Versatile, soulful and intuitive, Julie Wolf has blazed her own trail into a music career that combines producing, composing, performing, music directing, teaching, sound design and more. Based in Oakland, Calif., Wolf's resume of collaborators includes Carly Simon, Indigo Girls, Ani DiFranco, Maceo Parker, Toshi Reagon, Bruce Cockburn and Sia. In the latest episode of Behind The Board, she dives into her musical past, touring with DiFranco, and what makes a great record.

Wolf recalls taking a gig as music director for a musical theatre production in Seattle that led her to enroll in a jazz program, which reignited her interest in music.

"It was a complete plate tectonic shifting life-changer, opening my heart and my ears and my soul to jazz and improvised music," Wolf said. "It gave me life."

She goes on to detail how she began to work with singer/songwriters and hit the road with legendary folk disfuptor Ani DiFranco. Wolf found her niche in performing live in a band that had not had a keyboard player prior to her arrival, and she began to merge her diverse musical experiences into a larger production philsopy.

"There is a through line you can follow like a north star: Does this serve the song? What does the artist want to communicate? Have you opened the channels of your heart and your creative flow so this comes through unobstructed? I think that's what makes a great record," she said.

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">music rehearsal w/ cast &amp; band of <a href="https://twitter.com/hashtag/GirlfriendCTG?src=hash&amp;ref_src=twsrc%5Etfw">#GirlfriendCTG</a>. <a href="https://twitter.com/RYDER?ref_src=twsrc%5Etfw">@Ryder</a> erbach <a href="https://twitter.com/curt_hansen?ref_src=twsrc%5Etfw">@curt_hansen</a> <a href="https://twitter.com/jynyates?ref_src=twsrc%5Etfw">@jynyates</a> <a href="https://twitter.com/vivirama?ref_src=twsrc%5Etfw">@vivirama</a> <a href="https://twitter.com/JanetRobin?ref_src=twsrc%5Etfw">@JanetRobin</a> <a href="https://twitter.com/CTGLA?ref_src=twsrc%5Etfw">@CTGLA</a> <a href="http://t.co/TKTG7yEr4Q">pic.twitter.com/TKTG7yEr4Q</a></p>&mdash; Julie Wolf (@juliewolfmusic) <a href="https://twitter.com/juliewolfmusic/status/627375583362576384?ref_src=twsrc%5Etfw">August 1, 2015</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

Now Wolf specializes in music production, composing for film and dance, sound design and music editing with her company, Julie Wolf Music. She also serves as in-house music producer for the legendary Fantasy Studios, where she puts the lessons she's learned through a life in music to use with artists from a wide array of genres. 

"The more trust that is developed and built, the more risks can be taken," said Worlf. "And that's where really beautiful music is made."

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Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

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He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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The peak of Latin folk singer Gina Chavez's creativity traces back to the beginning of her career — before there was any pressure from big-time executives.

"The 'ignorance is bliss' kind of vibe allowed me to do what I felt called to do," Chavez reveals in this episode of Behind the Board. "At this point in my career, I'm trying to get back to that space. I realize what a blessing that was to be in a moment where I was just like, 'Let's do this. Who cares?'" 

These days, Chavez's creative process begins with the rhythm or a "vibe," which she explains could be a chord progression or beat. Through this method, she created her 2020 effort, La Que Manda, which checked off a few of Chavez's goals: release a full-length project in Spanish, and qualify for the GRAMMYs and Latin GRAMMYs — all while building a community with her music.

Chavez received a Best Pop/Rock Album nomination at the 2020 Latin GRAMMYs, where she reconnected with peers she's met throughout her career — with whom she remains in touch with today. "We're constantly reaching out about new music," she says. "It's a beautiful community, which to me is what the Recording Academy is all about."

Over the years, Chavez has realized that having the courage to put music out in the world is the most beautiful part, regardless of the success. "If you're a creator and put yourself out there, that's great. That's the kind of greatness we need," she proclaims. "You never know who you're going to connect with. We all need someone to shine, so we can know that we, too, are bright."

Press play on the video above to learn more about Gina Chavez's relationship with music, and check back to GRAMMY.com for more new episodes of Behind the Board.

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When Chinese-Canadian music producer CHYL heard EDM for the first time after coming to North America, "a fire ignited" in her body.

Despite realizing her passion, CHYL opted for a career on Wall Street after graduating from Columbia University. "I hated it so much," she says with a hearty laugh. "In my second year of finance, I figured I really should start picking up some hobbies outside of finance."

From there, CHYL began taking DJ lessons casually and grew a deep appreciation for production. Though it wasn't until her idol, Avicii, passed away that she realized it was time to pursue music full-time. 

"He was who I listened to a lot back in the day," she explains in this episode of Behind The Board. "Life is short. You have to pursue what you love to do. If you don't, who knows what's going to happen? You have to go for your passion."

After five years of making music, CHYL has perfected her process. First, she finds a vocal slice for the foundation of her music. Then, she works on finding emotion and energy. And most importantly, she doesn't overthink any of it.

"Sometimes it's the most simple and catchy thing that goes viral. It's a constant battle that makes something similar and catchy or something that shows off all your production skills in one song. It's a balance," she adds. 

Above all, she always strives to make songs that stick. "A great song is memorable," she says. "Some of the songs that go viral on TikTok may or may not be great songs, but they're very memorable and catchy."

Press play on the video above to learn more about CHYL's musical journey, and check back to GRAMMY.com for more new episodes of Behind The Board.

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"I've always been connected and surrounded by music. I basically grew up in a music house," she explains in this episode of Behind the Board. But when a school friend taught her how to play guitar, she found her "superpower" in writing songs.

At 16, her stepfather took her to a songwriting workshop. Though she admits she was "freaking out" at the time, the class and her stepfather's encouragement helped her realize that music was her true passion — and she had no choice but to take it seriously.  

Now, GALE has mastered her songwriting style. "When I'm writing for myself, it usually comes from a very vulnerable or scary place. It's like I'm opening a portal to my feelings," she detailed. It's an approach she also used in her latest single, "La Mitad," a song about understanding a relationship has reached an end.

"The process changes every time, but I try to be honest with myself and not hold back from saying things how I want to say them because it's scary," GALE reveals. "It's like, 'Maybe I shouldn't say that.' When I think about that, it's like, 'Maybe I should say that because I'm thinking I shouldn't say that.'"

For GALE, the key to songwriting is being honest, because a great record is about connecting with listeners and making them feel something — and that's exactly the heart of her new album, Lo Que No Te Dije.

Press play on the video to hear more about GALE's creative process, and check back to GRAMMY.com for more new episodes of Behind the Board.

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