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Global Spin: Candy Bleakz

Candy Bleakz

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Global Spin: Watch Afrobeats Rapper Candy Bleakz Perform An Electrifying Version Of "Kope (Kanle)"

In the latest episode of Global Spin, drop into the colorful world of Candy Bleakz, a dynamic Afrobeats rapper who performs her euphoric song "Kope (Kanle)"

GRAMMYs/Nov 10, 2021 - 04:13 am

After an era of confusion and darkness, things are finally — hopefully, tentatively — calming down a bit. As a result, we're getting music with a palpable sense of relief and joy — and much of it is coming from the Afrobeats scene out of Nigeria, which prizes a sense of confidence, luxuriousness and — gasp! — possibilities.

Enter Candy Bleakz, a rising Afrobeats rapper here to lead us over the threshold from 2021 to 2022. Her tune "Kope (Kanle)" is all about a subject any of us can relate to — wanting to take a grab at cash and success. And if all of the personality-packed MC's tracks are this effervescent, she's on the road to global applause.

In the latest episode of Global Spin, GRAMMY.com's digital series which aims to celebrate and elevate global music, watch Candy Bleakz' sunny performance of "Kope (Kanle)" among a series of columns — painted with murals of solemn significance.

Specifically, they pay homage to the campaigners of #BringBackOurGirls, an organization bringing awareness to 276 Chibok schoolgirls who were abducted in 2014 by Boko Haram. Click here for more information on the memorial. If you'd like to donate to #BringBackOurGirls, visit here.

For now, enjoy Candy Bleakz' exhilarating performance above and click here to enjoy more episodes of Global Spin.

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Bodine Global Spin Hero
Bodine

Photo: Melissa Vera

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Global Spin: Bodine Traces The Slow Burn Of Heartache In This Haunting Performance Of "Bambi"

Dutch-born Puerto Rican singer Bodine offers a piano-only version of her 'Quemo Lento' track "Bambi," a song about "a pain so deep that it is inexplicable."

GRAMMYs/Apr 11, 2024 - 05:00 pm

On March 22, Bodine unveiled her latest EP, Quemo Lento. Translating to "I burn slow," the eight-song project displays the duality of pain and pleasure — but on the EP's only piano-driven track, "Bambi," it's all heartache.

"It's short, but it explains everything it has to explain in that minute," Bodine said of the song in an interview with Univision. "It describes the feeling of slow-burning, a pain so deep that it is inexplicable."

In the latest episode of Global Spin, the Amsterdam-born, San Juan-raised artist performs a stripped-down version of "Bambi." Mirroring the black-and-white imagery of the song's music video, the performance is even more haunting than the original with just a piano and her soprano vocals.

Quemo Lento has been touted for its dreamy visuals and experimental sound. As of press time, Bodine has released four music videos from the EP, most recently delivering the visual for "Nalgaje," featuring fellow Dutch rapper Zefanio.

Earlier this year, Bodine made her SXSW stage debut and performed a string of shows throughout Puerto Rico to celebrate the release of Quemo Lento.

Press play on the video above to watch Bodine's chilling performance of "Bambi," and remember to check back to GRAMMY.com for more new episodes of Global Spin.

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The Snuts Global Spin Hero
The Snuts

Photo: Gaz Williamson

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Global Spin: Watch The Snuts Come Alive With This In-Studio Performance Of "Novastar"

Scottish indie rock band The Snuts take you inside their studio for an exciting performance of "Novastar" a B-side from their newest album, 'Millennials.'

GRAMMYs/Apr 4, 2024 - 05:00 pm

The mission for The Snuts' third album, Millennials, was to tap into "the emotions that we maybe haven't processed" and put "those big boiling points in your life" into song. And on their B-side, "Novastar," the Scottish indie rock band takes autonomy of their actions and emotions.

"Hey, mama, what you gon' tell me? I can be a heartbreaker, troublemaker, sunshaker/ Yeah, you better bet on me," they declare. "Alive/ I'm a Novastar, coming of age."

In this episode of Global Spin, The Snuts deliver an electrifying performance of "Novastar," playing each of their instruments live in the studio.

The Snuts released the standard and deluxe versions of Millennials on February 23 via Happy Artist Records, their imprint via The Orchard.

"On the last record, there was a bit more nuance," frontman Jack Cochrane said in a press statement. "With this one, we wanted to see how it would feel if we went more direct on the songs and to connect as easily as possible."

They recently wrapped the North American and European leg of the project's accompanying tour. In May, they'll perform a string of shows in Australia and Japan with support from Eliza & the Delusionals.

Press play on the video above to watch The Snuts' explosive performance of "Novastar," and check back to GRAMMY.com for more new episodes of Global Spin.

ReImagined: Wrabel Strips Down Snow Patrol's "Chasing Cars" In A Stunning Acoustic Performance

Karin Ann Global Spin Hero
Karin Ann

Photo: Cameron Lindfors

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Global Spin: Watch Karin Ann Deliver A Sultry Performance Of "She"

On the heels of announcing her debut album, 'through the telescope,' Slovakian singer Karin Ann offers a live, full-band rendition of the project's lead single, "she."

GRAMMYs/Mar 28, 2024 - 05:00 pm

On her burning single "she," Slovakian singer Karin Ann beams about a confident, effortlessly beautiful mystery woman — from her unique distaste for modern television to her quaint apartment in the city.

"If someone ever would take her to the dance floor/ The world would disappear, the music would still be playing," Ann croons in the chorus. "Her heart beats so loud, even after everyone is gone/ She'd still be dancing, dancing in her own mind."

In this episode of Global Spin, watch Ann deliver a full-band performance of the track, complete with two guitars, a keyboard and a drum set — and a wall of records as a backdrop.

Ann came up with the concept for the track while searching through her phone during a sleepless night: "I stumbled upon a sentence that sparked inspiration. Most of my songs lean towards the sad or melancholic, but this particular lyric was different. I find it challenging to write happy songs, so it felt like creating this character allowed me the freedom to explore new territories with 'she.'"

"She" is the lead single from Ann's debut album, through the telescope, which arrives May 10 via 3amRecords. As "she" and second single "false gold" hint, the album will explore themes of love, identity and mental health while also showing off Ann's musical versatility.

Press play on the video above to watch Karin Ann's edgy performance of "she," and check back to GRAMMY.com for more new episodes of Global Spin.

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A collage photo of African women rappers (Clockwise from top-left): Femi One, Deto Black, Nadfiav Nakai, Candy Bleakz, Rosa Ree, Sho Madjozi
(Clockwise from top-left): Femi One, Deto Black, Nadfiav Nakai, Candy Bleakz, Rosa Ree, Sho Madjozi

Photos: Kaka Empire Music Label; Dave Benett/Getty Images for Dion Lee x htown; Oupa Bopape/Gallo Images via Getty Images; Slevin Salau; Asam Visuals; Harold Feng/Getty Images

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10 Women In African Hip-Hop You Should Know: SGaWD, Nadai Nakai, Sho Madjozi & More

Women have been a part of African hip-hop since its onset, contributing to the genre’s foundation and evolution. These 10 female African rappers bring unique perspectives to hip-hop coming from Nigeria, Ghana and across the continent.

GRAMMYs/Mar 27, 2024 - 03:26 pm

African music has become increasingly mainstream, with Afrobeats gaining global popularity in recent years. As Burna Boy, Davido, Wizkid, and Tems have become household names, and the Recording Academy presented the inaugural Best African Music Performance award in 2024, all eyes are on Africa.

Hip-hop is a crucial thread running through Afrobeats, which also mixes traditional African rhythms with pop and dancehall. Hip-hop landed in Africa between the 1980s and 1990s, first in Senegal in 1985 and in South Africa the following decade. Over time, African hip-hop advanced from imitating American styles, to a focus on artists incorporating their own cultural experiences, languages, and social commentary.

The result was a distinctly African sound, present across the continent from West to East Africa. In Nigeria, the rap scene is almost mainstream with artists like Olamide earning a GRAMMY nomination for Best African Music Performance for his hit song with Asake; Tanzania has gained enormous respect on the international rap scene for its own "Bongo Flava." 

Women have been a part of African hip-hop since its onset, contributing to the genre’s foundation. Nazizi Hirji is known as the "First Lady of Kenyan Rap" for becoming the first successful female artist in her country at age 16. Mariam of the Malian duo Amadou and Mariam created a distinctive sound by fusing elements of hip-hop and traditional Malian music. 

Africa's hip-hop community is ever-evolving, and women are at the forefront. The following 10 African women rappers are bringing their unique voices, experiences and sounds to the scene.

Explore The Sounds Of Africa

SGaWD

After leaving her career as a lawyer to pursue music, the Nigerian rapper SGaWD is beginning to make her mark on the scene. Fusing elements of hip-hop and Nigerian alté, SGaWD creates a sound without restrictions. 

She released her debut EP, Savage Bitch Juice, in 2021 and collaborated with fellow Nigerian artist Somadina on flirty lead single "Pop S—." In the second single "Rude," SGaWD detailed the nuances of her romantic and sexual experiences with men. She followed this with a slew of singles, including "INTERMISSION " and "Dump All Your Worries On The Dance Floor."

Her summer anthem "Boy Toy" is a sexy and melodic blend of rap and R&B. Her comfort with sexuality goes beyond lyricism; the music video for "Boy Toy" shows her comfort and embrace of sexuality via wardrobe choices and choreography.

But it's not all sex; SGaWD is dedicated to organizing her community. In December 2023, she organized The Aquarium, a sonic experience that included performances from herself and other female rappers.

Lifesize Teddy

Mavins Records is known for producing back-to-back breakout stars — from Rema to Arya Starr — and fans now expect a new artist from them annually. When Lifesize Teddy was introduced to the scene, rapping as her alter ego PoisonBaby, she got deep. Her intro video dissected her relationship with her inner child and explored her roots in Port-Harcourt, Nigeria. 

After spending three years of artist development in the Mavin Records Academy, she started her music career, by releasing two EPs in the span of four months in 2023. Her self-titled debut EP was led by the single "Hypnotic," a flirty song of sexual freedom that merges hip-hop and Afrobeats. Her second EP, POISN, featured five songs with one featuring her fellow Mavins Records artist, Magixx.

She ended last year headlining different shows in Lagos’ Detty December and is a special guest on Ayra Starr World Tour. 

Eno Barony

Ghanaian rapper Eno Barony's name reflects her aura and essence: "Eno" is Twi for mother, and quite fittingly she is referred to as "The Mother of Rap" in Ghana. Raised by missionary parents, she uses her music to spread the message that women should not be silenced. 

She has been releasing music for over a decade, with singles "Tonga," "Megye Wo Boy", "The Best," "Touch the Body," and "Do Something" gaining mainstream attention on the continent. Eno Barony released her first album in 2020 and, the following year became the first female rapper to win Best Rapper at the Ghana Music Awards. 

Her most recent album, Ladies First, captures the nuances and complexity of being a woman in Ghana and serves as a form of resistance to patriarchy. Opening track "God Is a Woman," featuring Ghanaian singer/songwriter Efya, establishes the tone: Eno is "entering every lane" even though "it’s a man’s world and she entered without a passport". 

Eno Barony continually pours vulnerability into her music. On these lead singles; "Heavy Load" and  "Don’t Judge Me" she raps about accepting her body image and addresses the culture of unconstructive criticism in the music industry, respectively. Last month, she released a new single "Good Enough," a romantic and reflective tune.

Nadai Nakai

Hailing from both Zimbabwe and South Africa, Nadai Nakai has been a fixture in the African rap scene for over a decade. She was the first female rapper to win the Mixtape 101 competition on the hip-hop show, "Shiz Niz."   

A mentee of pioneering Kenyan hip-hop artist Nazizi, Nakai released her first single "Like Me" under Sid Records in September 2013. The rightfully braggadocious song detailed her many talents and skills, wrapped in clever lyricism. She continued to release a slew of singles, including "Naaa Meaan" (a collaboration with Casper Nyovest, a South African male rapper), which garnered over 1 million views. Her debut album, Nadai Naked, was an ode to women making liberating choices. 

Her hip-hop and R&B-inspired songs highlight her values of female free expression and strength. Her most recent single, "Back In," announced Nakai's return to the industry after grieving the death of her boyfriend, AKA. She plans to release a tribute EP dedicated to AKA.

Deela

Deela saw a hole in the Nigerian music industry that needed to be filled. Where were the women who talked and behaved like her, with brazen confidence and an unfiltered sense of expression? 

She started making music during the pandemic lockdown, releasing singles such as the raging "Bitch Boi" and trap track "Rolling Stones." Both tracks later appeared on her debut album, Done Deel. Deela's most popular single, "Get A Grip," shows the rapper is demanding autonomy while owning her promiscuity and single life.

Deela's experimental sound includes ventures into trap, drill and more. Her 2023 album Is This On? showcased this range via UK rap-inspired "Trapstar" and straight-up hip-hop track "Take That Up" featuring Flo Milli.

She hit the ground running in 2024, releasing a collaboration with Somadina titled "Lagos" and a love-themed EP, Love Is Wicked

Deto Black

Lagos-based rapper Deto Black is an artistic polymath who dabbles in modeling, acting and photography. Her music spans hip-hop, Afrobeats, rap, pop and rock, and is becoming known in the alté scene following her collaboration with Odunsi the Engine, Amaarae and Gigi Atlantis on "Body Count." Deto’s verse on the 2020 track is  sex-positive, and encourages listeners to follow her example. 

Deto released her debut EP, Yung Everything, in 2021 and followed with singles "Nu Bag" and "Just Like Deto." At the start of 2024, she released "It’s A No From Me" featuring Chi; its music video was directed by notable alté artist Cruel Santino.

Rosa Ree

Tanzanian rapper Rosa Ree addresses the nuances of womanhood in male-dominated spaces. She entered the scene in 2016 with the goal of proving her naysayers wrong, releasing the aggressive "One Time" to dispel any notions that a woman couldn't exist in hip-hop.

In her 2022 single "I’m Not Sorry," Rosa Ree dismisses criticism and asserts that she won’t be sorry for showing her true image or voice. She also explores the unique bond between mother and child in 2023's "Mama Omollo," further showcasing the multifaceted identities of women in music.

Rosa Ree's 2024 single "In Too Deep" further showcased her introspective side by exploring themes of emotional hurt, betrayal and disappointment.

Candy Bleakz

Nigerian rapper Candy Bleakz fuses Afrobeats, amapiano and hip-hop, with heavy emphasis on street music. She started making music in 2019 and quickly began developing a community. Candy Bleakz collaborated with Zlatan and Naira Marley on "Owo Osu." 

Her resume now includes hits like "Baba Nla," "Kelegbe," "Virus", and "Kope." Her single "Won La" was even featured on the American TV series "Flatbush Misdemeanors." The most amazing thing about Candy Bleakz, though, is her courage to question the established quo and push for female representation in the infamously male-dominated street music scene.

She released her debut EP, Fire, in 2022 and raps proudly about her life and talent. On its breakout single, "Tikuku," she addresses her haters head-on. This song has garnered over 300,000 posts on TikTok going as far as eliciting a challenge in the Nigerian section of TikTok.

Candy Bleakz's second EP, Better Days, was released on March 22 and featured lead single "Para," a rap song featuring African drums, strings and chords. 

Femi One

At just 26 years old, Femi One is a renowned  Kenyan rapper and songwriter. Most of her songs are in Swahili and Sheng — a unique offering as many African rappers perform in a more universal language. 

Over the past five years, Femi One has released back-to-back singles, culminating in her 2019 debut EP XXV. " Two years later, her debut album, Greatness, further detailed her wild style and personality. Tracks like "Balance" are jam-packed with witty wordplay and hidden allusions. She also taps into her gospel roots on Greatness, thanking God for her career on "Adonai."

Her latest single, "B.A," is a pure Afrobeats song that invites listeners to lose themselves in the music and positive energy by throwing open the virtual club doors. 

Sho Madjozi

This South African rapper is known for her bold aesthetic, from her rainbow-coloured hair to her bright costumes. She released her first song, "Dumi Hi Phone," in 2017 and dropped her a genre-bending debut album the following year. Limpopo Champions League explores sounds from hip-hop to EDM.

Sho Madjozi has a quirky habit of writing songs about notable individuals. Her breakout single "John Cena," a tribute to the wrestler and actor, earned her the BET award for Best New International Act in 2019. She also collaborated with Sneakbo, Robot Boi and Matthew Otis on the hit amapiano song "Balotelli," which celebrated the renowned African soccer player. 

Sho Madjozi's music is entirely intertwined with her culture; she raps in the Bantu language Xitsonga and performs traditional dances such as xibelani wearing an adapted 

xibelani skirt. The xibelani (which translates to "hitting to the rhythm") dance is native to Tsonga women, and is performed by girls on special occasions as a celebration of their culture. Sho Madjozi's use of the dance and interpretation of its clothing helps shape her region’s cultural identity.

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