At this point, Harry Styles has made it very clear that he's come into his own as an artist. In the six years since One Direction's hiatus, he's worn a dress on the cover of a magazine, he's starred in major motion pictures, and he's headlined Madison Square Garden (multiple times). But he may have just delivered his biggest artist statement yet.

Styles' third album, Harry's House, is his most sonically diverse set, bringing fans deeper into his musical universe with entrancing production and liberated vocals. Sure, his 2017 self-titled debut and 2019's blockbuster Fine Line were a solid introduction to what he's capable of, but with Harry's House, he's seemingly never felt more free.

"My favorite thing about it is, it just feels the most like me," Styles told Apple Music's Zane Lowe. As Lowe himself asserted, "the Harry who sits before us all is not the same. You can hear it in the brand new album, Harry's House — the growth; it's a triumph."

Whatever you want to call it, Harry's House is a sign that Styles himself believes he has arrived. And — if you haven't already — he's ready for you to move in.

Below, here's five takeaways from Harry Styles' Harry's House.

He Has Skeletons Left In The Closet

As anyone familiar with Styles' dating life may imagine, several songs on Harry's House tease that he is in love. Within the first minute of the album's first track, "Music For a Sushi Restaurant," he proclaims, "It's cause I love you babe/ In every kind of way"; in the first verse of "Grapejuice," he declares, "There's never been someone who's so perfect for me."

Yet, there's a looming sense of remorse across a majority of the album's 13 tracks. "I hope you're missing me by now," he sings in bouncy cut "Daylight," while the swirling "Satellite" opens with "You got a new life/ Am I bothering you?/ Do you wanna talk?"

Ironically, the track titled "Little Freak" is perhaps the most wistful on the entire LP. The whole song feels like a letter to a past lover, mostly reminiscent of their time together — until the bridge, where he owns up to his mistakes. "I disrespected you/ Jumped in feet first and I landed too hard," he sings. "A broken ankle/ Karma rules."

Styles may not give obvious context clues in any of these songs, but one thing is apparent: No matter where he stands in his love life now, he's clearly had some things to get off his chest.

He's Still On Team Women

Styles has always been vocal about his support for women, from calling young girls "our future" to wearing a shirt that reads "women are smarter." Thanks to Harry's House, he now has a song to show for it, too. 

The somber ballad "Boyfriends" recognizes the faults of men in relationships, from taking their partner for granted to playing games. While Styles acknowledges that women may not always punish men for their wrongdoings ("You love a fool who knows just how to get under your skin/ You, you, you still open the door," he sings in the second verse), he made the song's main subject very clear upon debuting it at Coachella: "To boyfriends everywhere, f<em></em>* you."

Elsewhere, he shows empathy for a character from a troubled household on the poignant "Matilda" ("You can throw a party full of everyone you know/ And not invite your family/ Cause they never showed you love," he sings on the chorus). It may not be as direct of a feminist message, but further proves that he'll stand up for anyone mistreated.

"As It Was" Is The Most Radio-Ready Track

After Fine Line produced the funk-inspired jam "Adore You" and the catchy-as-ever GRAMMY winner "Watermelon Sugar," the stakes were high for his Harry's House lead single. And boy did he deliver: Not only is "As It Was" a synth-pop bop, but it broke records on Spotify and Apple Music and subsequently hit No. 1 in several countries upon its release.

Those looking for more "As It Was" types may be surprised upon diving into Harry's House, as the song is about as pop-leaning as the album gets. Though that's not to say that Harry's House won't spawn any more hits. 

There's still plenty of infectious melodies on the album, particularly on "Late Night Talking," "Cinema," "Daydreaming," and "Daylight." Between disco grooves, roaring horns and '80s-style synths, most of the Harry's House tracks don't have the traditional formula of a commercial pop success — but with that, Styles may just reinvent what "radio hit" means in 2022. 

It's His Most Genre-Bending LP Yet

While Styles' first two albums called back to the '70s and '80s pop/rock artists that have inspired him from the start — like David Bowie, the Rolling Stones, Joni Mitchell and Fleetwood Mac — the influences of Harry's House are a little tougher to pinpoint. Perhaps that's because, as he explained to Better Homes & Gardens, he didn't seek inspiration in any music at all.

As a result, Harry's House is quite the sonic evolution from his first two sets — and a funky one at that. There's so many layers of sounds across its 13 tracks that it feels as experimental as a Prince record, with touches of alt-pop, soul, new wave and folk. Every song features a synth (with the exception of the acoustic "Boyfriends"), each taking listeners on a new journey — from the burning bass of opener "Music For a Sushi Restaurant" to the subdued electronica of closer "Love of My Life."

Harry Is Simply Having Fun

If you've seen Styles in concert, you know that he is definitely doing what he loves. His performances are as electric as they come, bouncing around with a Jagger-esque swagger and a childlike spirit. And that was before he had this album.

Harry's House is a sonic manifestation of the energy he's brought to the stage, with one undertone across the entire project: fun.

Even in its more reflective moments, the album brings Styles more liberation than agony. Whether it's the in-your-face instrumentation, scintillating production or Styles' variations of falsetto, Harry's House feels like a giant party — one that the singer can't wait to throw over and over again.

GRAMMY Rewind: Harry Styles Wins His First GRAMMY, Takes Home Best Pop Solo Performance For "Watermelon Sugar"

Throughout his career, Harry Styles has proven that his music defies categorization. From his poppier days with One Direction to the more rock- and funk-inspired sounds of his solo music, every song and album have been a testament to his ongoing evolution as an artist.

His three solo albums thus far — 2017's Harry Styles, 2019's Fine Line, and 2022's Harry's House — have explored soft rock, psychedelic pop, and synth-pop. With such genre-fluid diversity in his discography, there's something for everyone to indulge in.

Styles' genre-blending techniques have undeniably made him a household name. The past two years solidified that, whether through his 169-show Love On Tour or his Album Of The Year win for Harry's House at the 2023 GRAMMYs. 

Though Styles has remained relatively quiet since the Love On Tour wrapped in July, he surely has fans anticipating his next move. For now, take a look at 10 Harry Styles tracks that illustrate the versatility and creativity that's helped him go from boy band member to solo sensation.

"Over Again," Take Me Home (2013)

A deep cut from One Direction's second album, Take Me Home, "Over Again" features an impressive solo from a then-19-year-old Styles. This song takes listeners on a nostalgic journey, looking back to the happier days of an ill-fated relationship, yearning for the ability to rewind time to a point before the love story unraveled.

Styles' emotionally charged vocal delivery accentuates and intensifies the profound sense of melancholy that is being relayed in the song. The depth in Styles' voice invites the audience to connect and empathize with the song's heartbroken narrative — a trait that still permeates in his solo ballads today. 

"Clouds," FOUR (2014)

Styles highlights his vocal prowess in a different way on One Direction's youthful FOUR cut "Clouds." Not only did it feature extensive, powerful vocal runs, but it also showcased the rock sensibilities of his voice. "Clouds" diverted from 1D's traditional pop sound and ventured into a more guitar-driven style, incorporating rock elements and arguably foreshadowing the sounds of Styles' debut album released three years later.

"Sign of the Times," Harry Styles (2017)

Styles kicked off his solo journey in bold fashion: a nearly six-minute ballad. The cinematic, '70s rock-inspired "Sign of the Times" presented a stark departure from his previous work with One Direction, hinting that he was more than ready to evolve musically on his own.

The release of the song marked a turning point in Styles' career, enabling him to embrace a more mature sound and gain credibility as a solo artist. His continued exploration of genres is a trait that Styles has carried into his later projects, ultimately establishing his status as a genre-fluid artist.

"Kiwi," Harry Styles (2017)

One of Styles' boldest steps into the rock genre, "Kiwi" tells a story about a rebellious and free-spirited girl who captures Styles' attention, despite knowing she's no good for him. In this lively track, Styles trades polished pop for unfiltered rock vocals, showcasing an edgier side he hadn't displayed in his boy band days — both lyrically and sonically.

The song's dynamic energy is further amplified by the rich supply of classic rock-inspired guitar grooves. While Styles hasn't revisited the raw sound of "Kiwi" much since, it serves as a reminder that he can tackle any creative technique he desires.

"Watermelon Sugar," Fine Line (2019)

One could argue that "Watermelon Sugar" is a perfectly crafted pop song: refreshing guitar grooves, a lively instrumental, sultry harmonized vocals. In fact, it's so flawless, it earned Styles his first GRAMMY in 2021 for Best Pop Solo Performance.

That's just one way the Fine Line single marked a pivotal moment in Styles' career. It also became his first No. 1 single on the Billboard Hot 100, proving that he has staying power as a pop star in his own right. And as one of two songs with more than 2 billion Spotify streams alone, "Watermelon Sugar" has also proven to be a Harry Styles classic. 

"Falling," Fine Line (2019)

One of Styles' most gut-wrenching tracks, "Falling" offers an introspective take on heartbreak. The haunting piano-driven melody emphasizes the pain in Styles' voice as he realizes his harmful habits caused him to lose a lover.

The song's emotional transparency and stripped-down vocals make it one of his most emotionally mature tracks, as well as one of his most captivating. While the track is Styles' lowest-charting single to date (it reached No. 62 on the Hot 100), "Falling" has proven itself to be a fan favorite, with more than 1 billion streams on Spotify. 

"Fine Line," Fine Line (2019)

Despite being the title track, "Fine Line" isn't just a deep cut from Styles' acclaimed 2019 album, it's an outlier in his whole discography — but in a beautiful way. The song is largely instrumental, with a lonely, yet emotionally-charged energy that highlights Styles' stunning falsetto.

In an interview with Capital FM, Styles cited a connection between the song's lyrics and his feelings throughout the album-making process; with the closing lyrics echoing, "We'll be alright," the song sheds light on the apprehension that often accompanies embarking on a new creative journey. The message foreshadowed Styles' subsequent ventures after the record's release, including a step into acting and the exploration of a new sound in Harry's House.

"As It Was," Harry's House (2022)

The lead single for Harry's House, "As It Was" served as Styles' first plunge into the synth-pop genre, which carried throughout the project. Despite the track's buoyant melody, its true essence conveys a more gloomy narrative. Styles explores the idea that nothing remains the same once being put into the limelight — a poignant message from one of pop's biggest stars.

Along with introducing a new sound for Styles, the brilliantly juxtaposing track also cemented him as a bonafide superstar. After "As It Was" debuted at No. 1 on the Hot 100 in April 2022, it reigned for 15 weeks, marking the most for a British artist in the chart's history. It was also a chart titan in Styles' home country, becoming the longest-running No. 1 and best-selling single of 2022 on the UK Singles Chart. What's more, it helped Styles earn his first Record Of The Year GRAMMY nomination, and undoubtedly contributed to his Album Of The Year win at the 2023 GRAMMYs.

"Late Night Talking," Harry's House (2022)

Taking the synth-pop of "As It Was" into the '80s, "Late Night Talking" blends retro-inspired vocal distortions and groovy instrumentation. Yet, somehow, it has a timeless groove that still feels contemporary — a skill that has become a Styles trademark.

The single had big shoes to fill as it followed the smash hit "As It Was" but it fiercely proved that Styles' had room for multiple hit songs under his belt. "Late Night Talking" landed the No. 1 spot on Billboard's Pop Airplay Chart and No. 3 on the Hot 100 Chart.

"Matilda," Harry's House (2022)

One of Harry's House's few somber tracks, "Matilda" instantly became another fan favorite in his catalog. As he gently sings over plucked guitar instrumentals, he comforts someone who feels out of place within their family at home ("You don't have to be sorry for leavin' and growin' up," he sings in the chorus).

While Styles has delivered plenty of tender moments, the storytelling and emotion of "Matilda" arguably helps it stand as his most thoughtful composition to date. Although it remains as an album cut, "Matilda" is further proof that Styles' has mastered the skill of making music that resonates with listeners — whether he's compelling them to shed tears or dance along.

Harry Styles' Sonic Evolution: How He Grew From Teen Pop Idol To Ever-Evolving Superstar

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

10 Essential Facts To Know About GRAMMY-Winning Rapper J. Cole

James Corden may have jokingly made a video for Harry Styles' "Daylight" in three hours, for $300, but that's not the end of the story — Styles has finally finished the job.

On July 19, the three-time GRAMMY winner  — including Album Of The Year at the 2023 GRAMMYs, for his blockbuster third album, Harry's House — unveiled a full-fledged music video for "Daylight."

In the clip, Styles strolls around a traveling carnival — a complex of cherry-red structures — and interacts with its quirky denizens. Midway through, he even takes flight on black and yellow wings, and eventually finds himself astride a horse. At video’s end, Styles walks a tightrope against an azure sky.

Read More: 5 Takeaways From Harry Styles' New Album Harry's House

This is the fifth video from Harry's House, following "As It Was," "Late Night Talking," "Music For a Sushi Restaurant," and "Satellite."

The “Daylight” video arrives just three days before Styles’ final show of his long-running Love On Tour. He’ll close out the nearly two-year trek — which included 15 sold-out nights at New York’s famed Madison Square Garden — in Reggio Emilia, Italy on July 22.

Along with touring, Styles has co-starred in the psychological thriller Don’t Worry Darling and romantic drama My Policeman since the release of Harry's House. He also expanded on his fashion ventures, co-releasing a Gucci collection with fashion designer Alessandro Michele in Nov. 2022.

Check out the new video for "Daylight" below and keep checking GRAMMY.com for Harry Styles news!

Harry Styles' Sonic Evolution: How He Grew From Teen Pop Idol To Ever-Evolving Superstar

Looking at everything One Direction achieved in their time together, it's hard to believe that they were only active for six years. What's even harder to fathom is that they've now been on hiatus just as long — but luckily for fans, that time has proven fruitful for Niall Horan, Zayn Malik, Liam Payne, Harry Styles, and Louis Tomlinson.

Each member has released at least one studio album as a solo artist, and they have all dipped into several other ventures within fashion, producing, and mentoring rising stars. Horan is the latest to deliver more solo music, unveiling his third album, The Show, on June 9.

Through all those efforts, the quintet has kept One Direction's legacy not only alive, but thriving. While together, they were a pop phenomenon who sold an approximate 70 million records, but their solo careers have allowed them to showcase their true personalities. With that, lofty achievements came in tow — GRAMMY Awards, sold-out tours, and even more chart-topping hits — as well as the certainty that One Direction will never fully diminish (see Styles' roaring rendition of "What Makes You Beautiful" or Horan's sweet performance of "Story of My Life").

From Malik's introspective Mind of Mine to Horan's latest set, GRAMMY.com breaks down all of One Direction's solo endeavors.

Zayn Malik

Soon after his sudden departure from the group in 2015, Zayn Malik signed with RCA Records. His debut album, Mind of Mine, came out on March 25, 2016 — exactly one year after he left the band.

Mind of Mine sees Malik in a new musical direction, leaning into his R&B roots and soulful voice while also taking a more risqué approach in his songwriting. Despite the stark difference, the album topped several charts upon debut, including the U.S. and the U.K., even helping Malik become the first British male singer to top the Billboard 200 with his first album. (Lead single "Pillowtalk" also debuted at No. 1 on the Billboard Hot 100, marking the first time a U.K. artist topped the chart with their first single.)

Malik quickly proved to be a sought-after collaborator, with Chris Brown, Snakehips and M.I.A. all recruiting him for singles in 2016. At the end of that year, he issued his biggest collab to date, "I Don't Wanna Live Forever" with Taylor Swift for the Fifty Shades Darker soundtrack. The song scored Malik his second massive hit on the Hot 100, peaking at No. 2.

As fans eagerly awaited his second album, Malik delivered two more major collabs, "Still Got Time" featuring PartyNextDoor and "Dusk Till Dawn" with Sia. After facing several delays, Icarus Falls arrived in December 2018. Comprising 27 songs across two disks, the album featured six singles ("Let Me," "Entertainer," "Sour Diesel," "Too Much" featuring Timbaland, "Fingers," "No Candle No Light" featuring Nicki Minaj), though none had the impact of "Pillowtalk." 

After working on a few other collaborations — including a cover of "A Whole New World" with Zhavia Ward for 2019's Aladdin remake — Malik's third studio album, the utterly-personal Nobody Is Listening, came out in 2021. He teased the project through singles "Better" and "Vibez," and designed the album artwork himself. Later that year, he shared a now-deleted Dropbox link to Yellow Tape — a collection of three controversial hip-hop songs that showed another side of his musicality.

Malik has also been an influential name in fashion, modeling for brands like Versace and Penshoppe, and designing his own product lines for Giuseppe Zanotti and Versus (Versace). He also wrote an autobiography in 2016, Zayn. 

Though he has been fairly quiet in 2022 and 2023, Malik has shared photos from the studio, and hopped on a posthumous remix of Jimi Hendrix's "Angel" last year. And while he's eight years removed from 1D, he hasn't completely forgotten his time in the band — even sharing an instantly viral clip of him singing his fan-favorite note from "You & I" in 2022. 

Niall Horan

Niall Horan signed with Capitol Records and released his first solo single, "This Town," in September 2016. Followed by "Slow Hands," and "Too Much to Ask," Horan released his debut LP, Flicker, in October 2017 — just as "Slow Hands" hit No. 1 on Billboard's Pop Airplay and Adult Pop Airplay charts. A mix of soft rock and straightforward pop, the album helped Horan become the third 1D member in a row to debut at No. 1 on the Billboard 200 chart (after Malik and Styles, more on the latter later).

In support of the release, Horan embarked on two world tours: Flicker Sessions, which started in August 2017 and was held in smaller, intimate venues, and 2018's Flicker World Tour, which featured 82 shows across North and Latin America, Europe, Oceania, and Asia.

Horan's second studio album, Heartbreak Weather, led by single "Nice to Meet Ya," came out in March 2020 and topped the charts in the U.K. and Ireland, while reaching number four in the U.S. However, the COVID-19 pandemic stalled his ambitious touring plans, and he decided to use his downtime for collaboration. He teamed up with Anne-Marie for two singles, "Our Song" and a cover of Fleetwood Mac's "Everywhere," and hopped on a version of Ashe's "Moral of the Story," But perhaps his most beloved collab is with his best friend Lewis Capaldi — a bromance that started with Horan's admiration for the singer and developed into live performances together, plenty of interactions on social media, and a Guinness-sponsored TV special, Homecoming: The Road to Mullingar, out in 2022.

In early 2023, Horan became a judge on NBC's "The Voice," and recently confirmed his return to the next season of the show this fall. Two weeks after wrapping his first "Voice" season, Horan released his third studio album, The Show, on June 9. A fruitful experimentation of folk melodies and modern synths, it showcases how much his songwriting has matured since Heartbreak Weather.

Horan will perform at festivals across Europe and Asia in 2023, including Lollapalooza Paris and Summer Sonic Tokyo. He'll kick off The Show: Live on Tour in his native Ireland in February 2024, and will hit cities in Europe, Australia, New Zealand, and North America through July 2024.

Louis Tomlinson

Louis Tomlinson was the biggest contributor to One Direction's songwriting, with credits on over 30 songs in their discography. His passion for music production extended to an auxiliary participation on 2015's "The X Factor," which in 2018 turned into a fixed position as a judge and winning mentor on the fifteenth series of the show.

As for Tomlinson's own solo music, he made his debut with the Steve Aoki-assisted single "Just Hold On" in December of 2016. Before releasing his debut LP, Walls, in January of 2020, the singer focused on collaborations and singles. Through a pop-punk verve, Tomlinson began to establish his own post-1D style with singles like 2017's "Just Like You" and the minimalistic "Back To You" with Bebe Rexha — his biggest hit to date, with more than 1 billion combined streams on Spotify and YouTube. Some other singles, like the touching tribute to his late mother, "Two of Us," and the rock-edged "Kill My Mind," were included in Walls.

In 2021, he created and curated The Away From Home Festival, a one-day festival first held in London that year and followed by a 2022 edition in Malaga. In 2023, the event will return for its third run in August at Lido di Camaiore, Italy. Among the lineup are UK rising indie names like Blossoms and The Cribs. 

Tomlinson's second album, Faith in The Future, was released at the end of 2022 and peaked at No. 1 in the U.K., marking his first top-charting album in the country as a soloist. Supported by singles "Bigger Than Me," "Out of My System," and "Silver Tongues," it furthered Tomlinson's explorations into indie rock and Britpop. 

In March of 2023, Tomlinson released All Of Those Voices, a soul-baring documentary where he talked about his fears upon One Direction's hiatus, grief, fatherhood, and the struggles of fame. Currently, Tomlinson is on a World Tour through North America, U.K., and Europe. 

Harry Styles

After signing with Columbia Records, Harry Styles made his solo debut in April 2017 with the power ballad "Sign of the Times." One month later, his eponymous debut album came to life. A commercial and critical success, it topped charts in several countries upon release, including the U.S. and the U.K album tallies.

From the get-go, Styles' solo appeal was apparent. After immediately selling out his first run of solo shows that fall, he plotted a world tour playing arenas in 2018 — all of which sold out. That success translated to the release of his second album, 2019's Fine Line. The album's first-week sales were the biggest ever for a British male soloist since 1991, when Nielsen began tracking sales electronically.

While singles "Adore You" and "Falling" had solid traction, it was "Watermelon Sugar" that solidified his place as a solo superstar. Not only did the track earn Styles his first No. 1 hit on the Hot 100, but it also won the singer his first GRAMMY in 2021 (for Best Pop Solo Performance).

Then came the lauded Harry's House, the album that cemented Styles as a vanguard artist and performer. Lead single "As It Was" foreshadowed the gargantuan success that was to come, topping the Hot 100 for 15 weeks — the longest-running U.S. No. 1 by a U.K. artist. Harry's House debuted at No. 1 on the Billboard 200, and was the fourth best-selling album of 2022 with more than 2 million equivalent album units. The album also went on to win Best Pop Vocal Album and the coveted Album Of The Year at the 2023 GRAMMYs.

Styles's ongoing sold-out Love On Tour, which started in 2021 in support of both Fine Line and Harry's House, has also set unprecedented records. Last year, he held mini-residencies in both Los Angeles's Kia Forum and New York's Madison Square Garden, and became the third musical artist to earn a MSG banner after selling out 15 consecutive nights at the venue. 

Styles has also made an impact through his daring fashion sense, modeling for brands like Gucci and becoming the first man to appear solo on the cover of Vogue in 2019. He has also ventured into acting, appearing in movies like 2017's Dunkirk and 2022's Don't Worry Darling and My Policeman.

Liam Payne

Credited as one of One Direction's main songwriters, Liam Payne started to venture into his own musicality by remixing tracks back in 2014, under the aliases "Payno" and "Big Payno." He signed with Republic Records in October 2016, unveiling his debut solo single, "Strip That Down" (featuring Migos' Quavo) in May 2017. With lyrics that reinforced his new journey ("You know I used to be in 1D"), the track peaked at No. 10 on the Hot 100 and spent two weeks atop Billboard's Pop Airplay chart.

Marked by collaborations with artists that range from Rita Ora ("For You", off of Fifty Shades Freed's soundtrack), to A Boogie wit da Hoodie ("Stack It Up"), to J Balvin ("Familiar"), Payne's solo career is one of 1D's most diverse, exploring genres that go from hip-hop to electronic music.

After a 2018 EP, First Time, Payne dropped his debut studio album, the long-awaited LP1, in December 2019. Including all of his previous singles, the record is a portrait of the singer's prolificness and versatility. 

While he has been less active musically in recent years, Payne delivered another dance collab in 2020 ( "Midnight" with Alesso), a couple of Christmas tracks (including the Dixie D'Amelio team-up "Naughty List,"), and a song for the 2021 animated movie Ron's Gone Wrong,  "Sunshine." Outside of music, Payne was also named the first global ambassador for fashion brand Hugo Boss, and designed two of their capsule collections. In a recent interview with iFL TV, Payne mentioned working on a new album for 2023.

It’s still unclear when the much-awaited One Direction reunion will happen, but the quintet's individual forays continue to bloom, and exciting opportunities lie ahead for each of the members. Through their diverse repertoire and newfound artistries — from Styles's buoyant strikes to Tomlinson's rock affinities — one thing is certain: the 1D members might follow multiple directions now, but they aren't stopping anytime soon. 

Harry Styles' Sonic Evolution: How He Grew From Teen Pop Idol To Ever-Evolving Superstar