [communicating], so it’s not like it even had the chance to get easier. We do a lot of work to avoid difficulty. We do group therapy together and try to foresee what our pitfalls could be and avoid them. 

Not like it’s all easy. We’ll encounter really difficult math problems — [that’s] what it feels like in the studio where none of us will get it and we’ll be frustrated but it’s not at each other.

The final lines of "Powers" are "The force of our impact, the fission/The hum of our contact/The sound of our collision." From my perspective, the sound of your collision as human beings includes the music you’ve made together, but also the way you’ve presented yourselves to the public, for example, in standing up for causes you believe in, and then there is the sound no one else hears within your dynamic as a band. With all this mind, how would you describe "the sound of your collision?"

Baker: Those are both semi-stolen lyrics. I read this book Cruising Utopia by José Esteban Muñoz and he talks about the idea of the lived experience being its own work of art, and then that art needing a witness to be savored and appreciated. 

He talks about the hum of our contact. It’s evocative of all the things that aren’t explicitly stated that take place. All the communication that’s extra-lingual. That is witnessed only in time and action and accrued over years and years. It’s so incremental that you can barely observe it as it's happening. Then you look back and realize that you’ve spent your life with people that have become like your family and they’ve been the driving force in what motivates you. It’s small and daily and powerful. 

So the album and all the other things you guys have done together are all the particles accruing?

Dacus: It’s just a gradual deepening all the time. I think that the closeness has been a pleasant surprise for all of us. Now that we’ve discovered it, we want to interact with it and protect it however we can. Originally it was just a fun lightweight idea. Now it’s my whole life.

Baker: There’s the real face-to-face friendship that we have, but we’ve always been making music together. It feels very much like music is the water that you’re swimming in. Music is the language that you’re speaking.

**The album artwork on the rest is in many ways the counterpart to the record, which feels very hopeful with the three of you looking towards the horizon like a team of superheroes.  Whereas on the EP cover, the surroundings are dark, your faces are darkened, and you’re huddled together for support. Through that lens, how would you compare the two releases?**

Dacus: That photo was taken during the same shoot for the original album art. We always liked the image, but when we chose these four songs to put out together, they all have this spacey, eerie quality about them. I think the wind being in our hair, the natural elements messing us up, it’s a little more unsettling and I feel like these songs — I don’t think they lack optimism, but they’re a little more focused on fear and unsteadiness. 

Bridgers: We had wanted it to be a different time of day in the photo. The back of the EP is dusk at the beach. Not a very hidden meaning in that.

You three have been celebrated very much of late for standing up for the queer community, trans community, and other marginalized communities, but you’ve also stated that doing so doesn’t necessarily make you “role models.” How has the time you’ve spent together as a band affected your relationship with your own queerness?

Dacus:  I’m definitely gayer because of these guys. [All laugh.]

Baker: That’s true! And I’m straighter somehow.

Bridgers: I was thinking that it makes me feel straighter to be around a bunch of gay people all the time. Like when I’m with only straight people.

Baker: You’re the gayest one.

Bridgers: I’m so gay and when I’m around gay people I’m like, damn. But that doesn’t hold true all the time.

Dacus: A serious answer would be that my favorite thing about queerness is how undefined it actually is. Having less allegiance to who I was, being willing to betray my idea of myself in service of what actually feels best and is most honest to the moment at hand — that’s a skill that I think I’ve been getting better at through my life. Not in small part to the people who love me and will accept me at any point of understanding myself, and these guys are included in that.

Baker: It’s like finding a new vernacular around queerness. It’s how you carry out the outfit, or it's how you carry out dancing, or it’s how you carry out some sort of body language that determines whether it’s queer. Not what the action is. It’s how you employ, and I think being around people who see the core static parts of myself …makes me feel more secure to play with the mutable parts of my identity.

Referring to what Julien said earlier about the lived experience being a work of art that needs a witness, how have you served as witnesses for each other? How has your lived experience with queerness influenced your art?

Baker: Queerness is inherently creative. Queerness exists in opposition to a standard. Not to replace it with a superior thing, but to dismantle a dominant prevailing view of how things should be just because that’s how they’re traditionally understood. 

Queerness involves creating a different future for yourself. Imagining yourself towards a different embodiment of you. An embodiment of you that isn’t naturally going to be fomented any other place than by these guys or by your community or by the community you construct.

Dacus: Julien has a banjo that she drew on and has “queer joy” on it, and I think that queerness and joy are inextricable themes. Why be queer if you aren’t trying your very best to access more joy in your life or more authenticity? 

So it’s actually amazing to realize I’m living in it so thoroughly now that I don’t actively think about it as much because it’s a part of everything that I do to the point where I don’t even see it sometimes, which is such a privilege.

In listening to “Without you, without them” I get the impression you guys are telling each other to share everything, so I ask a version of the question that’s posed in the final line of the song: after years of growing together, who would you guys be without each other?


Bridgers: Worse

Dacus: Impossible to know.

[All laugh]

Dacus: The idea of it from here feels really lonely. But it’s also weird to think [about] who would I have cared deeply about or who haven’t I met yet that [would be] as important as these people. Life is so various, and no matter how much you prepare for it it always will catch you off guard in sometimes the best ways.

Bridgers: I think if we had individually gotten more famous and then made friends even with each other from this point of view, it would be great, but I feel lucky that we met when we did. We were all on the same plain with a dream of selling out a 2000-capacity venue. Laying awake at night thinking about it as the end goal. 

So it's weird that I met two people with as close to the same life experience as possible and then it changed into another version of as close as possible. We all come from an indie space. We all are queer. It would be s—y to have nobody that was in my shoes around me.

Baker: Y’all have been additional rudders in my trajectory since we met, and I have no way of knowing — nor do I care to know — how my character would differ if I didn’t have y’all as a whetstone of sharpening my own wit and honesty and musical practice.

Say She She's Big Year: How The NYC Disco Funk Group Made Sure The World Wouldn't Forget Them

It's that time again! The 2023 Met Gala — one of the fashion bonanzas of the year — is in full force. And given that fashion has always been the yin to music's yang, GRAMMY winners and nominees were among the stars studding this glamorous, fashion-forward event.

Presented by gala co-chair Anna Wintour, the editor of Vogue and global editorial director of Condé Nast, the Met Gala this year is co-chaired by Penélope Cruz, Michaela Coel, Roger Federer and three-time GRAMMY winner Dua Lipa.

GRAMMY winners and nominees as well as today’s leading artists in music are already setting the Met Gala red carpet on fire, with everyone from Dua Lipa, Phoebe Bridgers, Rita Ora, David Byrne, rising rap sensation Ice Spice, and more showing off their fierce fashion looks. Plus, Rihanna and her partner ASAP Rocky made a last-minute surprise arrival on the 2023 Met Gala red carpet, setting the fashion and music worlds ablaze.

This year's Met Gala celebrates the indelible legacy of the late fashion designer Karl Lagerfeld; the dress code is "In honor of Karl…")

Below, check out some of the most eye-catching red carpet fashion looks from music’s biggest stars at the 2023 Met Gala.

*Rihanna attends the 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at the Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Jeff Kravitz/FilmMagic*

*Dua Lipa arrives for the 2023 Met Gala at the Metropolitan Museum of Art on May 1, 2023, in New York | Photo: ANGELA WEISS / AFP*

*(L-R) Finneas O'Connell and Billie Eilish attend The 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at The Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue*

*Bad Bunny attends The 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at The Metropolitan Museum of Art on May 01, 2023 in New York City | Photo by Jamie McCarthy/Getty Images*

*Jennifer Lopez attends the 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at the Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Jeff Kravitz/FilmMagic*

*Cardi B attends the 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at the Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue*

*Doja Cat attends the 2023 Met Gala at the Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Jamie McCarthy/Getty Images*

*Lil Nas X attends The 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at The Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Matt Winkelmeyer/MG23/Getty Images for The Met Museum/Vogue*

Usher attends the 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at the Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Mike Coppola/Getty Images

*Sean "Diddy" Combs attends The 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at The Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Mike Coppola/Getty Images*

*Phoebe Bridgers attends the 2023 Met Gala at Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Jeff Kravitz/FilmMagic*

*Anitta attends the 2023 Met Gala the Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Mike Coppola/Getty Images*

*Halle Bailey attends the 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at the Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Kevin Mazur/MG23/Getty Images for The Met Museum/Vogue*

*Janelle Monáe attends The 2023 Met Gala Celebrating "Karl Lagerfeld: A Line Of Beauty" at The Metropolitan Museum of Art on May 01, 2023 in New York City | Photo: Jamie McCarthy/Getty Images*

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As we're all stringing up colorful lights and scrambling to buy last-minute gifts, music shines as the one constant in our lives amid the rush of the holiday season.

Some playlists have been bursting with holiday music since early autumn, with releases such as Dolly Parton's "A Smoky Mountain Christmas" dropping back in August and Joss Stone's Merry Christmas, Love releasing in September. Since then, several more holiday albums arrived, whether they were new projects from artists such as Alicia Keys and Thomas Rhett or polished deluxe editions from the likes of Reba McEntire and Norah Jones.

Beyond releasing albums, many artists have also found their holiday spirit by releasing festive singles. Remi Wolf brings her bubbly personality to warm covers of "Last Christmas" and "Winter Wonderland," Dan + Shay remind us to throw a "Holiday Party" with loved ones, and Phoebe Bridgers shares her annual holiday cover, this year a rendition of the Handsome Family's "So Much Wine." And even stars such as RuPaul, Jimmy Fallon and Ryan Reynolds surprised with holiday singles this season.

Groups such as Pentatonix and Backstreet Boys joined in on the fun with their own cheery holiday albums, and Gloria Estefan and her family capture the joys of love in a snowglobe on Estefan Family Christmas. Collaborations sparkle with holiday magic as well; Ingrid Michaelson and A Great Big World team up for "It's Almost Christmas," and Kelly Clarkson and Ariana Grande perform "Santa, Can't You Hear Me" in a thrilling live version.

So bundle up, grab some hot cocoa, and listen to some new holiday music in this very merry playlist — check it out on Pandora, Spotify, Apple Music, and Amazon Music.