English singer/songwriter Harry Styles has announced he is releasing his sophomore album, Fine Line on Dec. 13.

Styles shared the news on Monday, Nov. 4, with a look at his album cover, which features a fisheye lens shot of the singer wearing a pink long-sleeve shirt and white pants. A mysterious hand wearing a black glove reaches out to him.

The former One Direction boy band member released his self-titled debut album May 2017 and has since toured with GRAMMY-winning singer Kacey Musgraves.

In June, the two reunited for a cover of Shania Twain's "You're Still The One" at Styles' concert in New York City. In late October, Musgraves brought out the "Sign Of The Times" singer for a duet of her single "Slow Burn" during her final tour show in Nashville. 

This latest announcement from Styles will stir up quite a bit of excitement from fans, but his debut album will be a tough act to follow, as it debuted at No. 1 on the Billboard 200. 

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After a wildly successful debut and sophomore record, you'd think it was impossible for Harry Styles to top himself. Yet, his third album, Harry's House, proved to be his most prolific yet.

The critically acclaimed project first birthed Styles' record-breaking, chart-topping single, "As It Was," then landed three more top 10 hits on the Billboard Hot 100 with "Late Night Talking," "Music for a Sushi Restaurant" and "Matilda." The album and "As It Was" scored Styles six nominations at the 2023 GRAMMYs — and helped the star top off his massive Harry's House era with an Album Of The Year win.

In this episode of GRAMMY Rewind, revisit Styles' big moment from last year's ceremony, which was made even more special by his superfan, Reina Lafantaisie. Host Trevor Noah (who will return as emcee for the 2024 GRAMMYs) handed the mic to Lafantaisie to announce Styles as the winner, and the two shared a celebratory hug before Styles took the mic.

"I've been so, so inspired by every artist in this category," said Styles, who was up against other industry titans like Beyoncé, Adele, Lizzo and Coldplay. "On nights like tonight, it's important for us to remember that there is no such thing as 'best' in music. I don't think any of us sit in the studio, making decisions based on what will get us [an award]."

Watch the video above to see Harry Styles' complete acceptance speech alongside his collaborators Kid Harpoon and Tyler Johnson. Check back to GRAMMY.com for more new episodes of GRAMMY Rewind, and be sure to tune into the 2024 GRAMMYs on Sunday, Feb. 4, airing live on the CBS Television Network (8 -11:30 p.m. LIVE ET/5-8:30 p.m. LIVE PT) and streaming on Paramount+ (live and on demand for Paramount+ with SHOWTIME subscribers, or on demand for Paramount+ Essential subscribers the day after the special airs).

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Throughout his career, Harry Styles has proven that his music defies categorization. From his poppier days with One Direction to the more rock- and funk-inspired sounds of his solo music, every song and album have been a testament to his ongoing evolution as an artist.

His three solo albums thus far — 2017's Harry Styles, 2019's Fine Line, and 2022's Harry's House — have explored soft rock, psychedelic pop, and synth-pop. With such genre-fluid diversity in his discography, there's something for everyone to indulge in.

Styles' genre-blending techniques have undeniably made him a household name. The past two years solidified that, whether through his 169-show Love On Tour or his Album Of The Year win for Harry's House at the 2023 GRAMMYs. 

Though Styles has remained relatively quiet since the Love On Tour wrapped in July, he surely has fans anticipating his next move. For now, take a look at 10 Harry Styles tracks that illustrate the versatility and creativity that's helped him go from boy band member to solo sensation.

"Over Again," Take Me Home (2013)

A deep cut from One Direction's second album, Take Me Home, "Over Again" features an impressive solo from a then-19-year-old Styles. This song takes listeners on a nostalgic journey, looking back to the happier days of an ill-fated relationship, yearning for the ability to rewind time to a point before the love story unraveled.

Styles' emotionally charged vocal delivery accentuates and intensifies the profound sense of melancholy that is being relayed in the song. The depth in Styles' voice invites the audience to connect and empathize with the song's heartbroken narrative — a trait that still permeates in his solo ballads today. 

"Clouds," FOUR (2014)

Styles highlights his vocal prowess in a different way on One Direction's youthful FOUR cut "Clouds." Not only did it feature extensive, powerful vocal runs, but it also showcased the rock sensibilities of his voice. "Clouds" diverted from 1D's traditional pop sound and ventured into a more guitar-driven style, incorporating rock elements and arguably foreshadowing the sounds of Styles' debut album released three years later.

"Sign of the Times," Harry Styles (2017)

Styles kicked off his solo journey in bold fashion: a nearly six-minute ballad. The cinematic, '70s rock-inspired "Sign of the Times" presented a stark departure from his previous work with One Direction, hinting that he was more than ready to evolve musically on his own.

The release of the song marked a turning point in Styles' career, enabling him to embrace a more mature sound and gain credibility as a solo artist. His continued exploration of genres is a trait that Styles has carried into his later projects, ultimately establishing his status as a genre-fluid artist.

"Kiwi," Harry Styles (2017)

One of Styles' boldest steps into the rock genre, "Kiwi" tells a story about a rebellious and free-spirited girl who captures Styles' attention, despite knowing she's no good for him. In this lively track, Styles trades polished pop for unfiltered rock vocals, showcasing an edgier side he hadn't displayed in his boy band days — both lyrically and sonically.

The song's dynamic energy is further amplified by the rich supply of classic rock-inspired guitar grooves. While Styles hasn't revisited the raw sound of "Kiwi" much since, it serves as a reminder that he can tackle any creative technique he desires.

"Watermelon Sugar," Fine Line (2019)

One could argue that "Watermelon Sugar" is a perfectly crafted pop song: refreshing guitar grooves, a lively instrumental, sultry harmonized vocals. In fact, it's so flawless, it earned Styles his first GRAMMY in 2021 for Best Pop Solo Performance.

That's just one way the Fine Line single marked a pivotal moment in Styles' career. It also became his first No. 1 single on the Billboard Hot 100, proving that he has staying power as a pop star in his own right. And as one of two songs with more than 2 billion Spotify streams alone, "Watermelon Sugar" has also proven to be a Harry Styles classic. 

"Falling," Fine Line (2019)

One of Styles' most gut-wrenching tracks, "Falling" offers an introspective take on heartbreak. The haunting piano-driven melody emphasizes the pain in Styles' voice as he realizes his harmful habits caused him to lose a lover.

The song's emotional transparency and stripped-down vocals make it one of his most emotionally mature tracks, as well as one of his most captivating. While the track is Styles' lowest-charting single to date (it reached No. 62 on the Hot 100), "Falling" has proven itself to be a fan favorite, with more than 1 billion streams on Spotify. 

"Fine Line," Fine Line (2019)

Despite being the title track, "Fine Line" isn't just a deep cut from Styles' acclaimed 2019 album, it's an outlier in his whole discography — but in a beautiful way. The song is largely instrumental, with a lonely, yet emotionally-charged energy that highlights Styles' stunning falsetto.

In an interview with Capital FM, Styles cited a connection between the song's lyrics and his feelings throughout the album-making process; with the closing lyrics echoing, "We'll be alright," the song sheds light on the apprehension that often accompanies embarking on a new creative journey. The message foreshadowed Styles' subsequent ventures after the record's release, including a step into acting and the exploration of a new sound in Harry's House.

"As It Was," Harry's House (2022)

The lead single for Harry's House, "As It Was" served as Styles' first plunge into the synth-pop genre, which carried throughout the project. Despite the track's buoyant melody, its true essence conveys a more gloomy narrative. Styles explores the idea that nothing remains the same once being put into the limelight — a poignant message from one of pop's biggest stars.

Along with introducing a new sound for Styles, the brilliantly juxtaposing track also cemented him as a bonafide superstar. After "As It Was" debuted at No. 1 on the Hot 100 in April 2022, it reigned for 15 weeks, marking the most for a British artist in the chart's history. It was also a chart titan in Styles' home country, becoming the longest-running No. 1 and best-selling single of 2022 on the UK Singles Chart. What's more, it helped Styles earn his first Record Of The Year GRAMMY nomination, and undoubtedly contributed to his Album Of The Year win at the 2023 GRAMMYs.

"Late Night Talking," Harry's House (2022)

Taking the synth-pop of "As It Was" into the '80s, "Late Night Talking" blends retro-inspired vocal distortions and groovy instrumentation. Yet, somehow, it has a timeless groove that still feels contemporary — a skill that has become a Styles trademark.

The single had big shoes to fill as it followed the smash hit "As It Was" but it fiercely proved that Styles' had room for multiple hit songs under his belt. "Late Night Talking" landed the No. 1 spot on Billboard's Pop Airplay Chart and No. 3 on the Hot 100 Chart.

"Matilda," Harry's House (2022)

One of Harry's House's few somber tracks, "Matilda" instantly became another fan favorite in his catalog. As he gently sings over plucked guitar instrumentals, he comforts someone who feels out of place within their family at home ("You don't have to be sorry for leavin' and growin' up," he sings in the chorus).

While Styles has delivered plenty of tender moments, the storytelling and emotion of "Matilda" arguably helps it stand as his most thoughtful composition to date. Although it remains as an album cut, "Matilda" is further proof that Styles' has mastered the skill of making music that resonates with listeners — whether he's compelling them to shed tears or dance along.

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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James Corden may have jokingly made a video for Harry Styles' "Daylight" in three hours, for $300, but that's not the end of the story — Styles has finally finished the job.

On July 19, the three-time GRAMMY winner  — including Album Of The Year at the 2023 GRAMMYs, for his blockbuster third album, Harry's House — unveiled a full-fledged music video for "Daylight."

In the clip, Styles strolls around a traveling carnival — a complex of cherry-red structures — and interacts with its quirky denizens. Midway through, he even takes flight on black and yellow wings, and eventually finds himself astride a horse. At video’s end, Styles walks a tightrope against an azure sky.

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This is the fifth video from Harry's House, following "As It Was," "Late Night Talking," "Music For a Sushi Restaurant," and "Satellite."

The “Daylight” video arrives just three days before Styles’ final show of his long-running Love On Tour. He’ll close out the nearly two-year trek — which included 15 sold-out nights at New York’s famed Madison Square Garden — in Reggio Emilia, Italy on July 22.

Along with touring, Styles has co-starred in the psychological thriller Don’t Worry Darling and romantic drama My Policeman since the release of Harry's House. He also expanded on his fashion ventures, co-releasing a Gucci collection with fashion designer Alessandro Michele in Nov. 2022.

Check out the new video for "Daylight" below and keep checking GRAMMY.com for Harry Styles news!

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