The vocal powerhouse Amy Winehouse, who tragically passed away in 2011, is canon by now—the music world has long deemed her one of the greats. 

So it’s sobering to relive the moment when Winehouse won Best New Artist—even when Winehouse was abroad at the time. (She would perform via satellite later in the show.)

In the latest episode of GRAMMY Rewind, watch a mega-exuberant Cyndi Lauper and Miley Cyrus accept the award on Winehouse’s behalf at the 50th GRAMMY Awards show in 2008.

Watch the giddy throwback clip above and check out more GRAMMY Rewind episodes here.

GRAMMY Rewind: Watch Eminem Win Best Rap Album For 'The Marshall Mathers LP' In 2001

Why has Bill Withers' immortal hit, "Ain't No Sunshine," endured for decades? And, furthermore, why does it seem set to reverberate throughout the ages?

Could it be because it's blues-based? Because it's relatable to anyone with a pulse? Because virtually anyone with an ounce of zeal can believably yowl the song at karaoke?

Maybe it's for all of those reasons and one more: "Ain't No Sunshine" is flexible. 

In the latest episode of ReImagined At Home, check out how singer/songwriter Ant Clemons pulls at the song's edges like taffy. With a dose of vocoder and slapback, Clemons recasts the lonesome-lover blues as the lament of a shipwrecked android.

Giving this oft-covered soul classic a whirl, Clemons reminds music lovers exactly why Withers' signature song has staying power far beyond his passing in 2020. It will probably be a standard in 4040, too.

Check out Ant Clemons' cosmic, soulful performance of "Ain't No Sunshine" above and click here to enjoy more episodes of ReImagined At Home.

ReImagined At Home: Keedron Bryant Powerfully Interprets John Legend's Love Song "Ordinary People"

 

Today, Sept. 25, we celebrate the birthday of the coolest dad—who else? Will Smith! For the latest episode of GRAMMY Rewind, we revisit the Fresh Prince's 1999 GRAMMY win for Best Rap Solo Performance for "Gettin' Jiggy Wit It."

In the below video, watch rappers Missy Elliott—donning white leather—and Foxy Brown present the GRAMMY to a stoked Smith, who also opted for an all-leather look. In his acceptance speech, he offers thanks to his family and "the jiggiest wife in the world, Jada Pinkett Smith." He dedicates the award to his eldest son, Trey Smith, joking that Trey's teacher said he (then just six years old) could improve his rhyming skills.

Watch Another GRAMMY Rewind: Ludacris Dedicates Best Rap Album Win To His Dad At The 2007 GRAMMYs

The classic '90s track is from his 1997 debut studio album, Big Willie Style, which also features "Miami" and 1998 GRAMMY winner "Men In Black," from the film of the same name. The "Está Rico" rapper has won four GRAMMYs to date, earning his first back in 1989 GRAMMYs for "Parents Just Don't Understand," when he was 20 years old.

GRAMMY Rewind: Watch Michelle Obama, Lady Gaga, Alicia Keys, J. Lo & Jada Pinkett Smith Open The 2019 GRAMMYs

The Librarian of Congress Carla Haden has named 25 new inductees into the National Recording Registry of the Library of Congress. They include Janet Jackson’s “Rhythm Nation 1814,” Louis Armstrong’s “When the Saints Go Marching In,” Labelle’s “Lady Marmalade,” Nas’ “Illmatic,” Kool & the Gang’s “Celebration,” Kermit the Frog’s “The Rainbow Connection” and more.

“The National Recording Registry will preserve our history through these vibrant recordings of music and voices that have reflected our humanity and shaped our culture from the past 143 years,” Hayden said in a statement. “We received about 900 public nominations this year for recordings to add to the registry, and we welcome the public’s input as the Library of Congress and its partners preserve the diverse sounds of history and culture.”

The National Recording Preservation Board is an advisory board consisting of professional organizations and experts who aim to preserve important recorded sounds. The Recording Academy is involved on a voting level. The 25 new entries bring the number of musical titles on the registry to 575; the entire sound collection includes nearly 3 million titles. Check out the full list of new inductees below:

National Recording Registry Selections for 2020

1. Edison’s “St. Louis tinfoil” recording (1878)

2. “Nikolina” — Hjalmar Peterson (1917) (single)

3. “Smyrneikos Balos” — Marika Papagika (1928) (single)

4. “When the Saints Go Marching In” — Louis Armstrong & his Orchestra (1938) (single)

5. Christmas Eve Broadcast--Franklin D. Roosevelt and Winston Churchill (December 24, 1941)

6. “The Guiding Light” — Nov. 22, 1945

7. “Odetta Sings Ballads and Blues” — Odetta (1957) (album)

8. “Lord, Keep Me Day by Day” — Albertina Walker and the Caravans (1959) (single)  

9. Roger Maris hits his 61st homerun (October 1, 1961)

10. “Aida” — Leontyne Price, et.al. (1962) (album)

11. “Once a Day” — Connie Smith (1964) (single)

12. “Born Under a Bad Sign” — Albert King (1967) (album)

13. “Free to Be…You & Me” — Marlo Thomas and Friends (1972) (album)

14. “The Harder They Come” — Jimmy Cliff (1972) (album)

15. “Lady Marmalade” — Labelle (1974) (single)

16. “Late for the Sky” — Jackson Browne (1974) (album)

17. “Bright Size Life” — Pat Metheny (1976) (album)

18. “The Rainbow Connection” — Kermit the Frog (1979) (single)

19. “Celebration” — Kool & the Gang (1980) (single)

20. “Richard Strauss: Four Last Songs” — Jessye Norman (1983) (album)

21. “Janet Jackson’s Rhythm Nation 1814” — Janet Jackson (1989) (album)

22. “Partners” — Flaco Jiménez (1992) (album)

23. “Somewhere Over the Rainbow”/”What A Wonderful World” — Israel Kamakawiwo’ole (1993) (single)

24. “Illmatic” — Nas (1994) (album)

25. “This American Life: The Giant Pool of Money” (May 9, 2008)

Learn To Make Beats With Library Of Congress' New Digital DJ Tool

"Four Tequilas Down" is as much a song as it is a memory—a half-remembered one. "Did you make your eyes blur?/So that in the dark, I'd look like her?" dodie, the song's writer and performer, asks. To almost anyone who's engaged in a buzzed rebound, that detail alone should elicit a wince of recognition.

Such is dodie's beyond-her-years mastery of her craft: Over a simple, spare chord progression, she can use an economy of words to twist the knife. "So just hold me like you mean it," dodie sings at the song's end. "We'll pretend because we need it."

In the latest episode of Press Play At Home, watch dodie stretch her songwriting muscles while conjuring a chemically altered Saturday night—and the Sunday morning full of regrets, too.

Check out dodie's hushed-yet-intense performance of "Four Tequilas Down" above and click here to enjoy more episodes of Press Play At Home.

Press Play At Home: Watch Yola Perform A Rock-Solid Rendition Of "Stand For Myself"