Greatness takes time, and there are no shortcuts. Haim have been creating music together for two decades now, and it shows:

In the latest edition of GRAMMY.com's Press Play, the Los Angeles family band lay it down and light it up with this at-home performance of "Gasoline" from their newly released third album, Women In Music Pt. III. From the comfort of their home music room, the three sisters - Alana, Danielle and Este Haim - perform an infectiusly catchy, groove-heavy version of the tune L.A. Times called a "tender" song that "reflects the sisters' two decades of musical experience."

"Gasoline" was produced by Danielle, Rostam Batmanglij and Ariel Rechtshaid. Women In Music Pt. III dropped June 26 and is bursting with the band's command of the craft that cannot be contained by the confines of genre. Still, some have tried to reduce their artistic license and versatility to simply a move toward pop, a shallow judgement the band say is based on gender. 

"I think other bands that aren’t all female can dabble in a bunch of different genres yet they're still called a rock band," Danielle recently told GRAMMY.com. "Meanwhile, we’re women and we dabble in all sorts of genres, [but] because we’re women it’s pop. That’s frustrating to be honest with you."

Since their 2013 debut album, Days Are Gone, Haim have been pushing musical boundaries. Their debut earned them a GRAMMY nomination for Best New Artist. Today, not even a pandemic can stop their groove, althought they hope to return to the stage as soon as it's safe.

"We can’t wait to start playing shows but want to be sure that we’re keeping our fans, our crew and everyone’s health and safety a priority. When it’s finally safe for everyone, we’ll definitely be playing live," Este told us recently.

Don't miss thier incredible performance.of "Gasoline" in the latest episode of Press Play above.

Read More: Haim Open Up About 'Women In Music Pt. III,' Protesting In L.A. & Music Industry Sexism: "Not A Lot Has Changed"

Sometimes love can catch you off guard — and in Marley Bleu's case, she may have found the perfect partner unintentionally.

"'Cause your love is so intentional/ Wrong time, I think I found the right one," the rising R&B star sings in her latest single, "Unintentional." "You're here, don't know where you came from/ What we got is so unintentional."

In this episode of Press Play, the Los Angeles native sings a stripped-down version of "Unintentional," supported by a keyboardist. The pair perform on her living room sofa, emphasizing the track's intimate nature.

"Unintentional," which originally features Pink Sweat$, is Bleu's major label debut under Republic Records. Her next single, "goodmorning," is slated to arrive later this year.

Bleu found her roots in performing from a musical family. Her great-great uncle is the late Chuck Berry, and her father, Al Berry, played bass guitar for industry titans like Nile Rodgers, Kelly Clarkson and Avril Lavigne.

Watch the video above to hear Marley Bleu's live performance of "Unintentional," and check back to GRAMMY.com for more new episodes of Press Play.

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Gavin Magnus knows firsthand what it's like to love someone who only causes you pain — and he narrates the reality of toxic relationships in his swirling new single, "Psycho."

"You were never there for me when I needed you most/ But you would stick around and watch it all go up in smoke," Magnus sings on the second verse. "Burn my bridges down until there's only ashes left/ But the flames, they never rest at all."

In this episode of Press Play, Magnus delivers a performance of "Psycho" from a music studio, stripping down the song with just an acoustic guitar.

Released in September, "Psycho" marks Magnus' debut single under Big Noise Music Group. Earlier this year, he released two more solo tracks, "Exit" and "Lonely."

Along with his work as an artist, Magnus is a prolific content creator with over 6 million subscribers on YouTube and 2 million followers on TikTok. And on Nov. 10, he'll take his music career to the next level with the release of his debut project, Blurry Eyes.

Watch the video above to hear Gavin Magnus' cathartic, acoustic performance of "Psycho," and check back to GRAMMY.com for more new episodes of Press Play.

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Like the old saying goes, out of sight often means out of mind. But pop singer Lindsey Lomis has someone consuming her thoughts everywhere she goes — whether she's out with her friends or alone in her bedroom. And she's just as surprised by her behavior as everyone else may be.

"No, they've never seen me like this/ Woah, I've never seen me like this," Lomis sings in the second verse of "Outta Sight (On My Mind)." "You're outta sight, but you're on my mind/ Thinkin' 'bout how I'm thinkin' bout you all the time."

In this episode of Press Play, Lomis delivers a stripped-down rendition of her latest release, performing the track in her bedroom with an acoustic guitar.

The track — which Lomis dropped on Sept. 22 — marks her first independent release in almost four years. Earlier this year, she dropped an EP, Universe, via Warner Records.

Lomis recently wrapped up a tour supporting Bruno Major. She also toured with Joshua Bassett on his Complicated Tour this past spring, before headlining six of her own shows in June.

Watch the video above to hear Lindsey Lomis' sweet performance of "Outta Sight (On My Mind)," and check back to GRAMMY.com for more new episodes of Press Play.

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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